The Story of Dr. Wassell (1944) watch online HD

Gary Cooper did four films with Cecil B. DeMille and this is easily the best of them. Although World War II is now history at the time this film was made, the incidents described were two years old. The attack sequences were brilliantly staged in the best DeMille manner, a kind of preview of 3-D.

DeMille in his autobiography admitted that the romantic flashbacks concerning Dr. Wassell were completely made up. The real Corydon Wassell and his wife were married all the time the action of the film took place. He described as a white lie, I think one's marital status is a bit more than that. Having said that the teaming of Cooper and Laraine Day was worked well and the romance fits in nicely.

Dr. Corydon Wassell was an early hero of World War II who was a doctor in the US Navy having been previously a medical missionary in China. He was ordered to abandon his stretcher cases as the Allies were evacuating Java in 1942 before the Japanese advance. He stayed and got themsafely evacuated with a few adventures along the way. He was decorated by President Roosevelt and FDR's radio message concerning Wassell's courage inspired DeMille to make this film.

DeMille said he could only envision Gary Cooper for the part. I'm sure that was the case because of DeMille's past success with Coop, but also because the Arkansas born and bred Wassell was similar to Cooper's own Oscar winning character of Tennessee native Sergeant York.

The rest of the cast performs admirably. The most poignant scene in the film involves a woman being shot during the Japanese aerial attack on the Dutch freighter Janssen in front of her little boy. As she urges the kid to go on and not look back, if a tear doesn't come to your eye you are made of stone. DeMille's films, especially his costume pictures sometimes have some stilted Victorian dialog, but in this one there is none.

Also I'd like to single out from the supporting cast Paul Kelly who plays one of the stretcher cases. He's a griper and a complainer all the way through, but when that kid's mother is shot as I previously described, he takes charge of the little boy in a scene that is the best in the film. Also Philip Ahn who plays Cooper's oriental confidante does it with strength and dignity which were his hallmarks as an actor when so many Asian players were stereotyped.

Even if you don't like DeMille, you'll like this film.

As WWII becomes part of 20th Century History, we now look back upon the Hollywood films depicting WWII as over-sentimental and patriotic. But this film is different, it was not about a great Allied victory but an Allied defeat and how one man, an American doctor single-handedly risked his life to save American sailors too injured to be moved during the pending invasion of Java by the advancing Japanese fleet. It is these real-life stories that are absent of any propaganda that will make this film survive. Although a bit glamourized for WWII moviegoing audiences, this film holds up well and it covers a part of WWII with respect to the Dutch involvement rarely discussed. Finally, Cecille B. DeMille, Gary Cooper and Technicolor still make this film an engaging experience.

This is an entertaining movie if somewhat dated ,still worth an occassional veiwing. Gary Cooper carries the film with a great performance showing him for the star he was. The cast is packed with good character actors and actresses,and is filmed in colour,based on a true story that De Mille heard on the radio as told by FDR. The story of how the doctor rescues some badly injured sailors in the Phillipines is told in a flagwaving way,with humor and tragedy side by side. One reveiwer asks about Hoppy a badly wounded soldier who is left stranded on the wrong side of a demolished bridge,the film shows the Japanese closing in on him and a nurse then they disapear. In C.B,deMILLES BIOGRAPHY he reveals that Hoppy did survive and at the end of the credits he told the film audience this fact.

Although the movie is slow-moving at times and crying out for tighter editing, Gary Cooper's Dr. Wassell is appealing and the story line compelling enough to make watching this film time well spent. The story of a Doctor, who after being second to discover the source of a major epidemic in China, joins the Navy and ends up caring for a group of injured American sailors stranded on JAVA during WWII. I learned a lot from this film that I didn't know about the war in the Pacific and the Dutch involvement. This and the quiet heroics of Wassell and other characters makes for a fascinating watch. "The Story of Dr. Wassell" is a solid period film with a number of surprisingly good actors.

Gary Cooper has the title role in "The Story of Dr. Wassell," a fact-based 1944 film directed by Cecil B. DeMille and also starring Laraine Day, Dennis O'Keefe, Signe Hasso, and Elliott Reid. During World War II, a naval doctor tries to evacuate soldiers from the East Indies as the Japanese are approaching. He insists upon taking the wounded on a transport ship, the Pecos, even though it is against orders. In the end, he is not able to do it. Wassell stays with his soldiers, all of whom assume they will die on Java. But the doctor won't give up. Along the way, we learn of his life in China and the woman (Day) that he loved.

"The Story of Dr. Wassell" is a little long and gets off to a slow start, but holds up thanks to Gary Cooper and the audience's involvement with some of the well-drawn supporting characters. By the time the movie is over, you feel like you've been in the war with them. I'm not sure if that's due to the length of the film or what the soldiers went through.

Cooper was about 43 years old when this film was made, yet he still retained that boyish smile of his. I've never figured out if he was a great actor or not; he was so outrageously handsome, I just can't stop staring at him. He didn't have James Stewart's range, Bogart's timing or Wayne's biting voice, but there was something very solid about him, as well as virile, likable, and magnetic. He also has a no-nonsense way of portraying a character, kind of cutting to the chase, and his performance really carries this film. Laraine Day doesn't have a very big role - in fact, she's wasted. The movie does provide a showy role for Dennis O'Keefe (who replaced Alan Ladd) and Signe Hasso, a very good actress often relegated to B films. O'Keefe plays a wounded soldier named Hoppy - and if you see this film, don't turn it off when you see "The End" because Mr. DeMille actually has an update about him.

The script could have been tighter, but "The Story of Dr. Wassell" is good entertainment, maybe a little dated, but nevertheless the story of a real-life hero who deservedly won the Purple Heart.

True-story of WWII at its best. Cooper shows his versatility as both dramatic and comedic actor. Knowing it's a true story helps to make the story-line more believable, bearing in mind the Hollywood touches. Nice to see a movie with less "career-army" attitude and more of the "we're all in this together" from other walks of life. Shows the comaraderie of both different countries jointly in the war, as well as people from all aspects of life. Wassell also depicts the vulnerability of us all and allows us to hope that when times get tough that we, too, will use the right/best judgement when it counts.[Did Hoppy make it?]

GARY COOPER is a dedicated Naval doctor during World War II tending to the wounded in Java where a shipload of men are wounded and expecting an attack by the Japanese. LARAINE DAY is the lovely woman he loves and who stands by him when the going gets rough.

The Technicolor photography is a big asset in making the war scenes more realistic and the men really look like damaged goods in their bandages and splints--two of whom are played by PAUL KELLY and DENNIS O'KEEFE. O'Keefe shares a wobbly, artificial sub-plot romance with a nurse (CAROL THURSTON) who looks after him. Ditto for SIGNE HASSO and ELLIOT REID. However, all of the scenes in the infirmary have an authentic look, thanks to DeMille's eye for detail.

The wounded men are full of high spirits and hi-jinks but Cooper is told that 60,000 Japs have landed in Java nearby and none of the wounded would have a chance to escape. It's up to him to devise a plan where he can help some of the wounded escape.

The action scenes are fine but there's too many lulls in between with clumsy use of flashbacks involving Wassell's romance with Laraine Day and some tediously repetitious scenes of wounded men suffering further wounds when the men try to make an escape with the aid of British troops.

Certainly not a typical Cecil B. DeMille vehicle, but Cooper gives a decent performance.

The running time is too long because the flabby screenplay is sidetracked by poorly handled flashback segments. The sub-plot with Dennis O'Keefe's character just doesn't work and the whole story takes too long to tell.

I never heard of this movie until I spotted the title via a CECIL B de MILLE search on this site yesterday. DeMILLE made few movies in the 1940's and 1950's and this was the only one I hadn't seen.

Two years in production, this dreadfully-dull-titled movie is a big screen epic Technicolor production depicts a seemingly small act of heroism --- a Navy doctor from Arkansas rescues 12 survivors of the USS Marblehead who are trapped on Java with the Japanese closing in on all sides, during the early part of World War II when America was still losing badly. DeMille brings the story together with a first rate mix of spectacular action, human drama, romance, and typical GI humor.

This is a REAL World War II movie, made during an era when Hollywood had neither Sean Penn, nor George Clooney, nor Steven Spielberg; and all of Hollywood was solidly behind America (not Japan)--- this era produced numerous real life war heroes who were also screen actors, directors, writers. More recently we have the revisionist history guys, such as Jerry Bruckheimer's PEARL HARBOR which "justified" the attack by the Japanese for the clearly stated reason of grabbing up bigger Japanese box office. Like most Americans (I think) I'd never have seen that movie if I'd known they'd stick a knife in the back of America and re-write the war against us.

Warning to girlie-man liberals: Dr Wassell is loaded with 2007-style Political Incorrectness. The GI's flirt with nurses, smoke cigarettes like mad, call their cigarettes "fags," call the Japanese enemy Japs; worse still they reflect patriotic attitudes and carry religion so far as to pray. Ohmygawd! This movie is difficult but not impossible to find. It was released by MCA/Universal in VHS many years ago. Specialty video shops like Video Vault in Alexandria, VA have it for rent. No listings on eBay right now, but it's worth a shot. Seek and you shall find!

"The Story of Dr. Wassell" is an excellent film non-combatant war film. But there's still plenty of wartime action. It takes places in the Asian theater and South Pacific. It's the story of an Arkansas country doctor, Corydon Wassell, who went to China as a medical missionary in 1913. In 1936, he went on active duty with the U.S. Navy reserves, serving in the Far East. When World War II broke out, he was serving as medical officer for two destroyers that were lost off the coast of Java.

This is a wonderful story of a different type of hero than the one who charges enemy positions. Wassell stays behind when the American forces on Java are ordered to evacuate. That is, all except the wounded who can't walk. So he's a hero of self-sacrifice and great love for his fellow man that he wouldn't leave his wounded men behind to be captured by the Japanese.

This is a harrowing film at times, and at others times it has humor. It was based on interviews and recollections of many of the men, and of Dr. Wassell himself. His decision to stay behind with his men goes against his direct orders. Yet he finds one situation after another of being able to move his men to a port where they can be evacuated. Obviously, it has a happy ending. And when he is called to meet the admiral in Australia, he expects to get a lecture and maybe face a court marital. Instead, brass of all kinds are in the room waiting as they listen to a radio broadcast in which President Franklin Roosevelt tells of examples of American heroism, and the story he tells is that of Dr. Wassell.

In the introduction to the film, Cecil B. DeMille is listening to that very broadcast. He says that that inspired him to make the movie about Dr. Wassell and his heroism. American author James Hilton wrote a novel shortly after Wassell's efforts made the news. Wassell served as an adviser for the movie.

Wassell earned the Navy Cross for his actions. There is a gratuitous romance aspect in the film, but it's OK and fictitious. Wassell didn't mind it because his wife was back home during this time.

The film was released on July 4, 1944, in theaters across the U.S. It was an obvious morale-builder. But before that, it had a premier showing on April 29, 1944 in Wassell's home time of Little Rock, AR.

All of the roles are done well. As with some other war movies of the time, this one has one character who is over-the-top silly, clowning, etc. After a while that can grate on a person. It's OK to have someone like that — if there was in fact such a person. If not, I question his inclusion because it seems that he's pushing or forcing a lighter side in the film. I thought just one short scene was quite hokey and hard to believe. That was Wassell's standing before a huge Buddha in the jungle and asking Buddha to make the distant convoy sounds anything other than Japanese. If he was a medical missionary, he more likely might have said the Lord's Prayer, or prayed to God in some other way. Well, it may have happened that way, or it might have been a Hollywood insert with some specific intent in mind.

This is a fine film about sacrifice and caring for one's fellow man in terrible times. And an excellent film for any war collection.

For his third TechniColor extravaganza Cecil B. DeMille (CB) took on World War II (WWII). Yes, THE BIG ONE, THE BIGGEST ONE and hopefully never to be repeated. Now what would you expect from CB master of the BIG. Some tide changing battle like MIDWAY were the fate of Empires hang in the balance. An aerial epic with our boys and their bombers up against the flying hordes of Nazi Germany. NO, we get some obscure incident in an early war debacle centered around Java. Listening to one of Franklin Delano Roosevelts (President U.S.A.) fire side chats (ie radio) CB picked up on the story of Dr. Corydon M. Wassell and how he evacuated wounded soldiers and seaman from the approaching Japanese invaders. Of course if made today by Michael Moore, Steven Spielberg or Oliver Stone the Japanese would be liberators of the Javanese from their evil colonial overlords, the Dutch. Funny though the Japanese liberation also included enslavement of their little brown brothers. Must have been some sort of 'Greater East Asian CoProsperty Sphere' bonus, full employment under duress.

Maybe we should not been that surprised by CBs choice of subject. He did have a habit of picking up on obscure historical incidents and blowing them up for the big screen. Examples of this are in his first two (2) color features THE NORTHWEST MOUNTED POLICE and REAP THE WILD WIND. The thing though this is a big, long production, filmed in color with a first rate cast which means it was very expensive and we get back very little. Think we could have at least started off with a the naval battle showing the defeat of the ABDA Fleet (American, British, Dutch, Australian) then the air attack on the Marblehead (CL12). That would of given us a clue why we were in such desperate straits. This film is largely a lost opportunity. A lot more could have been done even with keeping the story focused around Dr. Wassell. The alternative would have been to hand the project over to another director, shorten the film to ninety (90) minutes which is about what the story deserved. Sorry CB, your lowest rating yet. CB to us means CERTIFIED BIGNESS and this film is just small.

This is a good role for Gary Cooper. He's tall, sun-tanned, speaks with what is supposed to be an Arkansas accent although it doesn't approach the saturation level of his Sergeant York, and is a humanitarian doctor with an inventive streak. He's also nattily dressed, but that's hardly worth mentioning since just about everyone in the movie is dressed in clean, pressed clothes. Combat has no effect on their grooming.

Basically, Dr. Wassell, formerly an investigator of snail-vectored diseases in China, joins the Navy and is voluntarily left behind with a few nurses and a dozen or so patients too disabled to walk about the last ship departing the island of Java, threatened by the Japanese in 1941.

The wounded are all sailors from the USS Marblehead and Houston, which were sunk in the battle of the Java Sea. The Japanese blew the American-British-Dutch-Australian force out of the water. That is to say, we lost, which is to say you will see multiple movies about the battle of Midway (we won) but absolutely none about the battle of the Java Sea.

There are two scenes of violence. In the first, the hospital housing the wounded is bombed by Japanese planes. It's quite well handled. The ordinary war flick of the time would have multiple bombs falling at once, lots of outdoor models with paper-machie palms trees doing flips, and heroic Allies pumping machine guns up in the air. But DeMille doesn't do it that way. Everything is seen from inside a single hospital ward, the men and staff hiding under mattresses. There are only three or four bombs, with intervals between them, and they're nothing more than a long and eerie whistle before they hit. The first lands far away. The second and third are more of a jolt, and the last one blows in the windows, upends some of the hospital beds, and kills a patient. Instead of mindless action we get a scene full of suspense.

The middle part of the movie involves a long and painful journey by trucks and other British vehicles across Java to another port. One man -- and his devoted native girlfriend -- run off the road in their jeep and find themselves surrounded by Japanese soldiers. "They no take prisoners -- in jungle." "I got an idea. Hand me that Tommy gun," he tells her, eyes blazing, and there is a fade out on Hoppy spraying lead around in the general direction of the camera. Sure, it's a cliché, but again DeMille spares us the shots of a thousand barbaric monkeys tumbling over as they charge the doomed couple.

Gary Cooper, as I say, is neat. He manages to save the remaining wounded and link up again with his lost love, Lorraine Day. He's awarded the Navy Cross (I think) for his efforts.

A long movie, but not a bad one for its time.

Looking for something to watch over Christmas i found a VHS that i had bought of this film 8 years ago which i hadnt gotten around to seeing.Well all i can say is that after watching it it will be at least another 8 years before it gets another viewing.It is difficult to understand how this film cost so much to produce when the sets at times look as cheap as those you would expect to see in an early TV production.The film plods on aimlessly for well over 2 hours which induced me to nod off from time to time.Coopers is the only worthwhile acting performance the rest are quite awful,matching script and direction.Also given the fact that they are supposed to be in Java where it is rather hot don't they ever sweat?De Mille is his usual overblown self in the prologue and also in the directors chair.Given the reprehensible way Hoppy acted towards the nurse i couldn't have cared less whether he survived.

If I hadn't paid attention to the opening credits, I never would have guessed that this was directed by Cecil B. DeMille. For years, I have disliked his films (particularly those made in the sound era)--mostly because his epics all seem to have cool special effects but also lag way behind the average film when it comes to characterizations. In other words, the films look good but often the dialog is silly and the characters very under-developed. However, unlike films such as THE TEN COMMANDMENTS or REAP THE WILD WIND, this one had a lot of heart and was an excellent picture in all respects. Sure, the special effects and cinematography were great (really great), but it didn't surprise me that the sets looked like Java--after all, it's DeMille. But for once, the supporting characters were rather three-dimensional and the only complaint I have about any of them is Loraine Day. Her character and how it was integrated into the plot didn't seem to work very well--but this is a very, very minor quibble.

Gary Cooper plays the title character. He also starred in two other DeMille films, THE UNCONQUERED and NORTHWEST MOUNTED POLICE, though I think he was best in this film because his part was a little more subdued--creating a quiet strength instead of the usual macho hero (probably because Dr. Wassell was a real person). This doctor was one of the last to try to vacate Java when the Japanese invaded in 1942 and the film was intended as a propaganda piece to encourage Americans at home and abroad due to the heroism in the story. Along with Cooper is a fine ensemble cast of supporting characters. And, thankfully, these supporting characters generally were not just cardboard stereotypes--a definite plus over some other similar films from the period.

All in all, it's an interesting film that's worth your time and an excellent example of the type of films DeMille could do had he chosen to focus more on people than special effects and spectacle.

This film is based on the true story of Dr Wassell (Gary Cooper) who stood by his stretchered patients who could not walk and guided them to safety from Java in the face of certain Japanese capture.

The film isn't exciting enough. There is never any tension and the story just phuts along and never moves up a gear. It is too long and we have a rather lame love story told in flashback that adds nothing to the proceedings. The reason for the five stars is the performance of Gary Cooper who keeps you watching. Other cast members are irritating, eg, Dennis O'Keefe who plays "Hoppy" and is plain horrible to the nurse that takes a shine to him, who in turn is completely stupid and an obsessive psycho. However, the most disturbing case of idol worship comes from Philip Ahn who plays "Ping" and has a very gay thing going on with his admiration for Cooper - he even helps to dress Cooper - what a homo!

Overall, it's a disappointing film with some laughably bad scenes and Cooper has a catchphrase - "Good gravy!" - like most comedians.

With at least a little historical correctness, in it's time, the silly and jerky script was probably well worth the price of admission. If you are a fan of "classic" movies, Gary Cooper for the most part in this presentation is worth suffering through the balance of mindless drivel that appears to be little more than filler needed to make a 137 minute movie. Whew!!!... Dutch nurses with tight tops and well exposed cleavages are entertaining to say the least, but was that stuff historically correct? Was there a beauty shop at every corner?....Even n the jungle? It would be nice if so, but given the times, that sort of expose' seems unlikely. The men, with the exception of Cory Wassell, are depicted as nasty, dirty, uneducated, ignorant but highly patriotic pawns in a war of of someone else's doing's.

Watch this movie, just don't expect greatness in any way shape form or fashion. Is it worth repeating?....maybe not.

The movie is quite dated and a bit silly - on the other hand it is based on a true story as shown in the movie, and is well done - if not somewhat camp, certainly by current movie standards.

My biggest problem with it was the treatment of the lack of realistic emotion in a movie that contains so much tragedy.

The end is not particularly surprising. This is a Hollywood movie from the forties.

Again it falls into the category of "camp."

I agree with "chisim,"

The performances were very good particularly Gary Cooper.

sorry, i just couldn't finish it. this film sucks big time. the screenplay was so bad, the dialog so pretentious and boring, the sound track that tried so hard to make this film look patriotic, only turned it into a formulaic farce. the directing was just as terrible as there was nobody even gave a darn. why most of such movies involved American nurses would always cast beautiful nurses? did the casting agencies ever realize that these stupid arrangements only made them look more phony? this badly scripted film was a loosely knitted structure as a broken fish net that gave almost every one who played a role some crappy uninteresting dialog. i was bored and became so impatient to sit tight to let this film run its course. so many unnecessary dialog, unnecessary roles, unnecessary dialog, lousy scene after scene. this film was like directed by an old granny who just jabbered and blabbered uncontrollably. what a tiresome WWII film. yes, this film is so rare that only the couch potatoes would find it interesting and great.