La case de l'oncle Doc Encore elles! (1997–2017) watch online HD

French screenwriters and directors Constance Ryder and Josiane Szymanski's documentary premiered in France, was shot on locations in France and is a French production. It tells the story about a radical women's only movement in France which arose after the National Union of Students of France led by a French politician named Pierre-Mendès France (1907-1982) held a protest at the Stade Sébastien Charléty in Paris, France in May 1968, and during the same decade as a Belgian photographer named Martine Franck (1938-2012) photographed the first edition of a French journal called Le Torchon Brüle (1971-1973), an association working for the cause of women was founded in France which supported the Bobigny Case (1972) and a French-Jewish attorney and former president of the European Parliament named Simone Veil adopted a law which had been introduced in 1920.

Distinctly and subtly directed by French filmmakers Constance Ryder and Josiane Szymanski, this quietly paced documentary which is narrated by French actress Valérie Coué-Sibiril and from multiple viewpoints, draws a conversational portrayal of some of the persons closest associated to a collective whose name was registered as a commercial company title by a research group called Psychoanalysis and Politics where a French essentialist named Antoinette Grugnardi Fouque and a French film producer named Sylvina Boissonnas worked and some of the persons closest associated with the succeeding generation of political groups in the Fifth French Republic. While notable for its versatile and atmospheric milieu depictions, this narrative-driven story which reflects upon ingrained and assembling work for the human condition, access to education and health services, freedom from xenophobia, social stratification which creates and preserves dividing and detrimental segregation and class systems, groundless, imposed and calculated degradation for the sake of keeping destabilizing systems of power functioning so that the hypocritical and institutionalized hegemony remains at the top of the broken and regulated hierarchical ladder they themselves have invented and realized, more parity in the political sphere, contrary theories within the movement and female identity, reminiscences a period in time when some women questioned their heterosexuality as it was regarded as suspect, some regarded being homosexual as a political act, some thought you were born and some that you become a … , was made two hundred and twenty-five years after the Storming of the Bastille in Paris, France, one hundred and sixty-two years after a French seamstress, schoolteacher and journalist named Jeanne-Victoire Deroin (1805-1894), who in 1832 wrote an article in a journal called La Femme Libre or The Free Woman, started a newspaper called La Voix des Femmes or The Women's Voice, one hundred and four years after a French thinker named Nelly Roussel (1878-1922) said: "… declares natural equal valence and asks for social equality between both parts of human kind." ninety-eight years after the International Women's Day was held on the 8th of March for the first time in France, forty-two years after the introduction of a film festival called Musidora International Film Festival of Films by Women, thirty-nine years after an Australian-Jewish singer named Helen Maxine Lamond Reddy sang the words: "I am woman watch me grow…" and eleven years after the March of Women from the public housing against ghettos and for equality in France, and contains a great and timely score by composer Line Kruse.

This historic and recurrently relevant dialog from the early 2010s which is set in France in the 21st century one hundred and eight years after an English social reformer named Josephine Elizabeth Grey Butler (1828-1906) founded the International Abolitionist Federation and forty years after French citizens, amongst many others, named Anne Zelensky, Monique Wittig, Christine Delphy and Françoise Picq were members of minor groups which they integrated into one major and where students, authors, sociologists, jurists, founders, historians, educators and editors are interviewed individually, together and contextually and the history they've made and are still making is at the center of this acknowledgment of some of the many voices of human beings who demands to be heard, is impelled and reinforced by its cogent narrative structure, subtle continuity and archival footage. A generational and informative documentary.