I recently picked up a full, subtitled copy of 'Miracles', and I must say that the original is better than the dubbed version I had previously seen, and that version was also around half an hour shorter than the original version. The dubbed version cut out some not-so-important scenes, but things still got confusing at times, and some very funny scenes which did not make into the dubbed version, and at least one of the fight scenes was significantly edited in the dubbed version.

'Miracles' a very different movie to most of Jackie's work. There is the trademark Jackie Chan action and slapstick, but fights and action sequences are not as frequent as they are in his other movies, as 'Miracles' is more about Jackie proving to critics that he can make a movie with extravagant sets and costumes, and complicated camera shots (Who can blame him? James Cameron did the same thing, but 'Miracles' is a both an enjoyable and a good movie, while 'Titanic' is neither).

The movie is funny, and the action (what action there is) is excellent, and even the acting is great.

9/10 A great movie. Check it out if you're a Jackie Chan fan, but make sure you get the full, subtitled movie (should be about two-hours).

This is terrific! One of his most lush, great looking, and well-directed (by himself) films, "Miracles" is engaging, charming and absolutely likable! The humor's perfect, along with the setting, and the cast is wonderful! The fighting, though less prevalent, is in my opinion some of his best work! This one pays great attention to story and detail, and not only is it very entertaining, it's really pretty beautiful to look at, as well....

Miracles is Jackie Chan's favourite amongst his movies ,and the one in which he invested the most time and care. The result is, technically, a triumph. The convincing sets, lavish costumes and graceful camera work really hold by western film standards, while the fight scenes boast choreography that is just incredible to watch. They are more like musical numbers than martial arts fights, but the level of invention is just staggering, particularly in the scene where Jackie has to make his way down some stairs, fighting heavies as he does so, and the end battle in a rope factory.

However, elsewhere the film has problems. It attempts to juggle several plot lines with mixed success. The 'gangster'part, with Jackie as a crime boss, generally works well, but Jackie's relationship with singer Anita Mui almost disappears from the film and the Frank Capra 'A Pocketful Of Miracles'copied story is dwelt on at such length and so slowly that the middle of the film drags terribly, with endless dialogue scenes that could have sometimes been shortened or cut without harm to the film {or course, there is a shorter version of this film, but with some of the wrong bits cut}. At least there are some great laughs, such as gangsters and their 'molls' trying to be respectable rich folk, and the Clouseau-like Richard Ng's police captain.

Miracles is certainly not one of Chan's classics like Project A, Police Story or Drunken Master 1 and 2, but there is still a lot to like.

Before Miracles (inspired by Pocketful of Miracles and other films), Jackie had already done several movies set in the early 30s, including Project A and the sequel Project A II where Jackie homages silent movies and recreates stunts by Buster Keaton, etc.

In this film, Jackie creates a film that would let him be recognised as a first-rate director. Miracles is a story of Jackie who gets involved with a local triad gang, who's boss dies proclaiming Jackie to be the new boss. The film follows Jackie's exploits and his quest to make the gang into a non-criminal type gangsters mob.

The film has fantastic camera work and wonderfully detailed in all costumes and the set design. The story is a mis-mash of action and a warm hearted story of Jackie and his relationship with a Lady who sells Roses, and how he buys a rose every day for luck.

When the rose vendor learns her daughter is coming, she breaks down - realising that her lie of her living a grand life will be exposed - and soon Jackie and his mob try their hardest to help the vendor any way they can.

Although this is more story and well acted out script, the film seems slugglish and when action happens its over too quick. Fortuently Jackie throws in some typical comic moments and homages to several silent films as well.

Action fans may be disappointed with the lack of gun-toting gangsters or the lack of tommy guns blazing or lack of kung fu, but the film isn't meant to be for that, its a story based movie.

The film is excellent to watch, but probably not all that great for Martial art fans as it has a lack of genuinely good fight sequences, bar two (one being when Jackie is tested as the new boss and the other being at the end with Billy Chow).

Overall a good movie, but did it really need so much money to be spent on it?

Overall: 6/10.

Jackie Chan gives us his most elegant comedy/action film yet. The setting of the 1930's is extremely fantastic as he plays a young man who is accidentally the head of a local Triad. Thanks to the likes of Bill Tung and Richard Ng, the film will make you laugh. Great performances by Anita Mui and Gloria Yip set the dramatic pace. But what's a Jackie film without action? His climatic duel with Billy Chow and gang in a rope factory is great. I give the film two thumbs up. If you're a JC fan, go see this film.

The movie is absolutely great.The story , fights , stunts - everything is great.And of course this movie have a great cast.Jackie and Anita Mui great movie duet.In this movie you find a really interesting story with great play of every actor on stage.Action , humor and stunts - all in one piece.If you ask yourself "it is really that great" - YEAH IT IS !!!!!!!.It really looks like everybody in this one work really , really hard.If you search for great movie - you find it here.I don't need to tell you anything else because this is absolutely must have movie for everyone not just for Jackie's fans.One more time - watch it , love it , then watch it again.

I didn't even know that Jackie made this movie for a long time. Lavishly shot with all star cast. This is one fantastic movie.

Kwok (Jackie Chan) arrives in Hong Kong looking for a job. Within hours, he's swindled of all his money by Tung (Bill Tung). Lamenting his misfortune, he meets the rose lady who's selling roses. Kwok buys one rose from her. Next thing he knows, he's involved in a gang chase. The chase has the boss fatally wounded. He murmurs in his last breath pointing to Kwok that "This man is the new head". Overnight, Kwok becomes the boss of a crime family. He declares "No more crime and killing", but the old habits die hard. Kwok is called in by Tiger - an another gang boss for negotiations. Each time he goes about his business, he buys a rose from the rose lady to give him good luck. One day, he doesn't find the rose lady. He searches for her, and she's in distress. Asking her why, she confesses that her daughter in Shanghai is getting married to a wealthy man's son. But she's been telling her that she's rich which is so far from the truth, and is afraid that when the groom and his father gets to Hong Kong, and sees her, they will cancel the wedding. Kwok has an idea to make the rose lady look rich, and invite all of other gang bosses and make them act as dignitaries in Hong Kong for the wedding party. But two other rival gangs, and inspector from Hong Kong police is about to foul up the whole plan.

There's action, romance, and lot of feel good scenes in this movie. The story telling, and timing things happen can only be experienced in Jackie Chan movies. The actors all perform better than usual attesting to Jackie's ability as a director. The choreography of the fight sequence is one of the best also.

Anita Mui plays the role of Ming - a singer for Kwok's club, and Kwok's love interest. She's great. Her talent will be missed.

This is one heck of a movie, and one of the best movie Jackie Chan produced in the '80s.

The first thing I noticed about this film is that it seems to star everyone who ever made a movie in Hong Kong; I seemed to spend the entire movie going 'oooh, it's Yuen Biao!' (or whoever). Plotwise, it's typical early Jackie Chan; frenetic action sequences punctuated by high farce. As in a lot of his early stuff, the farce can be a bit excruciating, but not so much that you'll feel obliged to hit fast-forward. The action sequences, while interesting, aren't as spectacular as in his later movies; the movie seems to try to be more of a plot-driven movie (and much as I love Jackie Chan, these aren't really his strong points). If for some bizarre reason you aren't yet a Jackie Chan fan, you'll probably want to check out Armor of God or Project A first. If I'm preaching to the converted, you'll find Oiji merrily passes an hour and a half, but it's by no means a masterpiece. It's got Anita Mui, though. She always makes a movie watchable.

It is well known that 'Miracles' is one of Jackie Chan's favourite

movies, mainly due to the artistic freedom he got to make it.

We're all accustomed to Jackie Chan movies in the style of the

high octane martial arts action thriller, but up until this production

Jackie had little chance to show off his cinematographic skills,

often criticised for being very one-dimensional in his movie

making. 'Miracles' was the answer to all that.

Having secured the largest budget in HK movie history for this film

(which was yet still extremely modest by Hollywood standards),

Miracles was produced slightly differently from HK films we're

used to. The result was a lavish set with excellent costumes, and

most of all, flowing, extravagant shots throughout the film.

Unfortunately though, the storyline is a bit weak.

This is certainly not the traditional Jackie Chan movie we're used

to, but it is nice to see Jackie show off some of his other skills in

movie making, and that he's not just an all-action hero.

'Miracles' (I actually like the Australian version title 'The Canton Godfather' more) is quite different from usual Jackie Chan's action choreography movies. It is more situation comedy in 1930s Hollywood fashion, but in Jackie Chan's sauce. The magnificent action and fight scenes are still in, but this time the film concentrates more on simple storytelling and comedy with lavishing set pieces depicting 1930's Hong Kong. The film is over two hours long, but it doesnt' drag as the pacing between action scenes is nearly perfect. Jackie Chan's comedic timing and use of slapstick is as masterful as his martial arts skills. Might not be Chan's best movie, but it is still very enjoyable. Sweet but not sticky. And every once in a while it is nice to see one of your favorite heroes doing something little different.

Plus - Jackie Chan himself considers 'Miracles' his best directorial effort.

This atypical Chan-starrer is one of his attempts to do something different from the normal, so instead of a kung fu-led thriller, we're treated to a lavish melodrama set in the '30s world of gangsters and exquisite clubs. Fans expecting Chan's usual hijinks will see that the actor retains his brand of slapstick humour throughout, but it's drama, pathos, and romance which fleshes out the rest of the plot, not action. There are about three decent action sequences in the entire movie, all of them quite brilliant in Chan's own inimitable way, but the emphasis here is very much on farcical humour and a lengthy and complex masquerade. Saying that, the climax in the rope factory is very good and a treat for those who've watched the rest of the film.

The all-star cast is very good indeed, the plot is simple but there are many characters to enliven it and many imaginative situations, all of which are so fast paced that the two hour running time simply flies past. Chan is fine as always, ably supported by the late Anita Mui, looking extremely gorgeous here. Veteran performers Bill Tung and Richard Ng provide strong supporting roles with their comedic turns as the fake husband and police chief respectively. The film is awash with cameos from the likes of Yuen Biao, Lo Lieh, and seemingly half of Hong Kong's acting talent. The script is very good and the locations and camera-work excellent. Although the story is very basic, the gentle nature of the comedy and farce and the pleasant characters make it hard to dislike. This is instead a more mature, thoughtful and engagingly comic affair.

This atypical Chan-starrer is one of his attempts to do something different from the normal, so instead of a kung fu-led thriller, we're treated to a lavish melodrama set in the '30s world of gangsters and exquisite clubs. Fans expecting Chan's usual hijinks will see that the actor retains his brand of slapstick humour throughout, but it's drama, pathos, and romance which fleshes out the rest of the plot, not action. There are about three decent action sequences in the entire movie, all of them quite brilliant in Chan's own inimitable way, but the first two are over very quickly and the last one feels tacked on, arriving at the end of a lengthy film where most of our spirit has been taken out of us already. Saying that, this climax in the rope factory is very good and a treat for those who've watched the rest of the film.

The all-star cast is very good indeed, the plot is simple but there are many characters to enliven it and many imaginative situations. Chan is fine as always, ably supported by the late Anita Mui, looking extremely gorgeous here. Veteran performers Bill Tung and Richard Ng provide strong supporting roles with their comedic turns as the fake husband and police chief respectively. The film is awash with cameos from the likes of Yuen Biao. The script is very good and the locations and camera-work excellent. Although the story is very slow-paced, the gentle nature of the comedy and farce and the pleasant characters make it hard to dislike. Not one for action fans, this is instead a more mature, thoughtful and engaging Chinese affair.

This 1989 Jackie Chan movie differs from most of his usual movie in terms of being less action-filled and having less slapstick comedy in it. This is one of the more 'serious' of movies in his career, although he did manage to put in some comedy elements here and there.

Jackie Chan directed "Miracles" (aka "Qi ji") himself and also starred in it alongside with Anita Mui. The two do have good on-screen chemistry together and do compliment one another well throughout the course of the movie. However, Bill Tung (playing Tung) and Richard Ng (playing Captain Ho) were also really good throughout the movie and added a lot of charm and humor to the movie. I didn't even realize that Biao Yuen had a cameo in the movie until after I checked the full cast list on IMDb, nor did I see Simon Yam as a police man either.

There is, of course, martial arts, stunts and action throughout this movie, as it is a Jackie Chan movie after all. But it is not as prominent a key element to the movie as seen in most of his prior and later work. And with this being a Jackie Chan movie, the action, martial arts and stunts you get is of course excellent and so well choreographed and equally well executed.

The story in "Miracles" is about a newcomer to Hong Kong in the 1930's who is hustled out of his last remaining money. He reluctantly becomes a mafia boss and finds himself trying to do good in a world run by criminals and hoodlums.

I will say that the story was good, although the movie felt a bit too long running at two hours and nineteen minutes. It could have used some trimming down here and there. But all in all, it was enjoyable and a good wholehearted Jackie Chan movie.

The cast in "Miracles" was quite good, with a handful of some very familiar faces (as listed earlier above), especially if you are familiar with the Hong Kong cinema. The cast ensemble did perform well in their given roles and characters.

I think that with this 1989 movie then Jackie Chan also established himself as being capable of branching out to other genres than his all too familiar martial arts action comedies. And that was a good achievement.

All in all, "Miracles" is an enjoyable movie to watch for fans of Jackie Chan and newcomers alike. And for us who are a fan of the traditional Jackie Chan movies then "Miracles" was a much welcomed breath of fresh air and a foray into new territory for the beloved action star.

This movie actually have numerous titles - this is only the most common one. The other titles are: Singapore Sling, Chinese Godfather, Canton God father, and Miracle. This movie I saw a while back and thought that it was quite dull. Now this time I suddenly got all of the jokes. I thought that it would be funny, but the jokes were lost in the translation. Either it was a very bad translation or I were not paying attention because there are a lot of jokes in this movie and they are quite funny.

The reason I gave this movie a 9 was because it was based on a Frank Capra movie, Lady for a Day. This is not a bad thing for Jackie Chan makes it well known that he is influenced by the old American comedies, especially comedians like Buster Keating. In fact, the more of his movies you watch, the more you will see that a lot of the comedy is developed through excellent timing (and can be quite clever slapstick). This movie though is more of a Capra style, which can be quite farcical at times (as I have seen in Arsenic and Old Lace and Mr Smith goes to Washington).

I will not delve too deep into the themes of this movie as I wish to save that for the original Lady for a Day (if I can find it). Need I say that a lot of the themes have probably been brought over to this one, and quite successfully I will hazard to say, seeing that I have not yet seen Lady for a Day. In any case, this movie is in itself a brilliant movie, and also goes to show how good a filmmaker Jackie Chan actually is (even though it was copied from an earlier film, but there is nothing wrong with that if it is done right).

what an enjoyable movie this is, jackie chan accidentally becomes the boss of a hong kong crime family, im this brilliant action/comedy with some fantastic set pieces, it works as an action flick, it works as a comedy, and it's also a great looking movie, with some great camera work from directer chan, while not as action packed as some of chan's movies, this is a great little action comedy that's sure to put a smile on your face, there are some fantastic stunts too, and jackie chan is i his prime, not quite as good as legend of drunken master, but it's miles better than city hunter, a must see for jackie chan fans and action fans alone, check this out

I wanted to see this film based on a trailer for it on a kung-fu DVD. This film looked very different from anything else Jackie Chan has done and from everything else that I've seen of Chinese films. It took some time to track the DVD down.

Black Dragon is based on Frank Capra's Pocketfull of Miracles (1961). From the way Black Dragon has been made it is apparent that Jackie Chan intended it only for Chinese audiences. On the DVD the language choices are Cantonese or Mandarin. The characterizations, plot situations, conflicts and resolutions do not use western story structure.

The male characters tend to fill several types for this kind of film while the female roles seem to break from those traditions. This comment is based on commentaries to several other Chinese films, where these types are described.

I found that the film lacked depth and the plot fell short of being cohesive.

Analysis aside, this film is very entertaining. It is upbeat, zippy and likable. One of the high points, for me came with the singing of the title song by Anita Mui early in the film. The song involves a montage of developmental incidents along with several costume and setting changes for the singer and chorus, which deftly indicated passage of time.

The fight sequences, while entertaining, really do not advance the story in any way and are more of a show case for Jackie Chan's acrobatic and martial arts talent. Beyond that they don't really add to the film. What I'm trying to say here is with or without the fight scenes what you have here is a pretty good film.

I recommend that you see this film if you get the chance and I would say that it would be suitable for children from around seven years and up.

"Most Hong Kong film fans know how influenced Jackie Chan is by films from Hollywood's "golden age." Some elements from these movies have crept into many of Chan's own, such as Project A and its' sequel. This movie, however, is not just inspired by those films from years gone by, and perhaps that is why it tends to divide Jackie Chan fans so much.

The movie's plot (most of which is derived from a Frank Capra film called Lady for a Day, which was remade in the 1960's as Pocket Full of Miracles) centers around Chan, who plays a immigrant coming to Hong Kong. He meets up with a kindly old flower seller and decides to buy one -- and just narrowly misses being hit by a car. The car is full of gangsters and Chan helps fight off a rival gang. The gang's leader mistakenly makes Chan his successor and the story is off and running. Chan tries to make the gang go legit by opening a club and things seem to be going well, until Chan learns that the flower seller (whose wares have seemed to always bring him good luck) is facing a crisis. Chan enlists the aid of his gangster buddies to hatch a plan to save the day.

I will admit this movie has its' share of faults -- a somewhat overlong running time, hammy acting, a cheesy music score, a script too convoluted for its own good, a few too many characters in the mix, and a sugary-sweet ending. However, I found quite a number of good things in the film as well. The movie, for the most part, is fun. It doesn't take itself too seriously and that feeling rubs off on its audience. There's also a nice bit of outright comedy, mostly coming from Richard Ng as a bumbling policeman. Anita Mui delivers a wonderful, almost Bubsy Berkely-esquire song-and-dance number. The action (even though there is not as much of it as in most other Chan movies) is done quite well. Some of the cinematography is quite good for a Jackie Chan movie; supposedly a crane shot of Anita Mui entering a hotel room cost more to shoot than many of Chan's early films. Lastly, it was nice to see such a wide range of stars in the film -- everyone from old-school stars like Mars to more contemporary people like Yuen Biao and Amy Yip.

This isn't the usual Jackie Chan fare, but if you're willing to try something a little different, give this film a chance. Despite the bad word of mouth this movie has gotten, you may just be pleasantly surprised.

(As a side note, this is Jackie Chan's favorite film of his.)"

This movie is funny and has excellent fight scenes which are very well done! But there isn't a great deal of action here. there is about four or five and needs a bit more to keep it entertaining but i'm not complaining about the few but great fights! just that it is a little long and could of been cut down a bit. there is good humour as well as the little but excellent fights and all in all i give it a 9. the only thing that lets it down is that it is a little too long and there isn't a great deal fights. the few fights are some of Jackies best work though! I would actually recommend this to any Jackie fan but warn that it is a little too long! still very good! Get it on video or DVD if its' cheap (just in case it is too long and you don't like it for that) or watch it if it appears on telly and see what you think. Chan fans will like it. it would be a great example of Jackies' brilliant Martial arts and humour. it is very styled and like i said contains Jackies' action and humour. but any way, it is one of those things that people will love if it is there type of thing! if it isn't, you will hate it!

Mr Canton and Lady Rose (or whatever you want to call it) is indeed Jackie's personal favourite out of the looong list of flicks he's featured in. It's definatly the story and the characters that director Chan is interested in, with the action being kind of forced and even out of place when it appears. If Jackie had the choice it's unlikely there would have been any action at all, but Golden Harvest weren't going to let him make a movie without his usual manic action.

Therefore, Mr Canton and Lady Rose is somewhat uneven, and as good as the final battle is, it just seemed to be padding out a movie that's already longer then his usual, and had little relation to the actual plot. It's a good plot though, I really found myself caring about what happened to lady rose and her daughter. Mr Ho is given a little too much screen time however, particularly towards the start.

Me Canton and Lady Rose is a little self-indulgent, a little uneven, and a little long and slow to get going- But it's definatly a lot of fun, and despite these critisisms, I recommend it to every Jackie Chan fan.

Based on Capra's Pocketful of Miracles (itself of remake of his earlier Lady For A Day) and lifting from nearly all Hollywood gangster movies, Chan's under-achiever is a glamorous big-budget period piece, with precise attention to detail in both its intricate and amazing fight sequences (though sparse they are) and its over-played narrative. The story is pure sentiment: dressing up a poor rose seller to entertain her travelling daughter set to be married. Chan plays the paying host, a wet-behind-the-ears type who inadvertently becomes a mob leader after he assists a dying gangster boss. Miracles has its moments; an all-star cast of regulars and cameos, some of Chan's best direction and choreography, built on rich sets and locations and with a developed and sincere sense of humour - a story-driven affair that leaves many hardened Chan fans divided. Jackie, on the other hand, quotes this as one of the best of his own movies.

This film is pretty good. It has about 4 to 5 action scenes, but the most amazing scene is at the end of the movie in the rope factory. That action scene just blew me off. The movie has its funny moments but it's mostly just seeing Jackie trying to be like The Godfather sort off which I find kind of cool. This film shows a different side of Jackie for example "The Prisonner" and "Accidental Spy" showed two different role for Jackie that he never done before and that what like. Jackie is really good in his role and the hat he wears looks so good on him. So go rent this film for some action but mostly at the end and some funny parts but don't buy I did but that's because I really like Jackie he i a good fighter.

Directed by, written by and starring Jackie Chan, Mr Canton and Lady Rose (Qiji) is his finest work. It is a beautifully crafted film, with some wonderful shots, as well as an intelligent script based loosely on "Lady for a Day".

Jackie Chan poured more money and effort into this film than any of his previous efforts as is obvious to see from watching it. Chan reportedly spent three days on one fantastic shot which is a long tracking shot through the Ritz as it is being turned into a nightclub.

I give this a ten, for it's humour, it's brilliant last fight scene, and it's excellent direction. Jackie Chan proves he is still the greatest action star with this film, but he also proves that there is more to his movies than just brilliant fight sequences.

Jackie Chan is fun and funny in this uncredited remake of Frank Capra's 1933 "Lady for a Day". He has opportunity to show his fighting prowess, though his style is not as developed as in later films. The shock of seeing him trying to do a Damon Runyon character is unnerving at first, but the story line allows for lots of jokes and good humor. There is a problem in parts of the films with Chinese wordplay that does not translate in an intelligible way. Not Jackie's best, but enjoyable to watch.

If anywhere, it's here that you'll find where Jackie Chan's heart is. A true masterpiece of cinema. Many would dismiss Jackie Chan as just another action star and director but this film is where he stands as a humanist as well. A tribute to the 1930's era films when the heros acted from the heart.

Said to be Jackie's personal favourite, Miracles displays, Jackie Chan and Hong Kong movie making at it's very best. Like most of Jackie's movies, the comedy element of his films set him from the rest and Miracles is no exception. The sets look true to the era as do the costumes and the sound track is amazing!, but best of all is the action scenes! All with perfect timing and precision and some truly amazing chorography. The characters are fantastic, my personal favourite being Richard Ng's Captain Ho, The accident prone, greedy cop who's trying to bring Cheng's gang down. The plot is... well is a Chan sort of plot, which is a good thing in keeping with the pace of the film! Forget anything else anyones told you Miracle, it is truly a great achievement for Jackie. Final Word- If you want a lavish and stylish Jackie Chan film pick this one up if not, get Police Story!