A 077, sfida ai killers (1966) watch online HD

This is one of only two spy flicks that prolific genre director Antonio Margheriti made in the sixties. His other one was Lightning Bolt made the same year and that one is easily is the lesser of the two. At least there are some actual locations used here and Richard Harrison is a more appealing leading man than Anthony Eisley.

Harrison plays Bob Fleming, an all-American CIA agent impersonating a scientist, who's developed a new form of energy that would make all other types of fuel obsolete. There's also a female agent who keeps saving Fleming's butt in this film. She's Velka, a Russian no less, played by Susy Anderson. It's kind of funny the way she keeps chasing after Fleming saving his life time after time and he's sort of oblivious to the whole thing. She's after the formula too but is a gracious loser in the end.

Killers has a good, fun score by Carlo Savina with lots of jazzy na-na-na's and in one scene after Fleming asks a cab driver to take him somewhere with local charm, the belly dancing sequence we see next suddenly turns into a go-go fest with lots of hip dancers! There's a few gadgets used in the film too, like a ring that detects poison and little transmitters about the size of a button.

The original title of the film points to this being a 077 adventure but there is no mention of this in the English-dubbed print (Killers Are Challenged). Here you have a middle-of-the-road espionage flick (written by Ernesto Gastaldi) with a few more ups than downs, just enough to keep things interesting.

And those elements are: 1) The still-topical plot concerning the search for alternative sources of energy, and the lengths that people who base their wealth on oil production will go to in order to stop any developments that might gradually make it obsolete, 2) The vital roles given to the women - there is a female Russian agent working undercover, a couple of henchwomen, and even an ice-cold villainess who is given top status by the script. Apart from those aspects, "Killers Are Challenged" (the title of the English version) is a rather routine 60's spy flick. The best scene is probably a hotel room fight between the hero and a hired killer - it may remind you of the pre-credits fight in "Thunderball". The worst scene is a barroom brawl near the end, complete with a comic-relief midget, that goes on far too long and may remind you of the Bud Spencer / Terence Hill comedies. All in all, the film is watchable for fans of the genre. (**)

Coleman, a top scientist, has developed a new form of energy that will effectively make oil useless. Fearing that his life may be in danger, Coleman goes in for plastic surgery to alter his appearance. The CIA sends in Agent Bob Fleming (Richard Harrison) to take the place of the now unrecognizable Coleman. The big stumbling block will be convincing Coleman's wife to go along with the plan. Posing as Coleman, Fleming's life is in constant peril. Fleming heads to Morocco to meet with the wife, but which side is she on and who can he trust?

Overall, The Killers Are Challenged (or Bob Fleming: Mission Casablanca) is a reasonably entertaining, but ultimately not great Eurospy. It's easily the weaker of the two films in which Harrison played Bob Fleming – the other being 1965's Secret Agent Fireball. This one does have a few things going for it. Harrison makes a solid lead. He's likable enough to create a character I actually cared about. The Killers Are Challenged is filled with a cast of gorgeous women – Susy Anderson, Wandisa Guida (also in Secret Agent Fireball), Janine Reynaud, and Mitsouko. All have terrific parts and most aren't forced to play the stereotypical Bond girl type role. In fact, it was a real treat to see a woman play the villain in one of these movies. The movie includes plenty of action. From fistfights to car chases, things don't stay still for very long. The movie moves at a fairly good pace which is always a positive with a spy film. Finally, I did enjoy certain elements of the plot. The idea of killing to ensure that oil remains king was a good one. There's really a lot here to enjoy.

On to the negatives, while there is a lot of action, sometimes it felt like people were running around needlessly just to pad out the film. The movie suffers from the lack of a big set-piece – not uncommon in these low budget Eurospy films. Also, the ending was a real letdown. The villain, whom Fleming has been chasing the whole movie, just sort of slowly runs off the road and into the water – roll credits. I really wanted something more. With all that being said, the worst part of The Killers Are Challenged has to be the big bar fight scene near the end of the film. It just didn't fit the tone of the rest of the movie. It didn't belong here. And talk about padding – that's exactly what it felt like.

In the end, The Killers Are Challenged is a harmless enough Eurospy. Not great, but now awful either. I was going to rate this a 5/10 until I remembered the really cool jazzy soundtrack. That's worth at least a point, right?

Fun film with a horrible script matched with pretty bad acting but good musical score and great on-location photography. There's not much of a story-line - the CIA(?) trying to save the last of three scientists that have developed an alternative fuel to oil from an oil baron. Lots of pretty women, well-choreographed fight scenes, steady well-paced action, and the 60s European flavor make this an okay viewing.

This is yet another SUPPOSED "Bond rip-off", like nearly EVERY ' 60s spy movie. And as usual, it ISN'T. Which isn't to say it's a great one, but it isn't bad at all. One thing I notice in this film, and its "companion" one, called "Fireball", is the great "chemistry" between Richard Harrison and Wandisa Guida. Except that neither film seems to know what to do with it. What I mean is that, she was the "villainess" of each film, but the very aloof kind, and she would've been that much better as the all-out "femme fatale" kind, especially in scenes with Harrison. Speaking of Bond movies, these two always make me think of Sean Connery and Luciana Paluzzi in "Thunderball", and I think that Harrison and Guida could've been a sort of "Euro spy film" counterpart, but especially if they'd been used as an actual couple - again the hero-femme fatale kind. I don't know about the ending, though - WHAT happened to the villainess, and from WHOM, seemed to me a little "theatrical" for a spy story (at least, the "escapist" kind).