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Сквозные ранения (2001) watch online HD

Сквозные ранения (2001) watch online HD
  • Original title:Exit Wounds
  • Category:Movie / Action / Comedy / Crime / Drama / Thriller
  • Released:2001
  • Director:Andrzej Bartkowiak
  • Actors:Steven Seagal,DMX,Isaiah Washington
  • Writer:Ed Horowitz,Richard D'Ovidio
  • Budget:$50,000,000
  • Duration:1h 41min
  • Video type:Movie

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Short summary

Orin Boyd, a tough cop in an inner-city precinct discovers a web of dirty cops and corruption.
Orin Boyd (Seagal) is a Detroit cop who doesn't follow rules. After he saved the Vice President by violating every order he received he is transferred to one of the worst precincts in the city. There he quickly encounters some corrupt cops selling heroin to drug dealers. The problem is, it's very difficult to tell who is the bad guy and who you can trust.

Trailers "Сквозные ранения (2001)"

Eva Mendes (who called this a "terrible movie") said her dialogue in this film was entirely re-dubbed by another actress. Mendes says she learned of this when she attended the premier with her family and realized "...Something was wrong. Something was just off." She says the producer later explained to her that her voice was replaced because she "didn't sound intelligent enough." Mendes told Jon Stewart on The Daily Show (1996), "A Steven Seagal film, and I didn't sound intelligent enough?!"

In an interview with Huffpost Live, Tom Arnold claimed that Steven Seagal fell into the water while filming a scene on his character's houseboat: Seagal had opted to shoot the scene without rehearsal and mistakenly exited through the wrong door, leading him to drop into the bay.

Joseph Billingiere served as the stunt double of Steven Seagal. According to Billingiere in an online interview, Seagal was adamant about casting him as his double, claiming he was the only one who could accurately replicate his movements. Seagal was "ready to shut down the movie" if Billingiere was not cast.

DMX did not enjoy working with Steven Seagal, describing him as a "dickhead".

Steven Seagal hurt his knee during the car-jump-scene but kept shooting the movie.

According to Stephen Quadros, the fight scene between Steven Seagal and Michael Jai White was not choreographed in advance; Seagal and White ad-libbed it during production.

Filming in Toronto was delayed again when David Vadim was arrested and charged with committing a sexual assault on a wardrobe technician on the set.

The opening action sequence which was actually part of the re-shoots was inspired by similar action sequence from screenwriter Jeffrey Boam's rejected script for fourth Lethal Weapon film which he wrote in 1995, and which had main heroes of Lethal Weapon films, Martin Riggs and Roger Murtaugh, fighting against neo-nazi terrorists in L.A. Producer Joel Silver remembered the action sequence from the script and he was the one who decided to add it in Exit Wounds.

During filming in Hamilton, a van was being towed along a street upside-down as part of a chase scene; stuntman Chris Lamon and another man were supposed to roll safely out, but Lamon apparently struck his head, and died six days later. Todd Schroeder suffered a concussion in the same incident. The scene was re-shot with the van moving slower and the stuntmen placed differently.

Anthony Anderson joked that his main purpose in the film was to make DMX look good.

This was the biggest Steven Seagal opening in Box Office.

Michael Jai White and Steven Seagal first worked together in 1993, on a Japanese soup commercial.

Jill Hennessy said that delivering her lines in the presence of a pantless Steven Seagal was "tough."

Steven Seagal's last film to have a wide theatrical release.

Jill Hennessy said being in this film was "one of the best times in my life."

Steven Seagal hurt DMX's shoulder while training. He had to take a couple days off to recover.

DMX had a small part in director Andrzej Bartkowiak's first movie, Romeo Must Die (2000). His performance was a hit with audiences, so the studio made him one of the stars of this one.

This was Steven Seagal's return to movies after a three-year absence. It was a new Seagal - he slimmed down, updated his wardrobe, and ditched his trademark ponytail.

The bridge attack scene; with the Happy Face helicopter, was shot on the Centre Street Bridge in Calgary, Alberta. The 85-year-old bridge had been closed for close to a year for restoration when the Exit Wounds crew came to town, so there was much concern from nearby residents when things started blowing up on the bridge. About six months later, long after the bridge had been re-opened, there was a major controversy in Calgary when the producers requested the bridge be closed again for retakes.

The film's initial budget was $25 million, but over shooting and re-shoots blew the cost out to $33 million.

Andrzej Bartkowiak, Isaiah Washington, DMX and Anthony Anderson all worked together in Romeo Must Die (2000).

Anger management classes were filmed at Orde Street Public School in Toronto.

Fight choreographer Dion Lam designed different fighting styles for each character. On set, he covered everything from technique to the emotions you'd feel in a real-life shootout.

The actor portraying Shaun Rollins (Drag-On) is a rapper in DMX's rap group, Ruff Ryders.

This was Steven Seagal's first go at wire work in a movie.

Police corruption is also a theme in Steven Seagal's Nico (1988), Hard to Kill (1990), and Zum Töten freigegeben (1990).

The street that Boyd's truck is being stolen (attempted) is a one-way street, with traffic flowing in the opposite direction as shown in the movie.

DMX trained for six weeks in boxing, kickboxing, and wrestling for this role.

The film bares little resemblance to the novel it is based on by ex-cop-turned-novelist John Westermann.

The opening introduction to Steven Seagal and the opening gunfight on the bridge was re-shot to speed things up.

DMX said he knew men like his character Lattrell growing up in the projects in Yonkers, NY.

Orin Boyd asks a similar question to his captor as did James Bond (with the comedic retort and escape aftermath) James Bond 007 - Goldfinger (1964).

There is a Flashpoint - Das Spezialkommando (2008) episode with the same name. But, the plot of the episode doesn't share with the movie.

Strutt makes a comment, 'welcome to the inner sanctum'. Strutt is not old enough to remember the otr show of the same name.

Lt Mulcahy (Jill Hennessy) meets a similar fate to that of her character in Law & Order (1990) (Kincaid), where she is killed in a car accident. She was allegedly afraid to let her dad see the film since this one was even more graphic.

Body count: 38.

User reviews


  • comment
    • Author: Burgas
    I went into this movie with the no expectations, except to see a cheesy action flick. This means I desired high-flying, over-the-top action that includes lots of cool martial arts, mushroom cloud explosions, high speed car chases and catastrophic crashes, and ultra-violent death scenes. Boy does this movie deliver!

    I've been reading some of the other user reviews here on imdb and many are saying this is Seagal's best flick. I would probably agree that it is close. His stiff under-acting makes him perfect for this Dirty Harry type part.

    The plot is nothing new. Seagal is a strung-out lone ranger cop who plays by his own rules...well you know the type, this character has been used in countless movies. Basically, Seagal's character finally goes too far (by throwing the Vice President off a bridge no less!) Thus, Seagal gets demoted down to the most dangerous precinct in town. Once there, he begins to discover crooked cops and internal conspiracies. With no one to trust and people trying (emphasis on "trying") to kill him left and right, Seagal starts kicking ass and taking names.

    Yes I know, this storyline is as old as they come, but I maintain that cheesy action flicks aren't about great or novel plot lines. No, cheesy action flicks are about great action with all the things I listed above, in which, this movie delivers the goods with a bang.

    This movie also stars DMX, who is surprisingly competent as one of the main and most interesting characters of the movie. Generally good performances all around. I never noticed any laughably bad acting. Flashy directing and nice production design are also bonuses. This tired plot even still manages a few interesting twists (I won't reveal anything for those who haven't seen the movie, but lets just say everyone is not how they seem, including the bad guys).

    FINAL RATING: 7/10 - As good as a cliched action flick can be. Semi-interesting characters, a few plot twists here and there, steady, interesting action, flashy directing, decent performances, plenty of cool explosions, exciting car chases, and numerous excellent violent death scenes. This movie is truly the creme de la creme of cheesy action flicks! Recommended for all action lovers!

    Noob Aalox
  • comment
    • Author: Gavikelv
    'Exit Wounds' begins explosively with a terrorist raid on the Vice President, who is surrounded by an array of police escorts…

    When renegade Detroit detective Orin Boyd (Seagal) takes on the whole Michigan militant group to save the man's life, in true action hero fashion, he is punished for his lack of respect for authority and procedure and sent to one of the toughest precincts in the city of Detroit, the 15th…

    Once there, Seagal begins his usual habit of investigating things he's not assigned to, and quickly begins to suspect police corruption involving a major heroin operation…

    Seagal plays a super tough cop who stays in trouble for complaints filed against him for excessive force…

    He lands in a bad dangerous precinct and before you know it finds himself in nonstop furious action, trying to clean up the streets while taking on drug dealers and dirty cops pretty much all by himself…

    Seagal is accompanied in this film by rapper DMX and a few other familiar faces including Anthony Anderson who is absolutely hilarious…
  • comment
    • Author: Agrainel
    Anybody should know when you're getting ready to see a Steven Seagal movie you're not getting ready to see a Greek tragedy. What makes "Exit Wounds" special is it's all in good fun. There's no pretentions whatsoever. In fact, it even leaves a good share of the running time for comic relief. You have spectacular action in one corner...you have hilarious comedy in the other...what the hell more can you ask for?

    Seagal hasn't made an action flick in a while, so it was great to see him again on the silver screen. He takes a lot of flack for gaining a little weight. OK, so he's heavier than normal. So maybe him and Sammo Hung been hanging out in the same buffet. But Seagal can still kick butt like he did back in "Above the Law" and "Hard to Kill." His action scenes are always fun to watch. As I tell people, I'm not easily aroused by action scenes. I can be just as bored by an action scene as one would get bored during an episode of "Masterpiece Theater." But Seagal's action scenes have a sense of originality and flare. Big deal. He's not the best actor. Does his work require great dramatic acting? Would a dramatic monologue be appropriate during one of HIS movies? Let's be sensible. I think people are way too hard on the man. He's still cool with me.

    In the comedy department, we have the uninhibited Tom Arnold. Arnold plays the stereotypical cheesy talk show host, who takes anger-management classes with Seagal. There's a hilarious scene where Seagal loses his temper and throws a fit, yelling to the teacher "I'm a happy person!" with anger in his eyes. Then Arnold decides that Seagal would be a perfect guest for his show. Also, we have Anthony Anderson of "Me Myself and Irene" fame. He was one of the foul-mouthed African-American brothers in the Farrelly Brothers comedy. He gets an even bigger opportunity to flaunt his comic chops in this flick. In fact, him and Tom Arnold have a hysterically funny conversation at the end credits, so PLEASE don't be so quick to walk out the theater.

    DMX is not a terrific actor, but he's fairly good. He proves his discipline as an actor in a more restrained role than his starring role in Hype Williams' "Belly." In that film, he pretty much portrayed a character out of all his rap videos. So that wasn't a big stretch. "EW" gives him more to work with. Not the role of a lifetime, but meatier than a drug-dealing "gangsta." And did I mention Jill Hennesy is in the cast? Oh...mannnnn! She is an absolute knockout! Perfect eye candy! Throw in a gratuitous strip club scene(which this film has), and we have the ultimate guy flick.

    With DMX in the lead, naturally we have to expect some of his songs on the soundtrack. And he provides some good stuff. One--which was used in the previews and thankfully was used in the movie too--is a remix of "Ain't No Sunshine When She's Gone." It's quite innovative how they insert an artist's songs into a movie's soundtrack. There's also a scene where DMX is picking out a car and blasts on the stereo his song "Why Do Good Girls Love Bad Guys."

    There isn't much depth to "Exit Wounds." In fact, I don't know if there's any depth. But a film like this is meant strictly for exhibition. And in that department, it really really delivers! It's exciting! It's funny! It's rousing! It's a thrill a minute! You won't be bored for a second! An hour and thirty minutes of sheer, uninhibited fun! "Exit Wounds" won't have you heading to the exit. In fact, you probably won't even want to go out for popcorn you'll be having such a great time! Strap in!

    My score: 7 (out of 10)
  • comment
    • Author: Fenrikree
    I took in this movie in the theater, in 01' surprised that Seagal was back with Warner Bros. after departing for a while. The first scene was kind of the beginning joke for the rest of the story. I was laughing when he took matters into his own hands and to avoid allowing the 'Vice" President to be killed in a firefight on the bridge with the impostor police officers that were there for a killing 'contract'. The 'Vice' Prez sort of looked like a cross between Al Gore and then 'future' now former Vice Presidential hopeful John Edwards all rolled into one. I laughed because the best expression that this 'Vice' Prez had on the bridge was...-clueless.

    And from the exotic cars and the crazy players that brought game to the screen, this was a breath of fresh air, that year. I think that Steven Seagal played himself, as he always does but just like John Wayne and other big icons, that's what people generally go to see, these stars being the stars they are. I strongly felt that the action and confrontation between Seagal and DMX was a favorable match-up. Corruption in the heart of the downtown precinct. A couple of 'hood-ole'' boys to fight against and expose it. It's an age old tale, but they pulled this one off very well.

    I recommend to action and martial-arts fans. This one is a lot of fun...(***)

    Thx--IMDb.com
  • comment
    • Author: Gaxaisvem
    Despite Fire Down Below being a No. 1 hit in America, it went straight to video here in the UK and killed Seagal's career for four years. But then veteran action producer Joel Silver thrust Steve back in the limelight, put him on the Slimfast diet gave him slightly better material to work with. After all, an actor can only do as good as the script.

    From a novel of the same name by John Westerman (but bearing minimal resemblance to it) the plot centers on Orin Boyd, a cop busted down to patrolman after a rough encounter with the Vice-President. Once on the streets Boyd's suspicious nose can't keep him out of trouble with undercover cops who are trying to bust local Drug Boss Latrell Walker…or so it seems.

    There are many attempts at irony throughout the movie and surprisingly enough most of them work. Boyd is forced to attend rage control classes in which he meets eccentric TV host Henry Wayne (Tom Arnold) who becomes his wannabe partner. But sadly enough the classes don't work as Boyd continues to uses violence first, ask questions later. And there is a public service announcement too; Seagal survives a car wreck by airbag. A later car crash victim doesn't have one and dies.

    Dozens of cop movie clichés staple the flimsy script together. And the bad guys are obvious from the moment they appear on screen. Bartkowiak's direction is better than in his debut Romeo Must Die, and adds a heavy dose of frenetic rush to such a fast-paced film. However the set-up and execution of the story is so dull you'll forget about it half an hour after the credits roll.

    Seagal has learned a little, just a little, more in the acting area but still doesn't know how to express himself much. There's too much frowning and not enough other emotions from Boyd. We do want to feel more from him but he won't allow us. I guess this is just how Seagal is. He just can't get away from himself no matter what role he plays. I wish Seagal would try harder, but he just never bothers with making an effort.
  • comment
    • Author: Rishason
    Pretty straightforward action flick that is absolutely ridiculous and yet I can forgive it. You see there was nothing I loved more as a child than watching the movie heros fight the bad guys and ultimately take them out to restore peace to the free world. However, somewhere in the mid-90's, these kind of films (which I have appropriately labelled "The Big Dumb Action Movies") became a lost art and gave way to newer more complex action thrillers. In some instances this was for the better and in other instances, let's just say you were left longing for the days of old when Johnny Rambo dashed acrossed a battlefield in the jungle with his extra powerful M-60 machine gun and mowed down some Commie scum. One of the men at the frontline of the old action genre movies was Steven Seagal. His older movies were an action fan's wet dream. They had lots of shooting, lots of brutal fight scenes, and the occasional trademark Seagal staredown. Nevermind the fact that the man couldn't act well even if his children were kidnapped and one of the ransom demands from the kidnappers was for not only $5 million dollars but also for Seagal to play at least one scene in a new movie with a different tone of voice and a different facial expression.

    But the entertainment was there and when I saw "Exit Wounds," I was automatically thrown back into the mind of a young boy all over again. Here's a movie that gives an old fan of action exactly what they could ever hope for. Lots of martial arts, lots of great shootouts, and over the top stunts (maybe with a little bit of help from those damn cables and CGI but let us ignore this for the time being). This movie is a lot of fun and I was glad to see Seagal make a return to the kind of movie that people actually will pay to see him in, even if this is just a one time deal for the pony tail sporting Aikdo artist. If it is simple minded action you crave, then you can't go wrong with "Exit Wounds," which is really more of a throwback than anything. When you see the legendary action film veteran Bill Duke on the screen with those crazy eyes, you know you're officially watching a "Big Dumb Action Movie."
  • comment
    • Author: Cezel
    `There are good cops and bad cops,' says Steven Seagal when asked about why he chose to star in the film.

    The need for such a question, however, is unnecessary. Seagal will forever be known as one of our generation's top action stars. He's been on trains, submarines, and over speeding cars. His ability to dazzle his audience with every punch, kick, and flip earns him the title of one of our generation's most memorable action stars. Seagal is modest about his action power, however, and prefers to be thought of as a professional martial artist.

    Whatever the case, his latest effort in Exit Wounds is another film in Seagal's library of adrenaline-rushing, macho-type films. Produced by Hollywood honch Joel Silver, Exit Wounds is a high-kicking, edge of your seat thriller that tells the story of a cop named Orin Boyd, sent to another precinct in the rough streets of Detroit, where nothing seems the same. Corruption, deceit, and betrayal lay only three lockers away.

    Much like Seagal's enjoyment for his work in the martial arts field, Orin Boyd is a person who is genuinely proud of what he does for a living. All of his anger and frustration is a result of his disappointment with how little his job means. In one of the most powerful scenes of the movie, Boyd is shown hanging up his whistle after his demotion to a traffic director. A cop in Detroit is everything Boyd lives to be, and when his occupation becomes meaningless, so does his life.

    Boyd isn't alone in his stance, however. When $5 million dollars worth of heroin disappears, there is an underlying truth to everything, but nothing seems to make sense. All fingers seem to point at Latrell Walker (DMX), a supposed drug dealer and one of the best.

    DMX delivers the most engaging performance in Exit Wounds. Much like Boyd, Walker is a character that is typical in most cop films, but also one that the audience can identify with. As every actor should, DMX gives as much personality to Latrell as needed. DMX, as Latrell, shows genuine emotions for his family, his colleagues, and for what stands to be right. A perplexing character with his actions, Latrell definitely serves to grab the audience's attention.

    Unlike traditional cop films, DMX and Steven Seagal are able to both grab hold of the spotlight of the film, but with their own unique charismas. Seagal and DMX's chemistry does not involve holding hands and dancing into the sun-setting horizon. It is a tense relationship between Latrell and Boyd, and as the movie progresses, the truths about one another are unraveled, with each character prepared to either fight, or work together, for whatever cause each one has.

    Joel Silver is known for setting the bar with his films, both in the action and story sense. Some of the most incredible action sequences in Exit Wounds will forever be embedded in the Joel Silver legacy. Along with Silver's knack for blood rushing sequences, he is also known for pulling shocks and surprises in his pictures. Exit Wounds is the type of film where one must really keep his eye open, for he might miss an unexpected, but crucial, turning point in the movie.

    As Steven Seagal's comeback film, he should be grateful that his first picture in the new millennium will forever remind his audiences and fans that he is, indeed, one of the best on-screen heroes of this past decade. As old clashes with new, his counterpart, DMX, has displayed his fresh talent on-screen and sets a challenge for him to take on new film's, with more demanding roles. In an age where hip hop and kung fu can co-exist in entertainment, Exit Wounds proves that films nowadays still have the potential of attracting just about anybody.
  • comment
    • Author: August
    To me this is a Steven Segal REVIVAL! While some who have seen this may have been disappointed in the classic sense of what a good movie is, perhaps your standards were set too high. To me, this is a classic Segal film with some great urban elements. I thought that while DMX probably played himself for the most part, he was very cool. Segal really seemed to get back to his true form in this movie. I was getting tired of the political overtones in his previous movies. I think this movie brought back the good old "ass-kicking" that he is known for.
  • comment
    • Author: Landaron
    Steven Segal makes a great action comeback in this movie. His last good movie was Under Siege was his last okay movie was The Glimmer Man. This movie is about dirty cops and Segal is trying to bring them down. DMX who is one of the best rapper/actors is also a good co-star. The only let down for me was the fact that Steven and Micheal Jai White didn't have a longer fight scene. All in All this is one of Segal's best.
  • comment
    • Author: Tori Texer
    If there`s one thing I love about Steven Seagal it`s the hope he gives to humanity , no matter how untalented you are every man , woman and child on the planet can watch a Seagal movie and say " Wow , what a guy . A man whose talent has no beginning and he became a movie star . God bless the American dream "

    ***** SPOILERS *****

    And what a comeback by Steven . EXIT WOUNDS opens with some fascist militia types trying to blow away a politician standing on an anti gun ticket , only to have our hero ride into the firefight and save the day . Ah but don`t be fooled into thinking this is another holistic PC thriller with ecological overtones because the rug is pulled from under our feet with Steven going after a bunch of drug dealing homeboy gangsters . Wow , what a change of pace for a man who makes ecological statement thrillers . Even more of an earthquake is the fact that EXIT WOUNDS contains a lot of humour at the expense of Steven Seagal . Has our hero found sophisticated post modernism ? Will he realise the irony of his initials being SS who `s made umpteen films where he blows away lots of fascists ? I`m telling you after seeing this film Mr Seagal has gone up in my estimation and Vin Diesel wins my vote as the worst action star Hollywood has ever produced
  • comment
    • Author: Browelali
    Segal has been here for years and he has a lot of unfair critics becouse he is an unabashed liberal.He is a Budhist as well which ticks a lot of conservative USA's buttons.But with the growing open mindedness in the US population,Segal does not fade away.This action hero epitomises discipline and heroism.This movie was an average action movie but could have been a classic if the martial arts choreography was done better.There were a lot of cartoonish martial arts sequences that did not belong like DMX holding his own too much against Segal,DMX's shotgun trigger tied to belt sequences,and the like.The movie was very entertaining though and the comic relief was done well.Not the best Segal movie but certainly not the worst.Recomended for Segal fans,hiphop fans,action fans and cop movie fans......
  • comment
    • Author: Kerahuginn
    For a plot with a lot of potential and decent acting from decent actors, this film could have been much worse. Seagall played his typical role as a tough mouthed and tempered cop who can't comply with authority figures. DMX also stars as a supposed criminal involved in the drug game. I expected how Seagall's part would pan out, however i was surprised on how DMX's presence and acting were not horrendous, though not great. Overall great effects and some fun plot twists Exit Wounds not a bad film to sit down and watch.
  • comment
    • Author: Virn
    Believe it or not, this movie wound up #1 at the box office when it was first released. Seagal's career was heading downhill fast, but this movie resurrected his career, and it became a hit. It made 51 million overall in the U.S. Seagal tried to replicate this formula with another hip ensemble cast in Half Past Dead by having another rapper (Ja Rule) but that bombed at the box office, and Seagal has been in STD hell, ever since. I'm honestly not sure why this became a hit for Seagal. It's certainly not bad, but there is really nothing all that special about it. It has plenty of lame comedy, thanks to the unfunny Tom Arnold, and some admittedly funny lines by Steven Seagal. It doesn't embarrass itself in the action department. It has a great opening, and Seagal does do some of his trademark bone crunching, and seems to be relatively in shape, unfortunately… Seagal's laziness was starting to commence as well. There are some laughable kickboxing moves, which do not seem to be coming from Seagal. The story itself is familiar. Seagal's "Orrin Boyd" character is a little bit like Serpico.

    Orrin is a lone wolf, and wants to uncover cop corruption. Sound familiar? Seagal does seem at least somewhat invested into this project. He does have some funny lines, as I stated earlier in the review. I wouldn't call his performance great, but at least signs of his old charisma are here. There is a pivotal moment, involving a death of someone he is close too, and he seems only slightly concerned. I also didn't buy the forced attraction between Seagal & Jill Hennessy. It was always subtle, but it came across as quite awkward. DMX seems very uninterested in his role, and doesn't react to much of anything. He does have a twist which I didn't see coming, but he looked bored. Isaiah Washington does well as Seagal's partner. Anthony Anderson is terribly unfunny in his role. There is a scene between him and Tom Arnold at the end credits, which is supposed to be hilarious, because they are improvising on the fly. It came across as stupid, and unbearable. Michael Jai White has an OK fight scene with Steven Seagal in the finale. It was quite disappointing in all honesty. Tom Arnold's popularity has always befuddled me, and I felt his character was a waste of time. Bruce McGill & Bill Duke add decent support, whilst Eva Mendes is sexy, but that's about it. According to her, she was dubbed by another actress, and hated the film. I couldn't tell if she was dubbed or not.

    Final Thoughts: I thought it was OK. It won't make your day, but it passes the time adequately. It has enough action to keep you watching for most of the duration. I would certainly recommend it over Seagal's STD stuff

    5.3/10
  • comment
    • Author: Vozilkree
    for me this is one of Steven Seagal best movies that i've seen so far.but then again,he has a lot of help here.he isn't the main draw her in my opinion.i think he share that distinction(or at least he should)with rap artist turned actor DMX and,there is a roster of great actors in supporting roles.this film has more realism than any lone Seagal movie.Seagal is usually shown as an almost indestructible "Superman".he almost always comes out of a fight with little to no physical evidence of the fight having occurred.in this film,Seagal's character has some real fights on his hands.as for DMX,based on this film,he is really talented and has great charisma to boot.i think he is more than equal to the task at hand.he probably could have carried this movie on his own.another good thing about this movie is that there is some character development happening.the bad guys aren't just used as plot devices.at least i didn't think so.for me,Exit Wounds is a strong 8/10
  • comment
    • Author: MeGa_NunC
    Exit Wounds is set in Detroit where an attempt is made on the Vice President's (Chris Lawford) life, tough city cop Orin Boyd (Steven Seagal) takes it upon himself to single handedly save the Vice President & start World War III in the process. Boyd's bosses aren't happy, the secret service aren't happy & the Vice President isn't happy so as punishment Boyd is sent to work in Precinct 15, the biggest s-hole in Detroit & undergo anger therapy. Boyd is partnered up with patrol cop George Clark (Isaiah Washington) who quickly stumble across a plot by a gang of corrupt cops to steal impounded heroin from the police lock up & sell it, unsure of who they can trust Boyd & Clark have to go it alone dodging bullets as they try to clean up Precinct 15...

    This American Australian co-production was directed by Andrzej Bartkowiak & one has to say that Exit Wounds is a pretty ordinary & routine action thriller about some one man army super cop bringing down some drug dealers. The script by Ed Horowitz & Richard D'Ovidio was based on the novel by John Westermann & feels like a mishmash of action film clichés cobbled together. There's the obligatory white cop black cop partnership which never actually goes anywhere, the lone maverick cop whose wife left him because of the job & has to go it alone to catch the bad guy's, the predictable plot twists, various fight & action scenes which have little relevance to the story, some awful comedy relief & a fairly routine Hollywood thriller plot about drugs. Nothing really gels that well in Exit Wounds, most of the events seem unconnected & somewhat random. To be fair to Exit Wounds though it passes 100 odd minutes harmlessly enough, it's certainly not the worst film out there & there's one or two memorably spectacular action set-pieces & there's a funny little nod towards the brutality of Seagal's earlier films in that his character is forced to go to anger management therapy in a fairly amusing scene which also pokes a little bit of fun at his weight & that he is getting fatter & fatter with each passing film he makes. Unfortunately to balance that amusing scene out the ending is truly dire with the two main comedy relief character's talking to each other & trying to be funny, a truly embarrassing scene. While there's nothing hugely wrong with Exit Wounds there's nothing that great about it either, basically it's fairly predictable Hollywood stuff saved by some impressive action scenes.

    Director Bartkowiak does a decent job, the film looks nice with bright cinematography, some nice angles especially during the opening shoot-out on the bridge, there's plenty of clean lines, fast sports cars, hip music & it has a bit of style about it. The action scenes save Exit Wounds, from a huge shoot-out on a bridge to exploding cars to gunfights to martial arts fights to motorbike chases to car chases to all sorts of explosions, property damage & brutality. It actually looks like Seagal put some effort into the fight scenes in Exit Wounds, in fact Exit Wounds is probably the best film Seagal has made during the twenty first century & the last of his big budget Hollywood flicks with Warner Bros. While filming in Hamilton during the scene when the van rolls upside & skids along the street with everyone inside jumping out a stuntman died after the stunt went wrong, this scene was re-shot later which probably cost a lot since it's one of the more expensive looking action scenes in the film. Apparently filming was also delayed when actor David Vadim was arrested & charged with sexual assault by police on the set!

    With a supposed budget of about $33,000,000 Exit Wounds did OK at the box-office taking about $20,000,000 during it's opening weekend. The film certainly has that big budget Hollywood polish about it & the production values are high & glossy. Set in Detroit but largely filmed in Canada. The acting is alright, Seagal is OK I suppose. When I first saw the credits & saw someone called DMX I thought isn't that a make of bike? But then I realised that's a BMX... Fine character actors such as Tom Arnold, Isaiah Washington, Bill Duke, Jill Henessey & Bruce McGill are all wasted in small roles but the films still definitely better for having them there.

    Exit Wounds is a pretty routine action thriller that takes most of the Hollywood stereotype's & clichés & churns out a reasonable flick with which to pass 100 odd minutes. Exit Wounds is nothing amazing but it's not too bad & the action scenes provide plenty of bang for your money, neither the best action film out there or the worst.
  • comment
    • Author: Throw her heart
    I had believed that Steven Seagal's exit wounds would be as good as under siege 2 which was his best film. Exit wounds does start well with a good fight scene but unfortunately the film lacks pace & too often wonders around going nowhere. IT could certainly have done without tom arnold who turns up as unwanted as a weak bowel.

    DMX whoever he is seems comfortable in his role but I never really found out what his operation was. The bad cops in the film were good & there was plenty of decent action with them.

    Steven Seagal once again proves himself as a top class actor with those scowls & frowns & that calmness he displays everytime he appears in a scene

    Not a bad film but a liitle long
  • comment
    • Author: Dream
    A decent enough action film with Steven Seagal looking better than ever in the title role. His partnership with rap star DMX is challenging, although Tom Arnold is on hand to provide the humour on occasion. The action is presented at an excellent pace, especially the opening 10 minutes, and the shoot-outs are quite spectacular. Also, the kung-fu/wirework action set pieces work well with Seagal's Aikido skills, and he does move about a fair bit in the film. The plot which involves police corruption, brings out the best in Steven Seagal, although his acting skills are hammy at best. Overall, a decent film, worth seeing more than once.
  • comment
    • Author: Mash
    ... but won't. I am not a Seagal hater and actually like ABOVE THE LAW and most of his early 3-word-title films. Unfortunately those days appear to be well over. Best part of EXIT WOUNDS: Seagal's magic handgun in the opening battle that is re-dubbed with the sound of a Skorpion machine pistol. I had to rewind just to enjoy the mindlessness of this again and again. He actually shoots down a helicopter with a pistol. Those are some powerful sound effects ya got there, partner. I didn't think they did that sort of thing in movies any more. Ludicrous. Oh yeah and it is plain as day that DMX has no idea how to fight. I pity the editor who was saddled with the task of making him look effective in combat. After seeing this inane piece of drek, I think I'll take a pass on CRADLE 2 DA GRAVE and just rent a REAL Kung Fu movie instead.
  • comment
    • Author: Musical Aura Island
    Typical Seagal movie. Someone pushes him around and he fights back. Always a good watch. There's a a few cool moves he makes, but don't expect too much from this movie. The plot moves quickly and really isn't that interesting. It's all about the fight scenes.

    One thing that really got to me was the movie takes place in Detroit City but there's almost a Canadian landmark in each scene. "Welcome to Detroit AM" [CN tower in the background], Sky dome signs, Canadian food chains and even in the first few scenes there's filming right in front of City landmarks. Why not just say Toronto rather than Detroit?
  • comment
    • Author: OTANO
    Seagal plays he usual style role of a renegade cop with no respect for authority. DMX is a gangster with whom Seagal teams up with to find out who has stolen fifty kilos of heroin from the vaults of a Detroit police vault.

    The teaming up of a hard cop and a hard gangster in a different take on the buddy cop genre was a nice idea, but it raises too many plot flaws and the duo don't have the comedy timing to make it work well.

    Exit Wounds does entertain with it's action and thrills, but its ultimately forgettable.

    5/10
  • comment
    • Author: Goldenfang
    High kicking, hard punching Steven Seagal is a renegade cop that fights police corruption inside the Detroit Police Department. Five million dollars worth of heroin is taken from evidence storage and becomes obvious that it is the work of crooked cops. Plenty of action, explosions and vivid fighting...obligatory for a Seagal movie. The very diverse cast includes:Isaiah Washington, Anthony Anderson, Bruce McGill, Tom Arnold, the gorgeous Jill Hennessy and an outstanding performance from rapper DMX. The story line and very good F/X take back seat to the dervish martial arts combat.

    DMX not only plays a double roll in this tale of corruption in the toughest precinct of Detroit; but also is featured on the loud and hard hitting soundtrack. The highlight of which is a DMX remake of the Bill Wither's classic "Ain't No Sunshine.. When You're Gone".
  • comment
    • Author: Kagaramar
    * Minor Spoilers and some adult content *

    I rented this one up because I'd grabbed two other movies which looked slightly cerebral, and I wanted a stupid action movie to offset them - so I knew what I was getting myself into.

    I remembered that Stephen Seagal basically couldn't act, but I couldn't remember what it was about him that kept getting him movie roles. I thought it might have been something to do with his having a more or less perfectly rectangular head, but then I remembered that he did martial arts stuff. So when all the martial arts sequences in this movie turned out to be in slow motion, I decided it had to be the rectangular head thing after all.

    Anyway suffice to say Exit Wounds isn't that terrible a movie, so long as you go in expecting a stupid action B movie with incredibly bad acting, a ludicrous plot, and a guy with a rectangular head who can do great stunts in slow motion. As a matter of fact I fell asleep about 5 or 10 minutes from the end. But here's the good part - I woke up about 10 seconds into the closing credits.

    This was a very surreal experience. What you get in the closing credits are two of the supporting characters who, to the best of my memory never even MEET each other in the movie - sitting down in one of those cute, quasi-outakes or bloopers they run during credits (except it can't be an outake or blooper, because the characters never met), and coming out with this 3 minute stream of increasingly graphic anecdotes about masturbation and defecation. I mean, they start talking about how many times a day they masturbate, what they wipe the semen up with, the fact that one of them once s*** the bed, etc, etc - and I wake up to this thinking what the hell is going on here? I mean, it's like outtakes from South Park rolling in the closing credits for a Charles Bronson film. It was one of the most incongruous things I've ever seen at the end a film. And sad to say it was considerably _funnier_ than the attempts at humour in the actual movie.

    I gave Exit Wounds 5 out of 10. Without the bizarre closing credits it would have copped a weak 4.
  • comment
    • Author: Jum
    Like all action stars eventually do, Steven Seagal (or seagull, as his unchanging facial expression often brings to mind) has been going through a downfall of late. Unlike Kurt Russell or Sylvester Stallone, however, Seagal is utterly unable to act without some kind of weapon in hand or combat situation to go through. In such cases, there are several things a good director will do in order to even out the actor's inability to act. When Schwarzenegger tried to act in Twins, they fixed the problem by having a competent comic actor feed him material to play off in his own limited way.

    In Exit Wounds, the idea is to have Seagal share the spotlight with one actor who makes him look good through sheer incompetence, namely DMX (gee, and they wonder why Afro-Americans are seen as idiots with no linguistic skills). The other actor, presumably the comic foil in the deal, is none other than Tom Arnold. Tom never quite makes us sure whether he's trying to reflect comic material off of Seagal, a thankless task in itself, or trying to make Seagal look like an actor through sheer incompetence. Given the screen writing and theme of the film, either one seems likely.

    The plot, such as it is, involves corrupt policemen laundering money through the internet, or something to that effect. Between all the idiotic sequences involving stupid actions to show what sort of beat Seagal's character is working, Seagal tries to act out dialogue with a police captain portrayed by Jill Hennessy. If the idea was to make Seagal look good through the incompetence of his co-stars, then one has to wonder whose brilliant idea it was to cast the best secondary star that Law & Order has had to date.

    To give Exit Wounds its due credit, it has genuinely funny moments in spite of the constant attacks of ebonics. When we finally get to see the mock Tom Arnold Show, it makes the other ninety-odd minutes of wasted opportunities genuinely worthwhile. There is one incredibly stupid moment when policemen are tazering each other for sport, but you have to expect that kind of idiocy from a Seagal film. This is indeed a stupid action flick in a market that has not recovered from being saturated with them.

    In the end, I gave Exit Wounds a one out of ten. Like Dark Angel or Boyz N The Hood (great English, by the way), Exit Wounds proves the old the cooler you claim you are, the cooler you ain't rule. Let it be known henceforth - Exit Wounds is the film that made Tom Arnold look like a good actor.
  • comment
    • Author: Akirg
    Made unpopular within his own precinct after embarrassing the vice president, maverick cop Orin Boyd is transferred to a notoriously difficult department. Once there he uncovers a group of dirty cops selling heroin to drug dealer Latrell Walker. However Orin finds it difficult to tell the good guys from the bad guys.

    Despite having been let down by Romeo Must Die and Cradle 2 The Grave, I still was interested in seeing this film in the same sort of genre of hip hop/martial arts that seems to be doing the rounds of late. I didn't expect too much of it and maybe that's why I actually quite enjoyed it. I found the plot a little too poorly explained until late in the game and also it was a little overly unlikely, but this is a minor compliant. I was more interested if it was an exciting film with plenty of martial arts stuff.

    Despite some moves being a little weak, most of it is actually pretty good if not great. Occasionally some of the wire work is badly done and the actors don't really look like they are moving gracefully – more that they are being pulled around by an unseen force! The film managed to not give Seagal too much to do and thus it never really had him looking silly. The actual fight of the film (Jai White and Seagal) is not dazzling but is impressive as White shows a great deal more agility than Seagal. DMX's skills are a little lacking and (as in C2TG) he doesn't fit the martial arts style of fighting – the scene where he faces up to Seagal exposes just how short and skinny a man he is!

    Another reviewer said he would like to see comedy in this film because he thought it would have been better. I think he missed the point – there was lots of comedy in this film – just none of it was actually funny. Anderson does his usual comedy sidekick routine but is woeful as always. The best (worst) example of the film misjudging the comedy is the scene with Anderson and Tom Arnold that plays over the end credits – supposedly ad-libbed and hilarious, it is actually embarrassing and excruciating to watch! I agree with the other reviewer, I wish there HAD been laughs in this film.

    Beyond those I have already mentioned, the cast is deep with well known faces – Duke, McGill, Mendes, Drag-On (!), Jai White and Washington to name a few. Sadly they are given very little to do and, rather than project cast depth, they only suggest an untapped potential. Overall, I still enjoyed the film as the action was actually pretty good for a Seagal flick. A word of caution would be that I was in a very forgiving mood when I watched this film and even then I still accept that it is average at best.
  • comment
    • Author: Onaxan
    * out of ****

    Off the top of my head, the only movie of Seagal's that I genuinely enjoyed was Executive Decision, and he was in that for barely half-an-hour (keep in mind, I haven't seen Under Siege in twelve years and I don't remember a lick of it other than Erika Eleniak's topless scene). Aside from that film, everything he's churned has been generic crap, and they're terrible movies almost always because of him.

    Hmm, let's see the pattern in Seagal movies. Kill all opponents without one laying a hand on him (usually by grabbing their arms and flipping them to the floor), have said opponents approach him when they could just as easily shoot him from a distance, and once in a while deliver a message about humanity's lack of care to the environment. To be fair, Exit Wounds attempts to fix all these problems. Seagal does fight a few difficult opponents and there is no preaching here. But now there's a new problem, Seagal is hilariously unconvincing because he's a chubby, 50-year old action star.

    Seagal is Orin Boyd, an edgy cop who's been assigned to the worst precinct in the city (what city it is, I don't remember) after saving the life of the vice president. Apparently, the top cops think that act of heroism was actually more along the lines the mark of a loose cannon. Anyway, he eventually teams up with a criminal (DMX) to stop a gang of crooked cops (led by Michael Jai White). Much gunplay and martial arts action ensue.

    Exit Wounds is directed by Andrzej Bartkowiak, who also directed Romeo Must Die, Jet Li's debut lead in an American film. He crafts Exit Wounds in the same style and manner, which means it's basically the same movie (plot is negligible in these films) with Jet Li replaced by Steven Seagal. Automatically, that's a colossal step backward, going from the ultimate badass wushu champion to washed-up, overweight, and expressionless Seagal.

    True, the fight scenes here aren't as digitally manipulated to the same extents as Romeo, but watching Seagal leap over a moving car, dodge a bullet and kick his opponent with one hand on the ground and prop himself back up without a hitch is probably even more laughable, entirely because of how out-of-shape this guy is starting to look. To be fair to the man, his lack of acting ability makes his one-liners more effective, if only because of how utterly deadpan his delivery is.

    Exit Wounds is partially a buddy flick, so the other half of the duo is DMX, who's been in all of Bartkowiak's films to date, and has yet to show the slightest bit of convincing acting. I just harped on Seagal for that, but DMX is twice as bad. Every time he enunciates dialogue, it's almost cringe-inducing. For comic relief, there's Tom Arnold and Anthony Anderson, who are actually pretty funny together, though not nearly as much when each is solo. As the needed "babe" of the piece, because hey, you attract guys with guns, fights, explosions, and chicks, there's Jill Hennessy, who really gets nothing to do except drive during a car chase.

    Bartkowiak handles some of the action scenes with a deft hand, particularly the opening shootout, but once again, when Seagal's called on to move gracefully, all signs of thrills and excitement are tossed out the window and replaced by unitentional hilarity. So far, I haven't done much to criticize the plot so I haven't picked on the cliches and contrivances. No matter, though, the plot didn't bug me so much as the fact that I was bored for 90% of Exit Wounds' running time. That's why this is a bad movie.
  • Cast overview, first billed only:
    Steven Seagal Steven Seagal - Orin Boyd
    DMX DMX - Latrell Walker
    Isaiah Washington Isaiah Washington - George Clark
    Anthony Anderson Anthony Anderson - T.K. Johnson
    Michael Jai White Michael Jai White - Lewis Strutt
    Bill Duke Bill Duke - Chief Hinges
    Jill Hennessy Jill Hennessy - Annette Mulcahy
    Tom Arnold Tom Arnold - Henry Wayne
    Bruce McGill Bruce McGill - Frank Daniels
    David Vadim David Vadim - Matt Montini
    Eva Mendes Eva Mendes - Trish
    Matthew G. Taylor Matthew G. Taylor - Useldinger
    Paolo Mastropietro Paolo Mastropietro - Parker
    Shane Daly Shane Daly - Fitz
    Drag-On Drag-On - Shaun Rollins
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