Search

» » Ein Käfig voller Helden

Short summary

The inmates of a German World War II prisoner of war camp conduct an espionage and sabotage campaign right under the noses of their warders.
Colonel Hogan leads a ragtag band of POW's caught behind German lines in this popular television comedy. The bumbling Germans give Hogan and his crew plenty of opportunities to sabotage their war efforts. Colonel Klink is more concerned with having everything run smoothly and avoiding any trouble with his superiors (especially anything that might result in his being reassigned and sent to the front) than with being tough on Hogan and his fellow prisoners.

Trailers "Ein Käfig voller Helden "

Werner Klemperer, Howard Caine, Leon Askin, and John Banner, who portrayed the chief Germans Klink, Hochstetter, Burkhalter, and Schultz, were all Jewish. All of them also served in the U.S. Armed Forces during World War II. Klemperer was born in Cologne, Germany and Banner and Askin were both born in Vienna, Austria, and the three of them immigrated to the United States after fleeing the Nazi regime.

Werner Klemperer only agreed to play Colonel Klink once he was assured (by the show's creator) that Klink would never succeed in his schemes.

Robert Clary was a survivor of the Holocaust. Werner Klemperer escaped Nazi Germany in 1933.

The leather jacket that Bob Crane wore on this show, was originally worn by Frank Sinatra in Von Ryan's Express (1965). It was later worn by Greg Kinnear in Koukussa (2002).

Early in production planning, it was decided to make it always be winter, with snow on the ground, and frost on the windows. This was to prevent problems with continuity, and to allow the episodes to be shown in any order. Since much of the filming was done in the summer, the cast members had to wear coats and act cold, even when the temperature was over ninety degrees Fahrenheit (thirty-two degrees Celsius).

Larry Hovis (Sergeant Andrew Carter) refused to remove his wedding ring for the series. He wore gloves for the majority of his performance (although there were occasions when the ring was visible).

In the pilot episode, Carter was a Lieutenant, and was only going to appear in that one episode.

The show was still very popular in its final season on the air. However, it was caught up in the "rural purge" that took place just before the 1971-1972 television season. The main reason it was canceled, was due to the fact that it was felt that the show mainly appealed to rural audiences and older people in much the same way that shows like The Beverly Hillbillies (1962), Green Acres (1965), and Hee Haw (1969) were.

The character of Sergeant Schultz, prior to the war, had been the President of a successful toy manufacturing company. Colonel Klink tried to become a bookkeeper at the toy company after the war.

Richard Dawson stated that when he got the part of Newkirk, Mike Dann (then President of CBS) asked him to use a Cockney accent, rather than his native Liverpool accent. Dann believed that the Cockney accent would sound more familiar to American viewers. Shortly after this decision was made, "Beatle-mania" swept the nation. The Beatles were also from Liverpool, and spoke with thick Liverpool accents, making Americans more accustomed to the sound of it. Dawson claimed he brought this to the attention of Dann, lightheartedly mocking him for the decision.

The car seen leaving the camp in the opening credits and from time to time during the series, is a Mercedes model G4 Parade Car. The six-wheeled, three-axle vehicle had four wheel drive on the rear wheels (6 x 4) and was popular amongst the German Military elite.

Most night scenes were filmed using a "day for night" filter, which is a special attachment used to make scenes filmed during the day, to look like night.

The show was famous for recycling actors and actresses in different roles. For example: William Christopher (best known as Father Mulcahy on M*A*S*H (1972)) played a POW, a German soldier, and a British pilot. Harold J. Stone played an American Agent and a German General. Antoinette Bower played Berlin Betty, a German scientist, and an underground Agent. Arlene Martel appeared as resistance fighter "Tiger" in several episodes, and also as Olga and Gretchen in other episodes.

Even though Klink acts like a coward, his military decorations indicate he is a combat hero from World War I and World War II.

The Stalag 13 outdoor set was located at the northwest corner of the Forty Acres backlot in Culver City, California, near Lucerne Avenue and Higuera Street, southeast corner. Early in the series' 1968 hiatus, the set was used in Vaarallinen tehtävä: Trial by Fury (1968), where it doubled as a South American prison. After the series cancellation, it was used as Medical Camp 9 in the Nazi sex thriller Ilsa - SS:n naarassusi (1975), during the filming of which it was burned. The cleared area became the site of a new set for Akka jota ei saatu hengiltä (1975). The backlot was then bulldozed in 1976, and is now an industrial park. The location was previously used for the Tara plantation façade in Gone with the Wind (1939).

Ivan Dixon (Kinch) left the series at the end of the fifth season (the only regular cast member to do so), stating that he was fed up with the posturings of Bob Crane, Werner Klemperer, and Richard Dawson. He was replaced by Kenneth Washington for the final twenty-four episodes. Also, there was no mention of what happened to Kinch following Dixon's departure.

The various secret code names that Colonel Hogan and his outfit used, were fairy tale names of "Papa Bear", "Goldilocks", and "Little Red Riding Hood". Colonel Hogan's codename was "Goldilocks" in the series debut, contacting an underwater submarine in Hogan's Heroes: The Informer (1965).

The nearest town to Stalag 13 was Hammelburg.

Cynthia Lynn, who played Klink's secretary "Helga" in the first season, was replaced by Sigrid Valdis, who played "Hilda" at the insistence of Bob Crane after Valdis began dating (and later married) Bob Crane.

The black and white pilot episode originally included a Russian character, who was played by Leonid Kinskey. Kinksey refused to continue with the series, because he became uncomfortable with having Nazi characters starring in a comedy.

In the German dubbed version, very often the salute "Heil Hitler" was changed to "Heil Kräuter!" (literally translated: medicinal herb). Also, when the show alluded to bombing and killing, the dialogue was often modified as well. For instance, when the Americans destroyed a munitions factory, the German version made it a toilet paper factory, and when Sergeant Schulz reported the Allies having bombed Hamburg, it was revised to the Royal Air Force dropping candy as a "propaganda maneuver".

Another recurring character was Burkhalter's sister Frau Gertrude Linkmeyer, usually played by Kathleen Freeman, but on one occasion, in the fourth year, by Alice Ghostley, who also appeared in a final season episode as the wife of a Nazi Field Marshal.

The series was originally supposed to take place in a regular American prison. But Creators Bernard Fein and Albert S. Ruddy re-wrote the teleplay when they heard that NBC was developing the pilot Campo 44 (1967), which took place in an Italian POW camp.

John Banner (Sergeant Schultz) once turned up to the set drunk, and fell into razor wire, causing multiple lacerations. Banner missed multiple episodes in season three, due to the injury.

As of 1 April 2018, only two of the original main cast are still alive. They are Robert Clary (Corporal LeBeau) and Kenneth Washington (Sergeant Baker).

Warner Klemperer's father had a famous rock and roll connection. Otto Klemperer conducted the classical music heard in the Beatles movie, Help! (1965).

The ornate helmet that sat on the desk of Colonel Klink, Werner Klemperer was a pre-World War Prussian army Pickelhaube (Spiked Helmet), possibly a family heirloom, as it is clearly one of his most prized possessions. As the helmet used in the show differs in several respects from museum examples, it is probably a replica produced by the Props Department, and not a real antique.

For the first several seasons the "snow" on the roofs and on the ground was actually salt. By the fourth season, much of the snow on the roofs had been replaced by patches of white paint. By the sixth season, all the patches of snow on the roofs and many of the patches of snow on the ground, especially in the high traffic areas, were also just paint.

Kinchloe and Newkirk did all of the fake German orders, and provided most of the disguised German voices used on the telephone.

General Burkhalter's Iron Cross is the "Knight's Cross with diamonds and swords".

Characters travelling outside of Germany: Hogan and Klink travelled to London, England. Hogan, Klink, LeBeau, Kinchloe and Schultz travelled to Paris, France.

Werner Klemperer was the son of famed orchestral conductor Otto Klemperer.

Colonel Klink and Sergeant Schultz nicknamed Corporal LeBeau "Cockroach", for his small height.

Werner Klemperer (Colonel Klink) once said that during production, his father told him, "Your acting is fine on the show, but who writes this stuff?"

Bob Crane (Colonel Robert Hogan) and Werner Klemperer (Colonel Wilhelm Klink) are the only actors to appear in all 168 episodes.

Carter was from North Dakota, and Kinch was from Detroit, Michigan.

A musician, especially a percussionist, from a young age, Bob Crane provided the drums for the show's theme song. His skills on the skins were featured early in the program, in season one, episode five, "The Flight of the Valkyrie", and in season six, episode twenty-three, "Look at the Pretty Snowflakes", where he performed the drum solo during "Cherokee".

Howard Caine appeared in two early episodes playing different characters before he took on the role of Major Hochstetter. They were season one, episode seventeen, "Happy Birthday, Adolf", as Major Keitel, and season two, episode five, "The Battle of Stalag 13", as Colonel Feldkamp.

German film distributor KirchGruppe acquired the rights to this show, but did not broadcast it for many years, due to fears that it would offend viewers. It was first broadcast on German television in 1992, but the program failed to connect with viewers. However, after the dialogue was re-written to make the characters look even more foolish (which ensured that the viewers understood the characters were caricatures), the show became successful.

Schultz's rank is Master Sergeant.

John Banner appeared in a role similar to his Sergeant Schultz role, in 36 tuntia (1964).

The sign outside Barracks 2 translates to English as : "Forbidden: 1. Strict orders have been given to the German troops around Brussels to shoot any civilian cyclist. 2. People who, after the fifteenth of December, are still in possession of carrier pigeons, as well as other persons who, by signals or any other means, cause annoyance to German military interests, will be judged by court martial." It is dated December 13, 1944, and signed by General H. Heinrichs (who shares the same initials as the show's Art Director Howard Hollander).

John Banner died on his sixty-third birthday in Vienna, Austria, which was also his birthplace.

In the original black and white pilot, General Burkhalter was a Colonel.

Married cast: Schultz is married with five children, but this doesn't stop him from dating other women. LeBeau may or may not have been married.

Despite some coincidental similarities (both have a "Sergeant Schultz" character, and a somewhat put-upon Commandant), this show was not inspired by the movie, Vankileiri 17 (1953), as some may think.

Among the recurring characters who appeared on the show were female French resistance fighter Tiger (Arlene Martel), Marya the White Russian (Nita Talbot), and the bumbling R.A.F. officer, Colonel Crittendon (Bernard Fox).

For the first five seasons, Sergeant Carter wore a distinctive leather flight jacket. The right sleeve and part of the front was white. This jacket was replaced in the sixth season with one that was all brown.

Ivan Dixon's character's name was Sergeant James Kinchloe. There was a test pilot who was killed, named "Iven Kincheloe".

Schultz always called Hogan and his men "jolly jokers" whenever they played a trick on him.

Werner Klemperer and John Banner appeared together on Alfred Hitchcock Presents (1955) season one, episode twenty-one, "Safe Conduct".

The standard rifle of the German Army in World War II, was the Mauser K98, but the rifle carried by Sergeant Hans Schultz (John Banner), and most of the other German guards at Luft Stalag 13, was a U.S. Military issue Krag Jorgensen rifle. The Krag Jorgensen, used by the U.S. Military in the early 1900s, was most likely substituted for the Mauser, due to its general resemblance to the Mauser rifle, and the fact that the studio had them on-hand. They were getting hard to come by in the 1960s.

Lasted on the air for six years, although American involvement in World War II lasted less than four years.

General Burkhalter's staff car was an American hybrid, with a Mercedes-Benz logo on it. Colonel Klink's staff car was a 1936 Mercedes 260D, although in some episodes, it was the Pullman limousine model, while in others, it was the standard model.

Whenever Colonel Hogan wanted to butter up Colonel Klink, he would refer to him as "The Iron Colonel" or "The Iron Eagle".

Cast who were never seen in women's clothing were the two African-American actors: Kenneth Washington, in the role of Sergeant Richard Baker, (season six), and Ivan Dixon, as Sergeant James Kinchloe (seasons one through five), in addition to Werner Klemperer, as Colonel Wilhelm Klink (the entire series).

Werner Klemperer and John Banner appeared in Operation Eichmann (1961).

Interestingly, when the show was being cast, Werner Klemperer auditioned for the role of Sergeant Schultz, and John Banner was considered for the role of Commandant Klink. However, after the auditions, it was decided to switch them to their famous roles.

There was a POW camp near Hammelburg, Germany. Stalag 13-C was a German Army World War II prisoner-of-war camp (Stammlager) built on what had been a training camp at Hammelburg, Lower Franconia, Bavaria, Germany.

Some of the vehicles had the steering wheel on the left hand side of the vehicle, and the others had the steering wheel on the right hand side. The steering wheel should be on the left hand side of all of the vehicles, because they drive on the right hand side of the road in Germany.

Co-Creator Albert S. Ruddy refused to be directly involved with the series after the pilot, because he did not want to be contracted to work on a television series.

Newkirk and Le Beau made most of the German uniforms that were worn by Hogan's men.

Among the six seasons, as they originally televised, seasons one, two, and five were on Friday evenings. Seasons three and four were on Saturday evenings, and season six's were on Sunday evenings.

Two cast members, who were never called by only their last names, were African-American actors: Kenneth Washington as Sergeant Richard Baker (season six). and Ivan Dixon as Sergeant James "Kinch" Kinchloe (seasons one through five).

Colonel Hogan's fake name to test new POW's that may be possible double Agents for Nazis and report Hogan's secret group of heroes, was "Major Campbell". The name was mentioned twice in the series' debut, on Friday, September 17, 1965.

In the series, Hogan states he is from Bridgeport, Connecticut, but on other occasions, German "intelligence" officers state that he was born and raised in Ohio.

Harold Gould (General Von Schlomm) was Jewish in real-life, and also served in the U.S. Armed Forces during World War II.

Besides being in contact with London, Hogan had radio communications with a submarine, which was used to assist prisoners in escaping.

Throughout the series, Colonel Hogan and Sergeant Carter are said to be from the U.S. Air Force. This is incorrect. There are times they are said to be Army Air Corps. This is also incorrect. The U.S. Air Force did not exist until 1947. Prior to that, this branch was part of the Army. It was the U.S. Army Air Corps from 1926 until June of 1941 (before the U.S. entered World War II). From June 1941, until the U.S. Air Force was created separately from the Army in 1947, it was the U.S. Army Air Forces. Actually, the Army Air Corps became a combat branch of the U.S. Army Air Force, and was not done away with completely until 1947, when the U.S. Air Force was created.

Howard Caine and Werner Klemperer appeared in Judgement at Nuremberg (1961).

The familiar drum cadence heard throughout the show is virtually identical to the drum cadence played whenever the Nazis were shown, in The Longest Day (1962).

In S4-E26, Schultz suggests a German Chocolate Cake for Hogan's birthday. However, the dessert was not invented until 1957. Also, it's not from the country of Germany, but was named after Sam German who worked for Baker's Chocolate Company in America in 1852.

The real-life Stalag XIII-C was a prisoner-of-war camp located in Hammelburg, Bavaria, the same area as the fictional Luft-Stalag 13 of the series, but other than the name and location, the two bore no resemblance to each other. Stalag XIII-C, and the nearby Oflag XIII-B (primarily used to house higher ranking officers), were overcrowded, lacking in basic amenities such as heat or running water, and the prisoners were kept in generally squalid conditions. The campuses were liberated by Combat Command B of the U.S. 14th Armored Division on April 6, 1945. Germany subsequently surrendered unconditionally to the Allies on May 8, 1945.

Interestingly, Robert Hogan was considered for the role of Colonel Hogan. If he had gotten the role, it would have been one of the few times where an actor played a character with the same name as his.

In Australia, it was the screening network's only series in the Top 30 series and programs.

Richard Dawson was originally offered the role of Hogan but turned it down, believing his accent would make it unbelievable for American audiences.

In the fourth season, episode titled "Will the real Colonel Klink please stand up against the wall?" the opening scene shows General Burkhalter pointing to various places on a map talking about sabotage around those areas, however the map appears to be a map of London. Later, the same map is again seen on a table with Colonel Hogan and his men talking about a sabotage mission.

Bing Crosby Productions originally presented the idea to NBC, but its executives found the pilot episode so funny, they didn't think any later episode could top it, so they passed and CBS picked it up.

User reviews


  • comment
    • Author: Erthai
    I can't see how TV Guide could say that this was one of the all-time worst shows on television. This show was pretty much Mission: Impossible with a laugh track. The crazy schemes that Hogan and his men would think up to thrawt the Nazi war machine were what made this show great. Also, Werner Klemperer will always be loved for his portrayal of the most bumbling officer in television history. But the thing that really made it special was that it was one of the first series to treat an African-American character as an equal to the white characters. Ivan Dixon, who would later go on to become a great director, would often prove to be the smartest member of the cast and perhaps was the most level headed as well. TV Guide needs too look at this show again.
  • comment
    • Author: Halloween
    "For security reasons I cannot tell you the exact location. The request was no names please, but somewhere in Germany an American officer is operating a sabotage and rescue unit from of all places, a POW camp. These men saved my life. For me they are among the unsung heroes of this war."

    Bob Crane pacing in perfect step with a chimp -- an unforgettable image from an all-time TV classic.

    I have seen more repetitions of Hogan's Heroes than I have seen cycles of any other TV series. Watching the entire series, viewers will see that most episodes were wacky and certainly unrealistic. Silly, zany comedy was the norm. However, other episodes were much more sober and more filled with tension and suspense (check out the "North Star" episode from one of the early seasons). Some episodes added twists upon twists upon twists. Most were story driven rather than simply character driven.

    The cast was top notch and worked well together in front of the camera. Charisma and chemistry -- and mighty funny too! Check this series out.
  • comment
    • Author: Celak
    Hogan's Heroes is probably the wildest most far-fetched series next to Gilligan's Island to become successful where so many even more far-fetched shows barely make it their first year. The show had a fine cast, great writing and even edge of the seat adventures as you wondered how Hogan and his men, Americans Andrew Carter, Sgt. James Kinchloe, Sgt. Richard Baker, British Peter Newkirk, French Louis LeBeau and Russian Leonid Kinsky in the pilot, pulled the wool over and outfoxed the Nazis. Werner Klemperer did a wonderful characterization as the pompous Commodant Wilhelm Klink and John Banner became a hysterical Sgt. Hans Schultz with his mugging and facial expressions. The only other roles of recurring Nazis belong to short-tempered General Ivan Burkhalter and the madman Major Wolfgang Hochstetter as played by Leon Askin and Howard Caine, two wonderful character actors. The critics of this show need to go back to school and learn the differences between P.O.W. Camps and Concentration Camps; even people in Germany watching this show today can see the humor and lack of logic in the Nazi's claims of being the superior master race and it is that same arrogance that works so well against them as Hogan uses their own delusions to his advantages. The show is also worthy to watch to see the early roles of William Christopher from M*A*S*H* and repeating returns of director Norm Pitlik as an actor. During the run of the series, the man must have had thirty different roles. Larry Hovis also made repeated impersonations as Hitler, and Bob Crane even got the chance to shine in one episode with his skills as a drummer. Sadly, the exterior sets of the series no longer exist, vanished along with the fictional towns of Hammelsburg and Mayberry, North Carolina.
  • comment
    • Author: Valawye
    I've just heard the British comedian Joe Pasquale being asked to define good comedy and his answer was, tragedy plus time. Hogan's heroes (he said) was one of his inspirations and it reminded me how much I loved this show myself, all those years ago. Who would've thought a Nazi prison camp could be the setting for a comedy series, but it was, and the results were often hilarious. The basic formula is the adversarial daily life between American POWs and their German guards, constantly trying to put one over on each other. The main character was the senior American officer (Colonel Hogan) played by the charismatic Bob Crane who strangely never found fame in any other role and was tragically murdered in Arizona. What gives this show such strength is that the 2 lead Nazis (the overweight Sergeant Schultz & his pompous CO, Colonel Klink) were both played by Jewish actors. John Banner (Schultz) was Austrian and Werner Klemperer (Klink) was German and they both came to America as refugees from the wicked regime in their home countries. How's that for putting a finger up at Hitler! I hope fans of the show will like my own personal "contribution". Hogan's Heroes was a massive success in Britain in 1973/74 and close to where I grew up was a Ministry of Agriculture office. One of the guys who worked there was - literally - the spitting image of John Banner. They could have been twins. This man used to walk to work each day as me and my friends walked to school. As you may know, Schultz' catch-phrase was "I know NOTHING", spoken in a strong German accent and every day this poor guy had to put up with obnoxious kids passing him and muttering " I know NUSSINK." You could tell he knew damn well what was going on, but he would never degrade himself by admitting it :) Sadly I don't think today's "politically correct" climate would smile on a show such as Hogan's heroes, but it IS funny and worth seeing if it's ever shown again.
  • comment
    • Author: Wat!?
    This TV show is set in World War II, and that in itself was a very bold move to base a sitcom in a such a dark period of human history. This show excels for having, for the most part a good and generally non-realised talented cast. The stories are entertaining and have a decent amount of tension yet it most definitely doesn't take itself too seriously.

    As a previous comment pointed out this show was one of the first to portray an African-American as an equal to white people which was very bold and positive move for a 1960's show. Star Trek had at the same time given black people and women a status of equality to men when they cast Nichelle Nichols as an African American woman as a main character. So I am very pleased at the fact that the producers took a chance and made this character righfully as an equal.

    The theme music is catchy, ok may be slightly annoying but Jerry Fielding did a competent job. I a m not sure who scores the rest of the episodes, it seems they reuse and make music for certain episodes and recycle whenever they can probably due to budget but its edited nicely. You may be able to know that film editor Michael Kahn started his editing career on this show and has edited many of Steven Spielbergs films to the present. This brings up the issue of production quality. Not bad for 1960's standards for a less than 30 minute job, editing is pretty good, music, cinematography is alright. Not fantastic but this the 1960s.

    The aforementioned cast are filled with talent. Most notably is the principle cast, Schultz (John Banner), Klink (Werner Klemperer) and Hogan (Bob Crane). This show has had nothing but top notch actors and guest actors. Bob Crane may have dabbled in some undesirable off-camera infamous affairs but he is nevertheless a great actor.

    Watch this show if you haven't, some episodes are forgettable, some are great, some are just fantastic.

    One of the all time best comedies? I would say most probably so :).
  • comment
    • Author: Xcorn
    When "Hogan's Heroes" became a national television phenomenon in the 1960s, the critics sharpened their knives and went at it as the lowest possible taste. Even "Mad Magazine" did a nasty swipe at it's improbabilities (not noting that those improbabilities were built in for emphasizing the evils that real Allied veterans faced against the real Nazis). I remember that the MAD satire suggested going one step better - do a series about Jewish concentration camp inmates called "Hochman's Heroes". Nobody, certainly not the writers and producers of "Hogan's Heroes", ever suggested the death camps were funny or material for possible humor.

    When Werner Klemperer was on a talk show (Mike Douglas or Merv Griffin, I forget which) in the 1970s talking about his Emmy winning role of Col. Wilhelm Klink, Klemperer explained his willingness to play the commandant of a German P.O.W. camp in World War II. After all, like fellow stars John Banner, Leon Askin, and Ron Clary he was a survivor of the period, and a Jew (and so like Banner and Askin he had fled the Nazis, unlike Clary who was in a concentration camp but survived). Klemperer made certain that none of the proposed episodes would ever glorify the Nazis (he termed them, "those fellows" - a rather mild use of language but he was a gentleman) before he agreed to sign up. One has to look at his long career in film and television to see how consistent he was. Klemperer could play villains, and he certainly was very effective playing die-in-the-soul Nazis. He appeared as Adolf Eichman in one film, and was the Nazi fanatic at the Nuremburg trials in "Judgement At Nuremburg" ("Traitor! TRAITOR!!" - his most famous line there at Burt Lancaster). Even in an episode of ONE STEP BEYOND he was a loyal SS man trying to flee Nazi Germany in it's dying days on a submarine to South America. Like the great Conrad Veidt, Klemperer knew his real enemy and did a fine job delineating the particular animal to the world. So curiously did Banner, who played Gregor Strasser in the movie "Hitler", with Richard Basehart.

    If one sees the episodes, the more typical Nazi slime are not the comic caricatures. Only one comic caricature, Howard Caine, never has a redeeming feature - but he is a Gestapo officer. The late Leon Askin (he recently died) is always throwing his fat bulk about as General Burkhalter, and does gloat at possible Allied defeats, but he is a family man, always trying to push the possible marriage of his hideous sister (Kathleen Freeman in a typically good performance) with the trapped Klink. John Banner's simple soldier Sgt. Schultz has a long tradition going back to the post World War I novel "The Good Soldier Schweik", about the unconvinced conscript who is there just to survive and go home. The show was based (in part) on the William Holden film of the play "Stalag 17", where Otto Preminger was the conniving camp commandant and Sig Ruman was the jovial, untrustworthy sergeant. In the context of that fine Billy Wilder film both roles were well written and cast. But the variations in Klink and Schultz in the television series are (odd to think of it) rounder and more believable.

    The episode that I think reveals the truth about them is one where Hogan (Bob Crane, a talented man who was brutally murdered a few years later) manages to convince the Nazi leadership near the camp that the Allies and the Axis have decided to end the war. Klink, Burkhalter, Schultz, Hogan are in Klink's office toasting with schnapps, and now in a relaxed mood, they discuss future plans. Hogan will return to the states and his former job. Burkhalter will still be in a command position in the post-war Nazi Army. But there will be (naturally) a large number of soldiers and officers on all sides who will be decommissioned. While the human Klink is glad the war will be over, he sadly shakes his head. He doesn't know what he will do in the post-war world. He will have his half-pay pension, and has saved a little money. He will have to find work of some sort. Then he looks at Banner and (somewhat mockingly) says, "And you Schultz, what will you do?" Banner, quietly sipping his schnapps, says, "Oh, that's no problem...I will always have a job waiting for me at the Dinkle Toy corporation." The other three are not surprised, but it does fill in some of Schultz's background. One can see him making or selling little toys. Klink says, "Oh, that company is huge. It's the largest toy firm in Europe. What job do you have there?" Perfectly timed, Banner savoring his schnapps and the impact of his comment says, "I AM THE DINKLE TOY CORPORATION!" Klink's eyes widen and his ever present monocle pops out. That in the post-German world lowly, put upon Schultz would actually be a major industrialist never occurred to the Colonel. And in one's mind, recalling the economic miracle that has made Germany the muscular power it is since 1950, the "Schultz"s of that country did their job pretty well.

    That is why I feel the series was better written and thought out than many of it's critics felt. It didn't glorify what was horrible and unjustifiable in German occupied Europe from 1938 - 1945. It slapped that down, and showed the shape of things to come.
  • comment
    • Author: Kitaxe
    The problem with Hogan's heroes is that it has lost its context. People criticize it as a comedy set in a German prisoner of War camp, saying that trivializes the real human tragedies created by the Nazi regime. The thing is, Hogan's Heroes is not a spoof of prison camps. It's a spoof of World War II movies and TV shows. It came out in the wake of films like `The Longest Day', `The Great Escape', etc. which produced shows like `Combat', `The Gallant Men', 12 O'Clock High', all of which were hyper serious because of the subject matter. Such a trend requires a leavening spoof. And `Hogan's Heroes' and `McHale's Navy' provided that comic relief. Nobody ever criticized McHale's Navy for trivializing the Pacific War, any more than they criticized `F Troop' for not being a documentary about the Old West or `Get Smart' for not being written by John LaCarre. Why do we indict Hogan's heroes for being insensitive to the deprivations of the Nazis?

    This show is itself based on a hit Broadway play and movie from a decade before called `Stalag 17' which won William Holden an Oscar. If you've seen Stalag 17, the humor there is much cruder and more oblivious of the real threat of the Nazis than Hogan's Heroes. Robert Strauss and Harvey Lembeck, (later to show up in another Military spoof to which HH also obviously owes a lot), decide at one point they would like to see some female Russian POWS take showers. They grab a bucket of paint and begin painting a stripe down the middle of the road toward the building where the showers are. This fools the guards until the paint a stripe right over to the window of this building, (the showers have windows?), and peer in. There is nothing this crude or insensitive in any episode of Hogan's Heroes. Yet this is a highly regarded film.

    But now, 30 years later, when there are fewer films about that era made, the old show is viewed not a spoof of a show business trend but as a parody of the real event, which it was never really intended to be. This has allowed the critics to `pile on' and rip the show for being insensitive to the victims of Nazi oppression. All I remember is a funny show and that's all it was ever intended to be.
  • comment
    • Author: kinder
    Hogan's Heroes is one of the greatest comedies ever made. It's been over thirty years since it was first aired, and it is till hilarious today. The story is about Colonel Hogan (Bob Crane) and his Allied Prisoners (Robert Clary, Richard Dawson, Ivan Dixon, Larry Hovis, and Kenneth Washington) prisoned in Stalag 13. Colonel Klink (Werner Klemperer) and Sgt Shultz (John Banner) is running the camp, with the occasional visit from General Burkhalter (Leon Askin) and Major Hochstetter (Howard Caine), they are unaware that Hogan and his men have tunnels everywhere, with radios, and much more. Some clever one liners, and gags make this comedy worth watching. It is a bit crude to spoof a POW Camp, and the Germans, but once you watch Hogan's Heroes, you'll forget all that, and laugh yourself silly. Overall, 11/10.
  • comment
    • Author: Shomeshet
    My grandfather was a survivor of Auschwitz and several other concentration camps. Hogan's Heroes was one of his favorite shows, because it made the Nazis look like buffoons. So to those who complain that Hogan's Heroes is insensitive, I say that there is always room for a little humor.

    This remains one of my favorite shows. The acting is great, and it's clear that the actors are having fun with what are admittedly silly story lines.

    This is a classic show. I wish we saw more of HH on reruns, but I will be going out to get the DVDs.
  • comment
    • Author: Detenta
    I think this series is very funny and full of good ideas but i don´t like it that it´s so much concentrated on Colonel Hogan. The other characters like Oberst Klink and Feldwebel Schulz are also important (and thats good because i like them very much!) but sometimes you get the feeling that Newkirk or Carter aren´t useful, the are just there. And it´s the same with Kinchloe (and later with Baker), the just seem to be unimportant in most of the episodes.

    But this is the only negative point i have found, in my eyes this series is very good (when you think of that it was made in the 60s!) and you should have seen it, there are tons of good jokes. And also if you live in Germany you should watch this series because the localization is also fine!
  • comment
    • Author: BeatHoWin
    I watched Hogan's Heroes in reruns as a kid, although not consistently. Some thirty years later I happened to catch it in reruns once more, and was surprised to discover how clever it actually was. It was a zany and often silly lampoon of heroic war and spy movies. In order to appreciate the plots and humor, viewers actually require a fair amount of background knowledge on World War II. Examples include: the difference between a POW camp and concentration camp; German laws which prevented military personnel from joining the Nazi party (thus Klink, Schultz and the other Luftwaffe personnel were not Nazis); the difference between the Abwehr and the SS; the location and importance of such facilities as Peenemunde…the list goes on and on. The show was also avant-garde for its time, one of the first in which an African-American was portrayed in a wholly positive light, as a competent and intelligent human being. The actors were all talented and worked well together.

    As for those who say there is nothing funny about Nazis – Ha! Please go get back in the line where God is handing out a sense of humor. Hogan's Heroes had the taste and good sense to hint at the truly dark side of that regime, without ever focusing upon it. Most notably, it stayed away from the Holocaust, understanding that there really was nothing amusing about that. The rest of Nazism – the crude methods, the arrogance, the bureaucratic incompetence – deserves nothing but mockery. Read a good history of the Third Reich and you come away wondering how those bozos ever managed to stay in power for twelve years. These were the folk who exiled, imprisoned or executed almost all of Germany's best and brightest, from Einstein to Rommel. Nazism was never good at anything beyond terrorizing the weak and murdering those who got in its way. Step outside of modern concepts of political correctness and you realize that Hogan's Heroes gave the National Socialists exactly the sort of notoriety they deserved: dismissive ridicule. Hitler must be writhing in his grave. Amen.
  • comment
    • Author: Zut
    What I liked about Hogan's Heroes is perhaps that it did show the Nazis as incompetent but it did so with tongue-in-cheek and also with an out and out finger poking. Werner Klemper was allowed to portray Col. Klink the way he wanted which was totally incompetent....he had stated he would portray him no other way. When you think about it that was a bold move for him back in 1965 as it could have backfired and ruined his career. My favorite character was Sgt. Schultz...I loved the fact that he was such a simple man who liked all people and didn't like being caught up in the situation he was in. The characters were in some ways very complex and they played off of each others strengths which helped the plots along and it also made viewers enjoy the fact that these men were very human and war was as hard for them as it was for those at home.
  • comment
    • Author: Leceri
    ....I can't express enough the laughters these pieces of celluloid has provided over time. Even Charlie Chaplin would surely have enjoyed the Hilter impersonations by Larry Hovis - hilarious ;-) And a "not so ideal German blond guy" like Sgt Kinchlow in a SS uniform? C'mon, you have to admit that just the idea deserves a round of applause. To hire an Austrian for the role as Lager Commandant Klink is ingenious as well, I highly respect Werner Klemperer for that (may God rest his soul in peace). If you are looking for the most contradictions in a series ever made, you've found it. But that says "nussink" about the real intention - short while entertainment with a touch of unreal insanity. Of course, it is a bit biased towards Bob Crane as the main character, but we can forgive that easy, as we would to Sgt Hans Schultz for never having a loaded Rifle on hand.

    So Please don't read too much into the series, it was funny when it broad casted the first time and it still is today.

    BTW: The German Airforce (Luftwaffe) had a code of conduct with all of their prisoners since they knew that their own captured Pilots got a break in allied Prison camps. So there is no real comparison to any other German Concentration camps or P.O.W. camps....in case you care about that ;-)
  • comment
    • Author: Nettale
    I watched reruns of this when I was a kid, and also, I grew up in Scottsdale, AZ, where Bob Crane was murdered. I know the show is escapist fun, and I feel for anyone who doesn't see that. Also, some of you spotted many goofs, and as I got into the hobby of WWII study, I saw them too. Such as Hochstetter being called Major when his badge of rank is for a Colonel, and Crittenden being called Colonel instead of Group Captain. One of you called Field Marshall Rommel a Nazi, but he never was a member of the party, though he took the personal loyalty oath to Hitler that all members of the German Armed Forces took. Also, it wasn't always 1943, zardoz12, Hogan had a part in helping the D-Day landings, if you look for it, and I remember him telling Schultz once how they had to make the camp look nice for when Patton came. By the way, there is such a town as Hammelburg. Patton sent a task force to try to liberate the POW camp there, where his son-in-law was held, but the unit was wiped out.
  • comment
    • Author: September
    The idea of a comedy about a prisoner of war camp is quite far-fetched, even ridiculous at first glance. However, this series brought it off for seven years. Two sources of irony about the show: John Banner and Robert Clary were both Jewish, and Clary had even been a holocaust survivor.
  • comment
    • Author: Arlelond
    I won't waste time going over the premise of the show; that has already been done more than adequately by nearly every reviewer here.

    I will agree that the argument the show being "offensive" is weak. As others said, it was a POW stalag, not a concentration camp. And I'll add that "Hogan's Heroes" played during a period of multiple service comedies, yet it was the best of them, not the worst. Sgt. Bilko was a film-flam man. Cmdr. Quinton McHale occasionally did battle with the Japanese, but you never got the feeling that he or his crew were in danger from anyone but their immediate superior, Capt. Binghamton.

    The POWs of Stalag 13, however, were another story. Yes, 95% of the time the focus was on Hogan and his men pulling scams on the Nazis and having fun sabotaging their work, but the remaining 5% of the time things could get uncomfortable. A decent number of stories contain scenes in which Hogan's life (or those of his men) are in peril. And as the show went on, characters like Maj. Hochstetter did not fail to notice that many of the Nazis' worst defeats were centered around Stalag 13.

    Of course, this being a '60s sitcom, you know and I know that nothing really bad is going to happen to Hogan or his crew. Yet these moments always had a genuine tinge of tension to them.

    But overwhelmingly the focus of the show was around conning the Nazis, disrupting their war plans and in general making fun of them. Bob Crane played Col. Hogan as a born con artist, able to come up with bold, brash scams at the drop of a hat. However, as many actors can tell you, playing the villain is infinitely more fun than playing the hero, and that seems to go doubly well for comedies.

    How Werner Klemperer must have loved playing the pompous, cowardly Col. Klink! And John Banner as the pacifist, food-loving teddy bear, Sgt. Schultz...watching the two of them together (or separately with Crane), you begin to realize that it was they, not Bob Crane, that had the best roles in the show. Watch Schultz say something lovably idiotic, and Klink snap from a smile to a frown in an instant barking, "Dummkopf!"

    It is these two, and to a lesser degree the various actors who played the heroes, that made the show so good, I am convinced. Each week Klemperer and Banner virtually put on a comedy acting clinic -- they were that good. And when you added the piggish Gen. Burkhalter and that ultimate Angry White Man, Maj. Hochstetter, things only got funnier. All of these characters were played so well that they remain hysterically memorable more than 40 years later.

    Try not to concentrate on the inherent absurdity of pulling this stuff off on the Nazis week after week, year after year, and getting away with it, and concentrate more on the exquisite comedic performances, and you will have yourself one hell of a good time.
  • comment
    • Author: Rit
    "Why would anybody make a comedy about a WWII prison camp?"

    Because the best way to fight evil, especially a snobby evil like Nazism, is to make fun of it.

    Suppose some high-ranking Nazi--let's say Heinrich Himmler, head of the Gestapo--could be magically brought forward in time and shown one film about World War II... If he saw a serious documentary or drama about the war, one that played up how fierce and cruel and efficiently nasty the Gestapo were, he'd be very proud of his organization. But if he saw an episode of "Hogan's Heroes"--especially one that features Major Hochstetter being fierce/cruel/Gestapo-nasty, with the studio audience laughing their heads off--he'd probably burst a blood vessel!

    "Hogan's Heroes" is a situation comedy about a group of POWs whose insanely complicated undercover ops always involve fooling their stuffed-shirt kommandant. It doesn't make fun of real POWs or what they went through; if anything, it glamorizes them quite a bit. What it does do is make fun of people who think they're superior. Sure, it overplays how ridiculously silly the Germans were and how much damage the POWs could do (without getting shot), but exaggeration is the essence of comedy. Would "I Love Lucy" or "Gilligan's Island" be funny if only realistic things happened?

    Granted, the basic plots can get pretty predictable--the heroes have to smuggle something or someone out of camp/out of Germany, or their operation is in danger of being discovered, or they have to sabotage something or save Klink/Schultz from the Russian front. Many episodes do have clever plot twists, but on the whole I give the plot quality a 7 out of 10.

    The scripting, on the other hand, gets 10 out of 10. It's consistently stellar over the 168 episodes, with unforgettable lines like "I see nothink!", "Why is it, Kleenk, that you are always happier to see me than I am to see you?", "Love your barbed wire", and Major Hochstetter's two favorite remarks: "What is this man doing here?!?" and "BAAAH!"

    The acting was fairly good, 9/10 overall; the regulars and recurring characters tended to be better than a lot of the one-shots. A few of the actors deserve special mention:

    John Banner (Sergeant Schultz) gets 10 out of 10. He was one of the world's great comic actors, and "Hogan's Heroes" couldn't have existed without him.

    Larry Hovis (Carter) also gets 10 of 10. Not only is Carter one of the world's cutest dumb guys, in my opinion, but his Hitler impersonation is the best in TV history!

    Howard Caine (Major Hochstetter) provided something sorely needed on this slightly overoptimistic show--a dangerous Nazi. If it weren't for the intercom in the coffeepot, Hochstetter would have uncovered the heroes' operation several times over.

    And let's not forget Ivan Dixon (Kinchloe)! One year before Lt. Uhura, he became TV's first black communications officer.

    Hogan's Heroes is a very funny, family-friendly situation comedy about outwitting "superior" bureaucrats, keeping your sense of humor in tough situations, and never giving up--especially when a job is impossible.
  • comment
    • Author: Huston
    Hogan's Heroes is one of TV's wittiest and most creative shows. It stars Bob Crane as the scheming, schmoozing Col. Hogan, U.S. Army Air Corps. Werner Klemperer portrays the pompous yet inept Col. Klink, who proudly boasts that "no one has ever escaped Stalag 13." John Banner plays the lovable Sgt. Schultz, an oaf who sees and knows "NNNNNNNOTHING! NNNNNNNOTHING!" Rounding out the cast are French concentration camp survivor Robert Clary as Cpl. LeBeau, an expert chef; Richard Dawson as RAF Cpl. Newkirk, a clothing and decoy expert; Ivan Dixon as the brilliant radio expert Sgt. Kinchloe; Larry Hovis as Sgt. Carter, a master of disguises and mischief; and Leon Askin as the short-tempered German General Burkhalter.

    The actors did an outstanding job at lampooning the Nazis. The relationship between Burkhalter and Klink can be compared to the relationship on The Simpsons between Superintendent Chalmers and Principal Skinner, except it is often funnier. The writers were brilliant -- the schemes they wrote for the prisoners were creative and hilarious. However, with each episode, the viewer wonders how the POWs will pull off their plots, because they get more and more difficult to execute. All in all, the show is fun and witty. I cannot believe TV Guide rated it as one of the worst shows of all time. They should be "sent to the Russian front" or given "30 days in the cooler." Diiiiiiiiiiiiiiiiiiiis-miiiiiiiiiiiiiiiiiiiiiissed!
  • comment
    • Author: Ballazan
    Over the years I've heard how offensive or impossible Hogan's Heros was. Usually, in the first case, it was people confusing POW camps with concentration camps. In the second case, those who think that prisoners having the run of the camp, with a maze of secret tunnels and factories, is so ridiculous that it makes them angry, I'd like to refer them to Castle Colditz. This was Germany's ultimate "escape-proof" POW facility. This is also the place where, amongst other things, British prisoners built a full sized aircraft (a 2 man glider) right under the German's noses. Only the end of the war kept them from using it. Read any of the several books about the place, like Reid's "Escape from Colditz" and "Men of Colditz", and you'll discover that Hogan's Heros was not such an exaggeration. One of the other virtues of the show was to attack the Aryan superman myth. Nazi Germany is easily an ultimate villain, but there's still a lingering perception that, though villainous, they were all somehow bigger, better, and a bit larger than life, a nation of Rommels. But Nazi Germany, like everywhere else, had its fair share of cowards and incompetents (the Nazi party tended to attract them), as well as just ordinary people. And in Hogan's Heros we have a rare chance to meet these Klinks, Burkhalters, and Schultzes, presented with satirical exaggeration. So besides being a funny show, it was a virtuous show... for if there is one thing Evil cannot tolerate, it's mockery.
  • comment
    • Author: Cezel
    This is one sitcom that is very underrated in the eyes of too many people. It seems to me that a good majority of the people that watch this show either don't know the meaning of the word "spoof", or have no sense of humor. This show is the quintessential spoof. That's all. And like every other sitcom I have ever seen, it was not produced to be taken seriously. This is not a WWII documentary and they were not in a concentration camp. The Allies always won and the Germans always looked stupid. That's not always how it worked out in the real war. Plus, 4 of the cast members were directly affected by the war; Werner Klemperer, John Banner, Leon Askin, and Robert Clary, the latter of whom lost relatives in concentration camps. If they didn't have a problem with the show, why should anyone else? This show was cleverly written, excellently casted, and just plain funny.
  • comment
    • Author: Malahelm
    Most people don't realize that many of the actors who appeared on HH were persecuted by the Nazis in real life. I think that should help to counter the argument that the show trivialized the sufferings of many under the Nazis. Otherwise, why would John Banner, Werner Von Klemperer, Robert Clary, and Leon Askin (General Burkhalter) consent to do the show? I think they took the parts as a sort of revenge against the Nazis who oppressed them. John Banner and Robert Clary were actually inmates in concentration camps. Werner Von Klemperer had to flee Nazi persecution (because his father, the famous conductor of the Berlin Philharmonic, Otto, was Jewish). Leon Askin's family were murdered in the Treblinka Death Camp.
  • comment
    • Author: ACOS
    TV shows like MASH and Hogans Heroes are funny, because, they're set during the war. why comedy and war make a good show is a mystery we never will find out.

    In hogans heroes, a group of P.O.Ws(prisoners of war) have set up an underground operation in a series of tunnels under a stalag that has a colonel that is 2 bricks short of a load. these prisoners, do many missions through messages they get via London. and sometimes these messages are plain weird, or plain impossible. but the group of P.O.Ws figure something out to get the job done.

    This show is down-right funny. bob crane's performance as hogan is great. Werner klempler (colonel klink) plays his part right. and the rest of the crew do it perfectly.

    the mark is 10/10
  • comment
    • Author: Enone
    WARNING SPOILERS Hogan 's Heroes is one of the best shows and in my opinion and should have kept going for several more seasons. One of my favorite episodes is when Shultz becomes the commandant the camp and he abuses his power immediately and Hogan and his men plead to have Klink back in command. Overall, one of the best shows in syndication and best of all time.If you like comedy and ww2 you should like Hogans heroes. The reason I gave it an 8 and not the coveted 10 was because of Sgt. Baker who replaced Sgt. Kinchloe in season 6. I didn't care for this move at all. I liked colonel Klink and Hogan the best. Hogan almost always got the better of Klink. But Klink needed Hogans help to remain in control. The cast was extremely well cast and a great show.
  • Complete series cast summary:
    Bob Crane Bob Crane - Col. Hogan 168 episodes, 1965-1971
    Werner Klemperer Werner Klemperer - Col. Klink 168 episodes, 1965-1971
    John Banner John Banner - Sgt. Schultz / - 168 episodes, 1965-1971
    Richard Dawson Richard Dawson - Newkirk / - 168 episodes, 1965-1971
    Robert Clary Robert Clary - LeBeau 167 episodes, 1965-1971
    Larry Hovis Larry Hovis - Carter / - 166 episodes, 1965-1971
    Ivan Dixon Ivan Dixon - Kinchloe / - 142 episodes, 1965-1970
    All rights reserved © 2017-2024 hd.thomson-multimedia.com