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Short summary

A boozy Broadway actress comes out of a 12-week cure to face the problems of her best friends as well as her needy daughter. She tries to balance the terrors of returning to work with the demands of all around her with humor and insight, while staying off the booze.

James Coco became the first and only (to date) actor to be nominated for both an Academy Award and a Razzie for the same performance. Coco won neither award.

Final completed feature film of actress Joan Hackett.

At the time of production, Marsha Mason was married to Neil Simon, the film's Producer, Screenwriter, and source Playwright. Of the movies they made together, Max Dugan Returns (1983) and this film, were the only ones where Simon was a Producer.

Film Composer David Shire had lyrics written to his lively main theme by Richard Maltby, Jr., and the song "Only When I Laugh" was recorded by Brenda Lee. For reasons unknown, the song was not included in the film. However, MCA Records released it as a 7-inch single with the label credit "From the Columbia Motion Picture". The song was also nominated for a for a Worst Original Song Razzie Award.

The character name of Georgia Haines (played by Marsha Mason) was changed by writer Neil Simon from his original source play "The Gingerbread Lady" where she was known as Evy Meara. On Broadway, Evy was played by Maureen Stapleton, after her successful performance on stage in Simon's "Plaza Suite". Stapleton won a Best Actress Tony Award for her part in "The Gingerbread Lady". The Evy Meara character was inspired by Judy Garland.

Some movie posters for this film ran with a long preamble which read: "Kristy McNichol's a daughter who never had a childhood...Marsha Mason is a mother who never grew up. For 16 years, they've been practically strangers...And when they get together, they're the most mismatched roommates since The Goodbye Girl (1977)."

Final of three Neil Simon written films featuring actor James Coco. The films were Mirtina žmogžudyste (1976), The Cheap Detective (1978) and Only When I Laugh (1981), the latter being the only one based on one of Simon's plays. Coco also previously appeared in Simon's Last of the Red Hot Lovers (1972) on Broadway.

The film was nominated for three Academy Awards, all for acting, but failed to win any. They were for Best Actor in a Supporting Role - James Coco; Best Actress in a Supporting Role - Joan Hackett; and Best Actress in a Leading Role - Marsha Mason. Kristy McNichol was the only member of the principal cast not to be Oscar nominated, while Coco's nomination was the only one he ever received. Morevoer, this film represents Mason's final Oscar nomination (to date, December 2012) for acting, her fourth, and all without a win, while Hackett won the Golden Globe equivalent for her performance. McNichol, however, was nominated for an acting award for this film and won it too, it being the Young Artist Award for Best Young Motion Picture Actress.

The film represents an early film appearance of then unknown actor Kevin Bacon who appears in a couple of brief scenes.

The film was released eleven years after its source play "The Gingerbread Lady" by Neil Simon was first performed in December 1970. The play opened on Broadway on December 13, 1970, and played 193 performances until May 29, 1971, when it closed. Thomas S. Hischak in his book "American Theatre: a Chronicle of Comedy and Drama 1969-2000 (2001)" said the play ran "a disappointing five months, the shortest run yet for a Simon play." "The Gingerbread Lady" is considered one of Simon's few flops, Simon extensively re-wrote it for this feature film adaptation. Susan Fehrenbacher Koprince, Associate Professor of English at the University of North Dakota, Grand Forks, has said that the movie "is radically changed" from "The Gingerbread Lady" and used "less than half" of the play for the film.

First theatrical feature film of director Glenn Jordan. The movie was the first of two Neil Simon adaptations that Jordan has directed, the second being Jake's Women (1996).

Ironically, because the picture was shot in New York City at the height of the New York stage season, where all the theaters were being used for productions, stage interiors had to be shot elsewhere, which was in a theater in Los Angeles, one on Wilshire Boulevard.

First film as a Producer for Neil Simon. Simon once said of this, "...to avoid any of the confrontations I've had with producers in the past over casting, I've decided to do this one myself. I didn't want anyone telling me we had to have superstar names."

The movie was retitled "It Hurts Only When I Laugh" in the UK, so the title would not be confused with British television's Only When I Laugh (1979) which was broadcast there between 1979 and 1982.

The film's original source Broadway play "The Gingerbread Lady" was directed on Broadway by Robert Moore who directed a number of Neil Simon written films such as The Sunshine Boys (1977), Chapter Two (1979), Mirtina žmogžudyste (1976), and The Cheap Detective (1978), but not Only When I Laugh (1981). Moore previously directed Marsha Mason in Chapter Two (1979).

First theatrical feature film of actor John Vargas who appears in a couple of brief scenes.

Marsha Mason plays an actress in this movie, as she had done in Chapter Two (1979). Mason's character was originally a singer in Neil Simon's Broadway play "The Gingerbread Lady".

Herbert Ross was first choice as director, but was unavailable.

The film has never been released on DVD (to date, December 2012). The movie was released on VHS during the 1980s and was available on a laser-disc by the 1990s. The movie rarely turns up on free-to-air television but has played in a letterbox transfer on TCM. The film though is available for download through Amazon Instant Video and Apple's iTunes Store. As of March 2017, it is available on DVD.

The setting of the film's source play "The Gingerbread Lady" is described in the play's intro as: "A brownstone apartment in the West Seventies. The present."

Kristy McNichol previously worked with Glenn Jordan on episodes of the television series Family (1976).

In its premiere engagement in America, this movie was released just six months before another filmed adaptation of a Neil Simon play, I Ought to Be in Pictures (1982). That movie was directed by Herbert Ross, who had been the first choice to direct Only When I Laugh (1981). Both works predominantly dealt with the conflict between a daughter and a parent, the parent being a mother in Only When I Laugh (1981), and a father in I Ought to Be in Pictures (1982). Both parent characters also abuse alcohol. Both films are reconciliation movies; in each film, the parent and daughter have not seen each other for several years.

One of five films written by Neil Simon, that featured his former wife Marsha Mason. The movies include The Goodbye Girl (1977), Chapter Two (1979), The Cheap Detective (1978), Only When I Laugh (1981), and Max Dugan Returns (1983).

The name of the play, in which Georgia (Marsha Mason) was performing, was "Only When I Laugh". As such, this film represents an instance where the title of a play-within-a-movie, is also the title of the movie.

This movie marks the only time that a Neil Simon written film has had a different title to the Neil Simon play, on which it is based. The source play was called "The Gingerbread Lady".

As customary for most of the filmed versions of his plays, playwright Neil Simon penned the screenplay for this movie based on his "The Gingerbread Lady" play.

This Neil Simon written movie is considered a mother-daughter version of Simon's earlier mismatched-roommates hit The Odd Couple (1968).

One of two 1981 movies starring Kristy McNichol. The other was The Night the Lights Went Out in Georgia (1981).

At the time this movie was released, it was the first of the seventeen screenplays, and nineteen theatre plays, which Neil Simon had personally produced.

Marsha Mason had played her character Georgia Hines several times in Neil Simon's mind according to Simon before Mason had ever read the script.

In the case of James Coco's role as struggling actor Jimmy Perino, the conceptual link was even closer than that between Marsha Mason and her Georgia Hines character. Writer Neil Simon said: "I used a facet of Jimmy's personality when I created the character. Not the Jimmy of today who's a respected star but the Jimmy I first met several years ago".

The Georgia Hines character played by Marsha Mason, was an amalgam of many actresses writer Neil Simon had known. "She is terrific at what she does - stepping on stage and becoming someone else", Simon said. "Being herself is another matter because she is not one of her all-time favorite people". Like her wit, Georgia's insecurity seemed consistent with her chosen career. "That's not meant to generalize", Simon added. "I've known many actors whose self-image was glorious. But the theatre is an incredibly demanding profession. The challenge of reaching inside yourself, night after night, and coming up with a performance . . . is staggering".

It was while Neil Simon was writing "The Last of the Red Hot Lovers" that Simon saw James Coco's off-Broadway performance in "Next", and decided Coco would be perfect for his new play "The Last of the Red Hot Lovers". Coco's reaction was ecstatic. "You have no idea how much this means to me", Coco told Simon. "I want to be a star. Not a half-way star, not a little star, a big star!". The two became good friends. And years later, when Simon created the Jimmy Perino character - with Coco in mind - and is played by Coco in this movie - he would have him say virtually the same thing.

It is a characteristic insight by Neil Simon, who once admitted that he could not have written "Only When I Laugh", at least "not in its present form", without the experience of having raised his own two daughters. "You don't get nearly enough time to enjoy your kids and if you blow it, you'll never know what you missed", Simon once observed. "During the past few years, my oldest girl, Ellen, suddenly grew up. She became a wife, a mother, a woman in her own right. And I had to relinquish some of my precious parental rights. It wasn't easy. But I've always had an open relationship with Ellen and my younger daughter, Nancy, the kind I wished I had had, but didn't, with my own parents. And I found that the more I gave up, the more we came together, in a new and different way". His children, Simon adds, have frequently been his toughest critics. "They have said things to me which were so strong and honest that I was taken aback. But beneath it, there's always been affection and humor".

The production notes for this movie state: "Laughing in the face of adversity", says writer Neil Simon, "is a characteristic of many actors and actresses. It's one of the traits that draws them to the theatre in the first place. Like having a steady hand is a big assist in becoming a brain surgeon. The easy familiarity with which Simon refers to his characters - as if they were long-time friends - grows out of his approach to his work. "All writers have their own disciplines", Simon says. "Mine is to push myself into a state of mind that locks out every distraction - until I'm alone with the people I'm writing about. I see them. I see their surroundings. By now, I can do it on a train, a plane, almost anywhere, although it's easier in an office, which is where I generally work". There, Simon would put in about four hours a day. "The number of hours is unimportant", Simon went on to say. "It's the every day' that counts". In developing his characters, Simon envisions their most minute personality characteristics, the way they "walk, dress, speak, hold a glass, hold a cigarette, cock their heads, answer the telephone . . . everything. Sometimes, it's pure imagination. But if I have an actor in mind for a role, it helps".

Features Joan Hackett and James Coco's only Oscar nominated performances.

User reviews


  • comment
    • Author: Dishadel
    Much has been written over the years regarding the 'one-note" performances of Marsha Mason. Four of these "one-note" performances earned Mason Oscar nominations and IMO this is the best of those four. ONLY WHEN I LAUGH is Neil Simon's big screen re-working of his own play THE GINGERBREAD LADY. Marsha Mason plays Georgia Hines, an actress recently released from rehab, trying to get her career going again, trying to re-establish a relationship with her daughter (Kristy McNichol) and trying to stay sober and not really doing a great job with any of them. Mason hits all the right notes here and makes Georgia a flawed and realistic human being. Some of Mason's best moments involve no dialogue at all...there is a wonderful scene about 2/3 of the way through the film where an on-the-edge Georgia is walking the streets of Manhattan around dusk and it seem like every other storefront she passes is a bar. She then stops at an interior pay phone to call her doctor from rehab; however, he is not present and Georgia doesn't want to talk to the doctor who does answer the phone. This scene is extremely well-played by Mason and I think it's the scene that probably nailed the Oscar nomination for her. Kristy McNichol charms, as always, as Polly, Georgia's self-sufficient daughter who still yearns to be Mommie's little girl sometimes. James Coco and Joan Hackett also deliver Oscar nominated performances as Georgia's best friends, Jimmy, an unemployed actor and Toby, a vain, society beauty trying to cope with the fact that her best years have passed her by. Hackett is particularly impressive as the fading beauty whose fragile ego doesn't keep her from kicking Georgia in the ass when she needs it. Though Simon definitely has stronger screenplays under his belt, ONLY WHEN I LAUGH is worth seeing if for no other reason, the strong performances by the four leads, three of which earned Oscar nominations.
  • comment
    • Author: Ishnllador
    Comedy-drama from writer Neil Simon, an expansion of his unsuccessful play "The Gingerbread Lady", has Marsha Mason playing an alcoholic Broadway star just checking out of rehab and back into reality when her estranged teenage daughter tells her she wants the two to be roommates. Fairly lively, bitchy film full of wisecracks and tears becomes flabby in the second and third acts, mostly due to poor editing which might have eliminated the dross (and a few side-plots that lead nowhere). Mason performs one too many dramatic monologues on the telephone, and there's six minutes of wasted film involving two college guys trying to pick up Mason and daughter Kristy McNichol at a health food restaurant. The movie has been designed to show off Mason's range (her vulnerability, her wiseass humor, her pathos, etc.). She's striking walking around New York City in her cape, less so when she's sniffling or giving an actors' seminar on the phone. Mason matches up perfectly with McNichol, but 17-year-old Kristy is shunted off to the side (and I disliked the padded sequence where she gets drunk like mamma). There are some fine moments here, but the picture gets off to a really bad start with an excruciating scene between James Coco and a Hispanic delivery boy. Simon takes one cheap shot after another, and yet the film isn't really about alcoholism at all, it's about masochistic behavior. **1/2 from ****
  • comment
    • Author: Tansino
    Lesser Neil Simon dramedy with a fine performance from Marsha Mason. The problem is that her character is so selfish it's difficult to sympathize with her and since she's the focus of the piece that's vital. The result is that you feel detached from the proceedings. Purportedly Marsha's character Georgia was based on Judy Garland but as written she has none of Judy's enchantress qualities that made her often maddening behavior tolerable to her intimates for so many years. Georgia is thorny without the magnetism or charm that would compensate for her petty, difficult and sometimes cruel behavior.

    Joan Hackett gives her customarily excellent performance for which she was Oscar nominated but the part isn't award worthy. Still since this was her final feature film role before her death it nice that she was so honored for her many years of quality work. James Coco was similarly acknowledged and his part is more fleshed out but he has likewise had better roles. Kristy McNichol, at the height of her fame when this was made, surely took the project on feeling it would be a good showcase for her but except for one confrontation scene her character doesn't make much impact and it seems the script doesn't know what it wants her to be.

    Not a bad film but for being a Neil Simon project the script is missing an incisiveness that is the hallmark of his better work.
  • comment
    • Author: Nikohn
    Another marvelous Marsha Mason performance as a recently returning actress from rehabilitation.

    Neil Simon's script is as crisp and vivid as ever. Too bad that both Miss Mason and Diane Keaton's performance in "Reds" were overlooked by the Academy when the Oscar went to the sentimental Katharine Hepburn for "On Golden Pond." Academy members were apparently voting for Henry Fonda for best actor in record numbers and just went down the line for Hepburn as well. What a shame.

    The film deals with the frustrations and hopes of 3 people and that doesn't even include a worthy performance by Kristy McNichol as the daughter.

    As the gay actor, desperately trying to succeed, the late James Coco was excellent. In the supporting category, he is well matched by the late Joan Hackett, tremendous as Mason's best friend, whose marriage is apparently falling apart.Those glittering grayish clothes that she wore expressed her emotions so well. No one could also wear those poncho outfits that Mason wore. They depicted a troubled, but independent lady.

    This is an excellent case study of 3 friends in turmoil and how they try to cope while supporting each other emotionally. Trouble is that Georgia (Marsha Mason) allows herself to fall back and drink again. She says that as a youngster she wanted to be another Susan Hayward. She sure is crying tomorrow and smashing up her life.
  • comment
    • Author: Amarin
    This is a great Film, not only is it a fast moving film, but it also shows how alcohol can ruin someone's life and what effects it will have not only on themselves but also on those around her. It has a great mother daughter relationship that is being tested from the beginning of the movie. This movie also shows the support of her good friends and how much they are will to put up with! This movie was ahead of it time for when it came out in the early 80's and touched on a lot of subjects that were not discussed even for 1981!! Marsha Mason plays a woman with a drinking problem, has a gay best friend and a friend who is obsessed with her looks, she is divorced and she is not the parent who raised her daughter because of her alcohol problems. Kristy McNichol plays the daughter who really only wants her mother to notice her and pay attention to her.

    Yes, it maybe somewhat similar to The Goodbye Girl but there are some major differences. It also has great story and moves along fast, is funny, and at one point you really do not like Marsha Mason character, which is what a good movie does!!! But this is a movie you need to see for yourself and make your mind up!!
  • comment
    • Author: caif
    Marsha Mason's performance of a lifetime - snubbed by the academy. This was by far her best performance since The Goodbye Girl. This film was not your ordinary Niel Simon flick. A tour-de-force with all the elements: Tears, Laughter, and each character going through their own seperate turmoil. James Coco is great as the gay wannabe actor/best friend. Joan Hackett is brilliant as Toby Landau, the aging Park Avenue beauty, who dreads growing old. Ms. Hackett won a Golden Globe for her performance in this film. Oscar nominations for Mason, Hackett, and Coco. Too bad none of them won.
  • comment
    • Author: generation of new
    Only When I Laugh is the film version of Neil Simon's The Gingerbread Lady. Unfortunately, the title isn't the only difference. While the original play deals with the seriousness of substance abuse and co-dependancy, its film counterpart plays it more for laughs - think The Goodbye Girl II, complete with the lead character's change in occupation from cabaret singer to stage actress and the same neurotic frenzy Marsha Mason brought to the role of Paula McFadden. It's the story of Georgia, a recovering alcoholic fresh from rehab, who's teenage daughter Polly decides to come live with her. While the two are working out the whole mother-daughter bit, Georgia finds herself too caught up in the miserable lives of her gay, unsuccessful actor friend Jimmy and her vain yet insecure rich, female best friend Tobey. There are some fantastic performances in this film, especially Joan Hackett as Tobey. Neil Simon, known for memorable monologues, wrote some his finest for the play, and they transfer quite well to film.
  • comment
    • Author: Nawenadet
    Neil Simon adapted his play "The Gingerbread Lady" into this wonderful bittersweet comedy. Kristy McNichol is wonderful as teenage daughter Polly. Marsha Mason deftly portrays boozy Broadway actress Georgia Hines. Veterans James Coco and Joan Hackett lend excellent support as a gay failed actor and fading Park Avenue beauty. Mason is wonderful as Georgia, as written she is a witty, genuine human being. Only When I Laugh is one of Neil Simon's more poignant screen adaptations. Through the good and the bad the viewer is never left wanting. This is one of my all-time favorite Neil Simon vehicles. For a play adaptation it never feels stagy.
  • comment
    • Author: Redfury
    Broadway star Georgia Hines (Marsha Mason) has finished with her rehab. Her friends include gay struggling actor Jimmy Perrino and socialite Toby Landau. Her estranged daughter Polly (Kristy McNichol) wants to move in for a year. Her former boyfriend David Lowe has written a play about her and wants her to play the part.

    The combination of Neil Simon and Marsha Mason makes this an almost instant awards bait movie. That comes with both good and bad baggage. There is something writery about Neil's writing. He's trying too hard with the humor. It doesn't feel natural sometimes. I do like the mother daughter chemistry. The boyfriend is problematic and I hoped for her to avoid him at all costs although I understand the needs of an actress. This definitely has Neil's sensibilities but it doesn't have enough cinematic flair. It's a step down from their earlier collaboration. Also watch out for young hottie Kevin Bacon. Then there is falling off the wagon. It hits on certain good notes but I'm uncertain about other notes being played.
  • comment
    • Author: Phalaken
    I 'm surprised there's only a handful of comments on this movie. I saw Only when I laugh a long time ago in in the theatre and moderately enjoyed it. On the minus side, it's a real tearjerker in a somewhat manilulative way-I cried I do admit-but it's one of those movies where your supposed to cry-on the plus side however, I enjoyed Cristy Mc.nicol's performance and found the mother/daughters relationship touching and the story in general seemed somewhat realistic if a bit hollywood. I wouldn't call this a comedy at all, though there might have been some funny moments, it was more drama oriented. I had thought this was a very popular movie-but not so, judging from lack of comments on this board. At any rate, this surely didn't wow me or anything but it wasn't bad and was definetly above average.
  • comment
    • Author: Tolrajas
    Kristie McNichol is a wonderful actress, also in this movie,I grew up watching her on TV and in movies,I wish she would come out of retirement from acting,also, because now my daughter likes her "old" movies. This movie is wonderful for moms and teens, even if your life isn't like the caricatures. LOOOOVE IIIIIIT !!! Also Marsha Mason and the rest of the cast are just as wonderful. Kristie and Marshas caricatures are believable as mother and daughter, and very funny together. A very good movie I recommend it. But still can't find it to buy on DVD. Hopefully it will be released soon. Hollywood don't make movies like this anymore.
  • comment
    • Author: kewdiepie
    Film dealing with the relationship between an aging alcoholic actress and her teen daughters.

    Suppose to be a comedy but comes off more like a slow moving drama... Not really enjoyable at all... only a young Kristy McNichol brightening the screen, and stealing every scene she is in... However all actors are superb, working desprerately with the flimsy story.

    Possibly the biggest problem with this movie is the fact that it is so obviously meant to only be done as a play, that it almost feels like you are watching one. Title and premise are promising but this only sadly falls short of a goal that could or rather should have been met... being a better movie...
  • comment
    • Author: Cktiell
    Marsha Mason, Neil Simon and the subject matter, drew me to this film, but it's quite dreadful and I was unable to finish watching it, even though I'd paid for an expensive, out of print, VHS.

    It's like a rather boring made for TV movie of the time. It's a film that handles tender issues without love. The characters are clichéd and lightweight. A little bit like watching a movie length version of some 80s-style no brainer like Hart To Hart.

    I felt quite angry with the person who recommended it to me in the same breath as other great films of the era. So, I thought I'd come online and warn others, before they made the same mistake and paid good money to see it.
  • Cast overview, first billed only:
    Marsha Mason Marsha Mason - Georgia Hines
    Kristy McNichol Kristy McNichol - Polly Hines
    James Coco James Coco - Jimmy Perrino
    Joan Hackett Joan Hackett - Toby Landau
    David Dukes David Dukes - David Lowe
    John Bennett Perry John Bennett Perry - Vincent Heller (Lou)
    Guy Boyd Guy Boyd - Man in Bar
    Ed Moore Ed Moore - Dr. Bob Komack
    Byron Webster Byron Webster - Tom
    Peter Coffield Peter Coffield - Mr. Tarloff
    Mark Schubb Mark Schubb - Adam Kasabian
    Ellen La Gamba Ellen La Gamba - Receptionist
    Venida Evans Venida Evans - Nurse Garcia
    Nancy Nagler Nancy Nagler - Heidi Stanton
    Dan Monahan Dan Monahan - Jason
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