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Short summary

Hoping for a more exciting life than the suburban drawl he currently inhabits, nerdy salary man Morgan Sullivan takes a job as an industrial spy at Digicorp, a global computer corporation. Digicorp assigns him the duty of flying to various conventions around America, recording the speeches that are made. But when Sullivan meets a mysterious woman he begins to realize that his job may not be what it seems, as he descends into a dark underworld of brainwashing and struggles to maintain his own identity.

Was shot in 35 days.

The phone number encoded using Job 13:17 is 436-726-3993 uses the apparently unused area code 436. It also uses 726 for the exchange code, rather than the 555 usually used in most movies fictional works.

Job 13:17 (used to encode the phone number): "Hear diligently my speech, and my declaration with your ears."

In the final scene (on the sailboat) the information contained on the disc reveals numerous details about Rita Foster's life leading up to the reason Sunways Systems wants her executed; however, the text flashes past the screen too quickly for the audience to read. The following is the information exactly as it appears on the disc:

Sunways Security File # 247174y510987h3df8708 This is a Code Orange File. Any persons found in possession of this material without adequate Level 6 Security Clearance will be immediately prosecuted under Sunways Special Order 43875. FOSTER, RITA Sunways Security File #247174y514543gcfdgfc jge454u5 Foster, Rita A.K.A. Dr. Kelley Doris, Natassia Sarbinski, Amy Green, Namie Tsukemodo, Yi Fung-Yu, Kitty Wells, Ju Pau Killbit, Horatia Delusentopolis, Jill Hopkins, Akita Spools, Francesca Pistolesi, Dorlissa "Hurricane" Trubadore, Anias Schmidt, Antionette Dubois, Ilsa Von Kustanst, Erica Sinyor, Ika Vital Stats: Sex: Female, Race: Asian, Height: 5' 6'', Weight: 105 pounds Born: January 6, 1971 Education: Peking Opera, PHD in Criminology and Behavioral Sciences, Stanford University Present whereabouts: Unknown Orphaned at the age of four when her parents were executed by government shock troops for "insurgency and anarchist ties". Rita Foster's original name was Tsing Lung. She was adopted by a family of circus acrobats known as the Panda Clan, famous for unusual "Panda-like" black markings on their skin. To protect her from the clutches of the state orphanage they painted ( * illegible text * ) to resemble their own and took her on a cross country tour. Under Panda tutelage, Foster became a first rate contortionist, performing in the small towns and villages which dot the countryside of the Southern provinces of China. In 1976, Hong Tao, a former strongman saw her act. Recognizing her talent, he brought her to the Peking Opera where she endured the rigors acrobat training. By the age of ten, she became a featured trapeze artist. In spite of her success, she longed to escape from the brutal life of the circus. During the 1982 world tour of the Peking Opera, she defected to the West. Her first home outside of China was in Rome, Italy, where she scraped together a living as street performer. Little is known of this period. It has been rumored that ( * illegible text * ) SABASTIAN ROOKS, who at that time may have orchestrated the illegal sale of priceless artifacts from the Vatican. The procurement of these religious objects was secretly ordered by the highest echelons of the Catholic Church to assist in easing its own financial woes. Foster may have been employed by Rooks to help steal these items from vaults hidden deep in the bowels of the Vatican City and later replace them with flawless forgeries. Most famous of these pieces was the Shroud of Turin which Rooks is rumored to have kept for himself. In 1983, exactly one year later, Foster crossed the Atlantic to New York. It is at this time that Foster acquired her American name and citizenship, presumably with the assistance of Rooks. Foster had little difficulty adopting to the American lifestyle having studied English in Italy. In a very short period of time, she became a fashion model. By the age of sixteen she was courted by New York's top agencies, but she turned her back on the fashion industry when she was accepted to Stanford University. There she studied behavioral sciences, eventually specializing in criminology. Her 1994 graduate thesis "Aberrant Behavior of the Unconscious Criminal" caused a great controversy, linking criminal behavior with the subconscious mind. Foster argued that latent identities exist in recesses of the cerebral cortex. Some of these identities are antisocial by nature and therefore inclined to criminal behavior. Her paper argued that these aberrant entities served an essential function in the evolution of our social design. "By challenging moral standards they invoke change." Therefore she reasoned antisocial behavior is a positive force for societal progression. So explosive was this notion that the Stanford psychology department tried to suppress the publication of Foster's findings. Angered but unable to fight back Foster turned her back on academia. At this critical juncture in her life, Rooks once again appeared on the scene. There is no clear evidence of their meeting but close friends of Foster claimed that she had been invited to a remote island in the South Pacific to spend time on Rooks' yacht. In 1996 all traces of Foster vanished. While there is no conclusive evidence to link her to Rooks' operations in this period, she may have participated in Rooks' famous "Triad Info Highjacking". This constituted a major security breach within the Triad of megacorporations, of which Sunways is a member. It would seem that Foster had come to embody her own thesis of the criminal mind. She is suspected of helping Rooks spread disinformation to Sunways' sister company, New Paths Technologies and send agents in Sunways' most sensitive information centers. By the end of 2000 it became apparent that Rita Foster was Rook's number one operative. Whenever Sunways has required Rooks' services, his chief representative has been Foster. While contact with her remains indirect, it appears that her relationship with Rooks may extend beyond the professional. In other words, Foster may be Rooks' Achilles heel. If she is destroyed, Sunways may have a chance of seriously damaging Rooks' counter-Triad operations. It is the recommendation of the Sunways Security Chief Francis C. Callaway that Rita Foster be targeted for elimination. This a Code Orange Termination Order. Code #48754354. Terminate with extreme prejudice. ( * over her photo * ) TERMINATE WITH EXTREME PREJUDICE

If all of this information is true, it adds another dimension to the story because Rooks and Foster have been troublemakers all along. They have not simply fallen victim to ruthless corporate brainwashing. They have a history of criminal conduct - coupled with criminal ideologies - which has embroiled them in the inner workings of these ruthless corporations. Now, they are forced to take desperate measures to eradicate their troubled past.

Then again, perhaps some or all of the information on the disc was simply fabricated by Sunways Systems to justify the termination order. For example: Security Chief Callaway may have a personal issue with Foster, so he has fabricated her past history to justify his issuance of her termination order.

In either case, the disc's information adds another dimension to the story.

As an aside, the following items are interesting to note:

1. The Sunways Systems security file numbers are similar for the first nine characters but change for the remainder of the string.

2. The surname of one of Foster's alias's is Killbit. A killbit is a security feature in web browsers (based on Microsoft technology) with the main purpose of closing security holes. If a security hole is located, a request can be made for Microsoft to put out a killbit for it. In the film, Foster is deemed a security risk so a killbit request - the termination order - has been put out for her.

Also, the surname resembles the film series _Kill Bill_ in which Lucy Liu portrayed O-Ren "Cottonmouth" Ishii.

3. Foster's height is listed as 5' 6'' whereas Lucy Liu is 5' 3'' in height.

4. Foster's date of birth is given as 06 January 1971. Vincenzo Natali, the film's director, was born on 06 January 1969.

5. Rooks's first name is misspelled as Sabastian on the disc. His true name is Sebastian Rooks which appears when he logs in to the console of the helicopter he designed. (Presumably, he knows how to spell his own name correctly, and has used the correct spelling while designing the login prompt.)

The character of Virgil C Dunn would appear to be a reference to the Latin poet Virgil, specifically in Dante's Divine Comedy it was Virgil who was the guide the Hell and Purgatory, as a non-Christian he was unable to enter Heaven.

The film may be alluding to the Divine Comedy by Dante, in which Dante seeks a woman he has admired from afar, Beatrice. In Cypher the hero seeks Rita, a name which can be constructed from the middle four letters of Beatrice.

Kari Matchett appeared on the Cube (1997) sequel Cube 2: Hypercube (2002) on the same year this film was released. Vincenzo Natali directed the first movie, but had nothing to do with the sequel, though.

User reviews


  • comment
    • Author: Natety
    Morgan Sullivan is a businessman who, rather than work for his father-in-law, takes a strange job working as a corporate spy for a company called Digicore. His assignments are simple and boring; attend a conference and use a covert device to transmit the speeches back to HQ. At one conference he meets a mysterious woman called Rita and flirts with her. On his flights and during his sleep he is bothered by vivid dreams and voices in his head; he thinks nothing of it but then his next meeting with Rita reveals something much more sinister than the basic assignments he thought he was getting and he soon finds himself in deep.

    I had never heard of this film at all before watching it, nor did I even know anything about it whatsoever and I only ended up watching it because I had FilmFour free one weekend and this was one of the few films that they showed that was worth seeing. I'm glad I came to it with nothing because I found myself engaged from the start and the twisty plot was great fun even if the final five minutes could never have hoped to have delivered above and beyond what had come before. There are those that complain about the ending being "terrible" are perhaps being too harsh although I will acknowledge that it is a bit too tidy for its own good. The plot requires a lot of suspension of belief (and I mean a lot) but once you get into it it moves along really well and does keep you watching to see where it goes. It is helped by the way that it starts out in a "normal" world that many of us will relate to – boring business presentations and conferences that you wonder why you bothered. If you can keep up with it from here on then it is enjoyable even if logic and sense.

    Visually the film really works even if the budget constraints are clear here and there. Director Natali injects a lot of style and imagination into it and also delivers a real sense of urgency and paranoia that helps the material work. The cast are a mixed bunch, although in this sort of film the characters tend not to be that well developed in all parts. Northam takes the lead role and does it well, making his character a drag little everyman but also convincingly changing him gradually across the film. Lucy Liu is not as good; she is a bit flat but fortunately she has limited screen time and was only what I'd call really bad one time. The support cast are all OK, delivering the required mix of the ordinary and the sinister to good effect even if they are all pretty straightforward.

    Overall this is a nice little thriller in the style of things like Usual Suspects, Memento and the like. You do need to suspend belief and, if you can, it is enjoyably twisty and slick and is pretty exciting. Of course if you dislike the genre (the sort that has to keep moving for fear of getting caught by its own lack of logic) then you'll hate it but everyone else should at least get a fun 90 minutes from it.
  • comment
    • Author: caster
    There was a stylish approach to this film on the part of director Vincenzo Natali with interesting camera angles and effective close-ups. It was also refreshing to see Jeremy Northam and Lucy Liu given leading roles and expanding their range as performers. This film also included one of the most imaginative "escape" scenes in recent years. The efforts of the director and the actors combined in an effective thriller.

    Although the plotting of the film was convoluted, the story progressed very clearly as the layers of corporate greed and skullduggery were revealed.

    In 1949, George Orwell suggested in his famous novel "1984" that the future would be ruled by the totalitarian State, which would control minds and diminish human liberty. It was interesting that in this intriguing futuristic film, it was not the State, but rather the corporate world that controlled and devalued the human worker.
  • comment
    • Author: Dianaghma
    Cypher was a movie I was looking forward to after I had read some comments here about it's story being like the works Philip K. Dick, an author whose paranoid tales I love to read.

    As far as plot twists go Cypher never disappointed me, even though the last plot twist was a bit out there, it had a very cool ending that was very satisfying. The level of suspense was ok, this movie was not a nailbiter but it has really nice atmosphere at times with the opening music theme and the many shady operatives. A thinking man's movie as well, you need to pay attention throughout the movie or you will lose track. No problem in the DVD-age I would say. Overall it was acted very well. Jeremy Northam and Lucy Liu definitely deserve movies as good as this, although they don't seem to have found that many in their careers.

    Visually the movie is stunning, it is filmed very tight and stylish, with a few well-dosed effects. This movie probably had a relatively modest budget but it looks awesome. Overall this was a very pleasant movie experience.

    8 out of 10
  • comment
    • Author: Opithris
    When The Matrix appeared in 1999 and questioned existence and identity, it was expected that a lot of movies would use it as inspiration. That didn't really happen, surprisingly, and it took till 2002 for a movie of similar theme to appear. But to say Cypher is a clone would be to its discredit.

    The story is of a Morgan Sullivan, who applies for a job with a high-flying techno-company called Digicorp. His job is to be a spy and gain information about a rival company, while under an assumed and false identity. His home-life is perfectly normal but he has to lie to his wife about what he's actually doing. However, things start to take conspirital turns and before he knows what's going on, he starts to question who he actually is. This is not helped by a strange woman who turns up...

    Twists and turns at every direction keep you absolutely fascinated, and at no point does anything ever seem contrived or unbelievable.

    It's an enthralling journey through a not-too-distant future, and with good acting all round will keep you on the edge of your seat.

    Highly recommended.
  • comment
    • Author: Mezilabar
    You'll notice by the stars I've given this GREAT film that '...before you see it the first time,' is implied. I had never before heard of this film and happened across it just because this week (and last) was a very slow rental experience (not much great coming in). I'm not sure how this movie slipped past me -I love Lucy Liu and Jeremy Northam is great too. Still, it did.

    This movie is an awesome example of what to do if you don't have a large budget. It had just the right amount of plot and dialog to make it very interesting and keep the viewer in the dark; just enough. The entire film is you (the viewer) trying to figure out the plots many twists and turns. I would have given this film 10/10, however some of the shots were pretty fake looking. I don't hold that against this film too much, but I don't think it deserves a perfect score.

    Lucy Liu is beautiful and mysterious (as always). I think she's pretty underrated as a serious talent. Nevermind her beauty (which is difficult), she really takes her roles seriously and doesn't rest on her appearance to drive her through scenes of sophisticated emotion. And she can seem cold and even lifeless if needed, as well.

    Jeremy Northam does really well, at first, as quite a geeky corporate rat, willing to run through any maze to prove himself. However, as he changes throughout the film, it's like night and day. I know some fans of Clive Owen, Jude Law, or other hopefuls to become the next James Bond will hate me for this, but Northam would/could/should fit that bill. He's suave and cultured. He's got a great Bond posture and voice. I think he too can be cold if the situation calls for it, and rather down-to-Earth, as well.

    Great film and definitely this movie-buff recommends it to be seen at least once if you like corporate espionage films.
  • comment
    • Author: Kelerana
    This Filmfour funded Sci-Fi movie is most definitely a must see. While it takes huge influence from The Manchurian Candidate and offers nothing new or original plot wise; it's handled with the utmost skill that it comes off as being fresh and inventive, despite it being basically a re-run of an earlier film. It's good to know that films like this are still being made (even if they aren't getting wide releases), and Cypher is refreshing for that reason. The plot twists and turns, which gives it an element of paranoia and also serves in keeping the audience on the edge of their seat while trying to figure out the meaning of Cypher's mystery. The plot follows Morgan Sullivan; a bored suburban man that decides to take a job with Digicorp that involves him listening to speeches from several rival companies and recording them for reasons, to him, unknown. However, his job is interrupted when he meets a mysterious young lady known as Rita...

    This film features a number of stark white backgrounds that give it a very surreal edge and blend well with it's apocalyptic imaging of the future. This gives the film a very odd look that sets it apart from the majority of other films of the same type, with it's only real close affiliate being Kubrick's A Clockwork Orange. The plot is also very efficient and ditches character development in favour of the more stylish - and more thrilling - plot developing. You never quite know where you are with the plot, which serves in making it all the more intriguing. The acting is largely good with a largely unknown cast backing up the team of stars; Jeremy Northam and Lucy Lui. Northam very much looks the part of the quiet and disheartened man at the centre of the tale, and does well with his role. Lucy Lui is an actress that has a resume that doesn't quite fit her talent, but she has a look about her that just fits this movie.

    Cypher is far from perfect as some of the sequences are illogical and at times it can be inconsistent; but on the whole, if you want an inventive recent Sci-Fi film; Cypher is the way to go.
  • comment
    • Author: Winasana
    Jeremy Northam's characterization of the stuttering, mild mannered bookish Morgan Sullivan and watching him let loose bits and pieces of his real identity under the influence of single malt scotches and under the spell of Lucy Liu's presence is brilliantly crafted and a joy to watch. His offering her a cigarette at the bar is an old habit, done without thinking or even asking and he becomes lost in her face, neck and lips. No matter the brainwashing, love has a way of persevering. Love also cannot be "brainwashed in" with either of his two fake wives. In gradual stages, he begins to dispense with his glasses, to walk and talk differently and even his face looks different as the movie progresses. The music is fantastic, hypnotic, sexy and appropriately driving at times. The extensive use of black and white and grey tones makes this almost a sci fi "film noir" in the tradition of many classic thrillers. I would have liked to have seen more vulnerability in Lucy Liu's portrayal, whenever she sees him in his various frazzled states, the man she loves and for whom she is performing a mission based on blind faith, some restrained vulnerability and flashes of genuine sympathy and concern would have made it a less one dimensional performance on her part. She is just no match for Northam's talents, but all in all I thoroughly enjoyed this film and would enjoying knowing about other screenplays written by the same author.
  • comment
    • Author: Aedem
    The second feature from Vincenzo Natali (director of the cult film Cube, if you haven't seen it, go check it out) comes this tantalizing sci-fi with hints of film noir blended together to create a smart and puzzling piece of espionage, double-cross with numerous twists and turns.

    Set in an alternative reality where a bored business man Morgan Sullivan (played with bookish awkwardness by Jermery Northam) decides to apply for a job at a global computer firm Digicorp. He successfully passes the rigorous test and learns he is to work as a spy to steal information from their rivals Sunways Systems. Morgan is given a new identity (Jack Thursby) where he attends these business conferences to retrieve and relay information back to Digicorp.

    Morgan starts off thinking that this would be an adventure where he can re-invent himself as the man he'd like to be. When he spots a mysterious woman (Rita played by Lucy Lui), he tries his luck, only to be blown off. As he sent on further conferences he starts to experience extreme headaches where masses of images explode in his mind which he doesn't comprehend. When he spots Rita again in his hotel again he follows her to the rooftop where she explains to him that all is not what it seems at the conferences he is going to.... and that's when the fun starts. Here is the beginning of the many twist and turns involved in the film.

    Set in monochromatic colours, where there is light there is shadow and the whole film seems to be set in a neo film noir colouring of greys and whites. There is a distinct style that the film tries to go for and mostly achieves. A world, which is not dissimilar to our own, is bought to life by the high contrast and sharp detail by cinematographer Derek Rogers giving the whole feel a cold, calculated and cool precision look.

    The performances by Jeremy Northam provides the main focus as we see his transformation from a bland everyday businessman into a paranoid agent who allegiances is divided and is unsure of who to trust and who to follow. By the end of the film he becomes a completely different person and is a measured piece of acting by Northam. Lucy Lui also plays the role of the femme fatale very well and isn't playing her usual spoilt brat routine (which is normally very unbearable for me). All other supporting cast do a decent enough job but it's not really a film to really rave on about the acting side of things.

    The most impressive thing about this, is learning that the film was initial financed by family and friends on their credit cards and was only pick up later on by a major distributor and with a larger budget (even then it's only $7.5 million) to work on, it looks amazing. Shot in very little time, it's a puzzler that isn't too hard to work out (though you will need a little concentration to follow it) but to fully appreciate it, I would suggest you don't view the trailer, otherwise a lot of the key plot points maybe ruined and the surprises and twists will be foreseen. All in all it's very stylist sci-fi thriller with plenty to give the brain a workout.
  • comment
    • Author: Bumand
    This is a superbly imaginative low budget Sci-fi movie from cult director Vincenzo Natali. The film plays out like a crossing of Phillip K Dick with Hitchcock and Cronenberg and the film takes on a unique feel like nothing you would have seen. The film is superbly shot, I love the cinematography in this, it feels fresh and original. Plot-wise the film explores similar themes to films like Total Recall, Dark City and the Matrix and its pretty staple Sci-fi stuff. Morgan Sullivan (Jeremy Northam) is a suburbanite who is bored with his life and has decided to take a job as a company spy for Digicorp, a large technological corporation. He meets up with a recruitment officer at the beginning who brings Sullivan on board and instructs him on what he has to do. It basically involves going to conferences of rival companies and recording them via a satellite transmission device disguised as a pen. It also means that he must take on a different persona and keep it a secret from his wife. After his first job things become strange, his habits change, his personality begins to differ and he suffers pains in his neck and headaches as well as nightmares. He encounters a beautiful woman named Rita Foster (played by an intriguingly cast Lucy Liu.) he takes an instant attraction to. However when he goes in his next job and sees her again she reveals herself to be an agent of some sort who reveals that his job is not quite what it seems. He finds out later on that he and the rest of the people attending the conference all work for Digicorp. The conferences are all covers to allow the company men to brainwash their spies. Sullivan, whose alternate name is Jack Thursby has been given an antidote to Digicorps drugging and while the rest of the spies at the latest conference drift off into what seems like a brain-dead day dream while the speakers drone on (the speakers send all the attendants to sleep via subliminal messages.) suddenly the rooms lights turn off and workers at Digicorp come in shining lights in all the occupants eyes to ensure they are not conscious and then in a fairly nightmarish situation they bring in head sets for each member which send messages into the brain and brainwash the precipitants into believing they are someone else. Digicorp are using these people as puppets and creating personalities and lives for these people while wiping their own existence. Sullivan now must pretend that he entirely believes he is now Jack Thursby. Digicorp want to steal information from their rivals Samways and they want their own puppets to do it, they now effectively control what these spies do, except for Sullivan. When Samways get a hold of Sullivan and discover he has not actually been brainwashed they decide to use him as a pawn to spy on Digicorp, make Sullivan a double agent. They know that Digicorp have sent Thursby to them to work his way into Samways and work his way up the system until he can get into a situation to download important company information that could shut the company down. Samways realises he had been planted and decide they will play along with Digicorp and allow Thursby to infiltrate their databanks but they will give Digicorp a dodgy disc that will ruin their system. The plot begins to twist and turn as both companies are using Sullivan as a pawn. He is stuck in the middle and Rita Foster is a mystery as he tries to work out why she is helping him. When a mysterious third party becomes involved, the person it is revealed that Foster works for, Sullivan must decide whether to go to this freelance agent, who could guarantee him a new life and safety or to stick with one of the companies he works for. The tension all builds to a stonking climax as it seems just about everyone wants to dispose of him once his usefulness has expires. The cast are great. Northam is superb and the subtlety in his performance is excellent. He brings a great visual aspect to his performance, his eyes tell a story and we see a great subtle change as his character changes from Sullivan to Thursby. Lucy Liu is just sexy beyond belief and her presence gives a great dynamic to the film because it seems strange casting but works because of that fact. The rest of the cast are also good.

    Director Natali whose previous film was the cult classic sci-fi flick Cube, has a real visual flair. He paces the film superbly as well and has given it a great look. For a low budget film it features some imaginative visual effects and although the CGI isn't great it never begins too much of a centre piece to effect the film negatively. The film really does bring feelings of The Matrix and other great sci-fi films, it is up there with them. The plot nearly becomes too convoluted at times but in truth that helps in a film like this, that is where the Cronenberg and Lynch influence is evident. The film has you constantly working out what is going on and genuinely surprises as it goes along. This is overall an obvious cult classic and I can see this being incredibly popular when it is released in the states. ****1/2
  • comment
    • Author: Cherry The Countess
    Cypher is an entertaining but irritating film. Nothing in the film is exactly as it appears, and the film reads a lot like a Dean Koontz novel . It's premise is ridiculous, and none of the characters are particularly believable, but you still feel compelled to go on because you sense that something clever is afoot. Indeed, something clever is going on here, but most alert and intelligent viewers will see each plot twist coming, and will feel (at least through most of the film) that they have seen it all before. In my opinion, Cypher is worth watching anyway - if not simply for its occasionally gorgeous photography then for its original and interesting finish.

    In fact, nothing about the film itself is really what it appears. It poses as an independent project but obviously sported a sizable budget, and drew the backing of some attention of some big names. It appears to be a sci-fi film, but it's really just a pedestrian spy thriller with a few sci-fi elements tossed in to differentiate it slightly from the dozens of similar films that have been made in this popular genre.

    Likable Lucy Liu plays her usual role - an ambiguous heroine who could be a savior or a slayer for Jeremy Northam - a man who has been reprogrammed, brainwashed, and seems on his way to hell with a one way ticket. Northam plays a man without a fixed identity . He is a corporate spy who has been so badly used that he no longer knows who he is and who he is working for. Yet the film only superficially resembles The Bourne Identity. To its credit, Cypher offers some amusing parodies of itself and its ilk very early on. Northam makes the film with an evolving, highly dynamic, and often annoying performance - playing a character who is, in fact, at least three different characters.

    Though Cypher is somewhat predictable in terms of action and events, it is never exactly made clear what is motivating everything until the very end. And, in the end, the payoff is worth the sometimes aggravating pace and superficiality of the film.
  • comment
    • Author: MrRipper
    Vincenzo Natali's feature debut 'Cube' was in my opinion the best science fiction movie of the 1990s. By "science fiction" I'm not meaning Star Wars style space opera aimed at 13 year olds, but mind expanding storytelling in the tradition of Philip K. Dick, Robert Silverberg and William Gibson. Or movies like 'Bladerunner', 'Brazil', 'Dark City' and 'eXistenZ', and yes (just in case you think I'm a mindless Lucas basher) 'THX 1138', a movie which Natali incidentally cited as an inspiration for 'Cube'. It's been a long wait but 'Cypher' is certainly worth it. This is a very stylized and cerebral film which Natali describes as being "Kafka meets James Bond", and he's not joking. There have been a few Philip K. Dick adaptations in the last few years but they always seem to lose the quirkiness and intelligence of his work and degenerate into big expensive action movies. 'Cypher' isn't actually based on a PKD story but in many ways it's the closest thing to his fiction yet seen on a movie screen. Apart from the two leads the cast is made up of Canadian character actors, which gives it a freshness missing from many contemporary Hollywood productions. 'Cube' co-star and long time Natali friend David Hewlett has a memorable role as the creepy Vergil Dunn, keeper of The Vault. He gives one of the best performances in the movie. Incidentally, also keep an eye out for a brief cameo by Valerie Buhagier, star of Bruce McDonald's cult favourites 'Roadkill' and 'Highway 61' in one of the conference scenes. The main stars are unusual picks. Brit actor Jeremy Northam has appeared in a few big American movies but is still pretty much unknown to most audiences. He uses this to his advantage and gives a terrific performance. I honestly can't imagine anyone else doing this difficult role any better. Lucy Liu plays the femme fatale part to perfection. Maybe she's just trying to get indie cred by appearing in 'Cypher', but who cares when she gives a good performance in a great movie. Plus she looks damn fine! 'Cube' has already become a cult favourite, and there's no doubt in my mind that 'Cypher' will do the same. I think audiences will be discovering both movies for years to come. Vincenzo Natali is shaping up to be one of the most exciting genre directors currently working and I'm really looking forward to what he comes up with next!
  • comment
    • Author: Snowskin
    This isn't so much a review as a note on the visual style since it wasn't presented objectively in other reviews. If you love movies with stark visual elements like Aronofsky's PI, Cube, or Dark City, stop reading here, you'll probably love this movie.

    There was a time I savored the effect of high stylization that nears artwork, but I now find its presence a distraction to the story. That said, the visual elements here are so strong and so present that if you're not a fan, it's an impossible movie to watch. I thought the cast with two Hollywood actors would make it borderline Hollywood fare; it decidedly is not.

    For example, the opening sequence is shot in almost black and white, with actors staged unrealistically far apart with a very unnatural acting style, circa a comic book style. The black-and-white visual theme continues into the following scenes, as the protagonist seems to be the only living element moving freely. This is clearly a directing decision, and one that the viewer has to reconcile to enjoy. I believe the film would have benefited if it had, say, the same feel and the performers were allowed the same acting range as Truffaut's Fahrenheit-451. As it is the film makes sense that it was released for the anime-heavy Japanese audience.
  • comment
    • Author: skyjettttt
    This is really difficult to review for me, because I want to reward a movie that breaks from Hollywood and does something different, I especially want to reward the maker of the Cube by following up with a non-mainstream Hollywood movie. It's just difficult to do with Cypher.

    The movie isn't as exciting as I thought it would be either, especially after the verbal hype it received. What's even more difficult is I can't put my finger on why, there doesn't seem to be something totally tangible, it just doesn't quite hit the mark.

    The premise is excellent, and there are some interesting moments and cleverly constructed twists, but there's just not enough riding on them, not enough weight to them. I did feel like I followed the film along and came out the other end appreciating what had just happened but not really affected by it.

    Shame really, since it was good to see such a great performance from Jeremy Northam and Lucy Liu in a different role from the usual character she keeps playing.
  • comment
    • Author: Joony
    I think this film has been somewhat overrated here. There are some things to admire in it; for one thing it deserves credit for being a science fiction(ish) film which relies on its story instead of special effects and action sequences to carry the day. The supporting cast is good, the set design and cinematography are good, and the ideas are interesting enough (though they are beginning to seem a little tired after the many mediocre Dark City / Memento / Fight Club clones of recent years). But the film is undone by poor characterization, wooden performances from the lead actors, and a laughably bad ending.

    The main problem I had was that the protagonist was neither likable nor unlikable. I realize that part of the story dictates that he should be a bit of a (wait for it...) cipher, but I was utterly unable to work up any empathy for a character that just seemed like a boring, anonymous schlub of a man. What character transformation there is for this sad sack is artificially forced on him by the plot. Lead actor Jeremy Northam succeeds in conveying that the protagonist is confused and hapless, but fails at inspiring any sympathy for him. Opposite him, Lucy Liu does what she can with a character who has no real personality of her own, unless being the embodiment of a spy-movie cliché counts as personality.

    One of the biggest disappointments of this movie is the ending. I won't give any spoilers here, but I will say that a surprise twist at the end was telegraphed pretty clearly at least 45 minutes before it occurred. Further, after being content to be a quirky, idea-oriented movie for the first hour or so, the last few scenes suddenly and terribly devolve into the worst kind of Hollywood pap, complete with big explosions and special effects. The revealing of the film's McGuffin at the end is poorly done, and at the end the characters seem even less likable than they did before some of the film's main plot threads were resolved.

    The movie's not all bad, though. It does manage to maintain a certain low level of tension throughout most of it, despite the slow pacing (although I think I have a higher than average tolerance for slow-paced movies). And there are some moments when the unsettled, paranoiac feeling that director Vincenzo Natali was clearly trying to evoke rises to the surface. But in the end, these elements aren't enough to overcome the flaws in the film's acting and script. There is probably a good movie that covers these same themes and ideas, but this isn't it.
  • comment
    • Author: Reighbyra
    In a near future, the ordinary man above any suspicious from the suburb Morgan Sullivan (Jeremy Northam) is hired by Digicorp, a huge corporation, to be assigned as a spy and steal secrets from their competitors, Sunways. Along his training, Morgan is brainwashed, assumes a new identity of Jack Thursby and travels to boring lectures. In one of them, he is approached by the beautiful and mysterious Rita Foster (Lucy Liu), who advises him that nothing is how it seems to be. Morgan acknowledges a new reality, where he does not know who can be trusted.

    The unknown "Cypher" was a great surprise for me. This movie has not been released in Brazil, but the engaging and exciting story is quite complex, with many plot points, and with great screenplay, direction and performances. In the very last twist, I recalled Arnold Schwarzenegger's "Total Recall". This movie certainly deserves to be watched more than once, and I really did not like the last scene, when the independent spy disposes the disputed disc in the sea. In only know the director Vicenzo Natali from the fantastic "Cube", and this second work I see is also stunning. My vote is eight.

    Title (Brazil): Not Available
  • comment
    • Author: Rgia
    Listen, I don't care what anybody says, as Cypher is nothing less than a 5 star movie. Cypher is not, I repeat not, a B movie. Cypher is an absolute masterpiece. Suffice it to say, I am a connoisseur of the world's finest spy films and this film is nothing less than top flight. I cannot overemphasis how phenomenal this movie is. Cypher is one of the best spy movies ever conceived and ever made. The technology in this movie is over the horizon of spacetime. In fact, I must admit that Cypher completely surprised the hell out of me. In fact, I've recommended this movie to my colleagues more than any other movie. Other critics, of whom some downplayed the movie, have no idea as to what the hell they're talking about. Don't listen to the haters. And actually, for the most part, reviews of Cypher have been largely positive. And it should be noted that Cyher is not only a good movie, but it is also a fantastic movie. Cypher is the kind of movie that's so advanced and so magnificently crafted, that it's over the heads of most critics and all the cynics. There is nothing wrong with or cheap about Cypher whatsoever. Again, the cinematography, the backdrops, the technology, the storyline, and the acting are all 100% world-class top notch. Naturally, I won't give anything away. This is not a spoiler. And though it is the contention of some critics that Cypher should have been in movie theaters, I believe quite the opposite. Cypher is a movie that seems to have been just right for DVD release only and not in a bad way. Cypher has got to be the greatest underground spy flick ever to hit the shelves. Blade Runner, 1984, Brave New World, Total Recall, Logan's Run, Jason Bourne and Impostor and Deja Vu... look out! Cypher equally earns the distinction of being placed in the AONN Multimedia Research, 5 Star Eternal Spy Movie Hall of Fame. Cypher is counterespionage at it's absolute best. Hands down and hats off. Nothing is what it seems and truth is stranger than fiction. The future is now.
  • comment
    • Author: Levion
    I watched this film recently on DVD and I have to say I wasn't impressed. I know it's taboo to knock independent films, but this one felt devoid of entertainment.

    The premise was interesting, but the execution of it fell short. I found myself thinking "okay, they're just getting into it, the story will pick up soon". Before I knew it, the film was over and the story never picked up. I can't say I found the acting all that impressive either. It was pretty bad. Not Star Wars prequel trilogy bad, but bad nonetheless.

    I'm not sure what the running time was, I'll assume two hours (because it's a safe estimate). Anyway, when the film was finished, I felt as though I deserved some kind of recognition for the will power I exerted in not stopping the film and walking away halfway through.

    Again, I was thoroughly unimpressed, and eventually bored out of my wits. I'm not one of those guys who requires fast-paced action and explosions in a film, so don't start in on me as that being a reason for not liking it.
  • comment
    • Author: Dellevar
    Canadian director Vincenzo Natali took the art-house circuit by storm with the intriguing, astonishingly intelligent Cube, which is my personal favourite SF film of the 90s. It framed the basic conceit of a group of strangers trapped in a maze shaped like a giant cube, shot entirely on one set, and took the idea in fascinating directions.

    I've been eagerly awaiting Natali's follow-up, and although its taken five years for him to mount another project, I'm delighted to say it was worth the wait. Cypher is a fascinating exploration of one man's place in the world, and how through a completely logical chain of events, finds himself in a situation beyond his control.

    I don't want to reveal too much about the plot, because one of the joys of Cypher is the different avenues it takes us down. It is so refreshing in this day and age to see a SF film that has more than one idea in it's head. Cypher is such a film.

    Morgan Sullivan (Jeremy Northam), one of the blandest people to ever walk the planet, is hired by the company DigiCorp. They send him to different parts of America to record different seminars. To his bewilderment, they're unbelievably boring. Covering topics as mundane as shaving cream and cheese.

    While Morgan is waiting for one seminar, he runs into Rita Foster (an impeccably cast Lucy Liu), the living definition of an ice maiden. She gives him the brush-off, but there is something to her he finds irresistible. That's not too surprising considering the dry marriage he's in.

    When Rita turns up at another of Morgan's seminars, she tells him his life is not what it appears. And I'm not saying anything more about the plot. To do so would cheapen the impact the rest of the film has on us, as well as the tortuous path that's so much fun to follow.

    As with Cube, Natali shows quite a talent for encompassing seemingly ordinary people, taking them out of the familiar, and basically seeing what will happen when they're thrust into the unknown. And Cypher follows similar patterns. But it's not a carbon copy of Cube. It has it's own inspiration.

    Cypher is a film that has more in common with conspiracy thrillers and paranoia stories. One of the great things about Cypher is the way these themes creep into the story without your knowledge. When Morgan realises his false identity is a piece of a much larger puzzle, it's as much of a shock to us as it is to him.

    One thing that distinguishes Cypher from Cube is how much more polished it is. Where Cube was confined to a minimalist setting and a shoestring budget with a cast of unknowns, Cypher is also on a low budget, but Natali economises it as much as he can, allowing him to broaden the horizon, and launching Morgan on an amazing journey through the labyrinth of his own identity.

    Natali's direction is exceptional, with a deft hand on the reins. There are some amazing camera angles from above, such as the enormity of the DigiCorp building as a vast, robust office block in conjunction to the insignificant speck that is Morgan standing outside. All the colour appears to have been bled out of the picture, which compliments the tone perfectly as modern day film-noir.

    The acting is uniformly excellent throughout. Jeremy Northam is a sympathetic figure from his loveless marriage to questioning his own identity. His performance is excellent because it's so modulated. He literally seems to transform right before our very eyes. From a clinical, spineless wimp to a confident man who will do anything to preserve his new identity.

    David Hewlett puts in a welcome appearance after making such an impact on Cube. He resides in a secret silo that looks like it was borrowed from Men in Black. His scene is one of the best because it's an exercise in carefully calculated suspense and paranoia. He is a supposed expert in identifying double-agents, and it's a fantastic piece of writing, brilliantly acted by Hewlett. All he has to do is look at Morgan, and we're drawn into his complex mind game.

    But it's Lucy Liu who's the scene stealer here. Too often she's cast in films where her potential isn't utilised to full effect. But in Cypher, she's finally given a character that fits her like a glove. Rita is an aloof, guarded femme fatale that Liu inhabits with relish. I perked up every time she appeared because she is always in control, and can reduce a room to silence with the power of her icy stare alone.

    Things come to a very gratifying end, that doesn't conclude on an ambiguous note the way Cube did. But Morgan deserves his happy ending. After he's been put through the ringer like this, I cheered for him in the final scene. It's a perfect final moment because it comes as a ray of sunshine after a gloomy 90 minutes.

    Cypher succeeds on all counts. Engaging, shocking, always entertaining, it's everything that Total Recall wanted to be but wasn't. And it comes as a refreshing antidote to the overwhelming and inexplicable Matrix.

    A fine follow-up from Natali. And now I'm a committed fan of the man. Superb stuff!
  • comment
    • Author: Isha
    Director Vincenzo Natali's Cypher is a complex and imaginative thriller which, although requiring some suspension of belief and plenty of concentration, manages to be a thoroughly entertaining experience.

    Morgan Sullivan (Jeremy Northam), a stay-at-home husband with an overbearing wife, decides to add a bit of spice to his mundane existence by getting a job as an industrial spy at high-tech company Digi Corp. His job is to travel to conferences across the country (under the assumed identity of Jack Thursby) and secretly broadcast the speeches given back to his bosses, via a nifty little electronic pen-gizmo.

    In reality, however, the speeches are merely a cover for far more nefarious activities. Morgan, along with his fellow conference attendees, is being brainwashed. The drugged water they are drinking puts them into a temporary coma, during which they are told to forget their pasts and permanently adopt their new identities. Once they are totally convinced that they are someone else, they are told to apply for jobs with rival companies, where they are able to indulge in corporate espionage without suspicion.

    But Digi Corp's plans are scuppered by the intervention of shady operative-for-hire Rita Foster (Lucy Liu), who opens Morgan's eyes to what is really happening. She gives Morgan an antidote to the mind altering drugs so that he can resist the brainwashing techniques. She also warns him that if Digi Corp suspects that he does not fully believe he is Jack Thursby, then he will be 'eliminated'. Morgan plays along, and applies for a job at rival business Sunways.

    However, arriving at his new workplace, he is given a polygraph test and is immediately rumbled as a spy. Fortunately, the bosses at Sunways see this as an ideal opportunity to feed false data to Digi Corp and Morgan becomes a double agent.

    From hereon in, things get progressively more complicated; the plot twists and turns and poor old Morgan ends up not being able to trust anyone. In an exciting finale, all eventually becomes clear (but only if you've been following events very carefully).

    Director Natali handles proceedings confidently and certainly has a great ability to produce a classy looking film for a relatively low budget. He manages to get some great performances from his talented cast; Jeremy Northam,in particular, is fantastic—his portrayal of the initially somewhat nervous Morgan is played to perfection.

    Cypher is another fascinating movie from a director who is willing to take chances and I eagerly look forward to his forthcoming projects, High Rise and Necropolis.
  • comment
    • Author: Yllk
    I've seen this movie at theater when it first came out some years ago and really liked it a lot. But i still wanted to see it again this year to check if it is still good compared to movies coming out now, and i wan tell it's one the best movies i've ever seen in my life !!!!!!!!!!!!!

    What you need to know is that you don't have to miss any minute of this movie, if you don't completely follow the action you will get lost and you will not understand the end.

    The end is what makes this movie so good, you can't expect it.

    Congratulations to the Producer !
  • comment
    • Author: Olwado
    Luckily I rented this movie on one dollar Wednesday at the local video rental store.

    The highlight was finding out that we guessed the "surprise ending" in the first five minutes.

    I feel cheated out of my dollar.

    Go rent The Fifth Element or Riddick for the hundredth time instead of "Cypher", unless you thing you can be the first person to figure out what the title has to do with the movie.

    I've made up my mind, I definitely want my $1.00 Back.

    I took the time to register with IMDb just to vote against this movie.

    I'm still thinking of the things I could have done with that dollar. I
  • comment
    • Author: Laitchai
    OK, I don't know how I am supposed to fill up one thousand words to try and describe this useless piece of drivel. With so many twists and turns it actually tries to be a clever thriller, with everyone guessing what is actually going to pan out in the end. Instead it is a comical farce like a dog chasing its own tail. I think they started out with good intentions and then as the plot played out (and the amount of gear that was put up the directors nose started to get larger), the story was lost and the audience was left guessing wtf is going on. The movie was reminiscent of "Naked Lunch" in which time was altered and the plot was sparse, leaving the viewer to make the assumption that if they were only on the same drugs as the producer it would all make sense. Bottom line: download the torrent and save the hire $$$ :)
  • comment
    • Author: Grotilar
    'I'm working for a sinister corporation doing industrial espionage in the future and I'm starting to get confused about who I really am, sh*#t! I've got a headache and things are going wobbly, oh no here comes another near subliminal fast-cut noisy montage of significant yet cryptic images...'

    I rented this movie because the few reviews out there have all been favourable. Why? Cypher is a cheap, derivative, dull movie, set in a poorly realised bland futureworld, with wooden leads, and a laughable ending.

    An eerie sense that something interesting might be about to happen keeps you watching a series of increasingly silly and unconvincing events, before the film makers slap you in the face with an ending that combines the worst of Bond with a Duran Duran video.

    It's painfully obvious they have eked out the production using Dr Who style improvised special effects in order to include a few good (if a little Babylon 5) CGI set pieces. This sub Fight Club, sub Philip K Dick future noir thriller strives for a much broader scope than its modest budget will allow.

    Cool blue moodiness served up with po-faced seriousness - disappointingly dumb. This is not intelligent Sci-Fi, this is the plot of a computer game.
  • comment
    • Author: Malara
    Philip. K. Dickian movie. And a decent one for that matter. Better than the Paycheck (Woo) and that abomination called Minority Report (Spielberg). But lets face it, the twisting and cheesing ending was a bit too much for me. Half way through the movie I already started to fear about such kind of ending, and I was regrettably right. But that does not mean that the film is not worth its time. No, not at all. First half (as already many here have commented) is awesome. There are some parts where you start to doubt whether the director intended to convey the message that showmanship is highly important thing in the future (we will do such kind on corny sf things because we CAN) or is it simply over combining. But the paranoia is there and feeling "out of joint" also. Good one.
  • comment
    • Author: Barit
    Jeremy Northam struggles against a "Total Recall" clone script and disposable romantic by-play to bring life to a confused character. Lucy Liu graduates her acting from a wooden start to a workman-like finish. You can't fail to laugh when viewing her interviews on the DVD when she uses the term "Femme fatal" and "Romance". French film-noir actress she is not and they lack chemistry together.

    This movie fails, not in the plot or the action sequences but in the lack of attention to detail in the films photography and ham-fisted portrayal of the world of technology surrounding the main protagonists. Little attempt is made to dress the scenery to represent any contiguous filmic landscape or period. Automobiles are very 1990's and the architecture barely modern with open plans that hint at a restricted budget rather than conscious set dressing techniques.

    The technology is positively hilarious. Massive "2001: A Space Odyssey" mainframes fed by man-portable CD-ROM's with data collected for some unexplained reason, in spite of the proliferating communications network that even the most un-savvy technologist today would obviously be aware. There is an obvious lack of research done here and given the open-source nature of the cyber-community, research would have cost little more than a bulletin board and personal time.

    DVD interviews also reveal the original movie name was "Company Man" but this likely ditched in order to cash in on Matrix hype. The "Cypher" title has only the slightest link with the movie. Terry Gilliam would have done wonders with this concept; and completely re-written the Decalogue.

    This is Tele-movie quality and extremely disappointing for a movie length production. It might have made a good sub-plot for "Alias".
  • Cast overview, first billed only:
    Jeremy Northam Jeremy Northam - Morgan Sullivan
    Lucy Liu Lucy Liu - Rita Foster
    Nigel Bennett Nigel Bennett - Finster
    Timothy Webber Timothy Webber - Callaway
    David Hewlett David Hewlett - Virgil C. Dunn
    Kari Matchett Kari Matchett - Diane
    Kristina Nicoll Kristina Nicoll - Amy
    Joseph Scoren Joseph Scoren - Digicorp Technician #1
    Stephen Brown Stephen Brown - Digicorp Technician #2
    Arnold Pinnock Arnold Pinnock - Pilot In Mensroom
    Jocelyn Snowdon Jocelyn Snowdon - Stewardess to Buffalo
    Boyd Banks Boyd Banks - Fred Garfield
    Steve Jackson Steve Jackson - Waiter Buffalo
    Dan Duran Dan Duran - Buffalo Speaker #1
    Valerie Buhagiar Valerie Buhagiar - Buffalo Speaker #2
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