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Short summary

Captain S. Melly takes over as the new Commanding Officer at an experimental mixed sex air defence base. It's 1940 and England is under heavy bombardment, but the crew seem more interested in each other than the enemy planes above. Captain Melly plans to put a stop to all this, and becomes the target of a campaign to abandon his separatist ideals...

The film was poorly received by the public and was pulled by some cinemas in England three days after opening. It only recovered the production cost after sales to television companies and international releases. It was the worst performing "Carry On" movie at the box office since Carry on at Your Convenience (1971).

Tricia Newby replaced Carol Hawkins in the role of Bombardier Murray. Hawkins refused to appear in the film due to the excessive nudity.

The part of Private Alice Easy was written for Barbara Windsor but in the end was cast with Diane Langton. The personalities of the two actresses were uncannily quite similar.

The main cut of this film was Reel 6: Joke about Heinkels and Bristols replaced with cover material which omits the utterance of "Fokker". Shots of bare-breasted women replaced by flash shots of bare breast to establish only.

When the gigantic gun arrived at Pinewood Studios, producer Peter Rogers wrote to Imperial War Museum Department of Exhibits curator Peter Simkins, and said "...when it came through the Studio gates [the gun] drew gasps of approval. No one in the studios has a bigger gun at the moment, not even Bond" as 007: Spioon, kes mind armastas (1977) starring Roger Moore was about to start shooting in a few months and was in pre-production.

One of the most expensive Carry On films of all time at £250,000.

The Private Jennifer Ffoukes-Sharpe role was originally offered to Penelope Keith but in the end was cast with series regular Joan Sims.

Kenneth Connor's line, "I've been regular for eighteen years," is also an in-joke about his time in the "Carry On..." movies. He started in 1958, and when the film was made in 1976, he was in the films for eighteen years.

The Brigadier part was written for Kenneth Williams but he was unavailable due to stage commitments, so Peter Jones stepped in to the role, as Williams could not schedule in the three weeks shooting required.

The idea for Carry on England (1976) started as a script for the television programme Carry on Laughing! (1975), which was expanded for cinematic release.

An early publicity campaign, pitched to the Rank Organisation, claimed that the film would star Kenneth Williams, Carol Hawkins and Penelope Keith (all of whom declined roles) as well as Adrienne Posta, James Bolam, Ian Lavender, Susan Penhaligon and Anne Aston (none of whom were eventually cast).

Because of two shots of nudity this was first released in England as a "AA" certificate (Suitable for those aged 14 and older) uncut on 29th June, 1976, to keep up with the then "Confessions..." films. The "AA" certificate proved "difficult to accommodate at the Box Office" as this "AA" award, and its nudity, was out of character with previous Carry On films and thus resubmitted to the BBFC (British Board of Film Classification) in December 1976 with cuts. On 11th January, 1977 it was re-classified, and re-released, as an "A" certificate (Those aged 5 and older admitted, but parents advised that they may not wish children under 14 to watch the film).

Twenty-eighth "Carry On" movie in the British comedy film franchise series.

The only ever "Carry On" movie where series regular Kenneth Connor was top first-billed in the cast list.

Actor Kenneth Connor was the only cast member who had appeared in the earlier "Carry On" army barracks series entry Carry On Sergeant (1958), the first every "Carry On" movie, which had been made and released around eighteen years earlier.

The names of the three characters together who were in simple last-name terms collectively known as "Ready, Willing & Able" were Bombardier Ready (Jack Douglas), Sergeant Tilly Willing (Judy Geeson) and Sergeant Len Able (Patrick Mower).

"Carry On" series regular star Sidney James died on 26 April 1976 just about a week before filming on this movie started on 3rd May that year. James had appeared in nineteen movies in the series. The pre-production meeting for the film was actually held at 11am at Pinewood Studios on the morning of the same day that James died in the evening.

This is the only "Carry On" film in which Judy Geeson, Melvyn Hayes and Patrick Mower appear.

This "Carry On" movie, likes its successor Carry on Emmannuelle (1978), attempted to be more risqué and bawdy than earlier "Carry On" films. It was during this mid-1970s era that it has been considered that the series became influenced by the new sexy-comedy "Confessions Of" series. Prior to making Carry on England (1976), producer Peter Rogers and Gerald Thomas had viewed both Confessions of a Window Cleaner (1974) and Confessions of a Pop Performer (1975). Confessions of a Driving Instructor (1976) theatrically debuted in the UK just six weeks before Carry on England (1976).

Producer Peter Rogers registered the film's "Carry on England" title with the British Film Producer's Association about fifteen years before the movie was made in 1961.

Two other World War II comedies were in development by producer Peter Rogers in early 1976 just before the time that this Second World War "Carry On" movie was green-lit. One was called "Carry On Escaping" about the prisoner of war camp effort written by series regular Talbot Rothwell, which had been an unused script for the series, and the other was a movie entitled "We Haf Ways Of Making You Larf".

Of the first 28 "Carry On" films, this is the only one which was not represented through clips in That's Carry On! (1977).

Peter Jones was filming in the day and was in Ludlow rehearsing Hamlet.

The opening credits declared: "We would like to thank The Imperial War Museum for the loan of the gun". This was the gigantic artillery 3.7 inch anti-aircraft gun seen in the movie and was loaned to the production by its Department of Exhibits' reserves collection. The enormous weapon had a 24/7 security detail put on it whilst at the Pinewood Studios and was insured for UK £5,000. The gun remains on display at The Imperial War Museum to this day.

Final "Carry On" film appearance for Windsor Davies who had also appeared recently in Carry on Behind (1975) and also the last for Julian Holloway who had appeared in one "Carry On" tele-movie and seven cinema movies in the series.

Windsor Davies, who plays Sergeant Major 'Tiger' Bloomer, was well known for playing a raucous military figure from the British television series It Ain't Half Hot Mum (1974). According to the book "What a Carry On", Davies' character in this film was "a variation of his popular TV role" as Battery Sergeant-Major 'Shut Up' Williams in that TV series, a character who had the same last name as "Carry On" series regular 'Kenneth Williams', who didn't appear in Carry on England (1976).

Before production started Peter Rogers and Gerald Thomas took a visit to the cinema to watch Confessions of a Window Cleaner (1974), which prompted them to inject more risqué qualities in to the film.

There was ongoing correspondence between producer Peter Rogers and the actor's union Equity about lunch breaks during filming.

Regular "Carry On" composer Eric Rogers refused to work on the film when told that budget cuts would reduce the orchestra from 40 to 20 musicians. He suggested Max Harris as his replacement. However, Rogers returned for the next in the series, Carry on Emmannuelle (1978)

Some of the film's literal English language translations of its foreign language titles were "Mixed Barracks" (Italy), "Now we take England" (Sweden), "Saviour of the Nation" (Germany), "Lets Go England" (Finland), and "Way to Go . . . England" (Portugal).

Second army barracks "Carry On" movie after twenty-seven films in the series after the black-and-white shot Carry On Sergeant (1958) made and released about eighteen years earlier and which had been the very first movie in the series.

New creative team crew personnel working on this their very first "Carry On" picture were editor Richard Marden, musical director Max Harris and screenwriters Jack Seddon and David Pursall.

Sergeant Tilly Willing was portrayed by Judy Geeson in her only ever "Carry On" movie; she was the real-life sister of Sally Geeson who had appeared in Carry on Girls (1973), Carry on Abroad (1972) and uncredited in Carry on Regardless (1961).

World War II footage of British and German aircraft were borrowed from the Second World War movie the Battle of Britain (1969).

"Carry On" series regular Sidney James was unavailable to be in the film because of his stage commitments performing in a revival tour of Irish playwright Sam Cree's "The Mating Season" (1969) at the Sunderland Empire Theatre where sadly he died of a heart attack on stage about a week prior to principal photography on this picture.

Some cinemas took the film off the screens after 3 days due to it's poor performance.

The film was originally rated an 'AA', but after a disastrous performance at the box office, it was quickly re edited into the usual 'A' certificate.

Peter Rogers and Gerald Thomas personally put up 50% of the budget for the film and despite them not liking the title it was never replaced.

It's never explained in the film why Judy Geeson is missing when all the girls appear on parade topless. Despite her stripping in the film 'Three Into Two Won't Go (1969) she refused to do it for this film. The defiant lines written for her character (Sgt Tilly Willing) were spoken by the low ranked Private Murray (Tricia Newby).

The name of the barbed-wire wall construction put up to stop after-hours fraternization (referred to as "snoggery") between the men and women on the barracks was "The Chastity Fence".

This "Carry On" movie featured such series regulars as Kenneth Connor, Joan Sims, Jack Douglas and Peter Butterworth.

The film takes place in 1940.

This motion picture's opening title card reads: "1940 - Somewhere in England".

The nick-name of Sergeant Major Bloomer (Windsor Davies) was "Tiger".

The character of Captain S. Melly portrayed by Kenneth Connor was pun on the word "smelly".

The original cast list for the movie which was pitched to the Rank Organisation was Windsor Davies, Kenneth Connor, Jack Douglas, Bernard Bresslaw, James Bolam, Kenneth Williams, Ian Lavender, Joan Sims, Penelope Keith, Adrienne Posta, Susan Penhaligon, Anne Aston, and Carol Hawkins. Some and not all of these ended up appearing in the picture.

Winston Churchill: Uncredited, as himself, via archival stock footage.

User reviews


  • comment
    • Author: Shalinrad
    When I read the comments about this film, I knew it would be bad, but it is not just bad, it is pathetic. By the time this entry was made, the gags were too familiar, too many regulars were missing and the series was half-way into its grave. Also, Sid James had sadly passed away. I missed him, Kenneth Williams, Charles Hawtrey and the gang.

    There is far too much nudity for a Carry On, there is only four regulars (Connor, Sims, Butterworth and Douglas) and they show little enthusiasm, the script is a mess, the budget was far too tight, there was too many newcomers who were a complete waste of space. The whole thing is a stab in the back to THE Carry On series.

    It is very sad to see Kenneth Connor transformed from his lovable Cockney bumbler into a bombastic little Hitler. Peter Butterworth looks bored and uninterested, not that he had much to do, like poor Joan Sims, who is given the most ridiculous of cameo roles and Jack Douglas is also wasted.

    The only saving grace is Windsor Davies as the bellowing Sergeant Major. Patrick Mower and Judy Geeson were just not Carry On material.

    This film is only to be watched as an instrument of torture. I admit that NOT ALL Carry Ons were great, but this is just inexcusable. Watch ALL other Carry Ons before and including BEHIND, with the possible exception of JACK, but stay well clear of this crap.

    0/10
  • comment
    • Author: Bloodfire
    Unable to raise a few laughs, CARRY ON ENGLAND is the swan song of the serie. Even afterwards, CARRY ON EMMANUELLE or/and COLOMBUS made it too painful to live through.

    The screenplay is simply non-existent, just a symptom of one. The lead characters are poor. The cinematography is plain Tv-movie like. The routine is based on trousers taken off, shoutings, lovemaking then trousers taken off, shoutings, lovemaking then, oh, I forgot, some breasts quickly shown. Simply NOT FUNNY.

    Joan Sims has a ridiculous part and it's real shame, being the only decent actress all around. Judy Geeson is awfully bad, giving the worst performance of her career with Norman J Warren's INSEMINOID. Peter Rogers & Gerald Thomas were incapable of finding a new breath in the Carry On serie : the new actors just don't work together and the screenwriters (they were two!!!) just try to put some rehash of some stuff made years ago and way much better.

    I really missed Hattie Jacques, Kenneth Williams, Barbara Windsor and the whole bunch. They were worth watching any Carry On even though the screenplays were really poor, like in CARRY ON AT YOUR CONVENIENCE. But I guess everything has an end, but this one is really painful to watch. My fast forward button still remember it!

    If you want to try something really funny, then get CARRY ON MATRON or CARRY ON UP THE KHYBER, these are are true gems. But you can pass that one.

    2/10
  • comment
    • Author: Saithinin
    Rotten script Wrong actors. Patrick Mower was not suited to comedy and neither was judy gleeson.this should of had Trevor Bannister and wendy richard it would of been better.Kenneth Connor looks like he would rather be somewhere else only Windsor Davis comes out with any credit.
  • comment
    • Author: JUST DO IT
    During WW II., a short but aggressive major tries to regulate an experimental "mixed" military team, consisting of both men and women.

    One of the worst in the series that was really at the end of its tether, a dimly unamusing comedy with feeble and well-telegraphed jokes and very uncomfortable cast. An appalling and alarming sign that too many new faces appeared on both sides of the camera, none of which having much fun.
  • comment
    • Author: Xinetan
    Rubbish. Along with Carry on Emmanuelle this is the worst of the series. I've got a lot of time for these films, but this was inexcusable. By this time (1976) the joke was no longer funny and the juice had run dry, as Sid James might have put it.

    Only two of the Carry On regulars are in this and even they look bored. The jokes are staid and formulaic, delivered with the speed and panache of a postman. The budget for the film appeared to be £2.50.

    Even Windsor Davies' Sergeant's bellowing couldn't save this.

    1.5/10
  • comment
    • Author: I'm a Russian Occupant
    When Sid James died in 1976, you'd think Peter Rogers and Gerald Thomas would have had the sense to let the 'Carry on' series die with him. He had become, over the years, the 'boss' of that marvellous gang of comics, and to try and pretend it was going to be the same without him was sheer folly. They also had the departure of scriptwriter Talbot Rothwell to deal with. Dave Freeman's script for 'Carry On Behind' was okay, but calling on David Pursall and Jack Seddon ( writers of M.G.M's delightful 'Miss Marple' series, starring Margaret Rutherford ) to expand an unmade episode of A.T.V.'s 'Carry On Laughing' into a film screenplay was clearly a mistake - neither had a feel for innuendo-based comedy.

    The film is set in somewhere in England in 1940. Captain S.Melly ( Kenneth Connor ) is appointed new Commanding Officer of an experimental mixed sexes' anti-aircraft base. He arrives to find a guard wearing lipstick, and female underwear in full view on clothes lines. The combined unit of men and women include 'Sergeant Len Ready' ( Patrick Mower ), 'Gunner Shorthouse' ( Melvyn Hayes ), 'Sergeant Tilly Willing' ( Judy Geeson ), and 'Private Alice Easy' ( Diane Langton ), and their names are the funniest jokes in the film. The men and women of the unit are less interested in the war than in getting into bed with one another - as often as possible.

    Melly's attempts to impose discipline make him unpopular, and the target of a series of rather nasty practical jokes, such as falling repeatedly in cow dung, having his uniform fall to pieces during a march, and his soap changed so that he turns blue when he next tries to shower. With a name like 'S. Melly', you can guess what the unit have decided to rechristen him. Connor is one of the best 'Carry on' performers, yet this leaden script gives him absolutely nothing funny to say or do. Windsor Davies' 'Sergeant-Major 'Tiger' Bloomer' is a poor carbon-copy of his 'B.S.M. Williams' from the B.B.C. sitcom 'It Ain't 'Alf Hot, Mum'. Seeing T.V. tough-guy Patrick Mower try to be a chirpy Corkney in the mold of Jim Dale is about as funny as watching open-heart surgery. Poor Judy Geeson! Wasted in a role that Wendy Richard could have done so much better. 'Carry on' veterans Jack Douglas, Peter Butterworth, Joan Sims, and Julian Holloway likewise fall flat in weakly scripted roles.

    This feels less like a 'Carry on', and more like one of those dreadful Ned Sherrin & Terry Glinwood 'Up Pompeii!' spin-offs such as 'Up The Front' and 'Up The Chastity Belt'. In fact the former ( set in The Great War ) is a comic masterpiece by comparison.

    'England' opened to hostile reviews and poor box office takings. Though an attempt was made to broaden its appeal by removing the female nudity and some of the more suggestive gags, it proved in vain. Time had moved on. Audiences wanted Mel Brooks, Woody Allen, the 'Monty Python' team ( John Belushi and Dan Ackroyd were about to burst on the scene in 'National Lampoon's Animal House' ), and not what was left of the 'Carry on' gang augmented by strange faces. Mind you, even Sid, Hattie, Kenneth and Charlie would have had a job making this script funny. The nadir is when Melly swallows cascara to remove a tunic button from his digestive system. It takes effect, he starts farting uncontrollably, and as he runs to the W.C., the film suddenly speeds-up, like a Benny Hill sketch. 'Carry on' fans' surely covered their eyes in embarrassment at this point.

    The Imperial War Museum is thanked in the credits for the 'loan of the gun'. Pity it was not also thanked for its restraint in not complaining about this dismal film.
  • comment
    • Author: Kelerius
    this is absolutely awful. I heard that Carry on Emmanuelle was the worst of the series, but this really is. I bought this and started watching it four times then turned it off...only watched it fully the fifth time around, it's really that bad.

    Joan Sims looks bloated and old, Kenneth Connor's not the little bloke with humorous quirks that we know and love him for in the series...there's nothing in here that actually works. There's no gags that are humorous.

    There's a hugely embarrassing scene where there's a soldier blinking heavily....and Kenneth Connor asks him 'why he's blinking'. The gag commences for a minute 'why are you blinking?' 'no I'm blinking not' 'yes you blinking are'....That unfortunately is the level of humour used in this awful film.

    You can see them trying to go back to Carry on Sergeant...but that's like trying to find Debbie Harry attractive when she's an eighty year old pensioner based on 'how she used to be'.

    Kenneth Connor in his first lead role for the Carry on's deserved better than this. Patrick Mower is not carry on material.

    avoid.
  • comment
    • Author: Kamick
    Set in 1940 in England, this is a story about a particular military outfit made up of men and woman who were particularly inept, lazy and probably a bit oversexed. Sid James, who wasn't supposed to be here anyway, passed away before the film was done. He could have brought some life into this, he was a great comedian. This movie is very shrill, lots of yelling, lots of noise. Does the new general of this company whip these people into shape? Do you care? The jokes are very obvious here, and I was only semi-amused a few times. The movie seems labored, and that is not good for a Carry On film. I would only recommend this film for Carry On completists. Otherwise, there are other films in the series which are infinitely better (examples are Carry On Doctor, Carry On Abroad, Carry On-Don't Lose Your Head etc).
  • comment
    • Author: Huston
    I cannot understand why people hate this movie. At least there were a few positive reviews. This film takes place during the war in 1940. The four leads are wonderful. Kenneth Connor plays the Commanding Officer and Windsor Davies plays the very funny Sergeant Major. The two main recruits are played by Judy Geeson as Willing and Patrick Able as Able. They are also wonderful. I have seen Judy Geeson in Brannigan and Space:1999. I loved her in both. Patrick Mower also has a memorable part in a Space:1999 episode.

    This film basically has the C.O. coming to whip the recruits into shape. He is helped by the Sergeant Major. They play off each other well. The recruits work together to keep things the way they are and not let them have the upper hand. There is one topless scene where the women stand at attention and are inspected by the C.O. That scene was not needed. The Sergeant Major is funny in the film because he is always yelling in a funny way.

    I give this film an 8 out 10 because it's funny and the leads are so likable. Do yourself a favor and check this out and don't listen to all the negative reviews. I have seen the two films made after this, and this film is much better than both.
  • comment
    • Author: Kirizan
    I have just watched this on DVD - one feels obliged having been given the box set - and yes, it's still terrible. Whilst I would in no way wish to defend it, I would take issue with the following earlier comments:

    1) Although Sid was a big miss (as were Kenny and Charlie), how would he have improved the film? He wouldn't have improved on Windsor Davies' definitive Sergeant Major, and frankly there wasn't really anything else he could have done. I also think he might well have been losing his edge by then anyway: the performance in Carry On Dick was well below par, in particular contrast to Don't Lose Your Head of which it had many echoes.

    2) Peter Butterworth's apparent boredom may have been in character: he was after all being bored constantly by the Brigadier's witticisms. He may equally have been bored with the film, one can't really tell.

    3) Major discovery - THERE IS ACTUALLY A FUNNY LINE. It's well hidden and one has to be a certain demographic (ie over 45 and British) to appreciate it fully. Towards the end, as they are running to the gun, one can just pick out Windsor Davies' encouragement: "Sixpence for every one you shoot down. Two bob if it's a German!" One can imagine that being said in reality at the time.

    Shame about the preceding 80 minutes though.
  • comment
    • Author: Lyrtois
    I don't know if the CARRY ON series was past its sell by date in 1976 but you get the impression that no one is even trying to make a funny comedy here . It lacks many of the regulars like Jim Dale and Kenneth Williams and sees them replaced by the likes of Patrick Mower who lack the essential comic timing the regulars brought to the series . Perhaps worst of all is the casting of Windsor Davies and Melvyn Hayes in very similar roles they had in the popular military comedy IT AIN'T HALF HOT MUM

    If the movie had played out like a feature length episode of IT AIN'T HALF HOT MUM it wouldn't have been so bad but the simple plot of guys and gals trying to get it on under the nose of a new commanding officer is painfully unfunny as are the gags , I mean when one of the funniest jokes revolves around a trio of characters called Ready , Willing and Able you know the writers David Pursall and Jack Seddon aren't trying
  • comment
    • Author: Nikojas
    Yes it's a dreadful film, and certainly the worst Carry On BUT there's one good scene, sure to be enjoyed by most men. Four female service personnel parade outside topless one morning, stood in a row, backs straight, chests out...

    There are no other kind words for it. Jack Douglas, whose comedy act seemed to consist of being bitten on his backside by his own backside, adds nothing to the tale. Kenneth Conner makes the best of a bad script.

    It was never a fan of It Ain't Half Hot Mum or Windsor Davies but I suppose any casting director in the mid 1970s could have not found a better RSM.
  • comment
    • Author: Kagrel
    Poor entry in the Carry on Series, and perfectly justifies the decision to stop making them a few years later.

    Kenneth Connor as Major S Melly (need I say more), is appointed to an AA gunnery battery in the middle of nowhere and finds that the enlisted men,(and women) are more concerned with satisfying their own carnal desires than defending the old country from invaders.

    Everything about this movie is wrong, from the fact that only 4 or 5 of our regulars are here and a plot so weak it must have been written on single ply toilet paper (which would explain a lot). In fact the movie was that bad, it was the first,(and to the best of my knowledge only) Carry On film to be withdrawn from Cinemas due to poor audience figures.

    Joan Sims is there only to give a link to the past and is sad to see her so bloated and overweight. Peter Butterworth does manage to raise a chuckle with his two-faced praise of his drole CO. Jack Douglas is as always annoying and I fail to find a single funny thing he did in his entire carry on career.

    The Great Windsor Davies re-creates his role as the tough talking Sgt Major from 'It Ain't Half Hot Mum' who along with Melvyn Hayes,(his co-star Hot Mum) are the only non-regulars to give performances worthy of the Carry On name.

    Praise must be given to Kenneth Connor in his first leading role since the early B&W days of the series, he makes the most of the script he was given and turns in a fine comedic performance rather than rely on the naff one liners called for in the script. As always, Connor does well and troops along regardless (Ironically Connor was in fact a Gunner in the Army during WWII.) The less said about Judy Geeson and Patrick Mower the better. This movie was a mistake from it's planning to it's release and is a tragic inclusion to an illustrious series of films.
  • comment
    • Author: Hudora
    Rubbish! Absolute rubbish! The Carry Ons were really running out of steam here, and all that can be said in favour of this one is that it isn't as bad as the next one, Carry On Emmannuelle. Too many new faces, the few remaining old hands completely wasted, too many actors known from TV appearing here in their TV roles. Too much nudity. The Carry Ons work best when they suggest and joke about sex. This is painful, and should be avoided.
  • comment
    • Author: Dainris
    Not everybody enjoys the Carry On films, but even those that do are generally in agreement that Carry On England is a complete misfire.

    It's easy to suggest that it fails because many of the series' regular lead performers are absent this time around but it's difficult to see how their presence would have improved things very much, it's not as if the familiar faces were able to save the equally bad Carry On Emmannuelle, for instance. The few established regulars who do grace Carry On England, such as Kenneth Connor, Joan Sims and Peter Butterworth, are severely restricted by the lacklustre material they are given to work with.

    The biggest losses are not those in front of the camera but the likes of regular writer Talbot Rothwell and also Eric Rogers, whose musical compositions gave a consistent feeling to the Carry Ons regardless of their setting.

    Rothwell built his best Carry Ons around a strong storyline, often with clearly defined goodies and baddies and with something at stake. This entry is more of a throwback to those by Rothwell's predecessor, Norman Hudis, who based the earliest Carry Ons around mockery of the establishment. Indeed, the plot of Carry On England, which concerns a commanding officer in the army trying in vain to convert his troops into a crack squad mostly resembles the very first entry in the series, Carry On Sergeant, but on that occasion Norman Hudis made the story work through well-defined characters and subplots.

    Here, the superficial plot has nothing to underpin it other than... Well, I was going to write sexual innuendo, but a lot of the content in England isn't even suggestive, it's spelt out. The 1940s air defence base that serves as the setting for this film is populated by both male and female recruits, and the 'comic situation' is that the troops are more interested in making love rather than war.

    Even that might be something to build a comedy on, but too much of the attempts at humour are weak, involving Connor's authoritarian character losing his dignity by losing his trousers, falling in mud, even getting stuck in a waste paper bin or having his face stained blue. It's all rather weak and lacking in imagination. Other than Connor and his bawling Sergeant Major (Windsor Davies, in a virtual carbon copy of the role that made him famous in TV's It Ain't Half Hot Mum), the characters are paper-thin and bland, with rather too little to do unless you happen to be a fan of Jack Douglas' twitching routines, which I personally found to be an ill-fitting addition to the later Carry On films. It's difficult to know where to start to repair the script, but making the characters more individual would help, and I think the plot would have been enhanced if it had been the female recruits joining the camp for the first time rather than the Commanding Officer. Given that the men are already having their wicked way with the women on a nightly basis, there's not much direction left to go in.

    Although the attempts to get the big laughs fall flat, some of the throwaway lines do hit the mark, if you're able to catch them. Connor's Captain Melly, for example, has called his dog Hitler, and at one point says "Heel, Hitler."

    Production values are quite high, the period setting accomplished very well and everything is well shot. Even the stock footage of fighter aircraft is surprisingly well integrated. But there were plenty of signs before this film got made that the Carry On series was past its best, and by this point Producer Peter Rogers and Director Gerald Thomas had clearly taken their eye off the ball. This entry was well below par and nearly killed the series. Looking at what came next, it's unfortunate that it didn't.

    Still, even a dire Carry On is a step up from some other British comedy films of the same era and Carry On England remains watchable. It's just that watching it will only remind you how much better Carry On films usually are.
  • comment
    • Author: Ceroelyu
    England, 1940: Captain S. Melly (Kenneth Connor) takes charge of an experimental mixed sexes' anti-aircraft base where the troops are more interested in making love than war.

    Carry On England is missing the presence of many of the series' most familiar faces: Sid James (who died shortly before production), Barbara Windsor, Kenneth Williams, Charles Hawtrey, Bernard Bresslaw, and Hattie Jacques—just a few of those missing in action.

    With so many of the old guard absent, this Carry On caper is left with a handful of the more desperate regulars (Windsor Davies, Kenneth Connor, Joan Sims, Peter Butterworth, Jack Douglas) and a whole load of green recruits, all of whom appear to be unfit for service.

    The newcomers—inexperienced in the ways of the Carry On—struggle to wring any laughs from the extremely weak material, while the veterans either go through the motions (Douglas does his 'whahey!" routine, Butterworth plays a sycophantic sidekick) or bellow their lines to the point where it becomes extremely irritating (yes, Davies, we is looking at you!).

    In a last ditch attempt to win the war of diminishing returns, Carry On England revolves around sex, even throwing in several pairs of bare breasts, but with such dreadful performances and dire gags on parade, the inevitable result was always destined to be a resounding defeat.
  • comment
    • Author: Ann
    CARRY ON ENGLAND is the last of the CARRY ON films which feels like a proper film in the series - I can't count CARRY ON EMMANNUELLE or CARRY ON COLUMBUS because somehow they don't feel part of the canon (and in terms of their quality, they certainly aren't worth it anyway). Some of the series regulars are present and correct here, but key figures like Sid James (who had died) and Kenneth Williams (who was busy) are missing, and sorely missed at that.

    The story is set at military academy where Kenneth Connor's new captain is attempting to whip his soldiers into shape. Unfortunately they have other ideas, and as the soldiers are mixed sex, plenty of hijinks ensue. The problem with this film is that it's completely unfunny. The humour is lowbrow beyond belief - witness poor Connor being forced to act as if he is "following through" - and the sex content ramped up with excessive nudity, which feels forced. The writers and director were clearly trying to cash in on the success of the CONFESSIONS films but by making their film more like them, they betray the traditional spirit of CARRY ON.

    You really feel for Connor here, who tries his hardest but fails to bring the material to life. He's still the best thing in it. Peter Butterworth and Joan Sims also appear, but their screen time is mercilessly brief. Windsor Davies and Mervyn Hayes show up but seem to be merely riffing on their roles from IT AIN'T HALF HOT MUM, and newcomers like Patrick Mower and Diane Langton are just poor and out of place. It was fun to see Judy Geeson though, and Jack Douglas isn't too bad. If you want to see this type of storyline done right, the best thing to do is to go back and watch CARRY ON SERGEANT, the black and white original which is ten times better.
  • comment
    • Author: Fato
    I made the effort to watch it, I felt I should have had something out of the experience, committing an hour and a half of my time to it. what a total and utter disaster of a movie. They should really have finished once they completed Carry on Behind, the last really great movie in the series. A huge shame for Joan Sims, she had the best pedigree coming into it, and she was appallingly served, what a waste of her talent. Patrick Mower and Judy Geeson were a total shambles, neither should have been cast, no timing, no humour, coupled with the pathetic script they were all doomed. The best element had to be Windsor Davies, well suited to the role, the only one in it that got me to crack half a smile

    2/10 They should have stopped half way through, too many faces missing, the moment had passed.
  • comment
    • Author: Pameala
    Carry on England. The worst of the lot. When you look back at some earlier Carry on films (such as Cleo or Up the Khyber) it makes you wonder how it came to this. The majority of the cast had never been in a Carry on film, while the regulars obviously weren't too enthusiastic. I've tried several times to watch this film but have failed to make it to the very end. The plot is as follows - wait, is there an actual plot? It is centred around Captain S Melly *sigh* played by Kenneth Connor. He is put in charge of a mixed-battery. During a very long scene, nearly the whole cast is introduced. Every joke and pun during this scene just falls flat - it's not funny at all. The soldiers do nothing but kiss each other. Windsor Davies plays Sergeant Major Bloomer, second in command to Smelly (I'll just refer to Kenneth Connor as that from now on). The next two biggest roles were Sergeant Able played by Patrick Mower, and Sergeant Willing played by Judy Geeson. To be honest, just too many of the characters names had a double entendre. I won't list anymore characters because there's just too many (because barely any are developed; NONE of them are interesting). The jokes are unfunny, the characters are uninteresting and the overall production leaves a LOT to be desired. This film is truly awful and that's all I can say really.
  • comment
    • Author: Balladolbine
    The much maligned Carry on England actually contains the germ of a good idea. It shows a mixed group of soldiers – men and women – made to suppress their sexual desires in order to join in the "war effort" and sub-textually sublimate their carnality in martial manoeuvres. In the right hands, this idea could have been an incisive and subversive satire on the mentality of militarism, an amalgamation of Kubrick's two films on a similar theme, Dr Strangelove and Full Metal Jacket. Unfortunately, the makers of this – the 28th Carry On film – didn't have the abilities to fulfil the promise of such a fierce idea. The details and characterisations in the script are lame, the direction is flat & dreary and the performers are, for the most part, completely charmless.

    Most of the cast are not the regular Carry On team, and most of them shouldn't be in a Carry On. Not only are the likes of Patrick Mower and Judy Geeson profoundly unfunny, they are also curiously dislikeable here. This is unfortunate, as these are the actors playing the put-upon soldiers, whose sexuality and rebellion we should sympathise with; as it is, they are so mean-spirited and without personality that our sympathies lie with the much put-upon martinet Captain S Melly (yes, that's the level of the humour) – played with professionalism if not success by Carry On veteran Kenneth Connor – whose job it is to turn the lusty recruits into fighting machines. He is assisted by Windsor Davies, who is simply recreating his "shut up!" routine from the TV series It Ain't Half Hot Mum and almost giving himself a hernia as he strains to be funny. He gets one or two laughs, which is more than can be said for his co-star in IAHHM Melvyn Hayes, who makes little impression as the aptly named Gunner Shorthouse, or Carry Onners Jack Douglas and Joan Sims, completely wasted in thankless parts. Peter Butterworth gets the most mileage out of his comic reactions to Brigadier Peter Jones (a poor replacement for Kenneth Williams)'s bad jokes.

    The was some controversy when this was first released in the UK, as it earned itself a 'AA' certificate from the BBFC, meaning that the series' largest audience, - kids - couldn't get in to see the film. The certificate was earned by a few very ribald double entendres and a lot more topless women than we usually see in a Carry On; one scene has almost the entire female section regiment with their knockers out; I say "almost" as they thankfully spared us the sight of a bare breasted Joan Sims.

    Despite the fine idea underlying the comedy, Carry on England is pretty much the worst of the series, if you discount the truly execrable and barely mentionable Carry on Columbus, which England looks like Shakespeare next to.
  • comment
    • Author: Uylo
    Possibly the worst British comedy film I have ever seen. Firstly, Sid James was the heart and soul of these films. They had no business going on after he passed. Second, there were no outstanding performances in this film, with one exception. Long time Carry On matron Joan Sims had a part in this film that really was unworthy of her, the same for Kenneth Connor who I absolutely loved as the funeral director with a weak heart in 'Allo 'Allo. Judy Geeson was as beautiful as ever she was in any other film, but her character wasn't well written in my opinion and Patrick Mower seemed to me to keep trying to come off as a younger, randier Reg Varney from On The Buses. In fact, I felt as though I were watching an episode of On The Buses many times in this film. The brand of humor was very similar. A bit too similar. The way the men and women were always nipping off for a good time was too much like Stan and Jack with the clippies. The only stand out performance in this film has to be Windsor Davies as the beleaguered Sgt Major, wanting to obey Capt. Melly's orders but knowing full well that the 'soldiers' will retaliate if pushed too far. They even recycled the only almost funny gag in the film. The first time Cap. Melly get's tripped into a pile of excrement, it's almost funny, the second time, it's already boring. The business with the men and women sneaking around for amorous encounters throughout the film is more worthy of a teen summer camp film, not a film starring adults who are supposed to be operating an anti-aircraft battery during WW2.
  • comment
    • Author: Phallozs Dwarfs
    Undoubtedly the WORST out of all the 'Carry On' films. Yes, it IS as bad as everyone seems to think! No Sid James or Kenneth Williams. Enough said!

    In fact, there is only or two 'original' actors in this film, and even they aren't the 'famous' ones that come to mind when you think of "Carry On'. The film's script is useless, the acting is pathetic and it seems that none of the actors that are drafted in this plot want to pull it off. Maybe they could see that it was a mistake from the beginning filming began?????? If you want to watch a fantastic Carry On film, then give 'Cleo', 'Khyber' or 'Screaming' a view. THOSE are what Carry On films were all about!
  • comment
    • Author: JoJoshura
    There was an urban myth doing the rounds back in the seventies that this film was part-financed by the Beatles' Apple Corps company. If that is the case, then the fab four must have ingested more dodgy chemicals than anyone would have thought possible, because this is as bad as it gets. Patrick Mower and Judy Geeson are to comedy acting what sealions are to light engineering, and every moment they're on screen you'll want to hide behind the furniture. Kenneth Connor has little to do that isn't embarrassing in some way (his impersonation of a Nazi plane has to be one of the most cringe-making moments in the history of cinema) and the few loyal Carry On team members who could be bothered to turn up for this lazy, crude, shambolic outing are thrown away in cameo parts. The only part that raised a smile with me was Diane Langton attempting to operate the steering mechanism on the anti-aircraft gun, only to be thwarted by her protuberant bosom. Then Peter Jones, whose lines are intentionally awful but rendered even worse by his drab playing, completely kills the scene with his comment about "keeping abreast of the situation". One can only dream of what Talbot Rothwell (the screenwriter who bowed out of the series two years before) would have had Sidney James saying about this seaside postcard scenario...
  • comment
    • Author: Fordrekelv
    This is easily the closes you will get to Kubrick's 'Dr Strangelove' deep performances from a skilled cast. Yes, many of the original team are missing, but what a wonderful show. The attention to period costume is remarkable considering the small budget. The wit of the dialogue far outshines some of Oscar Wildes later work. It is a great satire, you could compare it to 'All quiet on the Western Front' but with a rich sense of humour. It takes the death aspect out of war, and that can only be a good thing. I was particularly amused by this bawdy romp through the humorous side of World War II. Those were the days. When you see this it makes you long for a Third World War, what a jolly good laugh that could be!

    Bravo!

    Ten out of ten! Fantastic entertainment!
  • comment
    • Author: Tejar
    This film is the worst film in film history. I only give it a 1 because thats as low as we can go... About the only thing that redeems it is the Heinkel He 111 and the Supermarine Spitfire at the end. Looking at that footage I am reminded of the greatest war film of all time 'The Battle of Britain'

    Q. for you film buff's, are these clips left over's from the cutting room floor from 'The Battle of Britain'?

    I would agree with the other comments on this film, I first watched it as a teenager, it must have been on television not long after the film finished in the flicks and I don't remember laughing then.

    Its about as funny as tooth ache.
  • Cast overview, first billed only:
    Kenneth Connor Kenneth Connor - Captain S. Melly
    Windsor Davies Windsor Davies - Sergeant-Major 'Tiger' Bloomer
    Judy Geeson Judy Geeson - Sergeant Tilly Willing
    Patrick Mower Patrick Mower - Sergeant Len Able
    Jack Douglas Jack Douglas - Bombardier Ready
    Joan Sims Joan Sims - Private Jennifer Ffoukes-Sharpe
    Melvyn Hayes Melvyn Hayes - Gunner Shorthouse
    Peter Butterworth Peter Butterworth - Major Carstairs
    Peter Jones Peter Jones - Brigadier
    Diane Langton Diane Langton - Private Alice Easy
    Julian Holloway Julian Holloway - Major Butcher
    David Lodge David Lodge - Captain Bull
    Larry Dann Larry Dann - Gunner Shaw
    Brian Osborne Brian Osborne - Gunner Owen
    Johnny Briggs Johnny Briggs - Melly's Driver
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