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Short summary

In a military-led country, a pacifist organization, which supports the opposition party in the government, is planning on holding an anti-military rally. The organization's leader is scheduled to arrive the day of the rally, amid reports of an assassinating plot.Thrown into the mix is a photojournalist who's looking for the truth.

The actors falling off the truck had to do their own stunts as the low budget would not allow for a stuntman.

The first film to be nominated by the Academy for Best Film and Best Foreign Language Film.

Tied with the Fritz Lang movie M (1931) for the record for shortest movie title ever. This happens only in English countries because around the world it is known as the only shortest title of a movie mainly because 'M', in many other countries was released with the subtitle of 'The Vampire of Dusseldorf', while 'Z' didn't receive any kind of subtitles. Holds the record for the movie with the shortest title to be nominated for the Academy Award for Best Picture.

The meaning of "Z" : At the very end of the movie, a message tells us "Also the military regime banned (...) the letter "Z" which means "He is alive" in ancient Greek."

The actor playing the doctor got cold feet during his explanation of the x-rays of Z's cranium. A real doctor acting as an extra, volunteered to fill in and finished the scene, his only acting performance on film.

Director Costa-Gavras says that Montand's scenes, including flashbacks and photos only occupy 12 minutes of screen time.

Many minor roles were played by members of the crew for budgetary and logistical reasons.

The producers of the film refused the Golden Globe award given for Best Foreign Language Film because they expected to receive a nomination as Best Motion Picture - Drama. As of 2014, it remains the only film to do so. (Source: Hollywood Foreign Press Association).

The photojournalist played by Actor Jacques Perrin is actually an amalgam of five or six real-life reporters. The actor also acted as co-producer and was instrumental in having the production shot in Algiers.

At the end of the film there is a list of names banned by the military junta. The names are separated by commas, except for one: "Lurçat !!?!". This is a reference to Jean Lurçat, who was the key figure in the revival of woven tapestry in the 20th century.

The X-rays used were those of a real patient who had suffered similar head traumas to Z's.

Algeria's official submission to the 1970's Oscar as Best Foreign Language Film.

In the French dialogue, the acronym CROC is expanded as "Combattants Royalistes de l'Occident Chrétien" ("Royalist Soldiers of the Christian West"). In the English subtitled version, the initials are preserved by changing the expansion to "Christian Royalist Organization against Communism".

The Cinematographer Raoul Coutard plays the British surgeon.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

The film was restored in 2014 by KG Productions with the support of the CNC under the supervision of Costa-Gavras by Éclair Group for the image and L.E. Diapason for the sound.

The only film that year nominated for Best Picture at the Academy Awards, and not in any Best Motion Picture category at the Golden Globes.

When the officers enter the lonely hospital ward to confront the (at that point in the film) only witness willing to come forward, the camera is recording their long strides as they approach the witness' hospital bed. The sound of the foot steps is actually the sound of Nazi soldiers marching.

According to Peter Brown in the book Real Oscar, this received a Best Picture nomination due to a blitz style campaign that the studio unleashed on voters.

The fight scene between the two men on the tricycle carrier platform, is performed with music from the soundtrack of Georges Lautner's Le pacha (1968), just before the armored truck heist sequence. The soundtrack is named "Batucada Meurtrière", inspired by Brazilian music, and performed by Michel Colombier. It has never been mentioned anywhere, so only careful listening will identify it.

The credits at the end of the film roll from bottom to top which was and still is a highly unusual method. This is likely due to Z being the last letter in the Greek alphabet. The credits therefor start from an end point (Z) and move towards the starting point (A.)

The movie is based on the events surrounding the assassination of democratic Greek politician Grigoris Lambrakis. On May 22, 1963, Lambrakis was attacked and struck on the head (in the same manner depicted in the film) by right-wing extremists after giving an anti-war speech in Thessaloniki. He died of brain injuries from the attack on May 27, 1963. Following Lambrakis's assassination, a military junta of right-wing generals seized control of the Greek government in 1967. During this time, the letter Z (meaning "He is alive") became a common piece of protest graffiti in Greek cities, in memory of Lambrakis and his democratic ideals. The military junta banned the use of the letter "Z" as graffiti, in response to these protests. The Greek junta collapsed in 1974, following a disastrous invasion of Cyprus by Turkey (which led to the occupation of almost half Cyprus by the Turkish army), and democracy was restored to Greece. In the film, the Examining Magistrate (played by Jean-Louis Trintignant) is in reality Christos Sartzetakis, who later served as President of the Hellenic Republic (1985-1990).

User reviews


  • comment
    • Author: Marilbine
    When the preview of "Z" was shown at the Oscars, it received a standing ovation. I didn't know why until I saw the movie. The Oscar forced it to be shown in the United States. At the time, the US backed the military government in Greece. The totalitarian government represented a stand against communism. This movie depicts the true story of a beloved olympic athlete who became a doctor and began speaking out against his Greek government. For that, he was murdered. This is about a brave investigator who begins to search for the origin of the orders to have the doctor killed.

    It leads to the downfall of a country. Mikis Theordorakis wrote the music from house arrest in Greece and it was smuggled out to be placed on the film. Yves Montand played the lead role and was blacklisted from getting a US Visa for his participation until some strings were pulled and he was allowed a 24 hour visa, to be extended each 24 hours in order to allow him to film "On A Clear Day You Can See Forever". At the end of filming,that night he made a surprise appearance on Johnny Carson's Tonight Show. He told the story about "Z" and commented that he was in the care and custody of US Immigration and the FBI. The camera panned right and a dark suited man slid quickly behind the curtain. He apologized for his abruptness, but his visa expired at midnight and he had to get to the airport. When I saw these things, I was shocked my government would take a movie so seriously. When it showed up in an obscure movie theater in Houston, I had to go. I was the only person buying a ticket just after noon that day. Upon entering the theater, a dark suited man was sitting in the lobby. I walked into theater and then stuck my head back out to see what the only other individual in the theater was doing. He was stepping away from the ticket booth. I watched as he walked the short distance to my car, took out a notebook and wrote in it while looking at my license plate. This is how it happened. It was 1969. J. Edgar Hoover had stated publicly that no truly loyal American would pay money to see such a movie. It was unpatriotic. Newspaper articles that spring reported it.

    Watch this movie and consider the importance "entertainment" can have on government, media, and yourself.
  • comment
    • Author: Leceri
    The film '' Z '' is based upon the same-titled book written by Vassilikos and referring to a real-life event: the assassination of one of the most honorable Greek politicians ( his real name was Grigoris Lambrakis ), who sacrificed his life in the name of peace and human dignity. Costas Gavras did his best to present the prevailing atmosphere and the political situation in Greece ( although Greece is at no point straightly mentioned, but implied ) during May of the year 1963, which is the year when the real events took place. Choosing an adventurous, thrilling or hilarious style according to the facts and scenes presenting at each part of the story, he made an '' all time interesting and provocative '' film. Great acting was also put in by everybody and particularly by Jean-Louis Trintignant, who was great as the Examining Magistrate. As long as the script is concerned, the plot builds up very satisfactorily and carefully, thus not leaving any holes. Great respect should also be paid to Mikis Theodorakis who wrote the original score for the movie, helping it gain the marvelous rythm it retained right until the very end of it. As a concluding remark I would like to mention that anybody who's interested in late Greek history ( from post World War II era to date ) should watch it carefully. The whole result is very rewarding.
  • comment
    • Author: Manemanu
    First and foremost, it is a true story. It's the story of the assassination of Grigoris Lambrakis, that eventually led to the military junta. Every time I see it, it gives me the chills. Since Z was released while the junta was still in power, it was banned in Greece for several years. After the fall of the military junta, Z was worshiped, although we saw it on TV much later in order to avoid stirring passions. In terms of the plot, if you're not Greek, it's quite possible you might be left with many unanswered questions, but, in general, it is an accurate description of Greece during that era.

    While Vassilikos' novel (written in 1966) has driven him to exile from 1967, Theodorakis was still in Greece under surveillance and managed to write his excellent score secretly.

    Costa-Gavras gives us a top-class fast paced direction which hasn't aged even today, although I'm sure the Oscar was as much a political decision as a purely artistic one. What is truly spot-on is the casting. Both Montand and Trintignant excel, but even minor roles like Vago and Yago are portrayed in an extremely realistic way. My small objection would be Irene Papas staying near-silent throughout the movie. Although her talent allows her to pull it off with class, I really didn't understand why she was not supposed to talk.
  • comment
    • Author: Whatever
    This is not a review.All that is need to be written about this masterpiece of a film has already been written.

    However there are 1-2 things worth mentioning that might interest some folks that are not from Greece: Jean Louis Trintignant's character "The Examining Magistrate" was in reality Christos Sargetakis who became the president of Greece for 5 years(1985-1990).

    The film ends with the rise of the military dictatorship and it is suggested that the upposition didn't really capitalise on Lambrakis' assassination.That's not what happened in reality.

    In reality the Lambrakis assassination caused the resignation of prime minister Karamanlis(the right wing P.M of Greece at that time) and the triumph of the upposition(something like the democrats in the U.S,the G.Papandreou party,NOT Lambrakis' left wing party) in the elections of 1963 with a whooping 54% which becomes even bigger when taking into account the situation in Greece at that time,with right-wing police controlling everything and manipulating the citizens.

    Of course the film was made after the democratic-elected government had fallen and junta had taken over.(in fact the democratic government had fallen 2 years*in 1965* before the junta took over and we had a false semi-democratic government that consisted right wing members of parliament and defected members of the G.Papandreou party)

    So in reality the Lambrakis assassination DID make a difference in Greece,if only for 2 years(1963-1965) while on the film nothing changed.I guess with the ultimate rise of the junta that was reigning at the time the film was made it was proper to make the film bleaker than the true events.
  • comment
    • Author: Vizil
    I have to start by getting slightly off topic. I've wanted to see this film for thirty years. Not because I've read or heard anything about it, but entirely because of the trailer I saw when it was first released, back when I was 14. Although I now remember more the feelings the trailer inspired than the trailer itself, it still reminds me how awful trailers almost always are. The trailer for "Z" was some the most intense, exciting few seconds of film I had ever seen, and I wanted to see more. A brilliant ultra-short film production. And it did it without revealing and spoiling the movie's story. So when I finally did see "Z" I was able to enjoy something fresh and new.

    It wasn't what I expected, but turned out to be one of the best political thrillers I've ever seen. You don't really have to know Greek history to see it, in part because the movie never explicitly mentions Greece. Better to do it the other way around, by getting swept up in the gritty often tawdry intrigues you will be learning Greek history without realizing it. Or if you are into conspiracies and cover-ups in general you'll learn how they really aren't the brilliantly crafted master-plans of distant omnipotent figures that most movies show, but are usually the creation of dull mediocrities, full of flaws, stupidities, and ham-fisted improvisations. That they often succeed is more because of brute force than any innate cleverness. This is a powerful and effective movie, which is almost certainly due to its being based closely on reality and the passions that inspired it's making, and from it not being a recycled and denatured Hollywood product. I highly recommend it.
  • comment
    • Author: Alsath
    In this film, we find ourselves in a big city in a nameless country, whose political system is royal democracy. However in effect it is under a military regime. At that time, a pacifist politician-doctor-athlete arrives to deliver a speech about disarmament. This does not please the military, who devise a plot to do away with him. The politician is killed and his murder is covered up as an accident. The rest of the film is about the efforts of the Examining Magistrate and a newspaper photographer to uncover the truth.

    For those who are up to date with Greek history, the country is Greece, the city is Thessaloniki and the politician is Grigoris Lambrakis. But that is of small importance, since this is a story which could have (and possibly has) happened anywhere at any time in history.

    About the film: the cinematography is excellent, even by today's standards. The acting and direction are both top class. But what impressed me the most was the film's editing. After the slow first 15-20 minutes or so, the film picks up a pace which is tight and lightning fast. The dialogue is concise and to the point - the film's last lines, spoken by the Narrator and found in the quotes section of IMDb, never fail to bring tears to my eyes. Finally, the film offers what I consider to be the best film score of all time (but I may be a bit biased on this, since the score is by Mikis Theodorakis, my personal favourite).

    This kind of documentary-style film making has been done plenty of times since, especially in political thrillers. But this is what sparked everything up. Watch this film. You'll be rewarded.

    My rating: 10/10
  • comment
    • Author: Hra
    One of the best political/muck-wracking films ever made, it set the stage for the great US political films of the 70's. Costa-Garvas at his finest, it's filled with detailed performances and camera work, a memorable score, and breathtaking content. If only they made films like this now, I'd be a happy camper. By the way, it was the first foreign film (French) to be nominated for Best Picture. That should tell you something.......
  • comment
    • Author: Hurus
    I would like to give a little history of Greece from WWII to the time when "Z" happens. The Greek people had successfully expelled the Nazis when English forces invaded the country and put the Nazi collaborators in power. The US army took over the effort in 1947, rounding up thousands of people and putting them in reeducation camps. By 1949, the "civil war" was over, with Greece under military rule.

    Then, the story portrayed in "Z". Dr. Gregorios Lambrakis was beginning to speak for the people, when the junta gunned him down. In "Z", we get to see the investigation into the murder, exposing how the generals orchestrated it. They never say that the movie happens in Greece (although it clearly does), and more than simply a look at the CIA-installed regime that was ruling Greece from 1967 to 1974, it's a reminder of all totalitarian governments in the world. "Z" will very likely chill you.
  • comment
    • Author: Goldendragon
    Having seen this at the Art Theatre in Akron, Ohio, upon its first American release, this film was a forcefully stunning, face slapping wake up call to keep a vigilant eye on most politicians because they are controlled only by the constraints we present and confine them with. Grown men left the theater with tears pouring down their cheeks not only because of the great performances and story, but because these were the Nixon years, and the film made us realize we were only a pen stroke away from the horror of losing freedom and democracy here in the United States. No country is safe, and it could be argued in areas of Florida today that, even though we preserved our nation and eliminated Nixon, it was a Pyrhic victory, a temporary victory, and our democracy and how it is supposed to ethically work was left disheveled and browbeaten in the end, anyway. One thing is for certain; the rats are in the cupboard now. And this film hits all the right buttons; great music, acting, an avant garde documentary style of filming that was sensational in its time and still is good today, but so many people have copied it, it seems to lack originality since we are so accepting now of something that was novel at the time...but this is the real thing that started it all. A film that should be in everyone's home and shown to every civic class in America.
  • comment
    • Author: Livina
    Every so often a film comes along whose cinematic quality is less important than the statement it makes about civilisation. 'Z' is such a film.

    Chilling in its execution and its denouement, the film is a powerful anti-totalitarian tract, showing the powerlessness of the forces of truth against an establishment which holds all the cards (but which nonetheless displays appalling incompetence in playing them). That the government in question is right-wing is not important - like Orwell's 1984, this film opposes totalitarianism of all kinds.

    The script, direction and performances are good enough, but this is not a film you see for entertainment. It should be shown to every government official in every country in the world, to remind them of the corrupting influence of absolute power (and, incidentally, it ought to be shown to every journalist to remind them what investigative journalism is supposed to be about).

    11 out of 10, were it possible.
  • comment
    • Author: Cenneel
    A great film. As a Greek, I am a bit ashamed I hadn' t seen it until now. I think all Greeks (at least) should see it, just to discover their recent history that is so little known and told in Greece nowadays, and to realise that values such as peace and democracy (and truth) are worth at least fighting for.

    Coming back to the film, I was really amazed to see a '60s film with so good picture, I really think it is an example of how such films should be made!

    About the performances, I would like to concentrate in these of Yves Montand, which I found very realistic, and this of Irene Papas, whose role contain just about 10 words, but her performance is excellent, it's like she's speaking with her eyes.

    Now, about the film being slow, I didn't find it slow at all. But I guess that depends at the mood of each one, because a friend of mine slept after the first quarter, woke up a bit later and saw the rest of it with great interest(she is, however, keen on sleeping during a movie!)

    Surely a 10/10 movie
  • comment
    • Author: Anaginn
    Without a great deal of background into the confusing politics in Greece over the past decades, it is sufficient to know that this country is the cradle of democracy. It is the origin of the word itself. Watch this film with that one thought in mind. Z will influence your views on politics and the importance of preserving democracy and participating in government for the rest of your life.

    What occurs in Z has happened before, is happening now, and will happen again in different countries to varying degrees. An individual's awareness of this fact is vitally important, just as participating in government is vitally important.

    There are movies that come along every once in a great while that should be seen by everyone. They should be, perhaps, a mandatory part of one's high school civics curriculum. Z is one of those films.

    The Internet Movie Database has a list of the 250 most popular movies of all time. The list is a mixed bag. Some movies are there because tons of people saw them and - like popular novels - they had a story line that was fun and engrossing (the Godfather movies, Star Wars, Indiana Jones); other films are on the list because they changed filmmaking itself (Citizen Kane, Hitchcock, Star Wars); and finally there are movies that change our hearts forever. Saving Private Ryan, To Kill a Mockingbird, Schindler's List.

    Z should be there. If only more people had seen it.
  • comment
    • Author: Danskyleyn
    This is a great Costa-Gavras' masterpiece about a political confusion caused by a murder of a politic. Costa-Gravas again shows his talent in this interesting film that is full of conspiracy, tension and confusion. The plot is complex but you can follow it and, once you do it, you enjoy the film a lot. There's this dark atmosphere in the whole length of the movie that gives it a nice and enchanting look. I think the best way to watch "Z" is in total silence, with your eyes glued to the screen and your mind turned towards the frames and all the great actions and dialogues.

    My rate 8 out of 10
  • comment
    • Author: Trex
    "Z" is a masterpiece! It is delightful, thrilling and beautifully adapted to film. The cinema is marvelous, the message is deliciously electrifying and the ending is absolutely superlative! "Z" is the best political thriller I've seen, matched only by "Missing" (also directed by Costa-Gavras).

    The acting is flawless. Yves Montand, of course, plays his role immaculately. But Irene Papas as Helene performs extraordinarily, especially considering how small a speaking role she has. Jean-Louis Trintignant is a delight as the magistrate; Jacques Perrin is pristine as the photojournalist; Renato Salvatori, Marcel Bozzuffi, and Pierre Dux are absolutely perfect for their villainous roles.

    Combined with truly remarkable cinematography and an unforgettable soundtrack, this makes "Z" everything a movie should be.

    Also strongly recommended: Missing (1982), Costa-Gavras; Amilie (2001), Jean-Pierre Jeunet (aka, Le Fabuleux destin d'Amélie Poulain); Dr. Strangelove (1964), Stanley Kubrick
  • comment
    • Author: Voodoolkree
    Z (1969) was a controversial film that documents the events in Greece that led to the exile of many people (including the director). A conservative government was trying to maintain political power (and receive more favors from the United States). They held "elections" but one candidate had charisma and with his left wing leanings was marked for erasure. But the government just couldn't do it publicly, so they out sourced the job to a bunch of right wing thugs. They do the job but the people wanted justice. So a public investigator was hired to look into a possible conspiracy. Even though his politics were pretty far right, he wanted to do his job and discovers a conspiracy that goes all the way to the top. The government officials persuaded him to drop the case, His morals wont allow him to do so. The indictments are handed out. But before any legal action can be taken place, a lot of the people involved either disappear or have nasty accidents. A military cabal was formed and there would be no more talk about free elections. The name of the dead politician would forever be remembered by the letter '"Z".

    This is an awesome film. I was completely blown away by it. Oliver Stone must have liked it to because he loosely based J.F.K. on this movie. The conspiracies are eerily similar as well. I loved the way this film was structured. Costa-Gavras was a director who would change the way movies were made forever.

    Highest recommendation possible.
  • comment
    • Author: Cordantrius
    "Any resemblance to actual events, to persons living or dead, is not the result of chance. It is DELIBERATE."

    With that caption (albeit in French) in the opening credits the stage is set for Z. Made in 1969, the film is based on the novel about the May 22, 1963 assassination of Greek politician Gregoris Lambrakis. Yet it is far from your average history based and instead becomes a thriller. It is also, perhaps more importantly, a look at the misuse of government power in a democratic society and those willing to expose it.

    The film features what can be called a perfect cast. Jean-Louis Trintignant is the Examining Magistrate, the government official who is supposed to sign off on the police's version of events but discovers the truth is much different. Then there's the officials involved including Pierre Dux as chief of police and Julien Guiomar as his deputy who both give fine performances as men in power who become increasingly desperate to close the case. There are those directly involved in the assassination such as Renato Salvatori and Marcel Bozzuffi who convincingly play ordinary people who political beliefs and the power of public officials lead them to commit the assassination. Last but not least are Yves Montand as the Deputy (aka Gregoris Lambrakis) and Irene Papas as his wife, both of whom use their rather limited screen time to great effect. There really didn't seem to be a single miscast part which is an incredible rarity and something that makes the film even better.

    This brings us to the production values of Z. While the film was shot in on the opposite side of the Mediterranean in Algiers though it makes for a fine substitute for the Greek locations where the events actually took place which is helped even more by the use of things like a Greek typewriter in scenes with the Examining Magistrate for example. Perhaps as a consequence of that there seems to be very few sets in the film which helps even more to give a sense of verisimilitude to the entire film. The film also replays the assassination several times after showing it to the viewer in its entirety to show how points of view and ulterior motives can affect views of an event (something echoed by Oliver Stone in his 1991 film JFK). The film's editing allows the action of the film's first half to be a bit more drawn out as it paints a portrait of the events leading up to the rally where the assassination takes place yet allowing for it to have the pace of a thriller when the investigation of the Examining Magistrate begins, allowing for flashbacks from different witnesses. The result of all this is a film that seems very realistic, slowly paced at times and yet tightly paced when it needs to be.

    Then there is the script of course. The script written by Jorge Semprún and director Costa-Gavras, is a casebook example of how a real-life vent should be transposed to the silver screen as it condenses a significant amount of time down to two hours without confusing the viewer or being tedious. The script also pulls no punches with its views of the right wing government of Greece at the time (though the country is unnamed in the film) starting with appears at first to be a lecture about agricultural policy that leads into a rant about the government's wanting to destroy the "mildew of the mind" i.e. everything to the left of it politically. From there the script shows how officials how officials allowed the assassination to happen and how they then tried to hide their involvement as quickly as possible. The script shows even those not involved, under pressure or by being complacent, try to stall the investigations of the man charged with finding the truth (the Examining Magistrate). Considering when the film came out and the events in the years preceding it is hard to see why it was so successful here in the U.S. and why it continues to have strong resonance today (especially considering that the assassinations of Lambrakis and JFK were a mere six months apart). The script is above all a demonstration of misuse of government power, the lengths it will go to cover its own tracks and those who are willing to expose it.

    Z is many things. It is a true story told like a thriller that shows how a historical event would be put on the screen. It is a fine film that is well acted by a perfect cast all of whom are backed by good production values, fine editing and a script that pulls no punches. Above all though I believer it is a warning. To whom is it a warning? To those who say that something like this can't happen in a democratic society because in 1963 it happened there.
  • comment
    • Author: Thundershaper
    I screen movies every Wednesday night at a local cultural center. Having seen it twenty years ago and remembering next to nothing of it (I was way too young and distracted), I opted to wait until screening "Z" to see it again, along with the rest of the audience. Our collective response was that of buzzing astonishment.

    Politically, "Z" is a sobering lesson in history and human nature. Cinematically, "Z" is mean and lean, with not a single ounce of excess fat. Brilliantly using the editing room as a weapon, "Z" is that rarest of birds, a defiant thriller raising its' fist in triumph at dictatorship, for the story will now be known to the world. Truth, and only truth, will always vex the tyrant.

    Based on the 1963 coup of Greece by the political right wing, "Z" offers a clinical look at a democracy's tragedy unfolding before our eyes, at first in real-time as a confusing jumble of characters and events, then as a forensic process that builds a coherent jigsaw puzzle of events to an ultimately shocking double ending, leaving you firmly grasped by the throat even days after it's over.

    "Important" is a label that should not be thrown around freely when talking about film, yet "Z", made forty seven years ago, is a real cry from a dark past, as timely now as it was then, as history may be in the process of repeating itself.
  • comment
    • Author: fr0mTheSkY
    I saw this movie over 20 years ago and it has remain in my thoughts and in my soul. It is what I call a "KEEPER", a film that I want to see again and again. There are very few movies that can compare to "Z", one that comes close is "Fail Safe" from the same time period.

    Watch this movie and LEARN!

    Eternity
  • comment
    • Author: Zahisan
    Winner of two Academy Awards, the story is told in a timeless time as a nameless country slides into a police state where lies are rewarded, truth is punished and good people are hurt.

    The visuals are so compelling one wants to slow everything down and simply watch them unfold, unsettling for a movie with subtitled French. There is no slack time when the dialogue is so crucial and the images are so perfect. In spite of this challenge, the characters become people you believe in, hope for, despise, resent.

    Excellent DVD extras, especially thoughtful for a film 35 years old: how the originals were digitally improved, with many examples; scene selection; interesting and insightful commentary track; and pertinent, informative conversation between the director of the film and the author of the novel on which it was based.

    Most importantly, for those who wish to hear, this film has an important story to tell us in our times, particularly when you realize, as the titles most specifically spell out, that "any similarities between this story and actual people and events is intentional."
  • comment
    • Author: Kupidon
    Z (1969) "Any similarity to real persons and events is not coincidental. It is intentional. And so the story begins." I love that this is displayed on screen at the beginning of the film.

    The letter Z, which means "He Lives", in Greek. A historically and politically significant film that was released at the most opportune time, political unrest in Mexico City, Martin Luther King, the election of Nixon, the Vietnam War. Costa-Gravas made extra character select a composer, Theodorakis, that would provide the perfect Greek soundtrack.

    Based on the 1963 assassination of left wing Greek Parliament member Gregory Lambrakis, as in the film, it inspired and evoked citizens enough to have in banned for a while.

    Appreciated the ending. Costa-Gavras did not take the easy way out. The last scene shows the inspiring Deputy's widow looking skeptical of the supposed success of the examining magistrate's indictments. Sure enough, truthfully documenting governmental corruption, the epilogue tells how all he is mysteriously removed from the case, and all the others involved in the prosecutor side die accidentally, are deported or incarcerated. The corrupt officials receive merely slaps on the wrist. Alas, the truth hurts. But the film manages to end on a positive note, with moving music and an explanation for the film's title. "He Lives"!

    Notably, the only film to date nominated by The Academy for both Best Picture & Best Foreign Language Film. It won in the latter category.

    Wonderful musical score. Costa-Gavras masterfully tailors in the perfect balance of intensity and suspense. A subtle thriller, with the protagonist a mysterious fighter, hiding behind his glasses, his partner photojournalist hiding behind his lens. We might never really get to know these characters in the details of their everyday lives, but we feel we know what constitutes their characters, what beliefs and values they fiercely adhere to, and ultimately what makes them the individuals they are.

    I am not usually into political thrillers, but this one is an exception. Well done, Costa-Gavras. #FilmReview
  • comment
    • Author: Warianys
    The minus is only because for a « Greek » movie, having Algeria for location and cast hasn't the flavor of the real Greece ! But Gavras hasn't the choice either because at the time, it was still the dictatorship there and at least, Theodorakis' score helps to feel this culture.

    In all cases, this movie is just amazing. In our dark time in which democracy is stomped, this committed production is just a needy breath of air. For one time, political power isn't told as courageous, bold, historic but rather as corrupted, authoritarian. In short, the movie doesn't depict them as how they would like to appear but rather as how they really are. It's also a excellent lesson in constitutional law as it illustrates the meaning of the separation of powers : a real democracy is where each power is independent. Thus here, you can conclude it isn't one as the administration is vehement to tell the judiciary what it must does. At last, it's a extraordinary story about courage and conviction. A bit like « Schindler's list », this movie demonstrates that the psychopathic state relies on individual and as soon as one says « no », he can become the little grain of stand that blocks the machine. Here, Trintignant is a young judge who stays truth to his function and it's all the more funny and powerful that he's highly clever : he doesn't look up much but he knows exactly what to do to put the culprits in his web !

    In conclusion, this movie is just an oasis in film history and it should inspire newcomers to do the same instead of serving propaganda !
  • comment
    • Author: Falya
    ...and even if evil is overcome, we must always be on guard-Governments are always looking for new ways to domesticate and enslave us, even as they fail-do not ever become complacent.

    This film personifies the feelings of the expanding desire for freedom that permeated the late 1960s-early 1970s-not just political freedom, but personal freedom, cultural freedom-the freedom NOT to get assigned to the dreary role of "Consumer:Nuclear Family variety" that was prevalent at the time-at least here in the USAª. It is curious that from this film, one sees that peace and Nuclear non-proliferation were big issues in Europe at the time,1963, while here in the states we were blissfully unaware of any such issues to a large degree-...just meat and potatoes, and a new car every year, and getting junior and Sis off to college to a good career, thank you-all which was starting to unravel here in the US by the time this film came out-1969; The dedication of the principals in the film make it very engaging to view, without it feeling dated in any way;

    Add to that the generally excellent job WELLSPRING (nee FoxLorber) has done with this new, restored DVD release, and you have a very excellent piece of filmaking, and an enjoyable viewing experience watching History as it took place.
  • comment
    • Author: Phobism
    "Z" set the pace for the modern politic film as we know it. Based of the best-selling book of all time, (written by Vassilis Vasilikos on 1966) it is the true account of what happened in my hometown of Thessaloniki, back in 1963. Later films, (such as "JFK" or "All the Presidents' Men") followed its footsteps. What is more exciting, is that the film does not try to show the main character as a saint. (He had extra-marital affairs and this shows in the picture).

    A few comments that might help:

    Jean-Louis Trintignant played the part of magistrate Christos Sartzetakis. Sartzeakis (who became a hero becausre of his participation in the inquiry) later became President of the Greek Republic between 1985-1990 (albeit not a very popular one).

    Manuel (performed by Charles Denner) became a cult figure of Greek history. He was known as "Tiger", because right after the assasination, he jumped on the motorbike of Lambrakis' assasins and was responsible for their arrest. Without "Tiger", "Z" would not probably exist as a movie. He died a couple of months ago.
  • comment
    • Author: Narim
    This is a very edge-of-the-seat political thriller. The cast is superb, especially Trintignant as the quiet, but dogged investigating magistrate. Supporting cast is up to the task, with Irene Pappas as the assassinated minister's wife and Jacques Perrin as the photojournalist standing out.

    The music track is outstanding, keeping one's heart pumping as the assassination conspiracy unravels. Script is very good and should be heard in its native French so that you don't miss a nuance.

    This is one of my favorite foreign language flicks. I've viewed it again and again. It holds up well, even nearly forty years later. This is fine art. It's "lithe and fierce... like a tiger".
  • comment
    • Author: Ironrunner
    Several of my favorite films were directed by Greek-French film director Costa-Gavras. Z, State Of Siege, Missing, and the Confession. The mixing of the thriller genre and universal political themes not only makes for very interesting films but also thought provoking ones.

    His first serious film was Z. A film that won Best Foreign Language Film Oscar. It follows an idealistic judge investigating the killing of left wing politician. A fatal club strikes said politician and a cover up story of a drunk driver emerges. The film appears to end on a positive ending however at the very end those about to be criminally charged seize power. This ending the result of frustration related to the US-backed coup in Greece.

    State of Siege was based on Costa-Gavras's and Franco Solinas (The Battle of Algiers Screenwriter) investigation into Daniel A. Mitrone. Mitrone was kidnapped and eventually executed by Tupamaros urban guerrillas in Uruguay. Costa-Gavras read news headlines that changed his description from Official to Policeman to Diplomat. Why would the Tupamaros be interested in an "traffic and communications" adviser?

    This movie has a similar outline as Z as both were meant to be frustrating critically commentary of events at the time. The actions look pointless but there are no alternative choices apparent. The urban guerrillas will continue to fight,the government will continue to use US taught torture methods, and US companies will continue to exploit the country.
  • Cast overview, first billed only:
    Yves Montand Yves Montand - Z
    Irene Papas Irene Papas - Hélène (as Irène Papas)
    Jean-Louis Trintignant Jean-Louis Trintignant - Le juge d'instruction
    François Périer François Périer - Le procureur
    Jacques Perrin Jacques Perrin - Le photojournaliste
    Charles Denner Charles Denner - Manuel
    Pierre Dux Pierre Dux - Le général de gendarmerie Missou
    Georges Géret Georges Géret - Nick
    Bernard Fresson Bernard Fresson - Matt
    Marcel Bozzuffi Marcel Bozzuffi - Vago (as Marcel Bozzufi)
    Julien Guiomar Julien Guiomar - Le colonel de gendarmerie
    Magali Noël Magali Noël - La soeur de Nick
    Renato Salvatori Renato Salvatori - Yago
    Habib Reda Habib Reda
    Clotilde Joano Clotilde Joano - Shoula (as Clotilde Joanno)
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