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Short summary

Sleaze queen Divine lives in a caravan with her mad hippie son Crackers and her 250-pound mother Mama Edie, trying to rest quietly on their laurels as 'the filthiest people alive'. But competition is brewing in the form of Connie and Raymond Marble, who sell heroin to schoolchildren and kidnap and impregnate female hitchhikers, selling the babies to lesbian couples. Finally, they challenge Divine directly, and battle commences...

The dog feces in the infamous final scene are real. According to director John Waters, the dog was fed steak for three days beforehand. Divine's reaction to eating it was real.

During filming, Divine was arrested for stealing, and in her defense said that she was a method actor playing a criminal.

According to production designer Vincent Peranio, the art department's budget was about $200. Half went to purchasing the trailer, half to decorating it. "And then after that (running out of money), we would just steal things."

A chicken actually died while filming the sex scene in the shed between Crackers and Cookie. One of the deleted scenes that was restored in 1997 actually involved cooking the dead chicken for dinner.

Elizabeth Coffey (Chick with a Dick) was a pre-op male-to-female transexual who had already undergone hormone therapy to develop breasts and female features at the time of filming. She had surgery to remove her penis a week to the day her scene was filmed, and appears as a completely female character in Waters' next film, Female Trouble (1974).

In the film MIDNIGHT MOVIES, John Waters says in part "I was high when I wrote this film. I was NOT high when I made it."

The film has one of the longest front credits sequence of all time. Every actor and every single extra featured in the movie appears listed in it.

After eating the dog feces, Divine called a hospital emergency hot line the night after filming the scene pretending to be a mother asking that her child ate dog feces, they told her the worst thing that could happen was the boy might get white worms.

At his request, the Singing Asshole is not credited, and John Waters maintains that he "certainly will remain nameless. It's his choice." This individual does, however, apparently still disclose his involvement in the film to friends.

In some theatres, patrons were given a "Pink Phlegm-ingo Barf Bag."

Divine and the party guests are actually inhaling amyl nitrate during the party scene. At the time of filming, it was still legal to buy such "poppers" at the drug store. If you watch Divine's face during the scene, she suddenly starts laughing uproariously. John Waters says that's where "it kicked in".

John Waters has stated that the only scene in the film he regrets is the unsimulated fellatio sequence between Divine and Danny Mills; he claims it was awkward to film because the two actors were friends. He also feels it is the most 'dated' part of the film; Deep Throat (1972) had just been released and this scene was Waters satirizing the rise of 'porno chic'.

Years later, John Waters was asked by a reporter why Divine consumed dog feces for the movie. Waters replied, "It was just a little piece of dogshit, and it made her a star."

Filming only took place on weekends; John Waters raised money during the week.

When Connie and Raymond call the police to break up Divine's birthday party, Raymond gives the police real directions, which would have easily guided real police (or anyone else, for that matter) to the site of the trailer.

In the original script there was to be a scene in which Connie Marble's hair catches fire. Mink Stole initially agreed to do the stunt (the movie's shoestring budget meant they couldn't afford a professional stuntwoman) before eventually changing her mind. John Waters said on the audio commentary track that he was happy that Stole changed her mind in retrospect because she would have ended up with third degree burns on her head and he would have ended up in jail.

Director John Waters wrote a sequel to this film, entitled "Flamingos Forever". It takes place 15 years after the action of the original film, showing Babs' return to Baltimore with Cotton, Crackers, Miss Edie, and her new grandson Dwayne, an 8-year-old transvestite. Their foe in this film is Vera Venninger, Connie Marble's sister, and her husband, Wilbur, a necrophile who runs a mortuary. Troma Films offered to finance the picture for $600,000 but it was never made because of the death of Edith Massey, and later that of Divine, whose roles were integral to the plot. Waters was also VERY uncomfortable with TROMA's editing facilities, which at that time were Moviolas from the very early days of film editing. The screenplay to this work is available with those of Pink Flamingos (1972) and Desperate Living (1977) in a collection entitled "Trash Trio".

Connie and Raymond's car belonged to a jive-talking black man that John Waters met during pre-production in Baltimore. In exchange for using the car, Waters attempted to work the man into some scenes he made up on set, where Connie would talk to a magic mirror and say, "Mirror, mirror, on the wall, who is the filthiest of them all?" A black pimp in a zoot suit and fedora would then appear in a cloud of smoke and say, "Divine is." Waters couldn't get the special effects for the scene to work correctly, though, so it was cut from the final product.

After filming the notorious scene in which he ate dog excrement, Divine immediately washed his teeth using the toothbrush of someone he didn't like.

Some of the music was changed for the 1997 re-release, most notably at the beginning of the party scene, where "Sixteen Candles" was replaced with "Happy, Happy Birthday, Baby".

Cookie mentions a tabloid story about Harris Glenn Milstead being released from jail and Divine says that she hadn't heard that name in years. Harris Glenn Milstead was Divine's own real name.

According to director John Waters, the film's budget was so tight, that he could not afford "A" and "B" reels. The work print was in effect the master copy.

Ranked #5 in Entertainment Weekly's "Top 50 Cult Films of All-Time."

Marilyn Manson sampled Mink Stole shouting "Burn you fucker!" for his song "Dogma."

David Lochary and Mink Stole designed and colored their own hair for the film. Lochary reportedly colored his with a blue Magic Marker.

John Waters originally wanted a man named "Mr. Ray" to be the narrator of Pink Flamingos. Mr. Ray was famous for his hair-weave radio ads and for his Baltimore accent. Mr. Ray refused, so Waters recorded the voice-over himself, imitating Mr. Ray's voice as "Mr. J."

The house that Connie and Raymond Marble live in together was rented by John Waters and Mink Stole. Interiors were filmed in Stole's part of the house with minimal redressing.

At the "trial" scene at the end of the movie, one of the reporters is filming it. This was actually Steve Yeager and his cameraman, who were shooting material that ended up in 'Divine Trash (1998).

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

In the deleted scenes, Director John Waters tells of a character named Patty Hitler whose scenes were cut from the film, Patty is a friend of Divine and tells her where Connie and Raymond live, she is also adorned in swastikas and other Nazi attire. Although her scenes are cut from the film, you can still see her in the crowds of the birthday party scene.

There was a "Revenge On Cookie" subplot, cut from the final film.

Danny Mills (Crackers) and Linda Olgeirson (Linda) never acted again, only appearing in documentaries. For many of the Party Guests and Extras, this was their only ever appearance on film.

John Waters: [manson] In one of the scenes of Divine sashaying through Baltimore, she walks past graffiti that says "Free Tex Watson". There is also a framed picture of Susan Atkins in Connie and Raymond's apartment.

User reviews


  • comment
    • Author: roternow
    I first saw Pink Flamingos in the mid 70's, back before VCRs. A college dorm had rented a print, and in a drunken state I've not achieved again this past quarter-century, I went to see it. Having finally seen it again only recently, this time sober, I'm here to tell you... it looks a hell of a lot better when you're drunk. Those who call it "great" or a "masterpiece" are plain wrong, they don't recognize what they are seeing. The camera work is a hair's breadth above home movies; the acting and story are... well, they are better than in porn flicks and even some straight-to-video movies, but, jeez, not by much. And then there is the primary purpose behind Pink Flamingos -- to make the most disgusting, revolting movie possible, perhaps even conceivable.

    But... BUT... Pink Flamingos is distinctive. Even if you - yes YOU out there - the reader, wanted to make the most disgusting movie in the world and even if you had the money and the skills that John Waters lacked in 1972, you couldn't make a film as good as he did. Yes, GOOD! You couldn't because, first of all, I doubt you have the same quality of acquaintances that Waters had and put into into his early movies. And it's not just a matter of WHAT they will do, but HOW they do it. Waters' actors had a style, no matter how bizarre, that is rarer than most depravities. Could YOU recognize the virtues of, let alone even find, someone like Edith Massey? I doubt it. Which leads to the second point.

    Pink Flamingos has panache! It has a free-wheeling sense of daring-do that borders on innocent fun. So, although the movie is so disgusting that I wish it had never been made, it is not a squalid film. And I don't think YOU, the reader, or anyone other than Waters could have pulled that off. It doesn't make Pink Flamingos a masterpiece. It does make it unlike any other film.
  • comment
    • Author: Marilace
    "Pink Flamingos" is a cult classic.The plot of this film revolves around the throwdown challenge to Divine's supremacy as the filthiest person alive."Pink Flamingos" contains some memorably repulsive scenes like a sex scene with a chicken and the scene where Divine eats fresh dog feces.Yes,the movie is shocking and funny at the same time,but the biggest laughs come from the actors' lines.Check out especially this line from Divine:"Kill everyone now!Condone first degree murder!Advocate cannibalism!Eat s***!Filth is my politics!Filth is my life!".On the whole,I really enjoyed this film.Still its tagline "An Exercise in Bad Taste" should be taken to heart and even those used to the gross out movies today may find this gem hard to stomach.Highly recommended.
  • comment
    • Author: Isha
    On the surface "Pink Flamingos" could easily be dismissed as a nostalgic piece of shock cinema. With an unparalleled level of notoriety -- based almost entirely on the final scene, the film has become a curiosity of sorts and a right of passage for those testing their own boundaries of decency. Beneath this seedy exterior however, lies a brilliant and biting satire of society's obsession with fame and the lengths one will go to in order to achieve it. This theme is relevant even more so today than it ever was. Just consider the over abundance of reality TV shows, for example 'Fear Factor' – a show boasting contestants eager and willing to outdo one another by performing a variety of dangerous stunts and eating unimaginable specimens – how is this any different than the characters in 'Pink Flamingos' attempting to outdo one another in an effort to claim the dubious title of the filthiest people alive? Society is (and has always been) captivated with sensationalism; from the Roman era and the coliseum packed with bloodthirsty audiences, to modern day and the likes of the 'Jerry Springer Show' (of which Babs Johnson and the Marbles would make excellent guests!!). The purpose of "Pink Flamingos" is to not only put a hilariously depraved spin on the fascination with celebrity but to also provide a cautionary tone to the dissolution of society itself. The performances are all top-notch; especially the ever-dependable and over-the-top Mink Stole, as heartless Connie Marble; and scene stealing Edith Massey, as Edie 'The Egg Lady'. It's amazing that the film is over thirty-years old because the message is just as fresh today as it was back in 1972.
  • comment
    • Author: Gholbirius
    Like those who listened to radio reports about the attack on Pearl Harbor, every one who has ever seen PINK FLAMINGOS can tell you exactly where they were when they first saw it--and some thirty years later the movie is still one of the most unspeakably vile, obnoxious, repulsive, and hilariously funny films ever put to celluloid, guaranteed to test the strongest stomachs and the toughest funny bones.

    Filmed with a close-to-zero budget and some of the shakiest cinematography around, PINK FLAMINGOS tells the story of two families that compete for the tabloid title of "The Filthiest People Alive." Just how filthy can they be? Plenty: the film includes everything from sex with chickens to what I can only describe as a remarkable display of rectal control to a heaping helping of doggie doo, and I guarantee that you won't want to eat an egg for at least several weeks after seeing it.

    The cast is either wonderful, atrocious, or atrociously wonderful, depending on how you look at it. The star, of course, is Divine... and to describe Divine as the BIGGEST drag queen on the planet would the understatement of the year. She is a mammoth creature given to BIG eye makeup, BIG orange hair, and BIG expressions--she is the Charleton Heston of drag, and whether she is almost running down a jogger, pausing to use the bathroom on some one's front lawn, or startling real-life shoppers by taking a stroll along a Baltimore sidewalk she is both unspeakable and unspeakably funny. Others in the cast include Mary Vivian Pearce, Danny Mills, and the ever-appalling Edith Massey as members of Divine's family; and Mink Stole and David Lochary as the white-slaving, baby-selling couple who challenge Divine's status.

    It should be pretty obvious that PINK FLAMINGOS is not exactly a movie that will appeal to just every one, and viewers who know director John Waters only through such later films as HAIRSPRAY and CRYBABY will be in for a major jolt. But if you want to see something so completely different that even Monty Python couldn't imagine it, this is the movie for you. Just make sure you eat before you see it, because you probably won't want to eat afterward--and you might want to keep a barf bag handy just in case.

    Gary F. Taylor, aka GFT, Amazon Reviewer
  • comment
    • Author: Dddasuk
    Babs Johnson (Divine) lives in a trailer with her son Crackers, her daughter Cotton and her mother Edie (Edie Massey). She's in competition with a couple named Connie and Raymond Marbles (Mink Stole, David Lochary) to be named the filthiest person alive. The film shows their attempts to outdo each other.

    This film is very much NOT for everyone. It's a in your face no holds barred assault in bad taste. Crackers has sex with a woman with a live chicken between them while his sister watches; the Marbles pick up female hitchhikers, impregnate them, keep them chained in the basement and sell the babies to lesbian couples; Divine and family have a party which includes cannibalism etc etc. It's disgusting but, in a way, not unwatchable. It's SO over the top and is so unapologetic about it that it's kind of fascinating. As director John Waters might say, it's bad taste done well. Also it's kind of amusing to watch--the acting is so wretched (especially by Massey) that you just watch it in disbelief. A friend laughed out loud at how bad Massey was (she improved in later pictures).

    This is NOT for people who are easily offended. Even though it's over 30 years old it's STILL shocking. However if you have an open mind and can take a lot of extreme behaviour this is a must-see. The only part that really was too much is what Divine does at the very end.
  • comment
    • Author: melody of you
    There is no film to put beside Pink Flamingos by way of comparison. It is a film genre of it's own. I read and hear reviews of this movie that express disgust and horror and I picture John Waters chuckling. This was the intent, it was meant to upset the status quo and in "politically correct" times that we live in, isn't it a small surprise to see this film come to the forefront again? This is a movie that will freak out the uptight for as long as it exists in any media. It was meant to. As much as "Clockwork Orange" talked about "ultraviolence" this movie is all about ultra-bad taste. We can numb ourselves to sex and violence but Pink Flamingos is a movie you just will never get used to. There will be something in this movie that will get to you. As a last resort to make sure everyone is offended before you leave the theatre, John includes the always discussed poodle scene. No reason for this scene, except to make sure he gets you and also to make sure you leave talking about it. Obviously filmed on a budget, and using Water's stock cast, this is a movie simply about a contest to see who are the filthiest people alive. All the characters are bizarre in one way or another. This movie reminds me of "Rocky Horror Picture Show" in that everyone in the film has something odd about them and both movies joyfully celebrate these uniquenesses. Not a movie to buy for Mom on Mother's Day... but worth seeing just to say you did.
  • comment
    • Author: Shazel
    My 10/10 rating of course applies only if you're willing to get completely and utterly grossed out*. Because you know that only John Waters can do that. In "Pink Flamingos" (his directorial debut), he portrays two families locked in combat to see who can be the filthiest person alive. What Divine famously does at the end pretty much answers the question. But even aside from that, the movie is basically an excuse to shock people beyond what anyone would usually imagine. You had better have a very strong stomach to watch this movie. Even some of the lines are rather mind-blowing.

    *Otherwise, avoid this movie like you would the ebola virus!
  • comment
    • Author: Xanzay
    The filthiest person alive, Divine, is using the codename Babs Johnson and living in a trailer in the woods with her retarded mother Eddie (Edith Massey), who loves eggs; her mad hippie son Crackers (Danny Mills); and her mate Cotton (Mary Vivian Pearce). The envious couple Connie (Mink Stole) and Raymond Marble (David Lochary), who abduct and impregnate female hitchhikers to sell their babies to gay and lesbian couples, using the money to invest in heroin and sell in schools, hire Cookie (Cookie Mueller) to have sex with Crackers and spy Divine to compete for the title of "the filthiest people alive". When the competition begins, Connie and Raymond Marble learn why Divine has this title.

    The underground "Pink Flamingos" is outrageously sick, disgusting and grotesque… but also funny. John Waters' intention is certainly to shock the audiences and is certainly very well succeeded. The bizarre characters present some of the most scatological and gross scenes I have ever seen, like Divine chewing excrement of dog, or Crackers "singing" with his anus, and there is no limit for the sick mind of John Waters. The viewer has to have empty stomach to see the whole movie. In the Extras of the DVD, John Waters presents deleted scenes, inclusive with the fate of Cookie. The trailer used to promote the film in 1972 is hilarious, since it does not show any scene, but people being interviewed about the movie. My vote is five.

    Title (Brazil): "Pink Flamingos"
  • comment
    • Author: Golden freddi
    This movie has absolutely no cinematic value. Orgasmo would win an Oscar compared to this piece of trash. I don't see anything entertaining about screwing a chicken. John Waters stated that they got the chicken from a slaughterhouse and it was set to be killed anyways. WHO CARES?! Waters is going to die someday, too. Maybe we should just shove a watermelon up his butt and see how much he's willing to do for the sake of a movie. At least he would have a choice. The chicken was raped and killed. It doesn't matter if you like chickens or not, or what worth you think they have. They are a living creature that does feel pain. And anyone who is okay with that is a morally desensitized individual. I pity them.
  • comment
    • Author: Winenama
    A very strange, disturbing but intriguing film. I don't think I ever needed to see what a human being can do with his butt, and I doubt if I'll ever want to see it again. That said, there is much to be amused by, like Divine's take on Jayne Mansfield's classic walk in "The Girl Can't Help It" and putting slabs of meat between her legs in a grocery store. A gritty feel very much like a Russ Meyer film. Generally poor acting, with the notable exception of Divine.
  • comment
    • Author: Asyasya
    What's there to say about "Pink Flamingos"? It is beyond criticism or even explanation because it doesn't really aspire to be like any other movie you've seen. You will either get it, or you won't, laugh at it or roll your eyes in disgust (or both). John Waters is an odd filmmaker (putting that mildly), mixing both innocent, childlike humor with shockingly offensive moments intended to...well, who knows what his intentions were. It is like a form of assault, albeit a funny one.

    The thing that makes Waters's humor so infectious and effective is that his characters inhabit a world that can seem both alien and completely familiar to the viewer, like the petty rivalries that form the plot of "Pink Flamingos". Surely everyone has experienced this kind of thing at some point, but almost certainly the matter at stake was not the title of "The Filthiest Person Alive." What makes the movie compelling viewing for me is the way that Waters creates giddy, self-contained environments and doesn't let you in on the joke right away. The people in his films are completely in tune with one another. For instance, when Cotton tells Babs that she doesn't want to accompany her into town because Crackers is bringing his "lady friend" out to the trailer, Babs reacts with a knowing smirk and says to her, in a conspiratorial aside, "That little shed's just PERFECT..." At this point, we do not know yet that Crackers plans to take his "lady friend" out to the shed to thrust live chickens at her naked body while Cotton watches orgasmically through a window, but this weirdness is totally commonplace and understood by the characters in the fictitiously degenerate world that Waters creates.

    Another example would be the conversations between the girls in the basement and Channing, the Marbles' deviant butler. The first time we see them, Waters cuts jarringly from a scene in Connie's cozy office to Channing descending into the basement, where we see that there are two women down there, one dead and one very much alive and p***ed off. Susan is not a cowering victim, but is enraged and abusive to Channing, leaping up to launch a full-scale verbal attack on her jailer. They both have a weird understanding of the bizarre situation, and she is not so much intimidated by her kidnapping as she is violently insulted and righteously furious. She does not let up for one second while Channing is in her sight, and the two scenes that feature their delirious banter are two of the comic highlights of the film. Later in the film, when Divine and Crackers break into the Marbles's home and discover their crimes of keeping abducted women in their basement, it represents the total lack of support that Divine and her family have for the brand of depravity that the Marbles are pandering--here is something Divine is unfamiliar with, a corruption devised by her newfound rivals, and she despises it. Furthermore, while kidnapping does not seem like something Divine would think twice about, she is indignant that the girls are being held down there and happily sets them free, relishing the revenge that they take on Channing.

    At the other end of the filth spectrum, Waters occasionally reminds us of the line between his twisted fantasy world and the "real" world. The first time we see Connie, she is belittling a minor character named Sandy Sandstone, who has never heard of Divine. Cookie, on the other hand, reacts with a hilariously matter-of-fact evaluation of Divine's title as the "filthiest person alive", revealing that she inhabits this world of unspoken and understood lunacy as well.

    Something also must be said for the way the players are in touch with their respective roles, especially Divine, who doesn't miss a note. Not once does he falter in the ridiculous garb and character he's been given, and it takes "Pink Flamingos" to a new level or weirdness. People actually believed Divine was like this in real life, and it's easy to understand why, because while watching the movie, you're not really thinking about the movie, you're thinking about these people who made it. Since they're really doing the outrageous things in the script, you start to think that maybe this is not a story but a bizarre documentary.

    But even more so, "Pink Flamingos" is not so much a movie as it is an event, or something that happens to you. Even though its shock value is mostly gone for me now (I say mostly because the a**hole scene and the chicken scene still make me wince), I still find this film to be hilarious and habit-forming.
  • comment
    • Author: SARAND
    "Pink Flamingos" will always be known as the film with "that doggie-poop scene". Starring the divine Divine, the film explores the outer limits of sick humor. Divine and her brewd compete with another family to see who is "the filthiest person alive". Have a guess at who'll win that one!?

    John Waters' early "camp" films are not for the average viewer. You must appreciate this man's form of art, but it definitely IS art! Later films like "Hairspray", "Cry Baby" are geared at a main stream audience, for which the filmmaker had to "tone it down" considerably. For the College Camp Scene though, there is no substitute for the original 70's camp mastrpieces.

    For anyone who is a John Waters virgin and would like a recommendation for the next "project", I suggest "Female Trouble" . There's so much more to John Waters' vision, realized through his muse Divine. The visually stunning, grotesquely overweight transvestite is quite credible as "Dawn Davenport", the high schooler who burned her small-town bridges when she didn't get her "cha-cha heels" for Christmas in "Female Trouble". There are many scenes that are definitely not for the squeamish, highlighted by the moment where Dawn gives birth (alone) and bites the ambilical cord (like primates would do), then, without losing a beat, gets up to confront the newborn's father via a pay phone.

    If "Pink Flamingos" entertained you without giving your stomach a turn-over, then you can handle anything delivered by the creative genius John Waters. As all directors, Waters has had a few duds, even if they were box office successes. Avoid the made-up-as-they-go "Pecker", a total waste of time. The musically sparcling "Cry Baby" was trashed by critics, but the sound track makes up plenty for a lousy script. The one to beat is the 1988 "Hairspray", Divine's swan song. "Pink Flamingos" is the ONE that started it all and put Waters on the cult-city map of the world! Just to be safe, have the movie first -- then the dinner!
  • comment
    • Author: Shistus
    After 38 years, "Pink Flamingos" is still one of the most brilliantly distasteful films ever brought to screen. John Waters is widely known for very crude humor and grotesque perversions as a main theme of his films, and this is doubtlessly his most extreme, and most memorable film. The obese transvestite Divine plays Babs Johnson/Divine, matriarch of a demented family, who has been justly crowned the filthiest person alive. Divine's family members are a granny obsessed with eggs, her son Crackers (Danny Mills) who has slightly unorthodox coital preferences, and a Miss Cotton (Mary Vivian Price), their trailer-mate who has a somewhat unorthodox relationship with Crackers. An equally bizarre married couple, the malicious Connie (Mink Stole) and Raymond Marble (David Lochary), who abduct women and have them impregnated by their house servant in order to sell the babies to lesbian couples, are obsessed with stealing the title as the filthiest people alive from Divine and her illustrious family...

    This small summary will hardly prepare anyone for the outrageously filthy and magnificently offensive scenes in "Pink Flamingos". Even today, this film includes some of the grossest sequences ever captured on screen, and one is often not sure whether one is about to puke out of disgust or laughter. Some disgusting highlights include Crackers having a date that includes sex acts with chickens, a man with a 'singing' anus, Divine performing oral sex on her film son, and Divine eating actual dog-crap (for real!). This truly isn't for the easily offended, and even I, an avid fan of controversial cinema, find it hard to look at at times. However, it is a positive disgust, as the gross stuff on screen is simultaneously insanely funny. I first saw the film several years ago, and, in spite of knowing about its reputation, I wasn't prepared for it to be such a magnificent exercise in epitomizing bad taste. I have since seen it several times, showing it to other people, who were usually about as surprised as I was when first seeing it.

    "Pink Flamingos" is a film that is absolutely gross and should probably be avoided by squeamish, easily offended pansies. However, it is also an incredibly hilarious gem that must not be missed by anybody interested in crude black humor and cult-cinema. This film truly is one of its kind, and simply has to be seen to be believed. I cannot even imagine what controversy it must have caused in 1972, when it still stands proudly as the ultimate highlight of grossness and filthy hilarity. See it!
  • comment
    • Author: Arryar
    if i could rate it a zero i would , coming from someone who likes shock/exploitation films of the time and Waters overall i must say this is useless.

    It does nothing , serves nothing , an idiot with a camera and a urge to prove his cleverness by rebeling against social standards is all this comes off as.

    Its entirely amateur , both in principle and execution , it doesn't have a point , its digusting for the sake of disgusting ,obscene with the wit of a neanderthal , its useless.

    Someone said Waters was probably "chuckling" over all the bad press and disgust others gave with this film , but why? If i made a short film depicting a man in a bathroom taking a sh*t for ten minutes straight surely it would receive the same accomidations but why would i be proud or "chuckle" at that?

    Would it be because i am so unintelligent that i have to resort to this so i can say "HA! Take that censors and mainstream! Im so rebellious ill do whatever i want and film it!" No.

    Waters shouldn't be proud of this mess , fans of waters shouldn't watch it , its useless , that is , without any use.

    Its doesn't even fit under the criteria of art for arts sake.

    To like or defend this movie is to defend something that was designed purposely as being anti-culture to be pushed for the mainstream audience , in modern terms this film is the Hot Topic of films.

    Useless and Obsolete. A Poser film that demands it be acknowledged as rebellion .
  • comment
    • Author: lets go baby
    Someone told me that Pink Flamingos was, in a word, "insane". Now I'm doubting whether this guy actually ever saw it, because that isn't the way I would summarize it in one word. Disgusting, absurd, um, more disgusting...would do it. Every time you think it can't get any more filthy, it does. One of my particular "favorites" was when Divine had her birthday party and when the cops came to bust it up, they were butchered and eaten by the guests. I admit that it's one of those movies where it's so grotesque you simply can't look away, but this is by no means a creative work of art. It's pure shock value.

    On the upside, it makes the Jackass guys look like a bunch of pussies.
  • comment
    • Author: Fountain_tenderness
    In 1971, a legend was born. An outrageous, blasphemous freak of nature which shocked disgusted, and oddly reflected the times. In 1971, John Waters would perfect his B-movie making skills with his colorful, flamboyant, mean-spirited epic that would ultimately ensure Divine as THE cult icon of the 70's, and push the boundaries of bad taste as far as they would go. This is your worst nightmare made into the greatest cult comedy of all time. This is Pink Flamingos, the undisputed filthiest piece of filth in the history of film.

    I bought this atrocity of a film years ago. Even as an obsessive fan of B-cinema, I was completely oblivious to it's reputation, I mean, I seriously had no idea what I was about to watch. I'll never forget those first words uttered, " It's 10:30, Babs, Babs, why isn't the egg man here"?

    At that moment, I hadn't the vaguest idea as to what was next. All I knew was that the possibilities were endless. There was no telling how the next hour and 40 minutes could have gone. I just stared in awe, with jaw firmly on floor, and witnessed an epic battle. A battle of filth vs. evil.

    Through the ages, certain questions have plagued humankind. Questions like, where do we come from? What the hell's the deal with the Bermuda Triangle? And, Who's filthier, Divine and her entourage, or Connie and Raymond Marble? Actually, no one has ever asked that. Everyone already knows the answer.

    A random, and might I add, a rather unrealistic story, where a lot of things go shamelessly unexplained. Things such as, why would the Marbles assume they are filthier than Divine just because they kidnap girls and have them impregnated by the butler and sell the babies to lesbians? That's not that filthy... it's just plain mean.

    Of course, there's much more to it than that. Soon, the Marbles set they're sights on Divine and her entourage. Once they get under Divine's skin, we are forced to sit through castrations, public exposure, incest, cannibalism, shrimping, unhealthy obsessions, bestiality. The list goes on, and on... and on.

    Not exactly an organized contest, mind you, but rather a not so well-thought-out, yet devious plot by 2 jealous perverts, to dethrone a Queen. This time, Waters holds nothing back, and Divine is the very definition of outlandish. There is truly something to offend even the crudest of individuals. I love this movie.

    Once or twice every decade, a B-movie director comes along and creates something either so bad, so hilarious, or in this case, so disgusting, that it transcends B-entertainment all together. Pink Flamingos is just not what you would expect. An understatement? Of course, but true, nonetheless. A look into the mind of a demented man-child with a rebellious streak, a sick, yet unique sense of humor, and some seriously odd friends. Pink Flamingos is more than just the Waters masterpiece. Pink Flamingos is John Waters, which is kind of an intimidating thought. I don't care if you thought Combat Shock was funny, or that Peter Jackson's Dead-Alive could've used more blood. If you haven't seen Pink Flamingos... then, you just haven't seen Pink Flamingos. Nothing could have prepared you for this one. Some years later, John Waters would write a script for a sequel, entitled Flamingos Forever. A movie which was to be distributed by Troma, and would see the return of Divine, Cotton, Crackers, and Miss Edie. The unfortunate death of Edith Massey, among other problems, would forever prevent this dream come true from happening. In 1971, Waters was king and trash was in, but in a perfect world, Flamingos would have definitely lasted forever. 10/10
  • comment
    • Author: Not-the-Same
    I understand that this movie is supposed to be disgusting, but I really didn't think that the animal cruelty (raping a woman while throwing chickens around and squishing them between their naked bodies) was very cool. I was completely disturbed. There is no reason to harm innocent animals for the sake of entertainment. They could have used fake chickens, but these were obviously real chickens and I found it completely barbaric and crude. Anyone who is an animal rights activist, or just loves and respects all animals (and all of God's creatures), would not find this very funny or entertaining. The writer should be ashamed of himself. The film could have been made without the abuse of helpless little animals of any kind.
  • comment
    • Author: lifestyle
    I've heard so much about this movie for so long, I finally rented it out of curiosity. For the record, I *LOVE* off-beat, unusual, irreverent and offensive movies. This film, however, just plain STINKS. It looks like every scene was shot with a hand-held camera by someone who just drank twenty cups of coffee (tripods aren't that expensive). I was going to mention how terrible the acting is, but it isn't really fair to call it 'acting' - it's just a bunch of talentless shmucks shouting their lines. And the dialogue - pathetic and unbearable. I actually had to force myself to sit through the whole thing just so I could say that I had actually seen the entire movie. I honestly think that a group of twelve-year olds could make a better film. It's not even bad enough to be good, like 'Plan Nine from Outer Space'. One out of ten.
  • comment
    • Author: Roru
    I like weird, I like obscure, I like camp. I HATED this movie.

    I have liked some of Waters' later movies, and in interviews, I like the man himself.

    But this movie turned my stomach from the get go. I think I only lasted 20 minutes top.

    If you are determined to see this movie, I would suggest watching it at home with soda, crackers, and the stop button on your VCR remote handy. Perhaps in small doses it would be more bearable.
  • comment
    • Author: Memuro
    Amazing to see that people actually like a movie that intentionally was meant to be a bad one. Bad script, bad acting and bad filming. From the top of my head, the three main elements to make a bad movie. Quite clearly, Waters made a huge effort trying to make this movie suck. He sure did succeed. So sad to see the sheep flock that tries to make arguments for why Pink Flamingos is a good movie. It's worthless sh*t, and it was supposed to be. Try to imagine music, literature or art that is made bad by intention, which probably have been done a lot of times, and it will probably give you some perspective on why a bad movie isn't a good one, in ANY context.
  • comment
    • Author: Gralinda
    Baltimore's errant son, John Waters, has a CV that reads like a record-sheet of bad taste. It's not that he's exactly edged toward respectability with each passing decade; it's that the 'moral majority' have gradually put their hands up and admitted defeat.

    Even today, nearly 40 years after it was made, his transgressive masterpiece Pink Flamingos still has the power to blow your face off, with its gleeful scenes of cannibalism, castration, incest, rape and a live chicken crushed to death between a couple having sex.

    The set-up's really simple: the late, great Divine must reclaim her title of 'Filthiest Person Alive'. She wins hands down, basically; the coup de grace being achieved by eating a freshly-produced dog turd, live on film, and turning to the camera wearing a particular kind of smile Bruce Willis was often said to sport.

    Anti-PC power: Everything and the kitchen sink.

    Vicar-baiting potential: 5,000.

    Scat-factor: Off the scale.

    Blasphemy/sacrilege/profanity: Uh-huh.
  • comment
    • Author: Blackbrand
    Italy had Pasolini. Germany had Fassbinder. Spain has Almodovar, but there was a time when he was daring to go that extra mile and rip the concept of what a movie should be to shreds, before he became a respected director and has gone to mainstream yet high quality films. England had Jarman. We still have John Waters, and thanks to him, we can enjoy the "Hunh?" kind of movie that PINK FLAMINGOS is.

    Give an extremely subversive, creative person enough freedom of expression and a camera and you will have a bona fide movie director. Way back in a time before the advent of YouTube and viral videos, you had those people who genuinely, despite their almost nonexistent academic knowledge of cinema per compounded many times over by this genius that, like the fire which burns Divine's trailer down, raged through their finished product, had something special -- something indescribable, indefinable -- that made them automatic cult figures and icons-to-be for an entire future generation.

    It didn't make them a threat to the movie industry and it doesn't now. Such people, like Luis Bunuel back in 1929 when he did UN CHIEN ANDALOU, live in their own Universe and It moves at its own pace. John Waters could hardly be called anything at all: his movie, which premiered nearly 35 years ago, was greeted with dazed reaction. Some called it the best thing since CRIES AND WHISPERS. Some called it trash. Pure filth. People didn't really know what to make of it then, and even now, when purportedly we've come a long way, it stands on its own pedestal, defies explanation, defies a rating, and shrieks out its outrageousness by ways of the furious persona of Divine who does things that can only be summarized in one word: gasp.

    What plot there is, well, here it goes: Babs Johnson (Divine), also known to tabloids as the "Filthiest Person Alive" lives in a trailer outside Baltimore with her son/lover Cracker and her daughter Cotton. Another couple, the Marbles, have plans of becoming themselves the "Filthiest People Alive". They run an illegal baby ring for lesbians via two kidnapped girls via the man servant who gets them pregnant. Once the Marbles burn Babs' trailer down, Babs vows revenge. Then she takes it just a little bit farther up the scale, and what happens later has to be seen to be believed.

    Does it aim to shock? Well, for those who like their movies classy and elegant, this one will probably kill their party. It features some of the most bizarre scenes ever filmed, and there is that one moment right at the end when Divine decides it would be rather fun to do something unspeakable with what comes out of a small dog's rear end. The music John Waters uses is so jarringly out of place that it makes the scene insane, and it will take a strong stomach and willpower not to scream (in equal parts laughter and disgust) at how "there" the movie goes.

    Now, here is the hard part: can I recommend PINK FLAMINGOS? I would have to say yes, because it's become a part of outrageous cinema. Its documentary, home-movies style is a main part of its charm: it makes a complete mess of a movie brilliant. Even when it touches certain themes best left for the Marquis de Sade (such as coprophagia, rape, incest, dismemberment, voyeurism, bestiality) it does so in such a balls-out hysterical way it's impossible to take it seriously. All anyone can do is watch in awe, and see the man who in later years became tamer and went mainstream with HAIRSPRAY, who once was as punk as Sid Vicious. This is as hardcore as hardcore gets for Waters. And that is a compliment.
  • comment
    • Author: Kare
    I have seen worst films than "Pink Flamingos".But that doesn't mean I am letting this film off the hook.This film is sensless,revolting and is such a mess that I was asking myself where is the plot?Oh,yeah.I remember.The plot was about the battle on who is the filthiest person alive.That's the best that director John Waters can do.I am not a John Waters fan,but I did enjoy "Serial Mom" and I thought "Cry Baby was one of the stupidest films of 1990."Pink Flamingos",with its grotesque gags and its offensive sexual situations makes this film a film that unfortunately I am going to remember.I had no problem watching this film because I knew that were films that I have seen that were far worse than this.This film has become a cult classic according to fans of John Waters and is definitely one of the most time wasting films I have ever seen.After watching this film,I was asking myself,how low can filmmakers go to repulse an audience?"Pink Flamingos" is the worst film of 1972.
  • comment
    • Author: Forcestalker
    Trying to not "overanalyze" it…the film seemed to be trying to "shock" the audience, but in today's "Two Girls, One Cup" world it was anything but shocking. I guess in 1972 (pre-internet days) we were not as de- sensitized. Anyway if you take away the shock value, I'm not sure what is left. The one really funny bit (to me) was the second flashing incident where the "girl" flashed him back and the flasher fled in panic. I don't know why but that was just plain funny to me. The BJ scene was pretty good but was edited out during the theatrical run. Also, I'm trying to remember when Deep Throat came out. It seems like around that time people were trying to push the borders of what a "legitimate" theater might show (remember "Fritz the Cat?"). I'm glad they pushed, but even so, have we made progress in showing nudity in mainstream theaters? I don't think so. Even today, I don't think the DVD BJ scene could be shown in a legit theater. Again, thank god for the internet. Nowadays anyone with a cell phone and a computer can be a filmmaker as good as this film (and they frequently are).
  • comment
    • Author: Daiktilar
    I have heard about Pink Flamingos for quite a while, but I only actually saw the film recently.It is the only John Waters film I have seen to this date, but after watching this I might check out more of his films.Yes this film may be cheaply made, it may also be extremely revolting.The film was made in 1972 and is still one of the few films which actually deserve an NC-17 rating, that's saying a lot.But it also has some very hilarious quotes and scenes.The plot is very basic and involves a family who are competing with another couple as "filthiest people alive", the film basically involves shows the two groups, what they do and them competing against each other.There are some very disgusting scenes in the film which I will not say here.Just be warned and don't let the fact that the film came out in the 1970's fool you.Overall, Pink Flamingos is a very gross, yet often hilarious little film.The soundtrack is also very good with some catchy 1950's/early 60's songs.
  • Cast overview, first billed only:
    Divine Divine - Divine / Babs Johnson
    David Lochary David Lochary - Raymond Marble
    Mary Vivian Pearce Mary Vivian Pearce - Cotton
    Mink Stole Mink Stole - Connie Marble
    Danny Mills Danny Mills - Crackers
    Edith Massey Edith Massey - Edie
    Channing Wilroy Channing Wilroy - Channing
    Cookie Mueller Cookie Mueller - Cookie
    Paul Swift Paul Swift - The Egg Man
    Susan Walsh Susan Walsh - Suzie
    Linda Olgeirson Linda Olgeirson - Linda
    Pat Moran Pat Moran - Patty Hitler (Party Guest In Nazi Uniform)
    Jack Walsh Jack Walsh - Party Guest
    Bob Skidmore Bob Skidmore - Delivery Boy
    Pat Lefaiver Pat Lefaiver - First Lesbian (as Pat LeFaiver)
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