.....about a man who made it his life mission to feed others' souls through the study of music of great emotional richness, intellectual depth and beauty. A must see and a wonderful reprieve from the shallow, titillating stuff we are continually inundated by. Subtle camera angles, expert scene selections and gorgeous musical choices create a tempo to this movie that engages the watcher without doing all the work for him. Kudos to Ethan Hawke for recognizing the substance, wisdom and humanity of Seymour, for resisting the temptation to insert his ego into the story, and for allowing conversations that require the audience members (whether they play the piano or not) to exercise their minds, to think, consider, wonder, reflect about their own lives and passions. You may find yourself, like me, wanting to hear those kernels of wisdom and truth again and again, to deepen your understanding and glean more fully their meaning, and to be moved once more by Seymour's magical, beautiful artistry.

Sane, clean and perfectly put together, this film is a quiet rebellion against vulgarity and sensationalism so prevalent in today's entertainment and art. The documentary is a portrait of a classical pianist, drawn by a movie star, in which a master musician ponders on the relationship between a person and his inner creative self. A topic like this always runs a risk of coming across as abstract and esoteric, which in this film is delightfully not the case. The conversation ends up being about subjects painstakingly relevant to any performer: stage fright (and what an artist should make of it), craft, truthfulness to the source, eccentricity versus authenticity, teaching, artistic bravery and success.

The film is filled with wonderful stories like this one: drafted into the army during the Korean War, Seymour finds himself marching for miles tirelessly while his fellow soldiers, seemingly stronger and more fit than he is, faint of exhaustion. He attributes his endurance to his "musician mind set", an explanation, both, unexpected and convincing in the context of the film.

Seymour's every action is motivated by honesty. If there was a stage in his life where he did not feel completely in peace internally, he corrects that eventually, always bringing himself to a state of a perfect inner comfort. There are a few examples of these struggles in the film – the most notable one, of course, is Seymour quitting his successful concert pianist career in favor of teaching.

Very appropriately, the film mimics its subject in its honesty and uncompromising taste. Unfortunately, it also does so in its limited popularity. Call me naive, but I really don't get how a piece of nonsense like Fifty Shades of Grey grows in its media presence with every new bad review it gets, and how a treasure like "Seymour…" gets overlooked by 99.9% of cinema goers.

One more thing. The film is a visual and musical feast. From Seymour's shaded solitary apartment in Manhattan, to the breathtakingly beautiful views of Central Park, to the Rotunda of Steinway Hall, to piano pieces by Chopin, Schumann, Beethoven and Bach, there are countless delicacies for the audiences to savor. If the film had no other merits, but cinematography and musical score, it'd be still worth watching.

Some very thoughtful and well-written reviews have been posted about this film. Justifiably so!

For me the beauty of it is in it's pure portrayal of a regular guy who understood early what captivated him.....and his joy for it and exploration of it has never wavered. He remained a performing musician for as long as it made sense to him and then transitioned to being a valued teacher of other musicians.

Seymour is also a thinker and has come to some meaningful and wonderful conclusions about life and purpose. He articulates those in his ever gentle manner. I very much identified with the part where he speaks of looking within for answers and meaning more than looking to external entities or individuals to provide you with those. So, so true.

I was quite choked up towards the end but not from sadness; no, quite the opposite. From bearing witness to a life that has been, all of, fulfilling, purposeful, simple, deep, accomplished, stressful, pained from difficult relationships, enlightened and content.

Ethan Hawke, who has never really resonated with me (sorry, bro), as writer and director, has produced a fantastic film. I would say this is his calling and I walked out of the movie thinking, 'oh my gosh, I hope he does more films like this.' Go see it.

I wept, equally of joy and sadness, for most of an hour and forty minutes. Sit up front and go alone. See it at a theater only. This film is so quiet and delicate...and it just sneaks up on you and goes right through into your heart, gut, soul. It may be the most extraordinary film I've ever seen on the subject of artistry, creativity and its inner workings.....and I've see a few greats:(Frida, Turner, Vivian Maier, etc.)

'Seymour' is about devotion, love, inspiration. And it's big secret is that it GIVES THIS RIGHT TO YOU as you bear witness, if you let it get inside. You cannot go back into the world now. Well, not for a while. Not until you get over to the musical instrument, the pen or type, the camera, the canvas, the clay.

Ethan Hawke....what are you doing to us? The understated, magnificent director you have become! Thank you for this.

This documentary, filled with beautiful music, is an étude of acclaimed concert pianist Seymour Bernstein and a joy, start to finish. Bernstein retired so he could pour his musical ideas into the vessels of his students. And not just musical ideas; his philosophy is that having access to emotion in music encourages access to emotion and satisfaction in other aspects of life. We see him providing pianists of all ages with just the right amount of subtle guidance to dramatically elevate their performances, encourage them to compose as well as play, and, apparently, achieve harmony in life in general. Scenes take place in the one-room apartment he's had for 40 years on the upper East Side of Manhattan, near Central Park, in various venues where former students interviewed him, NYU Master Classes, in the piano testing room of Steinway New York, and finally, its main floor rotunda, where he plays a concert to an audience of former students, colleagues, and fans. The interactions with students, former students, and other musicians are revealing, and none more so than his conversations with the film's director, actor Ethan Hawke. Hawke met Bernstein serendipitously at a dinner and discovered in him a person with whom he could discuss the anxieties of performance, and the disconnect between good work and success and Bernstein, with what seems to be characteristic generosity, shared his insights. He certainly did not reach his current eminence without his own challenges. When he was young, his father would say, "I have three daughters and a pianist," which felt like a rejection of him as a son and pained him mightily. As a young man, he served in the U.S. Army in Korea and teamed up with a talented violinist and a tenor and, despite their commanding officer's skepticism, put on a concert for the troops—most of whom had never heard "serious" or classical music before. "They wouldn't let us off the stage," Bernstein says with glee, even 60 years later. The concert was so successful a tour of front-line camps was arranged. The memory is also bitter, because Bernstein remembers the war dead, and the pain of seeing those body bags has hardly faded. Except for these memories, the movie is strongly up-beat, with a man doing what he loves and people (students, audiences, moviegoers) responding to his skill and passion. As Detroit News critic Tom Long says, "The great joy of the film, whether you know piano or not, is watching Bernstein teach." This is a man you will be glad you got to know. The film ends with a typically modest and inspiring Bernstein statement: "I never thought that, with my two hands, I could touch the sky."

As a musician of 50 years standing and an international teaching and performing career, I can honestly say, this movie was a "stunner". Professor Bernstein embodies all of those qualities of a teacher, a performer and a wise professor of life and culture that we all emulate and have tried in our careers to articulate. He is more than a "guru" but an icon of performance practice and pedagogy that will stand the test of time in this important and beautiful film.

Ethan Hawke should be commended and lauded for bringing this important man and his wisdom to light in this profound way.

In my opinion, this film should be "required viewing" for every pedagogue, music lover, and aspiring performer. It should (at least) be in the library of every university, music school and college in the country.

Fantastic film and the best music film I have ever seen.

This is an exceptional documentary centering on Seymour Bernstein, the classical pianist, composer, and teacher. Now 88-years-old, he retired from concert appearances at age 50 to devote more time to teaching and mentoring others. Bernstein had me rather mesmerized with his distinctive tones, as he spins fascinating stories and anecdotes from his life, adding some quite profound words of wisdom that he's gathered over his lifetime.

The superb actor Ethan Hawke directs the documentary, and I read that he regards Bernstein as a mentor of his. Both men during the interviews, reveal some very personal aspects of their life, including stage fright and how to get fulfillment for the remainder of their time on this earth.

Overall, I was totally engaged, from start to finish, in this remarkable movie, and there's some wonderful classical music to enjoy as well.

Seymour: an Introduction is one of the most touching films I've watched. The title character, Seymour, is charming beyond words. He is beautifully portrayed by Ethan Hawke. The film provides candid interviews with former students and notables of the world of classical music. Each glimpse of this master teacher brings the audience closer to seeing a natural-born teacher in his element. Seymour has mastered the art of inspiring his students to reach the beyond their limits to create the best music they can. Seymour himself seems to magically sprinkle fairy dust on every piano he touches! He is an inspiration to both pianists and non-pianists everywhere. This film will, hopefully, in time, become a classic.

Having been a fan of classical music for about ten years now, I must confess I'd never heard of Seymour Bernstein. What's worse is that this was a man being touted as someone who 'needed no introduction'. Good thing then Ethan Hawke created the very appropriately titled Seymour: An Introduction which goes beyond music and gives a glimpse of an entire ethos and lifestyle.

We see Bernstein sitting at the piano in his cozy little apartment, practicing (what I think is) a Scarlatti piece and trying to get a certain phrase just right. From here on out, the documentary alternates between several types of scenes: masterclasses, interviews, casual conversations, etc. We see how his masterclasses help his students with phrasing and so on. The documentary takes on a hypnotic quality--aided by the immense amount of Schubert--as Bernstein explains his views on music, life and everything in between.

My first experience with classical music was Milos Forman's Amadeus which blew me away, because it wasn't just about music, but the people behind the music, their passions and obsessions. Seymour: An Introduction works in similar ways. Like Salieri, Seymour sees music as something more than just sound waves entering our ears. Music can be transcendent. It can be a force that unites people (as seen when Seymour reminisces about his wartime concerts). Ethan Hawke himself only appears about three times, making sure to not make the documentary about him, and you can feel he took great pains to paint Seymour in a light that adequately reflects the man's way of life.

I did feel, however, that the documentary could have bothered to spend more time on a few select topics. Take the notion of interpretation, for example. Seymour says that Glenn Gould, while a genius, let his eccentricity seep into his interpretations too much. When Gould plays Bach, Seymour only hears Gould. However, in an earlier masterclass, Seymour himself suggested that a slight alteration in interpretation be made, because we 'feel' that it must be played in a certain way and so on. I'm not saying Seymour is a hypocrite. Far from it. What I am saying is that the documentary implicitly raises questions of interpretation: what makes a good interpretation and when does an interpretation deviate 'just too much' from the source material? When does a unique interpretation go from 'inspired' to 'eccentric'? Another example is when Seymour explains he quit performing due to stress. A close friend then raises the question of whether or not a performer has a certain responsibility to his talent, art and audience despite any amount of stress. Yet, the documentary never shows Seymour giving a direct answer to this question (though we can guess he feels he's accepted this responsibility in the way he passes on his craft to his pupils). I get that the focus is ultimately on Seymour, but it still bothered me that these kinds of interesting topics were being addressed yet sometimes not really dealt with.

All in all though, the portrait it manages to paint of a man and his entire lifestyle in under ninety minutes leaves a lasting impression. Any niggling complaints about the documentary's reluctance to discuss certain musical topics in-depth are superseded by the romantic, gentle way Hawke portrays Bernstein.

Ethan Hawke directs and appears in this American documentary whose subject is Seymour Bernstein, a renowned pianist who stopped performing in concerts at age fifty and began teaching.

Bernstein is a delightful man in his eighties whose philosophies of life interchange with those of his art. During the film, he mentors Hawke who is now reflecting on his own choices of life and art.

Some of the best dialogue occurs at the beginning and end of the film when the amiable Bernstein speaks of the conflict of trying to mix the inner soul of an artist with the outer commercial and social worlds. It is also fascinating to hear him speak of nervousness before performing. More movie time, however, is spent in his teaching techniques. While this is less interesting than the other discussions, this remains a fine film overall.

There is genuine modesty in Bernstein's personality (compare him to the many less talented people who hire publicists) and likewise that of Hawke for openly admitting his own insecurities. And there is nearly always beautiful classical piano music in the background.

Hmmmm... Inhaling before to write my first word, suspended in the air... because I want that word to be beautiful.

One of my talents is in writing. I have no financial success. Although I have been published - for free.

I do not have an awesome screenplay or a breathtaking novel to give. I write poetry and I write notes, texts, messages. Every time I write I pour love into it. I love typing words and, funnily for the first time, by watching this sensitive beautiful documentary have I seen myself as a pianist.

I feel very grateful to Bernstein for honoring artistry. And very grandly grateful to Ethan for sharing this gift with us all. I want to tell Ethan although you may never read these lines: I consider you to be one true deep and intense artist and you could be honored by not having received any academy award. That may truly show how intimate and pure your art is many times.

I have seen an actor who has been trying to receive an award for years receiving it for a work that was created around this purpose and in which that actor did a compilation of some of the most intense scenes he did in his career. He got it but what did it really mean? I have written elsewhere - and I maintain it - that if awards were truly rewarding pure genuine performances, they would have been rewarding you for Training Day. At least. My favorite performance of you, in all I saw of you, was in Before Sunset. I watched this movie an alarming number of times. I still can see you on the Bateau-Mouche talking true feelings to the 'love of your life'. It wasn't simply the obvious romantic aspect of your performance that appealed to me, no, no, it was this fully alive, vibrant, almost tangible expression of your face when you expressed your certainty that you could have lived with the love of your life. Hmmmmmmmm....

I, too, have been bullied into this world of achievements that we all know, that we all grew up in, we who use IMDb casually. I have gotten depressed by the upside-down nature of this world where the worst performances gather the biggest fortunes, where the sincere lone artists get mocked for being unknown. Therefore, I bow to both of you, for having rewarded me with these true reminders of what art is, poured into me via this film, and comforting me in the need I have to honor my true essence instead of following the pressure of a world which always wants more tinsel and glitter.

"And now, for a man who needs no introduction – Seymour Bernstein!" While such a statement may be appropriate in some circles, if it were universally true, there might not be a need for the documentary "Seymour: An Introduction" (PG, 1:24). Seymour Bernstein, among fans of classical music, is a well-known New York concert pianist and music teacher. Viewers of this film will get to know him as such and will want to add to that resume "wise man and all-around good guy". Actor Ethan Hawke seems to think so. He was so impressed by meeting Bernstein that he decided to make a documentary about his life. The resulting film was seen on the festival circuit in the U.S. and Canada during the late summer and fall of 2014, received a limited theatrical release in those two countries in March 2015 and appeared at international film festivals throughout the spring of 2015. And if film festival love weren't enough, as of the writing of this review, on the Rotten Tomatoes website, this movie has an 88% rating from audiences and a 100% critics rating! When have 100% of film critics agreed on anything? I try not to be swayed by critics or popular opinion when I write my reviews, so I am now prepared to make my assessment as to whether I agree with the nearly universal acclaim this documentary has received.

Seymour Bernstein demonstrated extraordinary talent on the piano as a teenager, grew up to become a world-renown concert pianist and composer, but then suddenly gave up performing at the age of 50 to focus on music education. Bernstein has had remarkable success in many aspects of music and his life is a very interesting story waiting to be discovered. But this documentary doesn't stop there. It reveals Seymour Bernstein as a remarkable person. He has a tremendous passion for classical music and has learned and taught much along those lines, but it's how his love of music has informed his life that is most compelling to those of us who know more about Post-It notes than musical notes.

In directing this film, Hawke never gets flashy with his cinematic portrait of Seymour Bernstein, but uses a variety of effective methods to introduce us to the man and his music. We see archival footage of piano concerts and more recent footage of the master teaching his students. As we watch the latter, we are struck by the instructor's perfectly balanced approach – a dogged pursuit of perfection sometimes nearly overshadowed by his generous and encouraging nature. We also learn who Bernstein is as a man and a musician through interviews with his current and former students and conversations with the man himself, as he tells his story and reveals what he learned about life along the way. To illustrate this last point, it may be easiest to give you a sample of Bernstein's pearls of wisdom, in his own words: "The true essence of who we are resides in our talent – whatever talent we have." "The people who don't want me to succeed for their own selfish reasons can't touch me." "The most important thing that music teachers can do for their pupils is to inspire an emotional reaction, not just for the music, but more importantly, for life." "We sense in music a reflection of ourselves, a reminder of our own potential for perfection." "I never dreamt that with my own two hands, I could touch the sky." There's plenty more where that came from, but beyond telling Bernstein's story and encouraging him to reflect back on his 88 years, there's a bit of a real-time drama going on in this movie as well. In the midst of the interviews and the background footage, as the documentary is being filmed, Bernstein is preparing to perform his first public concert in many years. We see him choose his piano like a master chef selects just the right spice and uses just the right amount. Bernstein has the refined ear of a man who has been doing this for decades, but the boyish enthusiasm of someone sitting behind the keys for the first time. As he plays the piano he selected just for this occasion at New York's Steinway Hall Rotunda for an audience consisting of Hawke's theater group, the moment elicits an emotional reaction in Bernstein. The music still touches him, much as his story and his generous and wise spirit touch us.

"Seymour: An Introduction" is the rare completely non-controversial, heart-felt documentary that you can just sit back and enjoy, but it could have been a little sharper than it was. The bare-bones style of telling its story was generally appropriate for the film, but it wouldn't have distracted from its subject to be just a little more creative in its presentation. In addition, some of the camera work and some of the editing choices came across as slightly amateurish. This documentary isn't as close to perfect as the music that Bernstein plays, but definitely has the power to elicit an emotional reaction of its own. I'm giving this one a "B+". That qualifies as a general recommendation from me and is positive enough to group me together with all those professional critics who favorably reviewed this movie. Count me in, ladies and gentlemen. Seymour Bernstein is a man well worth meeting and I'm glad Ethan Hawke made the introduction.

. . . I drove way out to view SEYMOUR: AN INTRODUCTION. It turns out that director Ethan Hawke's film doesn't even mention the Glass Family (or even BOYHOOD's Evans clan). SEYMOUR actually is about a father who had "three daughters and a pianist." After this ivory tickler saw body bags when drafted into the U.S. Army fighting in Korea, he cut short his concert career to become a piano teacher (like Marion the Librarian in THE MUSIC MAN). This title character, Seymour Bernstein, apparently lacked the stomach to tackle the showier popular pieces a concert career demands, such as Rachmaninoff's Third, which was pulled off by the mental guy in SHINE. Disparaging successful, crowd-pleasing pianists here such as Glenn Gould, Liberace, and Billy Joel, Mr. Bernstein spends his post-concert hall years in his one-room apartment composing pieces with titles like "Belinda the Chipmunk" and pounding out tunes written by unbalanced minds, such as that 25-year-old guy who married a Sweet Sixteen gal, Schumann. They say "Those who can, do." Others teach.