Unique coming of age drama about three high school seniors and the shady relationship that develops between them. Alexa is a wannabe actress who becomes uncomfortable at the very mention of sex. She hangs out with her childhood friend Ben, who's only friend is Alexa. They're both in drama class (Ben handles the stage lights) with Johnny, the most popular jock in school. He's only there because he has to be, much to the chagrin of Alexa since he's her acting partner. Following a truly rotten performance, a popular actor gives Alexa a piece of his mind, basically telling her that only through proper life experience will she ever have a remote chance of being a good actress. Devastated, she decides to get some experience through Johnny while perhaps escalating their on-stage chemistry in the process. None of this sits well with Ben, who has his own encounter with Johnny. It all leads to an unexpected triangle where the most unlikely person might wind up getting hurt.

Early on, I figured this would be your typical quirky teen indie, but it takes a turn into darker territory. It ends up taking on a more psychological route as it tackles themes of discovering yourself sexually and popularity sometimes only being skin deep. Emmy Rossum, who hasn't been in many films worthy of her talent, is solid as the naive good girl turned manipulative user. The change in her character may be a little abrupt, but she handles it well. Saying that, I still think the writers could've spent more time gradually exploring her transformation. Ashley Springer is okay as Ben, but his character turns into too much of a perverse oddball by film's end. Good choice for the role of outsider, though. The real star of the picture is Zach Gilford of Friday Night Lights fame. He gives a layered turn as the tortured Johnny. It's a very different role from his awkward, somewhat shy FNL character, and he shows that he has the depth to pull it off. Rooney Mara also makes an impression as Courtney, Alexa's best friend. Looking at her IMDb page after viewing this film, I was very surprised to see that she's playing Nancy in the A Nightmare on Elm Street remake.

While the acting is mostly strong, I will say that Alexa and Ben are hard to relate to as the film goes on. Again, a little more time on their transformations would have been nice. The ending also leaves something to be desired. It just isn't wrapped up in a very satisfying manner. As it stands, Dare is far from great. The story and characters both could have been better developed, but I'd say it's worth a look for those who don't mind teen dramas that are a bit off of the beaten path.

The movie is split into four acts. The first three tell the story from the perspective of each of the three main characters, respectively, and the last act is a kind of epilogue. The film is still linear though, meaning that while the second act shows a different perspective than the first, it's still a continuation of the story, rather than a restart from the beginning. The rest of the acts continue that way.

The first act had me wondering why I was putting myself through what seemed to be your run-of-the-mill teen drama that might as well have been an episode of The O.C. rather than a feature film. A typical high school "good girl" who always played it safe and never got into trouble starts questioning her value system. She wonders if being "bad" would benefit her, namely, to give her the life experience she needs in order to realize her dreams of becoming an actress. Her lifelong platonic male best friend is worried about her newfound rebelliousness, and he even feels betrayed by it.

Sometime during the second act is when this film started to deviate from anything I had expected. When the third act came, the story had gotten so messed up that I felt ashamed of my initial assumptions. I'm not even going to hint at what happens, because it might soften the impact of seeing it unfold on the screen. All I'll say is that it deals with questioning the seeming obviousness of people's sexuality and popularity. This turned out to be something of an artsy picture that didn't focus on typical Hollywood entertainment values. It's "smart", in that it's not always obvious what exactly is going on, and there's no voice-over to tell you what the characters are feeling. It's an original story that makes you think.

Was this movie good? Tough call. The acting is excellent and the production quality high. Some people might be bored or just confused by this, due to the strangeness and ambiguity. If you like a deviation now and then from the norm, you might appreciate it, and if you're into independent film, definitely give this a shot.

In "Dare," Alexa (played by the winning Emmy Rossum) is an inexperienced, socially inept teenaged actress who decides to become a "bad girl" so she'll be more in touch with the characters she's playing (her current role is that of the world-weary Blanche Dubois in a high school production of "A Streetcar Named Desire"). Not only does this open up a whole new realm of experiences for the young lady herself, but it leads to a chain reaction for the two most important people in her life: her geeky best friend, Ben (Ashley Springer), who becomes seemingly jealous when Alexi takes up with the school's brooding, arrogant jock, Johnny (Zach Gilford); and Johnny himself who reveals some surprising truths about himself before the story's over. "Dare" is all about the roles we take on at various points in our lives, and how different we can appear to the world once the masks we are wearing are stripped off - thereby making the theatrical context the story uses a metaphor for real life.

Writer David Brind has divided his story into three parts, each focused on a different main character (Alexi comes first, followed by Ben, then Johnny). Since this has been largely conceived and constructed as a parable, the narrative lacks credibility on occasion and the storytelling does become a bit heavy-handed at times, but some genuinely unexpected plot twists, a blunt and honest approach towards sex and sexuality, an intriguing look at the boundaries of friendship, and an overall complexity of character make the film difficult to dismiss out of hand. In fact, its strangeness is probably its most compelling feature. Brind and director Adam Salky are obviously going for something offbeat and unusual here, and it is all to the movie's advantage ("Dare" is actually a fleshed-out version of a short film Salky made a few years earlier).

Fans of "Friday Night Lights" will be intrigued at seeing Gilford in a role that appears at first blush to be diametrically opposed to the sweet and likable Matt Saracen he plays on the series, though, as the story progresses and more layers are peeled off the character, we discover that Matt and Johnny actually have quite a bit in common with one another - mainly their feeling that they are largely unloved and alone in the world (Matt just deals with it better).

In addition to the three striking leads, Alan Cumming and Sandra Bernhard lend their support to the project in small but significant roles.

Despite its imperfections, this tale of youthful self-discovery emerges as a thoughtful and insightful look at the often painful, confusing, fumbling - yet wholly necessary - efforts teenagers must go through to find their place in the world.

I wouldn't call this a typical teen angst movie. It has some interesting twists and a surprising bit of innocence that you wouldn't guess from the trailers and descriptions.

Zach Gilford, Ashley Springer and Ana Gasteyer were the highlights of the film for me. (I'm not normally a fan of Ana's work, but I liked her in this.)

Warning, the rest is a potential Spoiler...

Alan Cumming's role is quite short, but his his character's words perhaps explain more about the actual story than anyone else's. If you watch the movie and find yourself scratching your head when the end credits roll, go back and watch his scenes. How is a great actor created? Do life lessons that just happen to you naturally because of who you are have a bigger impact on your life than ones you unnaturally try to force to occur? I think those questions play a big part in how the characters end up.

Overall I think it's a good movie, a bit more complicated than some, no easy answers or simple conclusion. If you're the kind of person who tries hard to present yourself as something that you're not, you may appreciate this movie more than others.

A pop-art animation shows a pair of hands, wrapped around an iPhone. On the screen, the thumbs tap out the opening credits. Occasionally, the hands reject incoming calls from Mom. They also accidentally type out things like "props!" and "OMG". It is a rather embarrassing attempt to seem down with the kids (or is that kidz?) but thankfully, it is also misleading. The film itself has an entirely different tone. 'Dare' is not another typical teen-rom-rom about puberty and trying to get laid.

Alexa (Emmy Rossum) is an innocent, hard-working drama student. After failing to impress a big theatre star (Alan Cumming), she is advised to experience new things in order to improve her acting. She decides to seduce her drama partner, Johnny (Zach Gilford), who acts tough to hide his sensitivity. Ben (Ashley Springer), Alexa's gay best friend, is jealous of their relationship and decides to have a go at Johnny too. Their relationships soon become an uncomfortable and confusing love-triangle.

The film is divided into three parts, each one following a different main character. The more focused characterisation allows for a more effective display of all the awkwardness and insecurity associated with adolescence. Each of the main characters is given their own screen-time to grow and develop, and as a result there is much more substance.

'Dare' is at its strongest when the audience gets to see the characters go about their own lives, without the hassle of narrative development. On their own, the three individual segments of the film could have easily been short, John Hughes-esque films about different teenagers and their approaches to the issues of growing up.

The character of Alexa goes from innocent, uptight bookworm to sexy party girl too quickly, but Rossum plays both 'versions' just fine. Springer does a good job portraying Ben's struggle to deal with his homosexuality, and it is touching to see him find confidence in himself. Gilford gives the most convincing and layered performance of all as Johnny. He channels Marlon Brando and James Dean in his sensitive tough-guy act and it is effective, especially when it becomes apparent that he has severe rejection issues.

The problem with this kind of narrative structure is that there's too much characterisation for the love-triangle storyline. There is too much attention on each individual personality and not enough on mixing those personalities together. The characters end up changing too quickly, and it is clear that this is merely for the sake of pushing the love story along.

The film's attempt to be a coming-of-age drama and a love story at the same time backfires. It is too much of a character piece for the love-triangle story not to seem forced. By the time the abrupt ending comes around, one can't help but feel cheated, or disappointed by the wasted potential.

As a character study 'Dare' certainly excels, but as a narrative it is never compelling enough to be remembered. This film is likely to resonate with anybody who has ever been a teenager, but just because it resonates does not guarantee that it will be memorable. For his first feature-length effort, Adam Salky has done a decent job. It will be interesting to see what he comes up with in the future.

Dare was a genuinely surprising film. Having seen the short years ago at a gay film fest I thought that I knew what the story would be about and I was fully prepared to be disappointed that the feature wasn't as good as the short. Boy was I wrong! The film took me places I didn't expect and left me with images and ideas that I'll remember for a long time. There were likable, realistic characters that I genuinely cared about and a well written feature-length storyline that neatly incorporated the short that preceded it.

There were spots where the film showed its indie-film roots but, for the most part, the scenes were studio grade. The dialog was mostly well written, the actors knew their craft, and the director succeeded in bringing all of the filmic elements together better than most works of this kind. The overall tenor of the film was moderately light-hearted considering the subject matter and does a nice job of balancing the problems of high-school life with its promise.

Zach Gilford did a great job and turned a character that I thought of as a bit of a cad in the short into a sympathetic waif.

This is NOT a major studio release and if you go into it looking for that you'll be disappointed but if you'd like to see a nice small movie that treats issues of being gay in high-school as just one issue that today's youth deal with, then this may be the film for you.

I would recommend this film for anyone who finds themselves interested in sexuality in general or especially teen sexual awakenings. The plot itself is not extremely gripping but the actors bring a certain raw, candid look at "graduating" adolescence and embarking upon the lifelong trip of finding one's identity.

Those who wish a typical Hollywood or status quo film experience should stay away from this one as it's quite creative and caters to those seeking intellectual or romantic pondering. So while this film is indeed interesting the average movie-watcher may find it lacking for entertainment value.

This film was only good because the acting was solid throughout the whole film, although the character Ben played by Ashley Springer was a little possessive and creepy at times, he still seemed to be true. Zac Gilford shined as Johnny Drake a loner, showing he has range other than wholesome Matt from Friday Night Lights. And Emmy Rossum was excellent as Alexa, the sweet and pure Sandra Dee of the coming-of-age film. So why only a 3/10? The three was for the actors and the -7 was for the writer of this mess. The story did not blend well, it was too jumpy and incoherent. i am not a huge fan of voice-overs, but this needed it to fill all the gaps in the story. It seems that the writer had watched Dawson's Creek and Cruel Intentions and through in a little sexual confusion into the pot, stirred it and came up with this half told tale. The conclusion is there is no real conclusion, just more ambiguity to confuse the confused.

The plot between Johnny and Alexa seemed quite average but when things became heated between Ben and Alexa he seemed to become quite childish in the fact of he wanted his best friend returned to him so he tried to take away her new toy type of deal. Although he was discovering himself I found it quite wrong in the way of getting Alexa back. Johnny's self discovery is understandable yet slightly twisted(not negatively plot wise) Alexa's feelings toward Johnny were easier to follow. And in the end Alexa seemed to truly be sorry to Johnny although the ending was more of a non-ending there wasn't much closure. I didn't like Ben's storyline because he seemed too manipulative and quite cold. I found the character of Courtney really interesting.

'Dare' is pretty much what you'd expect from a low-budget indie film: Lazy direction and pretentious storytelling. The standards for indie films are pretty low and this movie is one of those movies that does nothing to change that.

Every character pits him or herself into the perfect mold of dramatic archetypes (minor roles included). The female lead, Alexa, played by a modest Emmy Rossum, is your typical high school overachiever who breaks out of her shell after a moment of foreseeable clarity. Playing a character that's easy to hate, Emmy works well with the distasteful card she was dealt. Ashley Springer's character Ben, however, doesn't get the benefit of the doubt. The unyielding character is completely unlikable throughout the whole movie and he falls victim to being portrayed by an inconsistent actor. Johnny Drake, the biggest cliché of film history, is the only likable character. Zach Gilford shows range in his acting abilities by breaking away from his awkward roles to play the "bad boy" with a heart of gold.

Everything about this movie reeks of presumptuous "raw" perspectives of teen life and sexuality. Unfortunately, the unapologetic principle that drives the plot forward isn't enough to save it from the dull progression, simple dialogue and contradictory character development. The writer, David Brind, gives me the impression that he wrote this script overnight with help from a 13 year old companion of his.

The film is directed by Adam Salky, who's lack of any relevant experience is evident. The atmosphere of the film is nonexistent. The characters had might as well been in subspace. Salky does absolutely nothing to build an environment for the viewers. Mid-shots are as close as we get to a setting. The worst part is that the movie tries to feed off that false feeling of genuine temperance with its weary direction. It didn't work.

I do, however, applaud Brind for having the courage to portray sexuality in ways that mainstream writers are scared to (even in today's more open-minded society). Unfortunately, all applauds come to an abrupt pause as the credits roll. The ending is yet another "profound" attempt at open-endings. Don't get me wrong. I don't always need everything wrapped together with a pretty little bow but there's only so many gaps that a viewer should fill on his own, don't ya think?

Alexa Walker (Emmy Rossum) is a stressed-out high school drama geek. To her dismay, she's paired up with jock Johnny Drake (Zach Gilford) who doesn't care about their acting assignment. Even worst, former student and star actor Grant Matson (Alan Cumming) is impressed with him rather than her. She spirals downwards and ends up in detention with Johnny. She goes to her friend Courtney (Rooney Mara)'s party and has sex with Johnny. Her best friend Ben Berger (Ashley Springer) gets jealous. This becomes a series of sexual experimentations.

The structure of this movie is divided in three. The first part follows Alexa, the second part follows Ben, and the third part follows Johnny. It leaves the flow disjointed and the emotions disconnected. Alexa's part is standard high school drama. I really like her scene with Cumming. The Ben part is uncertain. By the time it's Johnny's part, I am lost emotionally with Alexa. The three leads are relatively good. Gilford puts up the most compelling performance. This film has an awkward, uncertain tone that keeps it from finding its feet.

I only give this film a 6 because, having seen the short-form original on the BOYS LIFE 5 DVD compilation, I generally prefer it over this feature film. The only point in this film's favor is that it develops the character of Johnny Drake, who was virtually raised in an emotional vacuum. The creators totally blow the ending of this film, by not having Johnny develop a relationship with either Alexa or Ben that satisfies his desire to be loved. The short-form film never touches on this theme, and I believe is better because of it. That film at least leaves the viewer wondering what might happen in the future with Ben, but neither film leaves the viewer with a satisfactory resolution. Believe me, the version of the story told in 20 minutes works better from a cinematic perspective that this drawn-out version of the same story.

Signing up Zack Gilford ("Friday Night Lights") and Emmy Rossum {'Shameless") to play a teenage Stanley and Blanche must've seemed like a real casting coup, but I'm thinking this film would've been better off with two younger, less charismatic stars—their characters are supposed to be slowly groping their way (in more ways than one) towards an adult identity, and these two seem like they're already fully formed. Still, their performances are the best thing about "Dare," which in spite of a promising storyline, still ends up feeling kind of unfocused and generic.

The unstable triad of high-school player Johnny (ZG), ambitious art girl Alexa (ER) and "drama-club tech nerd" Ben (Ashley Springer) shakes out pretty much the way you think it will, though the ending's a nice surprise, and the most convincing scenes are the ones where the three leads interact with other characters, not with each other—Johnny goes off on a boorish classmate and on his therapist; Ben tries hard to keep his mother (also a therapist) from "analyzing"; prim Alexa talks smack with her dissipated BF (Rooney Mara).

Excellent supporting cast—Cady Huffman turns up briefly as Alexa's pediatrician, Alan Cumming's a troublemaking HS alumnus and Johnny's therapist is Sandra Bernhard, no less; nice soundtrack and Philly Main Line locations (Johnny's absentee father has the perfect McMansion with lawyer foyer). "Dare"'s certainly not all that it might have been, but it's still quite watchable; turns up on cable a lot these days.

This is a solid film I assumed was going to be a lame teen relationship flick but it turns into a somewhat clever unorthodox relationship flick that happens to utilize teens. Its broken into three parts where each part focuses on one of the three main characters. I liked that aspect of the film because it allowed us to get into the mind of each character pretty well and understand their turmoils and motivations. But the problem is once you're done with one character that character then becomes less deep which rubbed me the wrong way. You have a window into the emotional turmoil going on in Alexa that would allow her to use Johnny the way she does only to have her character fade to a somewhat two dimensional "girlfriend" character which basically acts as a foil to Johnny in his (and the last) bit. Ben fairs even worse I think going from the apparent nerd best friend of Alexa who we assume is secretly longing for her only to be thrown a twist (which was well done in my opinion) that he has actually been longing for Johnny not Alexa. But then once his chapter is done he becomes this terrible aggressive horn dog who only wants to get in Johnnys pants and he loses all the emotional turbulence and likability he had developed during Alexa's and his chapters. Yuck. What a way to ruin a character...

I definitely enjoyed the bagel/banana scene but was unsure what we were supposed to think of Bens mom. Was she fancying Johnny? Was she just there to deliver a metaphor? You think its going somewhere then nothing comes of it. Also didn't like Courtney's character. She seemed a decent enough foil for Alexa at first but she devolves into this weird sad lush at the end whose sole purpose is to host the party where everything falls apart. And what was with that party anyway? Were they purposefully doing things to mess with Johnnys head? Why? Although both characters (Alexa and Ben) come off as selfish in their motives I didn't see them as nefarious or sinister or purposefully wanting to hurt him. Yet that whole scene had the feel of a purposefully planned torture session for Johnny. And we cant totally feel sorry for Johnny either. He gets used but his motivation is ultimately selfish as well. He wants a connection so desperately that he's willing to believe an impossible three headed relationship could actually work out for everyone and is devastated when it becomes clear that no... it cant...

All in all its worth watching despite some plot holes and inconsistencies. I wish they could have figured out a way to keep the characters developed after their chapters were done but thats probably a real trick, understandably so.

I had moderately high hopes for this movie but I found it mostly dull and tedious. It is about a group of high school students in drama class, but with much more drama outside school hours.

I was anxious to see Emmy Rossum who was so appropriate as Christine in "Phantom of the Opera". Here she is Alexa Walker, serious about her acting aspirations but doesn't much positive feedback.

One of her friends is a guy, Ashley Springer as Ben Berger. Ben is a social outcast and is really confused. In one conversation he admits he is about to finish high school and has never kissed anyone. But that conversation was in the swimming pool with another guy, and they fill that void in Ben's life.

That guy is Zach Gilford as loner Johnny Drake, who also becomes attracted to Alexa. He declares "I am not gay" but near the end he, Alexa, and Ben get passionate as a threesome. Everyone becomes confused by that situation.

About the best I can say about this movie is that it is 'interesting' but I could not recommend it.

An almost insurmountable problem for me while viewing 'Dare' was, yet again, a filmmaker (and an Indie one to boot.) who cast actors too old to play high school teens. One would have gathered from the main and featured characters that they were in a movie about some college campus with a heavy population of post-graduate students. Hollywood has done this kind of casting since time immemorial. Don't the producers/directors realize that they're using a visual medium to tell the story? Not a radio show, not a play in a large theater but a movie, using close ups as well as medium and long shots. For a couple of the actors another dead give away is when they opened their mouths to speak. They sound like young adults, not 17 or 18 year old's. The movie, though revisiting an already well chewed story, is competently done, the performances are well directed and acted and director Adam Salky has done very well in this his first feature film. P.S.: I thought the major trauma that occurred to John near the end of his section could have been made clearer. Afterwards, I was never completely certain of what had happened to him prior to his deciding to become a serious student of acting at the very end of the movie.

Let's get a couple of things straight. This movie is rated R for sexual content but Emmy Rossum does not get naked in it. If that's what you're looking for, trust me, you won't find it here. What you will find is one of the reasons movie critics get so cranky. When you see a critic who appears overly harsh about a film's flaws, it could be because he or she has seen those same flaws in so many other movies. That's what happens with Dare. It does something I've seen in at least 2 or 3 other films and not only does it never work, I don't think it can work and don't understand why anyone ever thinks it would.

What Dare does is completely shift its focus from one character to another as it goes along. I'm not talking about focusing on many different people whose stories intersect or even telling the same story over again with different perspectives. I'm talking about one continuous story where the main character simply changes as you watch, oftentimes with a little notice on screen to indicate the change.

Where this storytelling device comes from is a mystery to me. What I am clear on is that it's defective, at least in the context of a motion picture. Whatever the theory or intent, the practical effect of doing this in a film is to ask the audience to do the same thing over and over again. At the start of the movie, the viewer is introduced to a character and asked to take an interest in their life. Then that character is either ejected or relegated to the background and the viewer is introduced to another character and asked to take an interest in their life. And that's repeated again and sometimes again and again and again.

The problem with this should be obvious. If the audience actually takes interest in the first character you show them, that's who they want to watch. They don't want that person to be replaced by some other character, either one they haven't seen before or one they have but has been established as a minor character in their minds. The first 10 or 15 minutes of a motion picture is usually when people figure out if they want to watch it or not. Rotating the main character is asking people to go through that introductory process over and over and that's not a natural thing.

Dare rotates through three main characters. Alexa (Emmy Rossum) is a virginal theater chick in her high school. Her story is about how she's emotionally repressed and inexperienced and how being taunted about that by a well known alumnus of her school transforms her into a slut. Next up to bat is Alexa's best friend Ben (Ashley Springer). His story is about how he's gay and…well, that's pretty much it. The commonality of the first two segments is that Alexa and Ben both have their first sexual encounter with the same guy. He's Johnny (Zach Gilford) and he takes over as the main character in the third and thankfully final part of the movie. After being shown as the cool but still somewhat dickish most popular kid in school, Johnny's segment is about how he's really even more screwed up than either Alexa and Ben because…blah, blah blah. Alexa's story is the only one I cared about and it gets shoved off screen just as they start to show the fallout of her making a radical change in her life, replacing it with the utterly-by-the-numbers tales of Ben and Johnny.

Well, utterly-by-the-numbers isn't accurate. Ben has sex with Johnny after he knows Alexa and Johnny have boinked and Johnny knows Alexa and Ben are best friends when he and Ben do it. I know kids today are supposed to be more sexually fluid, but that's pretty twisted and Dare loses its last chance to engage the audience by having Ben be totally unconcerned by such bed hopping, Johnny treating it like having to choose between chocolate and vanilla ice cream and Alexa acting as though the cross-copulating is like eating your salad with the wrong fork.

By the time Dare wraps up, it's clear that Alexa was ultimately a supporting character to Johnny's story and Ben was barely more than a bit part, even though the ending to Johnny's story happens entirely off camera. That's the kind of nonsensical structure you get from rotating main characters. It doesn't work and filmmakers need to stop doing it.

The acting and the direction of Dare are fine and the dialog is unmemorable, but none of that matters because it's so poorly structured. If this film were a house, it would be condemned and the only ones who could live in it would be families of raccoons. I could have overlooked that if Emmy Rossum had gotten naked. She doesn't, so I can't.

One of the worst films I have ever seen in my life. Emmy Rossum is trying to prove to everyone that she isn't just the girl next door, she is the slutty girl next door on crack.

I'm confused, are we supposed to feel sorry for these rich kids who don't know what to do with their lives but to booze, drug up, have all kinds of unprotected sex and still make it into high society, corporate America and become future bureaucrats like their parents? Uh, to quote an "f" bomb like one of the ones used in the film. "I don't effing think so."

This film deserves an "F" as in "F***". Avoid this movie like a plague. You have been warned.

This film was screened at the Hamptons International Film Festival, and had a pretty decent turnout from people of all ages and groups. It is a unique take on the High School trials and tribulations of three teenagers. The film is based on a short film that can be viewed online, and features Emmy Rossum, Sandra Berhard and Alan Cumming. Although the film will not be something many will relate to as their high school experience, it is still a funny, quirky piece with some great actors making appearances.

Please check out the Q&A with some of the stars and writer and director of the film from the Hamptons Film Festival. There will be a review of the film posting soon so stay tuned for that as well.