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Short summary

A middle aged man deals with various problems. His wife is cheating on him, his own mistress wants to get married, his daughter is showing signs of drug addiction, and his business may be taken over.

This movie's working titles were 'The Toy Man', 'Four-Handed Duet' and 'Partners'.

Reportedly, playwright David Williamson originally wrote the film script for this movie in just eight days.

The home of Margot Mason (Diane Cilento) featured prominently in this film is actually the the heritage-listed Victorian farmhouse which now forms part of the Heide Art Gallery and Museum of Modern Art. The house was once owned by Melbourne identities John Reid and Sunday Reid.

Australian theatrical feature film debut of Australian born actress Diane Cilento whose previous work for almost thirty years had all been outside of Australia. However, Cilento's Australian film debut had been in Big Toys (1980), a tele-movie made about a couple of years earlier.

This movie represents an instance where a character in the film has the same name of a real life celebrity. Michael Preston plays Ray Martin in this film which is the same name of well-known Australian television journalist Ray Martin.

This film was directed by Tim Burstall whose family were also involved in other key crew roles. Burstall's sons Dan Burstall and Tom Burstall acted as the film's cinematographer and co-producer respectively.

Final theatrically released Australian film for actor Michael Preston.

Fifth and final collaboration of writer David Williamson and director Tim Burstall. Their previous works together had been Stork (1971), one of the episodes ("The Child") in Libido (1973), Petersen (1974), Eliza Fraser (1976)

This film marked the return to on-screen acting of Michael Pate after a gap of about six years. Apart from narrating The Battle of Broken Hill (1981), Pate worked behind the camera writing and producing The Mango Tree (1977) and Tim (1979) as well as directing the latter.

Reportedly, writer David Williamson first wrote the screenplay for this picture seven years earlier in 1975 after the success of his work on Petersen (1974), a movie also directed by this film's director Tim Burstall. Alternatively, Williamson has claimed that he was twenty-nine when he first wrote it, which dates its creation at 1971.

Writer David Williamson once said of this film: "[The film's director] Tim Burstall said to me, 'Do a script on mid-life crisis.' Well, I was twenty-nine at the time, so that was a bit difficult, plus I was pushed for time, so I rattled out this script in about eight days".

Reportedly, the Australian distributor Roadshow rejected this original screenplay for this film and when the picture got made they were not the film's distributors.

When this movie went into production and was being filmed, it was known under the title 'Partners'.

Previously known during production as 'Partners', an American comedy movie made around the same time, Partners (1982), actually had the same title.

Third and final theatrical movie that actress Wendy Hughes made with producer-director Tim Burstall. The first was Petersen (1974) whilst the second was High Rolling (1977).

User reviews


  • comment
    • Author: inetserfer
    It's hard to believe that a writer like David Williamson, who wrote terrific screenplays for films like "The Club" and "Don's Party" could make a dull film. It's hard to believe that director Tim Burstall, who'd collaborated with Williamson on the flawed but fascinating "Petersen", could make a dull film.

    But unfortunately "Duet For Four" is a dull film.

    This drama about a middle-aged businessman dealing with overseas takeover attempts, his ex-wife, troubled daughter and current partner seems potentially interesting but none of Williamson's usual incisiveness or Burstall's bluntness is on display.

    It just ambles from one narrative incident to another without much passion or purpose. One suspects if DFF had been made in the mid-1970s it would've reflected the tumult, upheaval and radicalisation of that era and a more impassioned film would've resulted. But instead it feels complacent and safe.

    That's not to say DFF is a horrible film. It's fairly easy to watch and has an interesting cast, including Diane Cilento in one of her rare post-1970 roles.

    But overall this is a forgettable film and one of Williamson's weakest screenplays.
  • Cast overview, first billed only:
    Michael Preston Michael Preston - Ray Martin
    Wendy Hughes Wendy Hughes - Barbara Dunstan
    Michael Pate Michael Pate - Al Geisman
    Diane Cilento Diane Cilento - Margot Mason
    Gary Day Gary Day - Terry Byrne
    Vanessa Leigh Vanessa Leigh - Diane Sanders
    Warwick Comber Warwick Comber - Cliff Ingersoll
    Sigrid Thornton Sigrid Thornton - Caroline Martin
    Clare Binney Clare Binney - Jacki Nesbitt
    Peter Aanensen Peter Aanensen - Senior Physician
    Arthur Dignam Arthur Dignam - Doug Quincey
    Peter Stratford Peter Stratford - Bernie Crittendon
    Rod Mullinar Rod Mullinar - Ken Overland
    John Proper John Proper - Foreman
    David Morley David Morley - Dougal Dunstan
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