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» » 'Twixt Loyalty and Love (1910)

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Frank McCracken is placed in the managing editor's seat by the owner of "The Daily Call.'' His promotion makes it possible for him to marry Margaret, daughter of the Hon. Hiram Johnson, ... See full summary
Frank McCracken is placed in the managing editor's seat by the owner of "The Daily Call.'' His promotion makes it possible for him to marry Margaret, daughter of the Hon. Hiram Johnson, reform candidate for mayor. Frank and Margaret call upon Johnson at his campaign headquarters, where Frank tells him of his promotion and asks Margaret's hand in marriage. Edward Cranston, private secretary to Johnson, secretly in love with Margaret, overhears Johnson's hearty consent and vows to break off the match. He rifles Johnson's safe and unearths evidence proving Johnson's connection with street paving graft of twenty years before. He then goes to the office of "The Daily Call," and surreptitiously places the papers upon Frank McCracken's desk. The young managing editor reads the incriminating evidence and is filled with consternation. Loyalty to his newspaper commands him to publish the story, which, upon the eve of the election, will mean the blasting of Johnson's political career and the ...

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    • Author: Ericaz
    Not every newspaper man has such a trial, but the probability is that substantially all of them would be as loyal to their newspaper as this one if it came to the test. In a small way many newspaper men have been called upon over and over again to face similar crises, though, fortunately not often connected with a love affair. Loyal to his paper, the editor goes on and does what he believes is right. Then fate takes a hand and assists in untangling the troubles until everything is set right. The pluck of the girl in spying the form is admirable, and perhaps the touch of the unusual adds to its attractiveness. The picture wilt please because it seems true to life. The characters are the same commonplace individuals one sees about him every day and the problems presented are the same ones that might be met by any man. The dramatic strength lies in the fact that the picture is simple, direct and tells its story plainly. The actors are sympathetic and enact their roles with earnestness and discretion. That the girl forgives the young man even though what he intended doing would have ruined her father is justified. There is no reason representing a man as suffering because he is doing his duty. The only character who seems unusual or unlikely is the secretary, whose conscience afflicts him and he confesses his complicity. Such men do not often confess and there is an impression that the picture would be improved by permitting the editor to discover that portion by some other method. If a reporter brought in the discovery it would add to the interest and be more in keeping with the newspaper office realism. This is not intended as a criticism, but as a suggestion which might improve the picture. - The Moving Picture World, December 24, 1910
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