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» » Napoléon Bonaparte (1935)

Short summary

A reedited version of Abel Gance's silent masterpiece 'Napoléon vu par Abel Gance', with sound effects added, dialogue post-dubbed, and with new scenes filmed with additional new cast members. The film recounts the life and exploits of Napoleon Bonaparte, Emperor of France and conqueror of Europe.

Although the soundtrack to this 1934 release is sometimes called stereophonic, Daniel J. Sherlock writes, "The use by Abel Gance of 'stereophonic' sound in the 1930s was actually a process where notches in the film would trigger a sequencer that would turn on and off various surround speakers for enhanced dramatic effects. All speakers were driven by the same monophonic soundtrack."

User reviews


  • comment
    • Author: Connorise
    Abel Gance's masterpiece, Napoleon, was made in 1927 - towards the end of the silent film era. It is over five hours long, and some sections require three synchronized projectors and three screens for theatrical presentation. I saw it many years ago in the last San Francisco theater equipped to show it as intended, with Paul Honegger's original score played on a giant theater organ which could simulate the sounds of an entire orchestra (including drums). The only videotape edition (which I have), released by Coppola in 1989 with a score by his father, is long out of print, and a DVD issue is reportedly prevented by legal complications. But Gance's 1934 re-edit would make a perfect DVD. It would easily fit on one disk, is designed for a single screen, and has voices dubbed in by the original actors. The lip synch is perfect, because Gance made the actors in the silent version speak their lines (perhaps anticipating the advent of sound). While we can hope that the 1927 version eventually makes it to DVD, the 1934 film stands on its own as one of the greatest historical films ever made.
  • comment
    • Author: Tygolar
    I have been entranced with movie since I saw it as its premier in Sacramento in 1983. It is a silent movie with titles, and a musical score. As I recall in Sacramento, a live piano player was provided. I believe this movie to be a fore-runner of current filming techniques. I understand that the director filmed part of it while on horseback and swinging the cameras above his head tied to a rope. The movie does not transfer to television well, as the grand final scene required more than one screen, in order to give the theater audiences a three dimension effect in the grand conclusion. On a television set, the multiple screen effect is like 3 post cards in a row on the screen. I had trouble getting used to the actors in their stiff clothes, but after awhile it was fine. We do get used to current actors being very good looking. I did not think some of the costumes were quite correct, particularly those of Josephine who was fond of wearing sort of see-through clothing, but maybe that would have been too racy for 1930 audiences.
  • Cast overview, first billed only:
    Albert Dieudonné Albert Dieudonné - Napoleon Bonaparte
    Gina Manès Gina Manès - Josephine de Beauharnais
    Damia Damia - La 'Marsellaise'
    Eugénie Buffet Eugénie Buffet - Laetitia Bonaparte
    Jane Marken Jane Marken - Marie-Anne (as Marken)
    Sylvie Gance Sylvie Gance - Théroigne de Méricourt (as Marjolaine)
    Joseph Squinquel Joseph Squinquel - Stendhal (as Squinquel)
    Georges Mauloy Georges Mauloy - Crécy (as Mauloy)
    Cathelat Cathelat - Georgin
    Henri Baudin Henri Baudin - Santo-Ricci (as Baudin)
    Vladimir Sokoloff Vladimir Sokoloff - Trista Fleuri (voice) (as Sokoloff)
    Nicolas Koline Nicolas Koline - Tristan Fleuri (as Koline)
    Alexandre Koubitzky Alexandre Koubitzky - Danton / Marseillaise chantée (as Koubitzky)
    Samson Fainsilber Samson Fainsilber - Danton (voice)
    Antonin Artaud Antonin Artaud - Marat (as Artaud)
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