I went into this knowing little about it other then it being described as a thriller/horror film. It is neither and since I have no idea what I even just watched, I'm not sure it can be described as much more then a boring mess. The cinematography is nice, which is about the only positive here. If the actors had been given some real dialogue I could at least say they were good actors but the leading man has very few lines and spends the entire film looking sullen. There are plenty of meaningless slow motion shots, plenty of scenes with no dialogue at all, things happen that make no sense and it's just plain boring. It seems as if for the first hour nothing much happens at all and when the film slightly picks up , I had no idea what was going on, NONE ! and then it just ends, not explaining anything at all. It isn't a spoiler to say , a man inherits a house. If you're expecting to see a typical horror film where someone inherits a haunted house , this is not that movie. I would sit through the most lame haunted house film I could re-watch before I would ever sit through this again. A slide show of someone's vacation at the beach would be more interesting then this film.

Important note: in this review I give a complete synopsis of my understanding of the story. Although there's a very good chance I got the story wrong, if I'm correct, I can't imagine a more spoiling spoiler. You have been warned.

INHERITANCE is a horror picture of the "slow burn" variety, or, perhaps, in the case of INHERITANCE, it would be more accurate to say "glacial burn". Getting all the way through the movie required a good deal of grim determination on my part and I can't really say that my stubborn patience was rewarded in the end.

As at least one other reviewer here has noted, the style of storytelling in INHERITANCE is most reasonably compared to THE SHINING although without that movie's style and panache. As in THE SHINING (in the movie version of the story), for example, there's no actual ghosts or monsters per se but more a collection of what are apparently interactive hallucinations and vague deleterious influences eventually resulting in some sort of insanity or other psychological collapse within the main character. Much of the cinematography is intriguing and even beautiful and provides a sort of jarring juxtaposition between the beautiful context scenery and the evidently growing mental meltdown. A dearth of dialogue, far less than in most movies, precludes much verbal confirmation or enlightenment about what's going on, leaving one mentally grasping for comprehension.

INHERITANCE relies heavily upon ambiguity and vagueness in order to accomplish its version of atmosphere; it is sometimes difficult to understand what's going on or what is supposed to be being conveyed in many scenes and it's simply human nature to feel unease when you're confused about the meaning of what you're seeing and exactly what it is supposed to be contributing to the overall story.

Because of the aforementioned ambiguity and vagueness, I may have misunderstood the story. But here follows a complete synopsis of my understanding.

A man with a pregnant significant other is suddenly informed that he has inherited a home from his biological father that the man had thought dead long ago. He and his significant other go stay at this home to check it out, most likely with an eye towards quickly selling it to create a nest egg for their new family. The inherited home turns out to be a gorgeous, sundrenched California beach home in a very upscale, apparently historic, area. Shortly after taking up temporary residence, the man begins acting strange and moody. Visiting an uphill neighbor he learns the context of the area is of pioneering white men moving in and taking over and taking Native American children to treat as personal property. Through hallucinations/visions, the man learns his biological mother was probably strangled in the home by his biological father acting under the influence of older spirit ancestors egging him on to do so. The man begins having visions/hallucinations of doing the same thing to his own significant other. The negative influences evidently originate from a magical Native American fetish figurine acting as a long-term revenge vehicle on the man's lineage. We recognize the figurine and the vision-men from old photographs found in the home. Driven by the increasing insanity from the influence of the fetish figurine, the man eventually commits murder while his significant other is away, burying the victim in the same hole in the yard in which his digging surfaced the fetish figurine. Man throws figurine over the backyard hedge out towards the beachfront and seems to have recovered. Inherited home is put up for sale, but in the course of packing the car to leave forever, he sees the figurine in amongst the items packed in the car. Noting its presence, he doesn't do anything but simply gets in the car and drives away with his significant other letting us know that the curse will continue. The end.

This represents my best guess at the actual storyline of the movie, but it's very difficult to tell if I'm correct. The movie is literally riddled with scenes that, though very picturesque and often beautiful, are hard to interpret as to what they mean within the story, and I would certainly be hard-pressed to make a decent case that half of the scenes in the movie arguably fit in my synopsis. What is the significance of all the scenes where the man stands on the beach in a wetsuit holding a surfboard but not surfing? What do the images of the man underwater floating around in kelp beds and staring at his father, also floating around in the kelp beds, mean? Who was the man who claimed to be a second cousin, and how did he know exactly where to find the fetish figurine at an arbitrary unmarked place in the backyard, and why would he be interested in it. I could go on virtually ad nauseam.

My best guess about the "second cousin" is that the screenwriter had no idea how to have the man find the fetish figurine depicted in the photographs and so just threw in the "second cousin" character to give the man somebody to kill and to tip him off where to dig for the figurine. The fact that it doesn't seem to fit and feels arbitrarily mysterious is no problem as far as this particular writer was concerned.

And I pretty much give the same explanation for the crazy-lady uphill neighbor who, out of the blue with absolutely no reason to do so, gives us the exposition about the history of the locale, totally out of keeping with all the other MISSING explanations, a la deus ex machina. If the writer didn't just stick her in there to give us a drizzle of explanation, which he never does anywhere else, there would have been NO HOPE whatsoever of getting a clue about what was going on and we would never know the motive for the revenge-fetish-figurine.

INHERITANCE certainly has an air about it, and is often beautiful to look at, but apparently Tyler Savage is no Stanley Kubrick and he would've done his movie a service by making his story a little less vague and ambiguous. That fact that Mr. Savage with both the writer and the director may be the point where things went wrong.

Don't expect a surprise or a good ending or good acting or decent scenario

3.6...? Seriously...? Well, I guess that goes to show where we are now as a society where Horror is concerned. Heh... YES, the film is ULTRA-slow. YES, it is completely ambiguous. But, that is not the point, at least not to me.

What people seem to have forgotten is, at least what is important to me when I come here to read reviews, is, 'Is the movie made well?' And to me, the clear answer for this film is 'Yes' Moody, slow-building, LOTS of David Lynch influenced cinematography and atmosphere to spare. Sure, for a lot of people I understand that this kind of Horror just isn't their thing. Perhaps they get off on the 'In Your Face' hit you over the head with a sledgehammer, a young guy getting his head ripped off through an old door while his girlfriend is giving him a BJ (that one straight out of American Horror Story) I can see where a film like this would certainly come across as B-O-R-I-N-G.

Just out of curiosity, I looked at a number of reviews on different sites for this movie, and most praise it fairly highly for it's slow-build subtlety and very keen and effective sense of dread, which is greatly increased by a powerfully effective the soundtrack.

So, basically that is the bottom line here I think. And, don't get me wrong, I frigg'n LOVE 'RE-ANIMATOR' and such films. I think they are GREAT! BUT... I also really appreciate very serious, RESTRAINED tension-building dread-filled Horror where Atmosphere is everything (IF you like these kinds of films, I HIGHLY recommend the Psychological masterpiece 'SESSION 9'

This one definitely has more of an Artsy approach I guess which clearly will NOT work for everyone. But, just to come here and ignorantly rate this VERY well made, well acted, and extremely well photographed / edited / directed movie and give it a '1' or a '3' is just plain stupid and does NOTHING to help others who like me really appreciate a rare, quality, nicely made Horror film like this. To me anyway FWIW, it certainly beats the living $hit outta most of the mindless Horror garbage on cable these days...

This one truly engages your imagination...

Loved it. Great Sunday afternoon film. Really slow and atmospheric. Good acting and just creepy enough to keep me entertained

I do NOT understand the bad ratings as I thought the film was quite good. The film has a big budget look it and is also well acted. A very good start for a first time director.

Ryan Bowman (Chase Joliet) inherits beachfront property from the biological father he believed dead long ago. He moves in there with his pregnant Fiancé Isi (Sara Montez) and together they sell the house for several million dollars and live happily ever after, the end. No, you know that's not how it ends, not at all. Written and directed by Tyler Savage, INHERITANCE is a psychological thriller that sometimes verges into the supernatural, while keeping the mystery ambiguous enough to keep it from being easily labeled as a horror film.

The moment Ryan moves into the house, something happens to him and begins overtaking and reshaping reality around him. Ghastly visions repeat again and again, driving him to the edge of sanity. The deliberate pace, the flashes of sepia family photographs, the haunting score… it all leads to a ghastly revelation involving Ryan's family and the clues to what is in store for him. The familiar tropes where an unassuming family move into a potentially haunted house which holds its influence over a family member and drives them to insanity have been seen from THE SHINING to THE AMITYVILLE HORROR however, INHERITANCE deals with something altogether different and perhaps even more primal. The secret is in the title itself, perhaps Ryan's true inheritance is not the property but something else cursing through his veins, something that makes him (and us) question if blood is what dictates our destiny.

Tyler Savage directs the hell out of this film. Brilliantly shot, composed and paced through careful editing, this is one hell of a calling card. Every shot is meant to sell cast and crew's skills as storytellers and ensure that their film careers are firmly cemented. This is not a B movie, it takes those elements and subverts them giving us something far more incisive. It's not "scary" because of ghosts or frights, it's scary because of what it says about the human condition and about what our family history may say of us.

INHERITANCE wants to unsettle you with ideas rather than jump scares and it succeeds.

Review By Enrrico Wood Lagonigro - Senior Curator Oaxaca FilmFest.

I love slower paced psychological thrillers with beautiful cinematography and this was the perfect movie. the character building was fantastic. very "shining"-esk, a real life true tragedy of epigenetics and how you can't seem to avoid it. the side characters were good, quarky, and keeps you on the edge of your seat! a truly good thriller needs no gore excess.