I've seen this one in many video stores -- It looks like a million others, but it's actually one of the better ones. What is it?? Ok, simply put -- innocent girl in Brazilian prison... What makes it worth seeing? Two words: Suzie Carvalho. If you like dark featured women (think Christy Turlington), then Suzie will make your day. A beautiful face on a body to die for. She gets put through all the cliches, almost, in this typical makes-no-sense-but-who-cares women-in-prison flick. This film certainly rivals "Reform School Girls" for best w-i-p flick. Suzie, BTW, is also splendidly naked in "Massacre in Dinosaur Valley", also at most video outlets.

This English dubbed Italian / Brazilian co-production opens with a title screen claiming that we're about to be told a true story.

Believing she'll receive a more lenient sentence, a young woman named Angela Duvall (Suzane Carvalho) takes the rap for her addicted brother after he murders a drug lord. We immediately realize Angela's exceptional beauty is going to cause her problems since even on the way to the slammer, a police officer in the prison transport truck lasciviously leers at her gorgeous thighs. She winds up in a Brazilian penitentiary hell hole where she's subjected to the obligatory strip search. The guards don't find any concealed weapons or narcotics on Angela's body, but they do learn from her obvious tan lines that she's apparently been spending a lot of time lately sunbathing in a very skimpy bikini. Naturally, she immediately attracts the unwanted attention of everybody from two feuding prison dykes to the lesbian head matron. During their first meeting, the prison official parts Angela's robe with her billy club to get an eyeful of her breasts, then purrs, `You're very different from the way the papers described you - much better.'

The first half of the plot follows the usual women-in-prison movie formula, with long-suffering Angela enduring an endless series of indignities while a concerned prison doctor (Henri Pagnoncelli) campaigns to prove her innocence. He's up against a tough obstacle, though: his boss, the Warden Bonifacio (Leonardo Jose), is affiliated with the same drug ring as the murder victim and he'll stop at nothing to silence Angela permanently. At one point, three gang members sneak into her cell and nearly succeed in hanging her before the good doctor comes to her rescue. With the help of a big and tough but sympathetic and maternal black inmate, Angela eventually escapes with seven other prisoners during a prison riot. The rest of the film plays out like TEN LITTLE INDIANS: the escapees are picked off one by one as they're pursued through the jungle by the vindictive warden.

Though the film doesn't offer much originality, the production values are a lot higher than you might expect from a foreign made B movie. The plot moves through a nice variety of locations from downtown city streets through tropical jungles to a seaside resort. Many scenes involve impressive numbers of extras, and during the prison break sequence, dozens of them are fully decked out in authentic looking police uniforms, helmets, and riot control shields. In the escape scene, a pair of tank-like vehicles equipped with water cannons show up, and later, the doctor searches for the escapees via helicopter.

But the real reason to watch WOMEN IN FURY is the virtually unknown but ultra-sultry Suzane Carvalho, who provides most of the film's nudity, usually in humiliating scenarios. During Angela's first night in the over-crowded prison cell, she's stripped by a dozen bunkmates and whipped with wet towels to soften her up for the butch queen bee, who then rapes her. When she later refuses to identify her attackers, she gets hosed down with high pressure water, which conveniently tears her robe open and leaves her dripping wet. The steamiest scene is an erotic lesbian encounter when the horny head matron ravishes Angela in her office. The sequence runs for several minutes in length and includes full nudity from both actresses and lots of passionate close-ups.

Fans impressed by Ms. Carvalho will also want to check out her only other known film appearance, STRANDED IN DINOSAUR VALLEY (another Italian / Brazilian co-production made the same year, 1985), which in spite of its title features no dinosaurs but more of Suzie's magnificent body.

*SPOILER ALERT* *SPOILER ALERT*

Angela Duvall, (Suzane Carvalho), is sent to a women's prison. For a crime she didn't commit of course. She takes the rap for her lowlife brother and ends up in a sweaty, jungle prison. This is good for the viewer, bad for Angela. She makes a few friends and enemies during her stay. The women are in fury though and want to bust out. The self righteous doctor almost has a stroke contemplating how unfair life is to Angela. He has seen her naked and wants to bust her out of the big house too.

"Women in Fury" has some good points. The best one is Angela. She gets naked a lot in this flick and has a great body. There are a couple of good scenes of mayhem while in the prison. There is also a great sex scene between Angela and the head female prison warden.

But most of the movie is taken up by people having spastic scenes of drama. The doctor in this one is in constant motion. He's yelling at anyone who will listen how horrid the prison is and how Angela must be set free. He never acknowledges that the reason he wants to help her is that he craves her body. He plays it off like he's the most altruistic man in the world. It was annoying. If the women's prison flick is working like it should, I shouldn't even be thinking about the doctor. Clearly, it wasn't working.

Once the prisoners bust out of the prison, the movie goes downhill into B-action land. All women prison flicks hit the slopes once they're not in the prison anymore. Hence the genre is called "Women's prison". Not "Escaping from women's prison". The girls are ranting and raving at each other outside the prison. Fighting and cursing when they should be bathing and washing. Why isn't Angela skinny dipping with one of the other prisoners to let loose some of that escaping from prison stress? I wanted breast caressing and kissing. Not hair pulling and eye gouging.

"Women in Fury" has too much fury and not enough fun. Angela is great to look at naked and the sex scene was hot but overall it was a disappointment. The movie was better directed than most women's prison flicks but of course that counts for zilch if the breasts are not bouncing like they should. My advice: keep the movie in the prison for as long as possible and make the escape portion the last 10-15 minutes, not the last 30-45.

Covering for her brother,who killed a Brazillian drug lord,Angela Duvall is sent to women's prison.She quickly attracts the sexual advances of a female prison guard as well as the other prisoners.Between attacks from her cell-mates and the murdered drug dealer's henchmen,Angela must escape into the jungle to survive."Women In Fury" is a typical Italian WIP movie.It offers plenty of nudity and lesbianism,so I was pleased.Unfortunately too much of the film's running time is spent with the doctor's efforts to win Angela's release and the jungle trek of the fugitives.Still Suzane Carvalho is a real beauty with a very nice body.Give it a look,if you are a fan of Italian exploitation cinema.7 out of 10.

Yep, that's right. No shame about it. What begins… True story… aye. Yes its one of those. Anyhow for a sub-genre that's pretty much rough around the edges and doesn't hold back on its draw-cards (sleaze, violence and sex). Michele Massimo Tarantini's Italian Women-in-Prison entry 'Women in Fury' (which was shot on location in Brazil) doesn't have that ultra-cheap cloud and rancid feeling, but shows a competently handled, well-paced, story focused (oh my and it's interesting!) and more often stylishly photographed exercise. That aside, it still doesn't cop out on the trashy essentials like cruel torture, cat-fights (there's a lot!), foul cussing, sexual domination, gratuitous nudity and some bloody violence. It's packed with plenty of cheap, raw and gritty thrills within its sweaty environment, but it's not drenched in unpleasantness. There's a little skill behind it all, although it's no masterpiece of its sub-genre, it still registers as one of its most entertaining. When it wasn't concentrating on the conventional aspects, it tags along with a doctor trying his best to get out Angela (the dashing girl who finds herself in prison with everyone having their eyes on her, after taking the fall for her brother) and then it turns into squabbling jungle adventure when a group of women prisoners scale the walls and escape. The script was better than I thought, but it had its cheesy moments and quips that I just couldn't take seriously. No kidding. The ending couldn't be anymore vapid. The music score is an overwrought and clunky mess, but never too distracting. Suzane Carvalho is capable in the lead role and truly is easy on the eyes. You can see why everyone wants a piece of this fresh meat. There are modest turns by Henri Pagnoncelli as the kind-hearted prison doctor and Leonardo Jose's corrupted head prison officer. The rest of the enthusiastic performances fit the buck. A solid WIP film.

This could be another film in a potential "Latin America WIP Film Festival"--other entries might include two other Brazilian WIP films "Amazon Jail" and "Bare Behind Bars" and the Argentinean film "Correcional de Mujeres" (strange that a continent that threw so many REAL innocent people in brutal prisons in this era wouldn't have made a lot more of these films, but then maybe that was why).

Although it's mostly Brazilian, this film was actually directed by an Italian director, Michele Massimo Tarantini (OK, so maybe not a GOOD Italian director). Tarantini is most famous for his laughable cannibal film "Massacre in Dinosaur Valley", but his best films were probably the sex comedies he made with actresses like Gloria Guida back in Italy, as he he had little grasp on the dramatic structure. Ironically though, this one of the better Latin America WIP films because it actually has a plot (well, kind of), and a clear protagonist played by the very sexy Brazilian actress Susan Carvahlo (also in "Dinosaur Valley"). Carvahlo here plays a frequently naked and abused "new fish" who is actually genuinely innocent. As a crusading reporter/prison reformer rushes to her rescue, she and her fellow inmates stage a daring break out. The end is pretty stupid and frankly not nearly as cinematically compelling as the lesbian rape or firehose scenes in the first fifteen minutes.

Carvahlo to my knowledge only appeared in a couple international releases, but she was pretty appealing. She went on to become a successful race car diver! (And while some may she disagree, she probably looks a lot better naked than Jimmy Johnson). I actually don't know that anybody (besides me) would be stupid enough to put together a "Latin American WIP Film Festival", but, if so, this would be the top entry.

* B.B.B. stands for Babes Behind Bars. Even though they all sound and look fascinating, these B.B.B. (or W.I.P = women in prison) movies usually are the most boring and incompetent exploitation moneymakers of all. All those movies directed by Jess Franco (Barbed Wired Dolls), Oswaldo De Oliveira (Amazon Jail) and God knows who else look promising enough but they ultimately fail in accomplishing anything at all, apart from showing tons of pointless and often even very unattractive naked female flesh. Michele Massimo Tarantini's – great name – "Women in Fury" is different from every possibly viewpoint and actually a surprisingly good film. It has a great story to tell, the acting performances are adequate for a change and even though the amounts of sex and nudity are plentiful, it always remains stylishly shot and within the boundaries of good taste. No endless sequences in which the camera zooms in on women masturbating or getting barbarically whipped for no reason other than sick sexual pleasure. Instead the script patiently takes the time to introduce the main characters and make the audience empathize with them. It involves nudity, of course, but it serves a purpose and at least the actresses here are highly desirable. The pivot figure is Angela Duvall, a silent girl doing prison time for a murder that was really committed by her cowardly brother. Very much against her own will, Angela causes amok within the prison's walls because everybody – guards as well as fellow inmates – want a taste of her beautiful body. The penitential doctor falls madly in love with Angela too and even convinces the authorities to release her, but in the meantime she and a handful of other girls already escaped into the Brazilian jungle where new types of terror await her. "Women in Fury" is an extremely violent film, with quite a lot of nasty massacres occurring every couple of minutes and legitimate tension nailing you on the edge of your seat. Suzane Carvalho is a beauty with talent and brains, and you're guaranteed to cheer for her. As far as I'm concerned, it's the best B.B.B. movie available on the market.

I've seen a handful of women in prison films, and one thing I thought I'd never see was a half decent one! Trust the director of the brilliant Massacre in Dinosaur Valley to come up with something more fun than the average women in prison flick! The film is not too different from the masses of trash directed by the likes of Jess Franco in the way that it's plotted, but Michele Massimo Tarantini forsakes overly graphic hardcore porn for a more story based approach, and that really does the film benefit as despite lacking what some may be watching for; Women in Fury is at least entertaining, and it's also the only women in prison flick that I'd consider watching again! Naturally, the plot focuses on a women's prison. The central character is Angela Duvall, a young woman wrongly sent to a Brazilian prison after supposedly murdering a drug dealer. She soon finds that there are lots of lesbians in jail in Brazil, and after being initiated into the prison by her fellow inmates and the guards, an opportunity to escape beckons, and Angela takes it...

As previously mentioned, this film does not feature as much sex and sleaze as many women in prison flicks, but that's not to say it doesn't feature any! The fact that it's not wall to wall sleaze really does do it benefit; the sex itself is graphic, but not overly graphic, and while many women in prison film grind to a halt as a result of too much graphic sex, this one always has the story to fall back on; which gives it a strong backbone. Aside from the sex and sleaze, there's also a fair amount of violence featured, which is nice and while this isn't as shocking as many genre films; it's still a brutal picture and I'm sure it has enough grit about it to please most fans of cult cinema. The women featured are mostly nice to look at and the lesbian sex scenes are well filmed. The way that the film changes from prison drama to a chase through the neighbouring jungle is good, and while overall I can't really profess this to be a brilliant film - I will say it's the best women in prison flick that I've seen, and it's the only one that I'd give high recommendations for.

I was thinking that WOMEN IN FURY would be another run of the mill women-in-prison film, the type of which I'm not very fond. These films always seem plot less and uninspired, filling out their running time with lesbian sex scenes and silly cat fights. However, this film is something more. First off, it's supposedly based on a true story, and there's a sub plot which takes entirely outside the prison which shows a doctor's attempts to prove an inmate's innocence. Secondly, only the first half of the film takes place in the prison. During this section, we're subject to the usual cat fights, lesbian coupling, and copious nudity, this time from an attractive cast. Then, at around the halfway mark, there's a surprise decapitation followed by a jail break and then the film becomes a jungle adventure yarn, following the trials of a handful of women attempting to escape from the guards and dogs pursuing them.

This film has action and excitement in spades and the surprise is that it's all rather good. Director Michele Massimo Tarantini, who also made the equally fun MASSACRE IN DINOSAUR VALLEY, knows how to stage an effective fight or shoot-out and the use of lush Brazilian locations add a level of sweaty realism that would be otherwise missing. The cast is undistinguished, but they put in generally good performances for a B-movie. This film has it all: explosions, shoot-outs, gore, violent attacks, cat fights, snakes, wall scaling, beheadings, tough inmates, a despicable villain, and my favourite character, a hulking black woman prisoner who steals all her scenes. So far, this is the most entertaining women in prison flick I've watched thanks to Tarantini's willingness to think outside the box.

Sweet and innocent Angela Duvall (a solid and sympathetic performance by smoldering hot brunette stunner Suzane Carvalho, who quit acting in the late 80's and became a professional race car driver) goes to a harsh women's prison for a murder that was actually committed by her pathetic weakling brother brother Sergio (an appropriately hateful and sniveling Paulo Guarnieri). Naturally, both the nasty guards and vicious inmates alike immediately start lusting after Angela's delectably voluptuous body. Angela and several other hardened felons escape and go on the lam in the dangerous Brazilian jungle. Writer/director Michele Massimo Tarantini, who also blessed us with the deliciously trashy trekking through the jungle action/adventure romp "Massacre in Dinosaur Valley," really delivers the satisfyingly seamy lowdown scuzzy goods: we've got copious tasty distaff nudity, lurid lesbianism (the lascivious head matron has her bawdy way with Angela in an incredibly torrid tryst), sadistic beatdowns, a sizable smattering of bloody violence, rough'n'tumble catfights, leering soft-core sex, the inevitable wild riot, and even a couple of snake attacks. The acting is pretty decent for the genre, with particularly notable contributions by Henri Pagnoncelli as crusading nice guy physician Dr. Cuna and Leonard Jose as the mean and ruthless Captain Bonifacio. Aida Marques' basic cinematography gives the picture a suitably grimy look. Remo Usai's funky score also does the trick. The sordid south-of-the-border setting adds an extra spicy exotic flavor. Worth a look for babes-behind-bars buffs.