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» » A Gypsy Fiddler (1933)

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    • Author: Arihelm
    The Terrytoons are oddly interesting, mainly for anybody wanting to see (generally) older cartoons made by lesser known and lower-budget studios. They are a mixed bag in quality, with some better than others, often with outstanding music and with some mild amusement and charm and variable in animation, characterisation and content.

    1933, like all the other years for Terrytoons, saw a hit and miss batch. Of which 'A Gypsy Fiddler' is one of the middling ones ranking it in correlation with the rest of the Terrytoons. It is an unexceptional, nothing exactly special cartoon and has the same amount of problems as it has the amount of strengths. 'A Gypsy Fiddler' is also watchable, completest sake is the main reason to see it but it's not the only reason.

    Best asset is the music, which predictably is incredible. It is so beautifully and cleverly orchestrated and arranged, is great fun to listen to and full of lively energy, doing so well with enhancing the action. The ambitious, elaborate detail in the backgrounds is still great to see and some synchronisation is neat.

    For a Terrytoon, the gag count is not low and some are amusing and sharp. There is a natural charm and the characters give the cartoon, which is not a dull one, some zest.

    Outside of the backgrounds however, the animation is primitive at best with a fair bit of crudeness, over-simplicity and choppiness.

    Likewise, the story is paper thin and formulaic with a big air of over-familiarity due to doing very little new with a premise that was feeling old well before this was made. A few of the gags don't quite have the lustre and cleverness as others and the cartoon sometimes feels choppy and generally rushed, and would have been solved by the cartoon being two minutes longer.

    Altogether though, it's definitely worth a watch if more once or twice as a completest rather than over and over. 5/10 Bethany Cox
  • comment
    • Author: Cherry The Countess
    There's a black-and-white Airedale looking dog who takes the lead in this Terrytoon operetta. I think I've seen him in a couple of other Paul Terry cartoons from this period.

    This is another of the musical cartoons that Terry's studio would essay over the years. The best remembered are probably the ones from the late 1940s in which Oil Can Harry would tie Nell to a buzz saw until Mighty Mouse rescued her. There isn't much to this cartoon, although there is a spate of extreme Point of View shots during the third minute. There is also a plethora of gags, including Yale memorabilia in the Princess' room and the plunger that the King uses as a scepter. It keeps the movie watchable throughout.
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