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» » Battlestar Galactica Daybreak: Part 2 & 3 (2004–2009)

Short summary

A stripped down Galactica attacks the Cylon's Colony ship in the hopes of rescuing Hera. The meaning of the shared dream in the Opera House on Kobol is revealed. Sam Anders is moved in his Hybrid tank to the CIC in the hopes that he will be able to assist the combatants. Their mission complete, Admiral Adama orders Starbuck to pick a destination - any destination - to which the ship can jump to get out of there. With that, the meaning of the tune and the musical notes are explained. Having successfully jumped, the old Galactica has truly reached the end of it's life. A planet capable of sustaining life is found and Lee Adama makes a radical proposal for the future of humankind. In a flash forward far into the future, Hera's importance to the human race is revealed.

Two scenes which were considered and dropped regarding the Galactica. One was that the ship would be discovered on Earth by archaeological excavation. Another was to show one of the flight pods breaking off from the main ship and crashing on the moon, where it would be discovered by the Apollo astronauts.

The original cut (of all three parts) of the series finale ran over four hours long.

Late in the writing process, it was realized that the "opera house" sequence could be shown to parallel the ongoing battle on Galatica. Anders' hybrid tank was set up on the CIC balcony, and it was arranged that the other four Cylons be near him, so that the "final five" could be posed in a manner similar to that shown in the opera house dream. In order for the actors to be visible at the appropriate angle, however, a safety railing had to be removed from the CIC balcony.

In the final draft script, Chief Tyrol's final lines mentioned him moving to an island off the northern continent. At the request of Aaron Douglas, this line was expanded to include a mention of the "highlands". Ronald D. Moore, in the episode commentary, confirms that this line is intended to imply that Tyrol is the founder of Scotland.

In the extended DVD cut of this episode, the scene where Cally interrupts Tyrol and Boomer in the workroom, then warns Tyrol to "be careful", is a deleted scene that was filmed for the original miniseries. Because of this scene, Nicki Clyne (Cally) gets screen credit for the extended cut, even though she didn't film any new material.

Kara Trace quotes directly from the song, "All Along the Watchtower" as she's inputting the coordinates for Earth into the FTL drive: "There must be some kind of way out of here". The song's notes are an integral part of finding a new home for humanity and the ultimate conclusion of the show.

The title is based on Nietzsche's homonym work.

The pigeon in Lee's flashback is a metaphor of Kara.

Towards the end of the episode, when the people are heading off in different directions and the camera slowly pans towards Karl, Sharon and Hera, if you look carefully at the bottom left of the screen, just as Karl says "There's game on this planet" an out of focus fly can be seen landing on the camera lens and move towards the corner edge of the screen.

The deleted scenes for this episode include two scenes where Tory Foster and Boomer are being "planted" into human society, after having their memories altered. Ronald D. Moore, in the commentary, indicates that these scenes will probably be integrated into Battlestar Galactica: El plan (2009).

The uncut and extended edition of this series finale (all three parts) runs 2 hours and 32 minutes.

Daybreak: Part 2 won an Emmy Award for Outstanding Sound Editing for a Series.

Ronald D. Moore: man at the New York City newsstand reading about the discovery of Hera Agathon's skeleton while 'Six' and 'Baltar' comment about it behind him.

Ronald D. Moore decided all the ships from the Colonial fleet would be destroyed by the Sun after watching a documentary about the Spanish conquistador Hernán Cortés, who burned his ships after his men reached Mexico, so they wouldn't be tempted to move back.

According to Ronald D. Moore's podcast, in earlier scripts it was considered killing Athena and Helo so Hera would have been raised up by Gaius Baltar and Caprica Six. Baltar being killed by Cavil was considered too. It was also thought Tigh would kill Cavil, but Dean Stockwell suggested Cavil would commit suicide. The Adama and Roslin flight scene aboard the Raptor was supposed to take place in space, not on Earth, so they both would get lost between the stars. It was also considered Adama killing himself after Laura's death, but it was dropped too. Finally, they considered the fleet would arrive to Earth during the Hellenistic period, so the Colonial religion would match with the Greeks', but they decided to make Hera the ancestor of all people on Earth so they had to reach the planet during Middle Paleolithic.

Events are mirrored that happened in the early moments of the Battlestar Mini-series. The final shot of the series is of Caprica Six walking away from camera into a crowd of people. In the first minute of the mini-series Caprica Six is seen walking towards the camera. Also the first and last exchanges we see between Adama and Starbuck are exactly the same. Adama: "What do you hear Starbuck?" Starbuck: "Nothing but the rain". Adama: "Grab your gun and bring in the cat" (although in the miniseries Adama actually says "Grab your gun and bring the cat in").

User reviews


  • comment
    • Author: BlackBerry
    Briefly then, and without spoilers:- For some days before viewing the final part of Battlestar Galactica I speculated privately as to the fate of the major characters and although I partially guessed the ending, nothing could have prepared me for the manner in which it was presented.

    My greatest fear after five years of meticulous viewing, DVD collecting and thorough enjoyment was that the producers would end BSG in a manner similar to "The Sopranos". No! I don't want to be allowed to make up my own mind - I want to be told exactly what happens in black and white and a large font please.

    Relax; all of the important loose ends are tied, and all of the big questions are answered, although it does leave room for some viewer interpretation on a couple of points, but the key factors are that we now know what happens to the Colonials, to the Cylons and to the major characters within those groups.

    Watch end enjoy the end of a five year thrilling ride.
  • comment
    • Author: Butius
    You cannot fault this finale much at all for style. The music, the action, the boldness all ring true to a stunning final movie. But this is about wrapping up plots too. And I can sure tell you right now that some people will be very upset at the plot finales. Without spoiling anyone, it's all about the particular answers that are given to some of the long-term questions of the series. While never anything but completely bold and amazing, like the climax of "Raiders of the Lost Ark", this is an ending that is all about never holding back. The totality of the many, many plot threads is indeed tied in a very interesting final knot on a very large tapestry, that ends up really making quite the final statement about life, the universe, and everything. God, miracles, determinism, human frailty, the status of the human condition right now on Earth -- these are the subjects of the final themes and the final significance and epic closing of this 5-year story. I'm sorry I'm being so vague, but I wouldn't dare spoil anyone yet.

    So bold. So definitive. So epic. So human and so satisfying.

    Is this the best moment for the series? The best? No. Just the end. The show is full of peaks with different sorts of drama peaking at each one. The journey's the thing. And it really depends on one's personal favorite character and favorite arc. So much has changed and so much has been so steady since the beginning, it is very difficult to pin down any one part and hail it the most. Certainly, this end is one of the stand outs, though.

    A few other favorite episodes of yours truly would be: "33", the first episode of the first season, post-miniseries, when the dramatic intensity couldn't be pitched any higher, and yet every character still made huge strides towards the long haul, setting up an incredible epic perfectly after the marvelous reimagination and efforts of the miniseries; the episode "Six Degrees of Separation" from the first season, as funny and sexy as it gets, with a masterful psychological twist on Dr. Gaius Baltar's predicament as principal human genius/accessory to genocide; "Kobol's Last Gleaming", the two-parter finale to the first season, as epic and suspenseful as television has ever been in any form, with massive twists and an unbelievable cliffhanger; "Home part two", a mini-finale of sorts, the end to the first act of a three act story (presented in four seasons), the episode where everything that matters is supremely satisfyingly dealt with and made ready to move on to more, pointing the epic onward as much as every individual character's plots; "Occupation/Precipice", the two-parter that opened the third season, the tough-as-nails allegory of occupation tied tightly to the situation in Baghdad at present, masterful and mesmerizing; "Sometimes a Great Notion", perhaps the darkest episode of the series, where the floor falls out from before, all hopes left behind after the massive revelations of the previous episode, and also the most dramatically potent and stunning of moments, perhaps, in the series, as major epiphanies are all dwarfed by the overwhelming loss of hope.

    This is a finale that satisfies all that has gone before. This series will be remembered for generations.
  • comment
    • Author: Marilace
    Life needs a purpose. People need to know their purpose or they are bitter and confused. Ronald Moore, et al, transcended the typical idealized "human" purposes of "we need to struggle" and "we need to explore" to get use back to "each individual needs to find our use to others." I didn't expect all of the back-story, but I am so glad it was done. It helped me understand many of the characters much better as their journey ended. I struggled with liking Laura Roslin after the exodus from New Caprica. The finale helped me appreciate that her coldness stemmed from much more than her cancer. It helped me reconnect with that character before she passed. BSG is one sci-fi series that I recommend to sci-fi haters, because like the best dramas and tragedies struggles with every aspect of existing as human beings (not just abstract humanity). The story arc needed to go to old-Earth so the characters could understand that humans (or cylons) create technology faster than they can mature to use it. (Think of the War to End All Wars-WWI-for instance.) It takes a lot to get to the point where you want a "clean slate." But one you get there, you really are willing to do anything to keep the slate clean. BEAUTIFUL.
  • comment
    • Author: Thundershaper
    After all the sheer misery and disappointments the characters face throughout the miniseries and 4 seasons, I expected a depressing, downbeat ending that would inevitably kill-off most of the principal characters. The optimism that came with the final episode was surprising, and gave an opportunity for characters to reach a satisfying arc - Baltar finally redeeming himself, Tigh finally finding peace and so on. I'd already guessed that Starbuck was an angel (being killed then subsequently resurrected and the angle-wing tattoo on her arm being obvious giveaways), though it somehow felt "right" given the show's heavily religious themes (God, resurrection and so forth). Some people seem to need clarification on this matter, though the ambiguity is fitting with the "heavy" sci-fi of, say Arthur C. Clarke, Dan Simmons etc. If we assume that a sub-plot which explains the "higher power" at work in the story would take many more (probably tedious) mystery-robbing episodes, such arguments seem pointless. After all, when we found out that Neo was "The One" in The Matrix, the explanation given was too clinical and a little silly - best to leave these things to the imagination. The red-herring that the mid-season Earth was in-fact not OUR Earth was clever, and like all good twists, laughably obvious in retrospect. The colonists' decisions upon arriving on the planet to abandon technology give an intriguing argument for the positive influence a lack of technology can have. Ultimately, the weighty themes, moral complexity and huge plotting of the entire Galactica remake is bound to cause disagreements, since we all have a version of how it SHOULD end. It certainly took me by surprise... and I LOVED it.
  • comment
    • Author: Qusserel
    Finally a series could be ended in the correct way. Usually series just goes on and on until they are canceled by some suit.

    But not BSG. BSG ended on its own terms.

    BSG was a great series and it ended in a great way which blew me away. It ended in more of a theist way than the more more atheist approach of the 1978-version: but not done in a preachy way.

    Most ends were tighed and most questions were answered. And that is what i like. We do not have to be told everything. We can second guess for over selves.

    Ronald Moore did not go towards the "ancient astronaut"-ending, like in the original 1978-BSG. And first i was disappointed. But now that the final episode has settled in my mind i rejoice and am glad. The 70ties were another time - today we need different answer to the fundamental question: Why? And the series finale episode did give a good answer to why.

    It was a good ending for the series. And i know i am going to see the episode over and over again and again. Just like when the season finale of season 3 came (that fracking song).

    Overall i really liked the series (just not all that suicide-bombing glorifying of start season 3 and all the other left wing political references to the Iraq war).

    It was a more or less decent and good show. I liked it. And i loved the final episode. Now what do i do?
  • comment
    • Author: Gigafish
    I have reviewed many individual episodes and I am guessing that if any reader is interested in this review of the climax, the finale, said reader has already slogged through the series.

    And what a series.

    As I said before, in the TV Hall of Fame (not a real place, I am using Poetic License) there is Buffy, there is Angel, there is Ed Sullivan, there an embarrassed-looking Bob Barker, and there is BSG.

    There are many ways to exit a milestone series. For the record, Buffy ended with an epic battle and viewers were told she went off for a world tour. Angel ended with an epic battle too. Viewers were not told what happened, but trust me he got another series and went on with his career.

    Ron Moore does not do things half-way. After closing down the main arc, he found his inner Star Trek 1 director hat and went Old School for the last 20 minutes.

    Some will love the nuances. Some won't. But the sincerity is palpable.

    PS -- after this, the producers did THE PLAN. Avoid it.
  • comment
    • Author: Neol
    So, after four seasons this is it the final confrontation between the fleet and Cavil's Cylons is about to take place and the futures of both species hangs in the balance. When the attack on the Cylon colony takes place we get some of the best action scenes in the series so far. This action will lead to many losses including some fairly well known characters. The action lasted for the first half of the episode and included the sight of the Galactica ramming the colony and battles with both regular centurions and the 'old fashioned' type. By the time the fight is over all the key characters are assembled on Galactica's bridge; the Final Five all together with Anders in the middle taking the role of a hybrid. Cavil has grabbed Hera and threatens to kill her until Ellen makes him an offer that he finds acceptable. Unfortunately things don't go according to plan after Tyrol learns that Tory was responsible for Cally's death and kills her before they can give Cavil the promised resurrection technology. As the attack resumes Adama gives the command to jump and Starbuck uses the notes provided by Hera to establish coordinates. The jump completed the Galactica is clearly a broken ship but it is in orbit above a very familiar planet... our planet. The remainder of the episode covers the decision to settle and gives each of the main characters the send off they deserve at the end.

    Having sat through four seasons of 'Battlestar Galactica' I was expecting a spectacular finale and wasn't disappointed. The action was intense but also included some poignant moments; I was pleased that Baltar and Boomer found redemption even if it meant the latter wouldn't survive. The settling of 'New' Earth was obviously less thrilling but it was good to see the characters getting a good send off and having an idea what would happen to them in the future. There was one inevitable scene that was quite a tear jerker; we have known from early on that Laura Roslin was the 'dying leader who would lead her people to Earth' and having done that she did die; it wasn't a bad death though and she was with the man she loved. The epilogue; where 'Head' Six and 'Head' Baltar talked around modern day New York while discussing the prospects for humanity did feel a little tacked on and I personally would have preferred things if the series had ended with Hera and her parents on the African plains, however it wasn't bad enough to spoil the episode. As always the acting was solid throughout and it would be unfair to pick out any one actor as the best. The series has always had good music and with this episode composer Bear McCreary surpassed himself with stirring themes that even included snippets of the theme from the 1977 series. As with all great series it is sad that it ended but good that it finished before it went stale and with all the major plot threads wrapped up it finished on a high... excellent stuff!
  • comment
    • Author: skriper
    Horrible ending - and I can't believe Moore spent a year coming up with it. Smacks of L. Ron Hubbard and Dianetitcs, which Hubbard claimed to pen in just three weeks. This was actually disappointing enough for me to toss my discs from the first 3.5 years. Now, the first 1.5 hours were action packed, though absurd in the premise, and then it deteriorated into a slow, painful, sophomoric dissolution of the series. Unbelievable how slow and drawn out that last hour was. Were we to think more deeply? If I wanted a lesson in a-materialism, I would reread Daniel Quinn's Ishmael. Absurd to think 38K people would give up everything for a "fresh start". Absurd to throw in a disappearing Kara, and a reappearing Baltar and Six. Absurd to throw in the Mitochondrial Eve. Just absurd.
  • comment
    • Author: Bludworm
    The fight scenes were great. Loved the old and newer cylons and how they painted the ones on their side. It was the ending that I hated. I was disappointed that it was earth but 150k years back. But to travel all that way just to start over? Are you kidding me? 38k people that fought for their very existence and once they get to paradise, they abandon technology? No way. Sure they were eating paper and rationing food, but that is over. They can live like humans again. They only have one good doctor. What are they going to do when someone has a tooth ache never mind giving birth... yea right. No one would have made that choice.
  • comment
    • Author: Hirah
    **************************** SPOILERS ****************************

    Wow! I've avoided watching the series on TV so I could watch the whole of season 4 on DVD, it didn't disappoint! I loved the 'Lord of the Rings' style ending, I was scared that the show would end without addressing each character and couple in turn. We've invested a lot of emotions in the characters so getting to see characters conclusion was great.

    I think I'll still need to watch season 4 again as the red-herring Earth confused me along with the Cylon population that died on it. Some thing to do with the cycle of war repeating. I also found the REAL Earth confusing, were those Humans? As it said in the ending, "Who'd have guessed that humans had evolved independently...." (I think), so when did Man make the Cylons? Need to watch again or read other posts.

    The mid season cliff hanger blew my mind! was that really the ruins of the Brooklyn Bridge, but obviously not, having just seen part 2. That was far better than the moment when the "Statue of Liberty" was discovered in the film 'Planet of the Apes'.

    I was sad to see that Lee and Kara didn't settle down; I knew a girl like Kara and it ended similarly *sniff*, but I guess it was fitting that she vanished (as she was an angel - which fitted with what the Cylon husband said before they sent BSG into the sun, "See you on the other side").

    Another poster said that Admiral Adarma sat on the rocks and waited to die because he couldn't go on with out Laura. The way the story ended, I imagined that they all kept in touch as the new civilisation grew and Cylon and human bloodlines blended........ yes BSG is set in our universe, thousands of years ago! amazing! The last twist in the last five minutes was cool. It featured Gaius and Caprica in OUR present day talking about what happened all those thousands of years ago..... but then it hit me, it wasn't Gaius and Caprica... it was the Angel's Gaius and Caprica (the ones that appeared to the mortal Gaius and semi-mortal Caprica throughout the series). It showed them walking through Times Square and you could see hi-tech robots being shown on TV! the twist, will it happen all again!?! will John cavil come back. Did the Centurions find happiness? another series (not Caprica) to wrap up some loose ends, or we can just imagine what could happen...

    I'd wished the Jimi Hendrix song had continued long into the credits. It would have affirmed that the series had finished in our universe.

    This is Science fiction at its best. Nothing comes close.
  • comment
    • Author: Scream_I LOVE YOU
    Did I step in something or is that bad smell coming from Daybreak 1 + 2? God was behind everything? What has God got to do with Sci-Fi? God is only the answer when you can't think up a sensible explanation for something. In fact, this is exactly the problem with the series finale - they obviously couldn't think up sensible explanations for the multitude of big questions that were raised throughout the series such as how Kara Thrace come back from the dead in a brand new viper, how her old viper and charred body ended up on Earth 2, why Baltar has an imaginary 6 in his head, why 6 has an imaginary Baltar in her head, etc. so they explain it with "angels" or just don't explain it at all.

    The plot of the last 2 episodes had holes big enough to fly a Basestar through. For example, why does Galactica and its crew go on a suicide mission to rescue one girl (Hera), particularly after Adama said there was no way he'd attempt a rescue? Because they found out the location of the Cylon base? That's not a good reason to sacrifice the crew's lives. And how did Anders know the location? And what was the point of the flashbacks to the major characters' lives before the war? It's like they forgot to do it earlier so they threw something in at the last moment.

    The people who wrote the last two episodes could not have been the same writers who created what has been so far a sensational series. Feels like the script writing was take over by evangelical Christians on a mission to spread 'The Word'. Forget trying to tie up the loose ends in the plot, the important message the writers wanted to get across is: don't put your faith in technology as it will lead to your destruction; God is your ultimate salvation (tough luck if you have an illness that needs medical treatment).

    Imagine in the final movie of the Star Wars series they tell you there is no "force"... instead, a Jedi actually gets his power from Jesus. Then they fly their spaceships into the nearest star and go live in the forest with the Ewoks. Would this be a good ending? No it frakken' wouldn't.
  • comment
    • Author: Mikale
    Never been a first commenter before.

    You will have to wait for another commenter to describe all the nuance of this ep, I will just point out some few things from memory.

    Similarly to Lord of the Rings, we are SO invested in these characters that we get a long goodbye, and we NEED it.

    It struck me that they were never going to be able to explain "imaginary" 6, and Starbuck surviving the crash, but I think they do a good job.

    My interpretation is that the imaginary Starbuck, 6, and Baltar, are servants of an incredible alien intelligence, one that kick starts the cycle of life again every million years or so. You will recall that Baltar, at the end of the ep says about God - "it doesn't like to be called that". This implies to me that the alien power knows it is not omnipotent, just powerful enough to create these avatars, and even create a perfect replica of ancient earth a million light years away from the original. I think Ron Moore has read the Hyperion series.

    The only part that did not feel quite right, even though I understand it somewhat, is Adama is choosing to leave the group behind and just live or die by himself with Laura Roslyn's corpse, out there in the middle of nowhere. The eps clearly implies to me that Adama is just going to sit on that hill until he dies, unwilling to go on without his lady love. I suppose it would have been anti-climactic to have him just be the leader of the new ragtag group of humans, after all he has been through, he is too much of a mythic figure to go out with a whimper.

    Good on ya Ron Moore, you are a genius, and nice with the cameo at the end of the ep. This story wrapped up the way he envisioned it. The skill to wrap up all these threads in good if not perfect fashion, would be beyond the scope of 99% of writers.
  • comment
    • Author: Acrobat
    I loved the first season. The quality went down a little bit in the second season, which however had a great middle (Pegasus!). Third season was fairly novel and original and was OK. Fourth season started going downhill fast, because they never even began giving us any explanations, when by now we were really starting to need them. What the hell was the Cylon plan? Why were there two Cylon factions? What was the point of Angel-Kara leading the fleet to a devastated Earth-1? What kind of a past did the last five Cylons have, and how did they survive, or were they reincarnations? Questions everywhere, answers nowhere.

    And then comes the end. Earth-2 (our Earth) in the past. Well, okay. But destroying the fleet?! Giving up technology and giving up any kind of urban life, and spreading a few thousand people paper-thinly across the planet?! That's not only anti-science, it's anti-reason and anti-life. And the philosophy of the show then seems to be that humanity is forever trapped in a cycle going from nature romanticism to a decadent capitalist society inventing destructive A.I. that ruins everything. It is without vision, without hope for a grander future for humanity, and it is antithetical to proper science fiction. And don't even get me started on the angels! Religious claptrap of the worst kind! The ultimate disappointment!!

    The whole "all this has happened before and will happen again" thing should have related to the previous incarnation of the series, not just to Earth as we know it. Making the new show somehow consistent with the old would have been the definitive stroke of genius. Frakkin shame.

    1 out of 10.
  • comment
    • Author: Cyregaehus
    In the forgettable film Star Trek V: The Final Frontier, Captain Kirk posed the immortal question "What does God need with a starship?" For nearly 20 years, that question went unanswered .... until now.

    Ronald D. Moore, a former Star Trek writer, finally answered that question.

    The Question: What does God need with a starship? The answer: To give to Kara Thrace.

    ****Note: I cannot take credit for this. I would like to thank my friend Chris G. for bringing this to our attention****

    On a serious note, Ronald D. Moore deserves a lot of credit for resurrecting ( no pun intended ) a short lived '70s series into one the greatest science fiction series of all time. Kudos for a fantastic finale. I am sure there are other fans out there who feel the same way I do ... it's going to feel weird not seeing a new BSG episode Fridays @ 10pm on the sci/fi channel and talking about it with their friends and co-workers on Monday.
  • comment
    • Author: Rollers from Abdun
    This is full of spoilers, because my problem is mostly with the very ending.

    I thought the plot twist that had the Chief killing off the cylon who killed Kellie, and thereby disrupting the truce with the cylons was a good way to go back to that old injustice, and get rid of the leadership, though Dean Stockwell's Cylon leader offing himself so cavalierly seemed way out of character.

    Then Starbuck plugs in the numbers to get to Earth, OK, that ties all that in finally, and they end up at a different earth, although with her having seen herself dead, I expected a time travel story.

    That they let the Centurions take away a basestar knowing they could come back and annihilate them was ludicrous. "They earned it?" Since when did Centurions have feelings? Totally trite.

    They dump the fleet to get a fresh start with zero technology, but keep a raptor? Huh? No way these people would let go of their tech, especially tools that they would need. The idea of them interbreeding with prehistoric African natives is so ridiculous from a scientific standpoint I won't even bother with that. This borders on the racist, with Balthar and 6ft blondie being the originators of modern humans.

    Yeah, sorry, writers, that's just a tad off from the actual fossil record. They could've just settled an isolated area and started their little colony, but then that would make even less sense to actual history, I guess, short of their equip rusting and them being forced into an old-tech lifestyle. That would have made some sense. This idea that they originate humans is 70s UFO territory and pathetic.

    As Laura is dying, Adama (Olmos) peaces out on Lee, and Starbuck says Lee will never see him again. Why exactly? THey're on the same planet. I half expected Papa Adama to crash his ship into the planet with Laura, but the writers knew suicide was too much. Why would he take off permanently on Lee after caring about him for so long? Again, ridiculous, and you can see the look in Jamie Bamber's face. He finds it all asinine. It's like they wrote it the day they shot it, and changed it in editing.

    Then Starbuck vaporizes on Lee mid-sentence, proving she is an angel, without even saying goodbye. So despite the fact that she says goodbye to Anders and Adama emotionally, she just peaces out on Lee. She can hang around as long as she wants, and if she's an angel, why is she solid? Sorry, bad. Would've made much more sense to just have her and Lee get together finally. They've been dragging out their romance throughout the entire show. Of course they would get together and procreate on a new world. Oh, that's right, she's an angel from God. WHATEVER.

    This kind of show based in constant danger is hard to wrap up and change gears, but they could've done a better job that didn't make them look lazy. The packaging of the fourth season was an embarrassing ripoff as well. Glad I didn't buy it. I liked the show, especially the actors, but this left a bad taste in my mouth for serial television.

    That said, the part of the finale that involved the cylon colony was well-done, although with unrealistic battle scenes as always. The Centurions in the colony home guard are going to be more vulnerable than the Centurions on Caprica which could barely be brought down?

    Whatever. I'm glad the writers/producers made money in a hit TV show but they got lazy.
  • comment
    • Author: Samuhn
    After the buildup from last week this kicks off in top gear. The fleet is poised in space as Galactica jumps, on it's rescue mission to save Hera from the Cylons and Cavil's nefarious hands. Galactica jumps in pretty close to the centre of the Cylon's 'Capital' and without spoiling too much the rescue is well underway. This is high speed action from almost the first minute of this fantastic extended finale and provides plenty of jaw dropping moments and the visual effects are stunning. This brings a fitting end to a roller-coaster 4 year adventure through space. The one big puzzle in this is Starbuck. What was her part in it all? Each viewer will have to draw their own conclusions, I think... I for one will adding this to my DVD collection the moment it is released in full with many extras, hopefully! Watch for Ronald D.Moore in a cameo near the closing scene. Fitting as he was the genius behind this brilliant show and many of the best of Trek's more interesting episodes in TNG and DS9.
  • comment
    • Author: Yozshujind
    Did anyone else feel as betrayed as I did? The first hour or so was pretty solid but the last. Oh my god. It seemed like it was predictable and cheesy. Not grandiose and epic like the entire run of the show has been. Most reviews have read have been glowing but I really can't understand why. I had seriously predicted that general ending WAY earlier on but then retracted it because I thought "No, they would never do that, that's FAR too lame." I can hardly stand it. I feel so unsatisfied. I think i'm about to walk out the door to go sell every season I own. Someone please. Change my mind. I want to love this. SO bad. Someone tell me why I'm wrong. Great show. Terrible ending.
  • comment
    • Author: romrom
    I think Daybreak I and II did justice to a series with such a wide scope as Battlestar Galactica. All of the subplots to a series marked by genocide, terrorism, racism, and religion won't be adequately explained away by pyrotechnics and technobabble, like if Michael Bay made a movie about the end of the world and... the people who... go and try to save it... from Armageddon...

    The difference between action thrillers and science fiction tales has faded markedly when it comes to movies and television. Ever notice how films marked as "action" or "sci-fi" usually have something big blowing up in the end? What about how television marked as "action" or "sci-fi" disregards plot holes (and, sometimes, actually makes up random stuff) for the sake of flashy CGI? I think it's great that Daybreak has made us, the viewers, talk as much as we have about Battlestar Galactica, but it's unfair to say that the ending "sucked" because it had exposition or character flashbacks and not enough kicking of asses. Bullshitting is not story-telling; it's a workaround for lazy writers.

    Daybreak was art, not to mention the series in general. It made us talk; it made us wonder; it made us cry, cheer, or perhaps throw expensive television sets. But most importantly it made us think, which is essentially the entire purpose to science fiction, and Ron Moore and David Eick and folk can't be reprimanded for that.
  • comment
    • Author: Tam
    There are many good things about the new BSG: There's the multiple Cylon roles for Model 8 and 6, for example, which the two actresses played superbly. There's the old school feel of industrial design aboard Galactica ("My ship will not be networked, over my dead body!") Also, all the space battles, the special effects (even though the seasoned sci-fi watcher will acknowledge the cartoonishness of it all) The darkness of the characters, their essentially flawed nature.

    That makes it all the more bitter that the ending was so childish.

    Yes, the first part, the scenes in space, the raid on the Cylons and all that was very good. But the mushy ending? I always watch films and shows these days with the timer hidden, so I never know how much time is left until the end. So for me it was a special kind of torture, to see the end happen over and over again. Every time I thought, oh this is the final scene, the final shot, I got one more. Every frakking character got its complete ending! That wasn't really necessary.

    What really highlighted the schoolboy amateurishness of it all: The young Roslin scenes. Why is important for us to know that: {a} she lost her sisters and father in a horrible accident and {b} that she has a one night stand with a former pupil/student? What does that bring to the story? Where was the linkage? Now, I'm all for a more European-ish style approach, and a random acts of whateverness in films and shows, and all that, but this was just ridiculous. This didn't bring anything meaningful to the story.

    Also, I've seen the "Last Frakkin special" and in it Ron revealed his own cluelessness about the plot: he couldn't come up with a good ending for the story, so .... he just didn't! It's never as much about the characters as they made the last episode to be. The whole "this was thousands of years in the past" idea, the mitochondrial Eve thing, was also used in the Hitchhikers Guide to the Galaxy, and believe you me, there are a lot of BSG watchers who know that particular H2G2 storyline. And speaking of Hera, now there's a storyline that WAS NOT worked out well, AT ALL. Instead we get Roslin is doing her former pupil who's 20 years younger. Don't get me wrong, I'm all for older women with younger men. The more power to them. But this ... just made no sense.

    All in all, (the writing in) this series is as flawed as they intended its characters would be. That goes even moreso for the last episode. I hope Lost and 24 do better, with their series finales.
  • comment
    • Author: Vareyma
    BSG was never a well planned series. Creator Ronald Moore himself said in an interview that nothing was planned out in the beginning and every time an episode was written, brainstorming had to be done to get the plot going on forward. As expected, the writers plugged in a number of plot lines, but there are still holes in the plot that you can ram a rhino into it and you won't even get a dent. Many numerous plot lines are completely ignored (the cult of Baltar is one example). Many plot lines are resolved in a very slip shod manner that had me going "Is this for real or is this some sort of early April fools joke?!??" Oh and the preaching of the last 15 minutes. It just would not end! Moore just kept going on and on about how technology can be the end of us all. About how people relying on technology are on a brink. It was *very* irritating to say the least.

    But what really ticked me off was the ending. I wont reveal it here explicitly but just say this: I did not enjoy BSG reusing the themes used in "Chariots of the Gods". That was just plain dumb.

    In the end, this gets a 6.
  • comment
    • Author: Detenta
    The first half was OK, but the last half really, really disappointed. It's funny the producers even admitted they didn't have a clue for the ending, and it really showed. Whats really sad is i have to write ten lines of comment minimum to be able to post this. I really didn't want to include spoilers to qualify my remarks since the show isn't really worth that effort. When Battlestar galatica first came out I was really excited with the prospect of a better remake, it didn't happen that first season border on being space porn. They eventually cleaned it up a bit and actually had some pretty fair drama, so I started watching again. But to end the series with kara being a cyclon god angel, same with baltar and six was pretty dumb.
  • comment
    • Author: greatest
    After the WTF conclusion to season 3 it was all I could do not to rush straight into the newly released DVD of season 4. I managed to give it a few weeks before starting it – grateful again for being late to the show and not having to endure a year long wait (with another long wait in the middle of it due to writer's strike). BSG is a show that has grown on me by getting better with each passing season and, although I dispute the "better than The Wire" claims as "hogwash", I have enjoyed it a lot more than I expected and entered season 4 having really enjoyed season 3. Unfortunately it must be said that season 4 does not continue the upward motion of the previous seasons but happily it doesn't really represent a dip – just a slightly different approach.

    For the majority of the show, there has been a bed of sci-fi, a bed of religious mysticism, a solid narrative, a gritty and dark approach and some well-done real-life parallels that added something to the whole show but in season 4 this changes a little bit to bring the religion and mysticism increasingly to the front of the narrative, becoming all the more important as we go along to be central in the conclusion of the show. I had a minor problem with this the whole time because I felt it has always been a weaker element of the show, mainly because any script that says "just go with it whether it makes sense or not" is immediately a weaker one from my point of view. I do recognise that such "faith" is fairly central to any plot driven on religion and had always accepted it to a point in BSG but when it is such a large part of the flow, it is harder to swallow and I can totally understand why some viewers reacted badly to it (in particular the ending). Of course it has been there all along and should not have surprised anyone and I did accept it as part of season 4.

    By doing this I found the show easy to enjoy. The first half of season 4 is perhaps the weaker as it does tend to spend too much time "up itself" without making a lot of progress but to a point I was into the plots, into the characters and I was going along with it. The second half is much better, coming back off the discovery of a barren Earth with a darker content again and mostly good episodes. The ending will be debated for as long as people are actually watching this show as to whether it was any good or not and, while I understand those that hate it, for me I thought it worked because it was in keeping with themes that had been there the whole show – right from the start. Yes, angels and gods being part of it smack of a "cop-out" but it is not like they came out of nowhere – it was just that mysteries that we were following remain mysteries if you don't accept this, which is annoying. Personally I found it quite satisfying even if some of season 4 made little sense when you think about it too much.

    Focusing on the ending forgets that again season 4 continues a nicely dark thread with plenty to be engaged with in terms of plot, mystery, sci-fi action and drama. Although the moving up of religion took some aspects away for me, it did still work and held me. The special effects are good, with only some specific effects being clunky (the older model centurions for example) and generally the production does show good use of the budget to make the whole thing feel very professional. The cast continue to make me forget my original misgivings over their performances. Olmos, Callis, Park, Hogan and a few others continue to be as good as they ever were. Sackhoff, Bamber, Helfer and a few others all do better but generally everyone seems to work better than they originally had, even if some of their material must have made things harder for them. Maybe I am just "used" to them now after 4 seasons but I do think they got better as the show went on.

    Season 4 is not the best of the seasons but to me it is still strong and delivers on the way to a pretty satisfying ending. Religion and mysticism being brought to the fore is a bit of a problem but not a sudden surprise – again I understand why viewers have some misgivings over it but I don't get why people react like the "hand of god" came out of nowhere. Not perfect but then BSG never was, those that have enjoyed seasons 1-3 will find this to be another strong season that will hopefully only produce minor quibbles to those that have been paying attention.
  • comment
    • Author: Iseared
    The dramatic tale of the Battlestar had to end somehow and somewhere. The road to an earth-like settlement takes a few exciting twists as the Colonials, with Gallactica ready for the scrapheap, undertake a desperate attack on the Cylon Base Star commanded by the evil John Cavil (Dean Stockwell). To get volunteers for this hazardous nearly suicidal mission, Commander Adama must threaten to fly off in a Colonial Viper on his own to attack the Cylons.

    The battle seesaws to an impromptu truce where the two warring factions broker a peace which is foiled when the Final Six (Cylon infiltrators) mind meld and Chief Galen Tyrol (Aaron Douglas) realizes that Tory Foster, President Roslin's aide (Rekha Sharma) killed Galen's wife. In renewed hostilities The Colonials finish off the Cylons before Battlestar Galactica makes its last jump to earth.

    After some debate over creating a new city near a river, the new President Romo Lampkin (Mark Sheppard) at Lee Adama's (Jamie Bamber's) urging decides that the Colonials instead of setting up a new colony will go native and join primitive tribesmen. The fleet is scuttled, with the exception of one viper which Commander Adama flies President Roslin around in a tour of the planet. She dies before landing.

    I deemed the ending romantic but not true to character. Most likely refugees of any sort will try to recreate what they ran away from. Just look at America and England. However the producers wanted to end the story line for good and they had to do it somehow.

    Still the episode had some exciting moments.
  • comment
    • Author: Lesesshe
    WOW WOW WOW I am totally blown away by this final episode. Not only is the threat of the extinction totally gone but the cylons and the human survivors now live in peace. 150,000 years ago! This fast paced, gritty, beautifully written finale is still giving me goosebumps a day after watching it. The end is exactly as it should have been although its saddening to know of the few characters who did not survive to live in peace.

    All the questions are answered all the bad guys get their just desserts and all the heroes get their rewards.

    Thank you David Eick and Ronald D. Moore, my Tuesday nights will not be the same again without this beautifully created passionately written and magnificently produced show.
  • comment
    • Author: Onath
    Daybreak: Part 3 is sort of like the last episode of MASH; there's little action except at the very beginning, the rest is a long denouement of the characters and the story, which if you watched the preceding four seasons is well deserved.

    Without giving away spoilers you finally find out what the mysterious song means, and seeing each character more or less live with the person they were meant to or become themselves was satisfying.

    "Battlestar Galactica" has gotten a fair amount of controversy about how good it is; I know I watched the original mini-series, wasn't impressed, and didn't watch it during the original run. Having just watched the entire run basically the first season does a steady build up of the story; the second begins to falter and sway a bit. The third starts off well but the series hit it's low point in the latter half with episodes that were mainly filler, and finally the fourth season had many twists and turns but ultimately resolves and settles the story.

    If you haven't watched the show at all it's best to skip the last three episodes until you've seen the rest as there's a final profound "Uh-Huh" that isn't really appreciated until you see it in context of the entire show.
  • Episode cast overview, first billed only:
    Edward James Olmos Edward James Olmos - Admiral William Adama
    Mary McDonnell Mary McDonnell - President Laura Roslin
    Katee Sackhoff Katee Sackhoff - Capt. Kara 'Starbuck' Thrace
    Jamie Bamber Jamie Bamber - Lee Adama
    James Callis James Callis - Dr. Gaius Baltar
    Tricia Helfer Tricia Helfer - Number Six / Caprica
    Grace Park Grace Park - Lt. Sharon 'Athena' Agathon / Sharon 'Boomer' Valerii
    Michael Hogan Michael Hogan - Col. Saul Tigh
    Aaron Douglas Aaron Douglas - Chief Galen Tyrol
    Tahmoh Penikett Tahmoh Penikett - Capt. Karl 'Helo' Agathon
    Michael Trucco Michael Trucco - Ens. Samuel Anders
    Callum Keith Rennie Callum Keith Rennie - Leoben Conoy
    Rekha Sharma Rekha Sharma - Tory Foster
    Kate Vernon Kate Vernon - Ellen Tigh
    Matthew Bennett Matthew Bennett - Aaron Doral
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