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» » James Bond 007 - Leben und sterben lassen (1973)

Short summary

007 is sent to stop a diabolically brilliant heroin magnate armed with a complex organization and a reliable psychic tarot card reader.
Several British agents have been murdered and James Bond is sent to New Orleans, to investigate these mysterious deaths. Mr. Big comes to his knowledge, who is self-producing heroin. Along his journeys he meets Tee Hee who has a claw for a hand, Baron Samedi the voodoo master and Solitaire a tarot card reader. Bond must travel to New Orleans, and deep into the Bayou.

Trailers "James Bond 007 - Leben und sterben lassen (1973)"

Sir Sean Connery turned down the then astronomical sum of five and a half million dollars to play James Bond. Connery gave Sir Roger Moore his personal seal of approval for inheriting his role, calling him "an ideal Bond".

Sir Roger Moore was forty-five when he made his debut as 007, making him the oldest actor to do so. The youngest was George Lazenby, who was twenty-nine in James Bond 007 - Im Geheimdienst Ihrer Majestät (1969).

According to Yaphet Kotto, he was not allowed to to do any press for the film, nor was he allowed to attend the premiere. Kotto states that the producers told him that they were afraid of the public's reaction to the villain being black.

The magnetic wristwatch was Sir Roger Moore's personal favorite Q (Desmond Llewelyn) gadget.

At thirty-three, Yaphet Kotto (Mr. Big/Dr. Kananga)) is the youngest actor to play a main Bond villain.

Ross Kananga (credited as "Stunt Coordinator") was the owner of the alligator and crocodile farm, in which Bond escapes some hungry reptiles. Kananga did this stunt by himself wearing Sir Roger Moore's clothes and shoes made of crocodile skin. The crocodile shoes were a fun idea of Sir Roger Moore. It took five attempts to complete the stunt. During the fourth attempt, one of the crocodiles snapped at one of the shoes as it went by. The producers (while scouting locations) first took notice of Ross Kananga's farm from the sign out front, which read: "WARNING: TRESPASSERS WILL BE EATEN." This sign can be seen in the finished film. They liked Ross Kananga so much, that the movie's villain, Dr. Kananga, was named after him.

The producers offered Clint Eastwood the role of James Bond, fresh from his success with Dirty Harry (1971). He was flattered, but declined, saying that Bond should be played by an English actor. Notably, Bond uses a Smith & Wesson .44 Magnum in this film, the gun made hugely popular by the Dirty Harry film franchise.

According to Sir Paul McCartney, after Guy Hamilton heard the title song, complete with orchestra and all, he said, "Yeah, that's good for a demo, but when are you going to do the real record?"

According to Sir Roger Moore, Yaphet Kotto was difficult to work with, but Kotto denies this. Kotto maintains that though he may have been quiet, he was courteous to everyone on the film.

Sir Roger Moore suffered an injury during the boat chase. The engine cut out, and the momentum carried him into a boathouse. He cracked some of his front teeth, and twisted his knee. He had to walk on a cane for several days afterward, but he was still able to complete the scene, because all he had to do was sit in the boat.

The first Bond film in which 007 has a liaison with an "African black" woman, Rosie Carver (Gloria Hendry). When the film was released in South Africa, all of Hendry's love scenes were removed, because of the Apartheid policies of the South African government.

The producers made a conscious decision to make Sir Roger Moore's Bond significantly different from Sir Sean Connery's. For example, Bond never orders a vodka martini, but drinks bourbon whiskey instead. The mission briefing occurs in his flat, not the office (only the second time Bond's apartment is featured in the films after an appearance in James Bond 007 jagt Dr. No (1962)). Bond does not wear a hat. He smokes cigars, instead of cigarettes.

Geoffrey Holder hated working with snakes. As he was playing Baron Samedi, he was called upon to handle lots of them. He was particularly against having to play the scene where his character falls into a coffin full of them. However, he was obligated to perform the scene without raising too much of a complaint, because Princess Alexandra was visiting the set the day the scene was being filmed, and he didn't want to lose face in front of royalty.

The first Bond film to be set in a fictional country. The next one to do this would be James Bond 007 - Lizenz zum Töten (1989).

The boat chase through the bayous was originally written in the script as just "Scene 156 - The most terrific boat chase you've ever seen". Bond's speedboat jump made it into the Guinness Book of World Records for its distance of one hundred ten feet (thirty-three and a half meters), a record that stood for three years. Clifton James' spontaneous reaction in that scene was kept in the final print. Bond's stunt boat used to make the high jump over Sheriff Pepper's car, was specially designed with redistributed weight, so it would fly through the air with more stability. The second boat was not scripted to collide with the police car, but after this happened while shooting the stunt, the script was changed to accommodate it.

Sir Paul McCartney's iconic theme song for the film almost wasn't used. After McCartney submitted the song, Producer Harry Saltzman said he liked it, but wanted it to be sung by someone else, preferably a black female artist. McCartney told producers he'd only sell the song for the movie, if he and his band were allowed to perform it for the film. Salzman had passed on producing Yeah Yeah Yeah (1964), and came to quip that he didn't want to turn down McCartney a second time. However, Saltzman would subsequently say that he much preferred Brenda Arnau's version of the song, also heard during the movie.

Sir Roger Moore wrote a production diary during filming, which was simply titled "Roger Moore as James Bond 007: Live and Let Die". It was published as a paperback by Pan in 1973, and features a complete dossier of filming from the first to last day. It is accompanied by several pages of color stills, many taken by Moore's then-wife Luisa Mattioli. The book was never re-issued, and is today quite rare. In the book, Moore uses the same self-deprecating humor, for which he became infamous, and details numerous otherwise-unknown incidents, squabbles, milestones, and production notes. This book was re-released in June 2018.

On his DVD audio commentary, Sir Roger Moore considered this to be his second best Bond picture after James Bond 007 - Der Spion, der mich liebte (1977).

Madeline Smith, who played Miss Caruso, said that additional awkwardness of a bedroom scene was created by Sir Roger Moore's overprotective wife, who was on the set during the filming. In order to establish the effect of Bond unzipping Miss Caruso's blue dress with his magnetic watch, a thin wire was attached to the zipper from the watch. A stagehand lay on the floor underneath Smith's body to pull the wire down, while Moore pretended to unzip the dress with his watch. According to Moore, it took twenty-nine takes to get it right.

Sir Roger Moore had a fear of snakes, just like his co-star Geoffrey Holder, who had to fall into a coffin full of them. As a result, they hated shooting that scene. In addition, the Script Supervisor was so afraid, that she refused to be on-set with them, an actor fainted while filming a scene, where he is killed by a snake, and Jane Seymour became terrified as a reptile got closer.

Early in the production, Sir Roger Moore was hospitalized with kidney stones. Later, Moore and Jane Seymour caught dysentery while shooting in Jamaica.

The film holds the record for the most watched film to be broadcast on British television when it was shown on ITV on January 20, 1980. It attracted twenty-three and a half million viewers. There were only three TV channels in the UK in 1980, and no home computers.

Sir Roger Moore became the first actor to perform the gun-barrel sequence without a hat.

Jamaica, part-time home of James Bond Creator Ian Fleming, was used as the filming location for the fictitious country of San Monique. It was not called Jamaica, as that country had already been used as a setting for James Bond 007 jagt Dr. No (1962). Jamaica is also a setting in the James Bond novel "The Man With the Golden Gun", and the short stories "For Your Eyes Only" and "Octopussy".

Ian Fleming based the Bond Girl Solitaire's name on the Jamaican Solitaire bird. Her full name in the novel is Simone Latrelle, but this is never mentioned in this movie.

Though this is the first film in which Q does not appear, the book was actually the first in the series to make reference to Q branch. The book follows directly from Casino Royale, in which Bond's hand is knife-scarred with a Russian character identifying him as a spy. Q (or Q branch) performs surgery on the hand to conceal the scars.

Only James Bond movie with Sir Roger Moore, in which Felix Leiter appears. David Hedison, who played Felix, played the role again in James Bond 007 - Lizenz zum Töten (1989), becoming the first actor to reprise the part.

Sir Roger Moore was actively discouraged from raising his eyebrow, as that was a trademark of his previous successful character, Simon Templar of Simon Templar (1962) fame.

We see Bond's apartment for the second time until Spectre (2015). Amongst the fixtures, is a machine for making coffee that is treated as a gadget. Today's audiences will easily recognize it as either an espresso or cappuccino machine, which were uncommon in 1973.

The characters of Baron Samedi and Dambala are named after two powerful Loa spirits in the Voodoo religion.

This is the first time in the Bond series that a rock song was used as a main title song. The Sir Paul McCartney and Linda McCartney song charted in the U.S. on July 7, 1973, and peaked at the number two spot, where it stayed for three weeks. In the UK, it debuted on July 9, 1973, and went to number nine. McCartney paid for the orchestra used for the song from his own pocket. Rolling Stone Magazine accused McCartney of selling out to the establishment when it was announced that he would be providing the theme song to this film. As it transpired, McCartney became the first artist to be nominated for a Best Song Academy Award for his title track. The soundtrack album charted in the U.S on July 28, 1973, and topped at number seventeen.

When 007 is held captive in a chair by Tee Hee, Sir Roger Moore's quip "Butterhook" was improvised.

Desmond Llewelyn didn't appear in the film as Q, because Llewellyn was appearing on the television show Follyfoot (1971). Furthermore, the producers decided not to include the character, feeling that "too much was being made of the films' gadgets", and decided to downplay this aspect of the franchise, much to Llewelyn's annoyance.

Sir Roger Moore's mother was a great fan of silent star Richard Dix. Moore was able to get Dix's son a small part in this movie. Robert Dix played the agent who was murdered at his own New Orleans funeral in the pre-credits teaser. His voice was dubbed by Shane Rimmer.

Several scenes and lines in Tom Mankiewicz's screenplay were dropped from the film: The most noticeable loss was of an opening scene, in which James Bond was to have met an old man in a garden at night. The man was to have handed over a pair of special contact lenses. They are disturbed by the approach of enemy Agents, and Bond tries to help the man escape by assisting him over a high wall that surrounds the garden. But too late, Bond discovers that the garden is in fact on the top of a very high building, and his contact falls to his death. Michael Sheard was cast as the man, but the scene was never filmed. Quarrel, Jr. demonstrates the gas pellet gun that Bond will eventually use to kill Kananga while he and Bond are out shark fishing. A dialogue reference to Quarrel's father, and his encounter with Bond ("His father and I locked horns with a doctor named No several years ago") was omitted. A scene in which Kananga threatens to cut off Tee Hee's arms and feed them to the crocodiles, when he harms Solitaire, was also removed.

After this movie, the Felix Leiter character would not appear again in the EON Productions official series until James Bond 007 - Der Hauch des Todes (1987).

The character of Quarrel, Jr. is a direct reference to the first Bond film, James Bond 007 jagt Dr. No (1962) which also featured a character named Quarrel. The original novel takes place before Dr. No (1962) (in which, as in the movie version, Quarrel is killed) and features the first appearance of the character. At one stage, the Bond girl character of Honey Rider from James Bond 007 jagt Dr. No (1962) was considered returning in this movie, but this idea was withdrawn.

Around the time Sir Roger Moore got the part of James Bond, his home telephone number allegedly ended in the digits 007.

Screenwriter Tom Mankiewicz dabbled with tarot cards to familiarize himself with the art. He took them to a party and performed tarot readings on the guests. At that party, Sir Michael Caine and his then-girlfriend attended, and he used his tarot cards to predict the two would be married. The two married and Mankiewicz said in his autobiography that for years afterward, Michael's wife, Shakira Caine, was convinced he had special powers.

"Live And Let Die" was the second James Bond novel written by Ian Fleming. It was first published in 1954. Its working title was "The Undertaker's Wind" which also provided the name of the seventeenth chapter. Story elements from the novel have also been used for the James Bond films James Bond 007 - In tödlicher Mission (1981) and James Bond 007 - Lizenz zum Töten (1989).

Solitaire is the only character to ever beat James Bond in a card game.

Regular Bond Voice Artist Nikki Van der Zyl dubbed much of Jane Seymour's dialogue.

The producers were reportedly required to pay protection money to a local Harlem gang to ensure the crew's safety. When the cash ran out, they were "encouraged" to leave.

The first Bond film which does not feature Q, the head of Special Ordnance Branch. The character did appear in James Bond 007 jagt Dr. No (1962), but under his real name of Major Boothroyd (he wasn't played by Desmond Llewelyn in that film either). Fans demanded Llewelyn's return, and he appeared in eleven more Bond films from 1974 to 1999.

The white "pimpmobile" is actually a Chevrolet Corvette fitted with the fiberglass molding of a Cadillac Eldorado. The vehicle was marketed as the "Corvorado" by Dunham Coach of Boonton, New Jersey. Other Dunham conversions featured in the film included a Cadillac Fleetwood and Eldorado (seen parked in front of the Fillet of Soul restaurant), along with two Lincoln Continentals (a 1969 Mark III and 1973 Mark IV, with the Dunham conversion down to the custom wire hubcaps). Les Dunham stated that he kept possession of the Corvorado after the film was completed. It has been modified several times for appearances in other films and/or car shows. He claimed that the car was used in Superfly (1972).

Tenth James Bond movie, and the eighth in the EON Productions official film series. First James Bond film to star Sir Roger Moore as James Bond.

The tarot cards used by Solitaire are the "Tarot of the Witches" deck and was created specifically for this movie by Fergus Hall. Their reverse side, which has the 007 numbering on a red background, cannot be seen in the "James Bond 007 Tarot Book". The tarot card "The High Priestess" was in the likeness of Jane Seymour, who played Solitaire. Legal information on the cards reads "Courtesy of the Portal Gallery Limited, London, England". A duplicate set was published in Switzerland by Agmueller and Cie, distributed worldwide by U.S. Games Systems, Inc. New York. The cards in the film had a red, patterned background featuring the "007" emblem, but the commercial set is blue instead (same pattern).

Bernard Lee was very ill during filming, causing the producers to consider replacing him as M with Kenneth More.

Twenty-six boats were built by the Glastron boat company for the film. Seventeen were destroyed during rehearsals.

Maurice Patchett, the stunt driver who drove the double-decker bus (doubling for Sir Roger Moore as James Bond) in the sequence where the upper level of the bus is sheared off by a low bridge, was a London bus driver in real life. Double-decker bus drivers in London go thru a rigorous training program, where they're required to swerve the bus on wet ground and keep it upright, much like is shown in the film.

When Dr. Kananga says to Solitaire "These growing signs of impertinence are beginning to disturb me, even as they did with your mother before you. She had the power, and lost it, and became useless to me", it suggests that the characters were older than the actor and actress portraying them. Yaphet Kotto was thirty-three during filming, while Jane Seymour was twenty-two. If the characters were the same age as the actor and actress, then Dr. Kananga would have been ten-years-old (or younger) when Solitaire's mother lost her power (and virginity), and became useless to Dr. Kananga.

This is the only James Bond movie to have a supernatural theme.

Special security was added for the shooting of the scenes in Harlem, New York.

Dr. Kananga, a.k.a. Mr. Big, is at least partially based on Dr. Francois "Papa Doc" Duvalier, dictator of Haiti, who used Voodoo as the basis of his personality cult, and even claimed that he was Baron Samedi.

The producers were reportedly required to pay protection money to a local Harlem gang to ensure the crew's safety. When the cash ran out, they were "encouraged" to leave. Some exteriors were in fact shot in Manhattan's Upper East Side as a result of the difficulties of using real Harlem locations.

Tom Mankiewicz originally wrote the main Bond girl to be African-American (with an eye on Diana Ross for the part) but one of the producers told him it couldn't be done, on account of some of their markets (primarily Japan and South Africa) banning all films with interracial romances. It was, until James Bond 007 - Stirb an einem anderen Tag (2002) featured the lead Bond girl as an African-American.

This marks only the second of three times in the film franchise, that the pre-titles sequence does not feature James Bond (with James Bond 007 - Liebesgrüße aus Moskau (1963) being the first, as it featured an Agent impersonating Bond, and James Bond 007 - Der Mann mit dem goldenen Colt (1974) being the third, as it featured a waxwork model of Bond, and not Bond himself).

While Solitaire was supposed to be black, Rosie Carver was supposed to be white.

The title song by Sir Paul McCartney and Linda McCartney was the first song from an EON Productions James Bond movie to be nominated for an Academy Award. The first song to be nominated from any James Bond movie was for "The Look Of Love" by Burt Bacharach and Hal David from Casino Royale (1967)

The part on the bridge of the crocodile farm was extremely dangerous to film, since crocodiles are able to jump up from the water and attack, which the crew found out relatively shortly before filming.

"The James Bond 007 Tarot Book" was released to coincide with the movie. It included most of the tarot cards seen in the film, these being the Major Arcana Cards. The tagline on the book's dust jacket read: "The only complete and authentic illustrated guide to the spreading and interpretation of the popular James Bond 007 tarot fortune-telling deck with card designs based upon Fergus Hall's unique paintings."

Since Guy Hamilton was a jazz fan, Tom Mankiewicz suggested to him to film in New Orleans, Louisiana. Hamilton did not want to use Mardi Gras, since James Bond 007 - Feuerball (1965) featured Junkanoo, a similar festivity, so after more discussions with the writer, and location scouting with helicopters, he decided to use two well-known features of the city, the jazz funerals and the canals.

There was some surprise when Sir Roger Moore was announced as the new James Bond, since, at forty-five, he was already five years older than Sir Sean Connery was when James Bond 007 - Diamantenfieber (1971) was filmed, and fifteen years older than George Lazenby was in James Bond 007 - Im Geheimdienst Ihrer Majestät (1969).

While filming James Bond 007 - Diamantenfieber (1971), this was chosen as the next novel to be adapted, because Tom Mankiewicz thought it would be daring to use black villains, as the Black Panthers and other racial movements were active at this time. This was inclusive with the box-office success of the early Blaxploitation films, like Shaft (1971), Superfly (1972), and Straße zum Jenseits (1972) (which United Artists released when this movie was filming).

It was Sir Roger Moore's idea for Ross Kananga to wear crocodile shoes for his big stunt.

This film is only partially based on Ian Fleming's original novel. The characters, locations, sequence of some events, and even clothes in the book are present in the film. Many major plot elements were left out of this film, only be recycled in later films. The novel's climax involved Bond and Solitaire being dragged behind a speeding boat, as bait for sharks and Baracudas. This was later used in James Bond 007 - In tödlicher Mission (1981). The novel also included a scene where Felix Leiter is wounded by a shark, and Bond goes to fight in a warehouse as a result. This was later used in James Bond 007 - Lizenz zum Töten (1989). Appropriately, David Hedison, who played Leiter in this film, became the first actor to ever return to the role, essentially playing out his character's original fate from this film.

On the set, one of the crocodiles at the Crocodile Farm was called "Old Albert", named after Producer Albert R. Broccoli.

A running theme in the official trailers was whenever a new Bond is introduced, the trailers for their first Bond-movie includes music from their predecessors first movie. Music from James Bond 007 - Im Geheimdienst Ihrer Majestät (1969) can be heard in the trailers for this movie, and music from this movie can be heard in the trailers for James Bond 007 - Der Hauch des Todes (1987).

Not only did Geoffrey Holder choreograph his own dance sequences, at the Voodoo club, but it's almost identical to a scene in the series, Geheimauftrag für John Drake: A Man to Be Trusted (1964), which, not only features Boscoe Holder, his brother, but, is choreographed by, and features him, as well.

Clifton James and Roger Moore died within 38 days of each other in 2017.

Yaphet Kotto took the role of Dr. Kananga (Mr. Big) after a United Artists executive (David V. Picker) came up to him after the filming of Straße zum Jenseits (1972) wrapped. His co-star (Julius Harris) also signed on after completing the filming of Liebesgrüße aus Pistolen (1972) and Superfly (1972).

This is the first 007 score not to involve John Barry; former Beatles Producer George Martin did the job instead. The musical crash into the main title music echoes his slide crescendo arrangement from The Beatles' track "A Day in the Life".

One of three James Bond movies where Bond does not wear a Tuxedo (the other two being James Bond 007 - Liebesgrüße aus Moskau (1963) and James Bond 007 - Man lebt nur zweimal (1967)).

In the novel, the real name of Mr. Big was "Buonaparte Ignace Gallia". In the film, The real name of Mr. Big was changed to "Dr. Kananga" after Stuntman Ross Kananga. Dr. No (1962) and this movie filmed in Jamaica, and as such, both had villains with the title of "Dr." - Dr. No and Dr. Kananga, respectively.

This was the first James Bond movie that was seen by Daniel Craig, the sixth actor to play Bond in the official series.

It took crocodile wrangler and stunt man Ross Kananga (the villain in the movie was named after him) six takes to complete the scene were he doubles for Roger Moore when Bond flees the bad guys by running across the backs of three crocodiles in a swamp. Kananga received $60,000 for the stunt filmed at Swamp Safaris, his 350 acres of mangrove swamp on Jamaica's north coast, where he kept a herd of over 1000 crocodiles. In a 1973 interview he explained "Something like that is almost impossible to do. So, I had to do it six times before I got it right. I fell five times. The film company kept sending to London for more clothes. The crocs were chewing off everything when I hit the water, including shoes. I received 193 stitches on my leg and face."

The tarot cards seen on the movie's main poster were "the Devil", "Death", "the Lovers" and "Fortune". There is actually a fifth card on the poster but James Bond's torso blocks any possible name of the card. There is also actually no tarot card called "Fortune" in the set of cards used for the film. This title of the "Fortune" card is the product of a bit of artistic license. The title is basically an abridgment of the actual "Wheel of Fortune" tarot card.

Sir Roger Moore recommended Madeline Smith for the part of Miss Caruso, having worked with her on Die 2: The Long Goodbye (1971).

The first Bond film to be filmed "flat" (i.e. with spherical lenses, rather than using the Panavision anamorphic widescreen process) since James Bond 007 - Goldfinger (1964).

Among the actors to test for the part of Bond were Julian Glover, John Gavin, Jeremy Brett, Simon Oates, John Ronane, and Michael McStay. Frontrunner was Michael Billington. United Artists wanted an American to play Bond: Burt Reynolds, Paul Newman, and Robert Redford were all considered. Albert R. Broccoli, however, insisted that the part should be played by a Briton, and put forward Sir Roger Moore. After Moore was chosen, Billington remained on the top of the list, in the event that Moore would decline to come back for the next film. Billington ultimately played a brief villainous role in the pre-credit sequence of James Bond 007 - Der Spion, der mich liebte (1977).

Gayle Hunnicutt was signed to play Solitaire, but had to pull out when she became pregnant. Diana Ross was also considered for the role.

C.I.A. Agent Rosie Carver's weapon was a Custom .38 Smith & Wesson gun with corrugated three-inch stock, and no serial number.

Product placements, brand integrations and promotional tie-ins for this movie include Pan American World Airways; Rolex watches, particularly the Rolex Submariner 5513 watch; Bell Helicopters; Panasonic; Bollinger Champagne, beginning its relationship with the franchise; Pulsar watches, particularly the Pulsar LED watch; General Motors Corporation (GMC) and its Chevrolet and Cadillac Divisions; Jim Beam Bourbon; Arcana Cards/Agmueller and Cie/Games Systems; Budget Rent-A-Car; AMF Inc.; the Harley-Davidson Motor Company; the Glastron Boat Company, and a video game, Live and Let Die (1988), that was later published by Mindscape.

Tony Bonner was considered for the role of James Bond, but lost out to Sir Roger Moore, who was his co-star at the time on Die 2 (1971). In an interview, Bonner said, "The producers were thinking of changing the Bond look, from the dark, exotic looks of Sir Sean Connery, to a fairer kind of look, because Robert Redford was real hot back then. So Roger and I were asked to go up to London from Pinewood, where we were filming, and it got close."

The attempted assassination by snake while Bond is bathing was filmed in an unheated London set in mid-winter. The temperature was near 10 degrees Celsius, chilly enough to keep the snake sluggish. At a tropical temperature, the snake would have moved too swiftly for easy filming.

Kananga tells Bond about his plans to dominate the entire drug trade in America. He says, "Heroin will be very expensive, indeed, leaving myself and the phone company the only two growing monopolies in the nation for years to come." At that time, AT & T was a huge interstate corporation that owned and operated most of the telephone systems in the U.S. It was massive, indeed. The federal government filed an antitrust suit in 1984 that led to the breakup of AT&T. that led to the rise of many separate phone systems and companies that compete since then.

Yaphet Kotto later stated "There were so many problems with that script...I was too afraid of coming off like Mantan Moreland...I had to dig deep in my soul and brain and come up with a level of reality that would offset the sea of stereotype crap that Tom Mankiewicz wrote that had nothing to do with the Black experience or culture." Kotto said he did this by drawing "on a real life situation I was going through and that saved me...But the way Kananga dies was a joke...The entire experience was not as rewarding as I wanted it to be."

According to Roger Moore in his autobiography, his relationship with Harry Saltzman changed while making this film. Whereas previously they had been good friends, they were now employer and employee. When David Hedison checked into Moore's hotel, Saltzman had him moved. Moore also noted that Saltzman's relationship with Albert R. Broccoli was becoming more strained.

The main title song, "Live and Let Die" by Sir Paul McCartney and Linda McCartney, has been covered twice by other artists. The first was by Guns N' Roses, and can be heard on their 1991 "Use Your Illusion I" album. The second was by Chrissie Hynde of the The Pretenders, the group who sang two songs for James Bond 007 - Der Hauch des Todes (1987). This version of the song can be heard only on David Arnold's Bond song compilation album, "Shaken and Stirred: The David Arnold James Bond Project".

Sir Roger Moore should not have been available for the part, since at the time he was committed to Die 2 (1971), but when the show failed in the U.S., he was "released" from his "contract".

Clifton James played a similar character to J.W. Pepper in another famous franchise. He played a Sheriff in Superman II - Allein gegen alle (1980).

Sir Roger Moore had to undertake a very quick crash-course in bus driving, so as to be able to drive a double-decker bus for the motorbike and bus chase sequence.

Roger Moore wrote in his autobiography that he played a prank on Jane Seymour. During lunch, she had a habit of asking people nearby to pass the ketchup, then the salt, then another sauce ad infinitum. One day, Moore and the rest of the crew got and up left when Seymour sat down, causing her to burst into tears, causing Moore to regret the joke.

The tarot cards also appeared in Akte X: Die unheimlichen Fälle des FBI: Clyde Bruckman's Final Repose (1995). The cards don't have the 007 logos in the back covers, due to copyright reasons.

Jane Seymour arrived onset with a note from Richard Attenborough, who requested sympathetic treatment for his tired old daughter-in-law: "she may well need a shoulder to lean on".

In addition to Quarrel, the character of Strangways was originally introduced in the novel "Live and Let Die". Like Quarrel, Strangways is later killed in the novel "Dr. No", as well as the movie, James Bond 007 jagt Dr. No (1962).

Catherine Deneuve was considered for the role of Solitaire.

During the theatrical release of James Bond 007 - Spectre (2015), a special event was organized, titled "The Black Women of Bond". It starred Naomie Harris from James Bond 007 - Skyfall (2012) and James Bond 007 - Spectre (2015), who was the first black British actress in the franchise, as well as Halle Berry (Jinx from James Bond 007 - Stirb an einem anderen Tag (2002)), Gloria Hendry (Rosie Carver from James Bond 007 - Leben und sterben lassen (1973)) who was Bond's first ever African-American love interest, and Trina Parks (Thumper from James Bond 007 - Diamantenfieber (1971)) who was the first black Bond Girl. The event was hosted by the African-American Film Critics Association at the California African-American Museum, as a tribute to the Black Women of Bond. Not present at the event were Nicaise Jean-Louis (One of Drax's Girls from James Bond 007 - Moonraker - Streng geheim (1979)), Grace Jones (May Day from James Bond 007 - Im Angesicht des Todes (1985)), and Sylvana Henriques (The Jamaican Girl from James Bond 007 - Im Geheimdienst Ihrer Majestät (1969)), the first black Bond Girl.

The first line of the novel read: "There are moments of great luxury in the life of a secret agent." The last lines read: "There was open sensuality in Solitaire's eyes as she looked up at him. She smiled innocently. 'What about my back?' she said."

Stuntman Joie Chitwood (seen in the film as Charlie, who was Bond's driver) also drove one of the speedboats (dark blue with white streaks) during the boat chase, which included the jump over a paved highway (scene where the Louisiana State Police cruisers were totalled).

First of two times that James Bond has been seen hang gliding in the EON Productions official James Bond franchise. Very popular as a new activity in the 1970s, Sir Roger Moore is the only actor to play James Bond, and be seen hang gliding. The second time was in James Bond 007 - Moonraker - Streng geheim (1979).

The Boeing 747-121, seen when Solitaire is flipping Tarot cards, is the second 747 produced at the Boeing factory in Everett, Washington, delivered to Pan American World Airways (the launch customer of the 747) carrying the registry number N747PA. Prior to December 30, 1969, N747PA was used by Boeing, as a test aircraft for velocity minimum takeoffs and rejected takeoffs (Boeing engineers refer to this as locking the brakes until the brakes catch fire) prior to the F.A.A. minting the aircraft's type certificate. The aircraft was named Clipper Juan T. Trippe, where it served as Pan Am's flagship airplane, until it was sold off and operated by several owners. The 747 was later dismantled and reassembled in Namyangju, Gyeonggi-do, South Korea, painted in the livery of Air Force One (VC-25) and converted into a restaurant. The restaurant was closed in 2009, and the aircraft was scrapped in 2010.

Sir Roger Moore was a director of the Brut Company's film production arm, and was due to do a spy spoof for them. Titled "Mr. Straker", it was to be directed by Melvin Frank, and to co-star Lee Remick, Orson Welles, Terry-Thomas, and David Hedison. However, the Bond producers did not want their leading man parodying the spy genre, and so it was cancelled.

The film was not Roger Moore's first time playing James Bond. He had played Bond once before in the short-lived sketch comedy show Mainly Millicent (1964), episode dated July 17, 1964. In that sketch, James Bond, while on vacation, encounters Russian spy Sonia Sekova (Millicent Martin) who also happens to be on vacation.

Lois Maxwell had only been included in James Bond 007 - Diamantenfieber (1971) during filming as a late addition, as she had asked for a pay increase. For this film, she returned for the same fee, but due to a technical error, the filming of her scenes in Bond's home at the start of the movie extended to two days, costing the production more than if they'd paid the increase she requested. Roger Moore later wrote that Maxwell celebrated the double-pay-day by purchasing a fur coat.

The chase involving the double-decker bus, was filmed with a secondhand London bus, adapted by having the top section removed, and then put back in place, running on ball bearings, to allow it to slide off on impact.

Solitaire's real name, in the book, is Simone Latrelle. Her nickname comes from her apparent exclusion of men from her life.

First James Bond movie to feature the word "die" (or a variation of it) in the title. Later films in the franchise would be called James Bond 007 - Stirb an einem anderen Tag (2002) and James Bond 007 - Der Morgen stirbt nie (1997). The theme song for James Bond 007 - Ein Quantum Trost (2008), by Alicia Keys and Jack White, was called "Another Way To Die", while James Bond 007 - Lizenz zum Töten (1989) referenced death, as did the title of Ian Fleming's short story ""From a View to a Kill" (1960). Many post-Fleming James Bond novels have had titles that have referenced fatality. These include "Win, Lose or Die" (1989), "High Time to Kill" (1999), "The Facts of Death" (1998), "Trigger Mortis" (2015), "Nobody Lives for Ever" (1986), and "Never Dream of Dying" (2001). Moreover, "Double or Die" (2007) and "A Hard Man to Kill" (2009) are the names of a Young James Bond novel and short story respectively.

Yaphet Kotto reported one of the things he liked in the role was Dr. Kananga's interest in the occult, "feeling like he can control past, present, and future."

Though it was his standard issue pistol, Bond does not fire his PPK in this film.

Mrs. Bell, the old woman whose flying lesson is hijacked by Bond, is named after the Bell Helicopters that appear in eight Bond films: James Bond 007 - Feuerball (1965), James Bond 007 - Man lebt nur zweimal (1967), James Bond 007 - Im Geheimdienst Ihrer Majestät (1969), James Bond 007 - Diamantenfieber (1971), James Bond 007 - Leben und sterben lassen (1973), James Bond 007 - Der Spion, der mich liebte (1977), James Bond 007 - Moonraker - Streng geheim (1979), James Bond 007 - In tödlicher Mission (1981), James Bond 007 - Der Hauch des Todes (1987), and James Bond 007 - GoldenEye (1995).

During the car and boat chase in Louisiana, the road, on which they travel, shows the newly introduced full yellow road striping. Although still pretty rare at the time to see full yellow striping (M.U.D.C.T. introduced it in late 1971), you'll notice that there are no white lines underneath.

Arnold Williams, who plays a taxi driver, billed as Cab Driver 1, was dubbed.

Yaphet Kotto and Julius Harris portrayed Ugandan dictator General Idi Amin in different movies, Kotto in ...die keine Gnade kennen (1976) and Harris in Unternehmen Entebbe (1976).

This film marks the second time Sir Roger Moore and David Hedison had worked together. The first being on an episode of Simon Templar: Luella (1964).

The literal translations of some of this film's foreign language titles include: The Dead Slave / It Is Them To Die (Japan); Live And Leave To Die (France); Allow To Leave Alone To Die (Poland); To Live And Let Die (Norway); With 007 You Live And Let It Die (Brazil); Agent 007, Live and Let Die (Italy); Live and Let Others Die (Finland).

Vehicles included a green, blue, yellow, and white London AEC Regent III RT type double-decker bus, pursued by two 1973 Chevrolet Novas; police motorbikes; a Bell 206 JetRanger helicopter; white Coronado; a Mini Moke; Ford Galaxie Custom police sedans; yellow New York City taxis; a 1963 Chevrolet Impala convertible; a brown 1972 Chevrolet Impala sedan; many 1973 Chevrolet passenger cars, including Impala fastback "Sport Coupes", and two-door hardtop "Custom Coupes", Caprices and base model, taxi, police package Bel Airs; a blue 1973 Chevrolet C-10 pickup truck; a Cessna 172 and Cessna 140 N77029 light aircraft; a monorail in the underground lair; Quarrel, Jr.'s boat; Bond commandeers a Glastron GT-150 speedboat, then a Glastron Carlson CV19 Jet Boat, and is pursued by Glastron V-156 Sportster, Glastron V-184 Crestflite, Glastron V-162 Futura, Glastron V-145 Fireflite, and Billy-Bobs Glastron-Carlson CV21 Jet speedboats; 1972 Dunham converted Cadillac El Dorado coupe; white 1971 Cadillac Fleetwood "pimpmobile", and a Les Dunham Coach Corvorado (a Chevrolet Corvette with Cadillac Eldorado body panels, and fiberglass molding). Most of the vehicles used throughout the movie were brand new 1973 Chevrolet full-size passenger cars, with a few other models sprinkled in, like Novas and Malibus. Many were damaged and destroyed.

The Royal World Premiere of this movie was held on July 6, 1973, at the Odeon Theatre, Leicester Square, London, England, in the presence of Princess Anne. The movie was released in the U.S. on June 27, 1973.

On UK prints, the color is credited to Rank, while U.S. prints are credited to DeLuxe.

In James Bond 007 - Goldfinger (1964), Bond made a remark, comparing his favorite vintage of Dom Perignon, to The Beatles. This film not only has a title song by Sir Paul McCartney, but was composed by George Martin.

The second of three 007 films that Richard Maibaum didn't write or co-write in his life. The other two are James Bond 007 - Man lebt nur zweimal (1967) and James Bond 007 - Moonraker - Streng geheim (1979).

The speedboat chase was originally meant to feature a sequence wherein Bond and his pursuers run through a water skiing display team, causing their carefully balanced human pyramid to collapse and fall.

Albert R. Broccoli had brief conversations with Eric Braeden about playing Bond. Upon learning that the U.S.-based actor held a German passport, Broccoli informed Braeden's agent that no actor from outside the British Islands would be eligible to play the part.

Several villains and henchmen in the James Bond universe have had a "Mr." title moniker. The Mr. Hinx henchman (Dave Bautista) and Mr. White (Jesper Christensen) appeared in James Bond 007 - Spectre (2015). James Bond 007 - Spectre (2015) also featured a henchman called Mr. Guerra (Benito Sagredo). Mr. White (Jesper Christensen) has appeared in three Sir Daniel Craig James Bond films: James Bond 007 - Casino Royale (2006), James Bond 007 - Ein Quantum Trost (2008), and James Bond 007 - Spectre (2015), the most Bond films for any henchman, after Jaws (Richard Kiel), who appeared in two Bond movies. In James Bond 007 jagt Dr. No (1962), there was a henchman called Mr. Jones (Reggie Carter); in James Bond 007 - Goldfinger (1964), there was a henchman called Mr. Ling (Burt Kwouk); in James Bond 007 - Man lebt nur zweimal (1967), there was a villain called Mr. Osato (Teru Shimada); in James Bond 007 - Die Welt ist nicht genug (1999), there were two: Mr. Bullion (Goldie) and Mr Lachaise (Patrick Malahide); in James Bond 007 - Stirb an einem anderen Tag (2002), there was a henchman called Mr. Kil (Lawrence Makoare); in this movie, the archvillain was called Mr. Big (Dr. Kananga), with the character's real name in the source book being Buonaparte Ignace Gallia; in James Bond 007 - Diamantenfieber (1971), there were two henchmen, Mr. Wint (Bruce Glover) and Mr. Kidd (Putter Smith), who functioned as a buddy-team henchmen double-act; in Ian Fleming's novel of "The Spy Who Loved Me" (1962), the villain's employer was Mr. Sanguinetti, but this character did not appear in the movie.

Jane Seymour was cast after Albert R. Broccoli saw her in Die Onedin Linie (1971).

Richard Maibaum later claimed he was asked to write the film but declined because he was too busy. He disliked the final film saying "to process drugs in the middle of the jungle is not a Bond caper."

Albert R. Broccoli considered Goldie Hawn and Helen Mirren for Solitaire.

Julius Harris and Yaphet Kotto appeared in Nichts als ein Mensch (1964) and Friday Foster - Im Netz der Schwarzen Spinne (1975).

Gloria Hendry (Rosie), Yaphet Kotto (Dr. Kananga), and Arnold Williams (Cab Driver) appeared in Straße zum Jenseits (1972).

The film's CD Soundtrack sleeve notes state that the title song debuted in the U.S. Charts on July 7, 1973, where it peaked at the number two spot. It debuted in the UK Charts on July 9, 1973, and peaked at the number nine spot. The soundtrack album debuted on the U.S. Charts on July 28, 1973, and peaked at the number seventeen spot.

A twin engine Lake aircraft can be see in at the airport before Bond escapes and commandeers the small airplane with the student inside. Bond used a single engine Lake aircraft in James Bond 007 - Der Mann mit dem goldenen Colt (1974).

Solitaire was named after the card game of the same name. Which is ironic because Solitaire is a Tarot card reader.

In 1970 censorship decreed that the girls in the American press advertising for the film should have their ample curves toned down which is why their bikinis are larger than those seen in the British advertising.

Eddie Smith: Black Stuntmen Association founder is seen driving the speedboat which crashes during the wedding ceremony during the boat chase. He also had a brief screen presence in Chikago Poker (1974).

The first Bond film in which 007 commits a political assassination, Dr. Kananga being a Prime Minister.

The character of Baron Samedi was rumored to make a return in a future Bond film, which explains his appearance on the front of the train at the end of the film.

The novel had Mr. Big ready to topple the worlds monetary system, by flooding the gold market with Blackbeard's horde. In the movie, it is heroin which will be his treasure horde.

David Hedison guest stared with Roger Moore in Simon Templar: Luella (1964). At the end, a woman looking for a flat for Hedison's character says she found a flat and has the key. "Miss Hill" tells Simon that she is ready for her next assignment after getting "the FBI" agent a flat. "I just can't wait for my next assignment... me...me, working for 'James Bond'". "I'm really excited," she continues. "You weren't Just teasing me were you? You really are 'James Bond'." Simon shakes his head 'no', looks up, and his halo appears. Miss Hill smiles with understanding. Fade to black.

Felix Leiter, played by David Hedison warns James and Quarrel Jr. to watch out for sharks. In James Bond 007 - Lizenz zum Töten (1989), Leiter, again played by Hedison, loses a leg to a shark.

User reviews


  • comment
    • Author: Fenrinos
    And none the worse for it, since every Bond film needs a fresh spin on the same old formula. Roger Moore's first outing as JB is, in equal measures, comical and action-packed. You'll never get bored. But it's definitely the weirdest Bond ever with loads of utterly bizarre moments.

    It begins with M turning up at JB's house in the early hours while he's pumping some Italian agent for information (don't you just love his initialled dressing gown). Before sending him to America to investigate a Harlem pimp known as Mister Big he delivers some gadgets from Q-Branch, including a very useful watch. Q himself, or Major Boothroyd if you want to call him by his proper name, doesn't make any appearance in this one.

    Standing out like a Muslim in an airport, almost every single black person JB encounters in Harlem is on Mister Big's payroll. And they've got a seemingly endless bag of tricks to play on him. The funny thing about Moore is that he's very proper and British and doesn't think anything of walking into a tough Harlem bar while dressed up like the Duke of Edinburgh. His stunned reactions when they mess with his head are seriously funny.

    The action then moves to Lousiana and a savage Caribbean island as JB uncovers a massive heroin plot. There's a particularly long speedboat chase across a bayou where JB encounters Sheriff J.W. Pepper, the most stereotypical southern redneck ever. Think of Texas Businessman from The Simpsons and you get the idea. JB also gets to dodge a hundred hungry Gators and do, many times over, Solitaire, Mister Big's Tarot card reader.

    I'm not sure what kind of formidable villain uses a Tarot card reader to help him do business but when you also surround yourself with a hook-handed maniac called Tee-Hee, a quiet fat guy called Whisper and a seemingly unkillable voodoo high priest called Baron Samedi then you really do become a serious baddie. Right? He even goes on a big speech about how his master plan works before attempting to kill JB slowly. Obviously this makes much more sense than just shooting him right away. When will they learn?

    Despite being the oldest actor to debut as Bond (at 46), Moore does look younger than Connery. And while Sean was gruff and Scottish, Moore is perpetually calm and refined, even in the face of danger (fingers being chopped-off, snake in the bath, being eaten by gators/sharks). Everything that the British once thought they were. He has a certain sarcastic edge that the other Bond actors lacked. While some of his films may have been the sillier of the franchise, Moore has always been my favorite. And the massive revolver and holster he uses at the end is so much more masculine than the usual, wimpy as hell, Walther PPK.

    And, as much as I am no fan of Paul McCartney, you gotta love that theme song! Exciting and iconic at the same time. And also yet another juxtaposition in the weirdest Bond movie ever.

    MI6, Harlem, Pimps, Paul McCartney, Gators, Heroin, Voodoo, Snakes, Sharks, Clairvoyance, Rednecks, Afros, Fake Afros, Fillet of Soul, Human Scarifice, Scarecrows and a small-headed man in a Top-Hat who lost a fight with chickens. Is this a Bond film or did the whole world just go insane?
  • comment
    • Author: Samuhn
    Live and Let Die ushers in Roger Moore as the new James Bond. Prior to this movie, Bond had been played most often by Sean Connery, with the one exception being George Lazenby's short-lived stint in 1969 (On Her Majesty's Secret Service). Moore is very different to Connery and Lazenby. He plays Bond as a more relaxed, charming, humorous character. Over the years, many people have said that the Moore incarnation of Bond lacks the brutality of Connery's and the hard masculinity, but actually Moore is not the kind of actor to do Bond in that manner. He's merely playing to his own strengths, and creating a Bond that is akin to his acting style. I feel that Roger makes a perfectly likable 007, admittedly different to the character of the novels, but still a rousing screen hero.

    The story has James Bond sent to solve the killing of three British agents. One was killed in New York, one in New Orleans, and the third on a voodoo-practising Caribbean island. Bond's starts his mission in New York, where he runs across a nasty black gangster named Mr Big and his gorgeous, tarot-reading accomplice Solitaire (Jane Seymour). Bond heads down to the Caribbean, where he "connects" Mr Big with a drug-smuggling big-shot named Dr Kananga. Then it's off to New Orleans, where Bond discovers that Kananga's master plan is to provide huge amounts of free heroin to the junkies of the world, creating a massive drug-reliant population and setting himself up as a supplier with a worldwide monopoly on the drug trade.

    The title song, sung by Paul McCartney and Wings is one of the best of the series, a lively and powerful tune which fits the style and period of the film perfectly. Yaphet Kotto is a decent bad guy (his death scene at the end is both funny and memorable); Seymour is superb as the Bond girl (probably the best of the bunch apart from Barbara Bach in The Spy Who Loved Me). There are good set pieces as we have grown to expect from the Bond series, most notably a spectacular boat chase around the Louisiana bayous, a scene involving a bunch of hungry crocodiles, and a slick sequence featuring Bond's escape from corrupt island police aboard a slow and lumbering double decker bus. The film has some negatives, but not too many. The character of Baron Samedi doesn't fit in the film (check out that ludicrous closing shot, which seems to be hinting that Samedi is somehow immortal), and Clifton James's brash southern cop is an immature and irritating character who might just as well have been left out of the final cut. On the whole this is a good start to the Moore era, though. One point of interest:- Live and Let Die also features a scene in Bond's house at the very start..... only once before have we seen where Bond lives, and that was at the start of Dr No.
  • comment
    • Author: The_NiGGa
    Was Roger Moore channeling Austin Powers in 1973? There's a scene in this, his first go-round as 007, where Bond is tied up and his arm is cut to draw blood and attract some hungry sharks swimming below. Moore twitches his eyebrow and asks: "Perhaps we can try something in a simpler vein."

    Those sharks don't need any frickin' laser beams on their heads to get you to smell the Austin. Moore gets a lot of blame for turning the Bond movies into weakly-plotted farces, ignoring that the series had been moving in that direction since "Goldfinger" and that the previous installment, Sean Connery's final EON bow "Diamonds Are Forever," was every bit as goofy. Also, Moore could deliver a more serious Bond when the script allowed, and two of the finest Bonds ever, "The Spy Who Loved Me" and "For Your Eyes Only," were his.

    But there's no getting around this, "Live And Let Die" is a dumb movie. The gadgets are silly, the villain's scheme is ill-defined, the storyline is frenetic and unengaging, the action is plodding and overlong. Moore starts out not quite know how to play Bond here, while the movie requires him to play the fool sauntering through Harlem in a double-breasted suit like the Prince of Wales waiting for some natives to show him around.

    But this film makes me smile, in part because I'm young enough to remember what it was all about when it came out. If this was Bond for the cheap seats, it at least delivered the goods, with some vivid supporting characters, a knockout visual style, amazing title music from Paul McCartney, and most importantly for Moore's future in the series, drop-dead quips. My favorite is when the nasty Tee Hee twists his pistol muzzle out of shape with a metal pincer arm, then giggles when he hands it back: "Funny how the least little thing amuses him."

    Julius Harris is menacing but charming as Tee Hee, mostly mute except when he sticks Bond in a gator pond and suggests the best way to disarm the beasts is to try and pull out their teeth. Chief villain Yaphet Kotto has his moments, too, but with odd shifts of character. In the beginning, he's stone-cold Ron O'Neal in "Superfly," and at the end, he's plummy Charles Gray in "Diamonds Are Forever." Jane Seymour is Bond's love interest, and why she goes off with him is another of those things best not thought about long.

    There are two great characters in this movie, though, bigger than just about anything seen in a Bond movie before who kind of work in tandem in overhauling any objections about this film being too "cartoony." Clifton James is redneck sheriff J.W. Pepper, who throws off one madman line after another while Bond is off on one of his long silly chase scenes. James mugs through every scene he's in, rolling his tongue around, playing off everyone and everything, and delivering every hackneyed Southern stereotype to such righteous perfection it's enough to make cotton sprout out of his ears. Bond purists who whine should just take their vodka martinis shaken not stirred and let the rest of us enjoy the craziness. The series is supposed to be fun; if you want serious espionage go watch "Smiley's People." (I grant you Pepper shouldn't have returned in the next Bond film; that was a mistake.)

    The other great outsized character is Geoffrey Holder as perhaps the most mysterious figure in the whole series, Baron Samedi. Is he supernatural? Is he just crazy from the heat? He's certainly different, a guy who sides with the bad guys without quite being one of them. The always-eerie quality of his appearances, either dancing in a big hotel production number or quietly sitting in a cemetery playing a flute, make you question whether there ain't something to that voodoo after all.

    It's silly bashing Pepper but praising Samedi, they are both equally so unreal, in a way that's in tune with the rest of the movie. The best thing to do is enjoy the different kinds of fun on offer. Frankly, not having these guys around might push this film on the bad side of Spinal Tap's "fine line between stupid and clever," the side where "A View To A Kill" and "Moonraker" are on.

    But "Live And Let Die" is a winner. It's a fun movie that brings me back to younger days, when my heart was an open book. It's a nice transitional film for the series in that Moore managed a mostly smooth entrance to the role of Bond. And it has one of the best final shots in movie history. That's all I'll say there; you know it if you saw it.
  • comment
    • Author: LeXXXuS
    Live and Let Die is directed by Guy Hamilton and adapted to screenplay by Tom Mankiewicz from the novel written by Ian Fleming. It stars Roger Moore, Yaphet Koto, Jane Seymour, David Hedison, Julius W Harris, Gloria Hendry, Earl Jolly Brown, Clifton James and Geoffrey Holder. Music is scored by George Martin and cinematography by Ted Moore.

    Bond 8 and 007 is assigned to investigate the recent murders of MI6 agents in New Orleans, San Monique and New York. Suspicion falls on San Monique ruler Dr Kananga, a man who has definite links to Harlem crime lord Mr Big. As 007 digs deeper he uncovers a plot to corner the world's heroin market, but halting such a plan is hindered by the presence of voodoo in his midst.

    Connery was gone, for good this time, no amount of cash would entice him to don the tuxedo for a "legitimate" Bond movie again....... This meant that producers Broccoli & Saltzman would be showcasing the third actor to play James Bond in a four year period! After the fall out of the casting of Lazenby in OHMSS, it was agreed that a established actor was needed this time around. Timothy Dalton was mooted, as he was for OHMSS (he was never offered the role though until 1986), but it came down to just two actors, Roger Moore & Michael Billington. Billington would screen test for the role of 007 a few times in his life but never landed the coveted role, as a sweetener he got to play a minor character in 1977's The Spy Who Loved Me. So Roger Moore it was, someone the producers knew quite well and who was well in vogue after starring in The Persuaders and The Saint. He also was honoured to play the role, wanted it badly and accepted the fanaticism that went with it.

    Moore's take on Bond the man was a world away from Connery, and rightly so, but Live and Let Die is not far removed from Connery's last outing, Diamonds Are Forever. In truth it's a weak script, with Mankiewicz probably under orders from above to play to Moore's strengths and keep the overt humour and cartoon escapades as a selling point. The decision to pitch Bond into a world of voodoo is a good one, and it was not, as some believe, an attempt to grasp the tails of the Blacksploitation market that had made waves in the early 70s. It's a better film than Diamonds Are forever, without doubt. The villains are memorably played, though Kananga's (Koto) demise is indicative of the daftness that would blight many Bond movies from here on in, and in Hamilton's hands the action, especially an adrenalin pumping speedboat chase, is quality entertainment. Top blunderbuss theme tune, too, from Paul McCartney & Wings. While Felix Leiter is back on good charming form in the hands of Hedison (a real life friend of Moore and it shows).

    Problems elsewhere, though, stop this from being a great Bond movie. Much of the film is made up of scenes that are played purely for smiles rather than for dramatic purpose. In short a Bond movie has stopped taking itself seriously. The introduction of Sheriff Pepper (James) is pointless, the beautiful Seymour shows promise but then becomes one of "those" Bond girls who is a liability to 007 outside of the bedroom, and the film is padded out with scenes that offer nothing important to the story. Hendry's Rosie Carver is a dope and poorly written, though it gave Bond his first inter-racial "dalliance", something that the producers were nervous about behind the scenes. While there's no Q! And George Martin's score is very hit and miss.

    A new actor playing Bond and many failings in the picture, could Bond still succeed? Yes indeed! Moore, in spite of not getting good page to work from and getting stick from the critics, put his own stamp on the role by looking smooth, having an excellent vocal delivery and being someone the girls wanted to bed and the boys wanted to be. The box office sang to the tune of over $160 million, over $40 million more than Diamonds Are Forever. The tag-line ran "More Action, More Excitement, More Adventure", though not entirely accurate, there was indeed an abundance of fun play and gadgets are us (Felix Lighter, priceless). Bond was set to continue coining it in for the foreseeable future, but the dye had been cast and Bond ran the risk of becoming purely a cartoon caricature..... 7/10
  • comment
    • Author: OCARO
    Ignoring a Roger Moore who presents a bit of a distraction for viewers watching the series in order, Live And Let Die is an excellent example of how pop culture helps the Bond series survive throughout the decades. The growing concern of a drug-using society at the time is featured, and an immensely popular Paul McCartney does the title theme - indicating that the Bond series need not be rooted solidly in the three-piece suit days of 1962. Jane Seymour gives an excellent performance in her "introductory" role (although it was her fourth film). A bit of black magic and voodoo intertwined with gadgetry and high-tech machinery will have the viewer wondering if, indeed, there was magic in the movie after all - indeed, the cards WERE always right under Solitaire's power. Magical or not, Live and Let Die provides an interesting doorway to the other five Moore pictures - J.W. Pepper returns and Tee Hee seems to be Jaws' forerunner.
  • comment
    • Author: Mall
    This film is much like a pilot for Roger Moore. His first bond girl is Jane Seymour, not a bad way to start. This is kind of like dreaming to me as Jane is wonderful in her role. I appreciate the way Jane is stacked as well as the stacked deck that goes with her.

    The plot in this one is a little different as it is the one Bond that deals with the occult, Tarot Cards, & Voodoo. It is one of the first Bonds more centered with the revenge of losing an agent & illegal drugs, & less centered on saving the world as a plot device. David Hedison (from Voyage To The Bottom Of The Sea) is the latest Felix Lightner of the CIA.

    The stunts are very well done as veteran Guy Hamilton is in charge of the directing. Moore's sense of humor is gotten into the script. This film tells you right away this is not you Sean Connery type of Bond. The action does get a little comic strip in the Crockodile escape sequence.

    This film features all the regulars from M's Bernard Lee, Moneypenny, & of course Q. Overall, this pilot proves that Moore can do Bond quite nicely. The stunts other than the comic one have plenty of good action. While this is not Connery, not Goldfinger, it proves to be a fun trip & for Moore's fans, a great pilot for him.
  • comment
    • Author: Forey
    'Live and Let Die' is the only film that matches Bond exclusively against African-American drug czars... It is the only other movie besides 'Dr. No' with no briefing with Q, no meeting in M's office, and no musical score from the great John Barry... The motion picture begins with one of the most arresting openings of any Bond film, the killing of three British agents: one in Harlem New York, one in New Orleans and one on the island of San Monique...

    Bond is called to investigate the deaths of the three British spies... He is menaced by a venomous snake in his hotel room, and cornered in the middle of a pool full of alligators... He stumbles upon a heroin trade operation presided by two contrasting personalities, Dr. Kananga and Mr. Big...

    Yaphet Kotto is ruthless and calculating as the black master criminal... His position is shored up by the application of fortune-telling and magic charms... Under the alias of Harlem hood Mr. Big, Kananga plans to flood the US with free heroin... His entourage includes the mystical Baron Samedi (Geoffrey Holder) who may or may not be a supernatural being, and Tee Hee (Julius W. Harris) one of the best henchmen in a Bond film... Tee Hee is an intimidating giant enforcer with quite a 'right hand'... He seems amused by 'the least little thing,' after he twists Bond's gun barrel...

    Before he became James Bond on screen, Roger Moore was a successful television actor who was respected for his work in such series as "Maverick," "The Persuaders," and, especially, "The Saint."

    In his first appearance as 007, Moore wears a refined black jacket, dark gloves, and a magnetic wristwatch... He carries a shark gun that fires compressed-air bullets, and drinks the martini shaken not stirred... He enjoys a large cigar after a hot bath... He tries hard to conceal the presence of his early "guest," and goes into trouble when he tricks a mystical mistress using a fake deck of tarot cards... He claims to be a 'gentleman' when he refuses to tell his interrogator whether or not he's deflowered his chaste priestess... He becomes highly in danger in the land of black magic and fetishes...

    Jane Seymour looks innocent in the ways of the world... She is lovely as the clairvoyant heroine Solitaire, whose powers fade after being romanced by the suave, and handsome English 007 Spy...

    Rosie Carver is Playboy bunny Gloria Hendry, the weak CIA agent whose loyalty is controlled by a few bloody feathers...

    Madeleine Smith is the voluptuous Miss Caruso who's undone by Bond's sheer magnetism... She is seduced with the aid of a watch that magnetically tugged down her zipper...

    This eighth James Bond film is an entertaining spy adventure which went so far as to fail to include Q, forever played by actor Desmond Llewelyn...
  • comment
    • Author: Kare
    Roger Moore's debut as 007 was a bit wan but, in retrospect, probably his best outing. He looked pretty lean and mean for a 45 year-old. For a British audience, Moore (The Saint, The Persuaders) was the natural successor to Sean Connery.

    Director Guy Hamilton makes this an expertly staged but somehow lacklustre affair. While the background voodoo theme is suitably bizarre, the main McGuffin about drugs smuggling is rather under-whelming for a Bond movie. Yaphet Kotto is a potentially strong baddie but has too little to do amid the familiar carnage and boat chases. And the introduction of the series' first out-rightly comic character in Sheriff JW Pepper presaged the self-defeating lapse into self-spoofing the films would increasingly take.

    Nor does a heavy-handed score by Beatles producer George Martin help. Unlike regular Bond composer John Barry's music, Martin's is ponderous, overlaid onto the action rather than organic to it.

    Still, Paul McCartney's blistering title-song really jolts Bond into the 70s. And Live and Let Die does have one of the best jokes in the entire series, in the opening sequence when a CIA agent, watching a New Orleans jazz funeral, innocently asks a nondescript fellow bystander: "Who's funeral is it…?"
  • comment
    • Author: Flas
    Several British agents are killed in America and in the Caribbean. Despite the difference in how the murders occur they seem linked together by drugs. Bond begins to investigate and finds links between the American drug dealer Mr Big and the mysterious owner of a Caribbean island Kananga. While investigating Bond falls foul of both despite gaining the affections of Kananga's beautiful mistress Solitaire.

    Roger Moore's first Bond is one of his best. The film wisely steps away from those regular bad guys the Russians and gets a new feel by actually having non-white main characters. The plot is pretty good and doesn't have the usual `take over the world' feel to it. There is plenty of silly stuff of course but the stunts are quite good and Bond has a new line in `eyebrow raised' humour.

    Moore will never be the best Bond but he did make the role his own – adding an element of self-deprecating humour to the role. Yaphet Kotto is a good actor and makes a good bad guy. Jane Seymour isn't convincing as the mystic property of Kananga – she really should have been played by a black actress and it shows a lack of bravery on the side of the producers that they went with a white face as the lead Bond girl. Julius Harris is good as Tee Hee and Clifton James adds some comedy value as J.W. Pepper.

    Overall this is one of Moore's best Bond movies and certainly stands out from previous films with numerous Russian baddies. Also the theme music is a really fun song from Wings.
  • comment
    • Author: Tat
    As a whole, "Live and Let Die" is a pretty peculiar Bond film. Its characters and settings are rather unusual for a James Bond movie, not to mention the trifling with voodoo culture. However, the result is not bad.

    Spiced with the awful 70s fashion, "Live and Let Die" is fun to watch. Of course the film has also intentional stylishness that shows particularly in the clever pre-credit sequence, which contains the murders of three British agents.

    Yaphet Kotto gives a strong performance as the infamous main villain, Dr. Kananga. Kananga has many colorful henchmen, like the grinning Tee Hee, who does a very handy job opening a tin. Jane Seymour's Solitaire is a truly graceful Bond girl, but the useless role of Rosie Carver should have been deleted, or recast, at least. And where's Q?

    "Live and Let Die" isn't Roger Moore's best Bond outing, but not his worst, either. It's definitely better than his next one, the thoroughly tiresome "The Man with the Golden Gun".
  • comment
    • Author: Katius
    Various agents MI6 have dead. M(Bernard Lee) sends to 007 with license for kill to investigate it.Suspicion lead to Doctor Kananga(Yaphet Kotto) whose public image is a humanitarian person who defends his country into United Nations.He governs the island of San Monique.There lives totally submitted from infancy by Kananga,Solitaire(Jane Seymour).She is a psychic tarots cards reading and doesn't know about the life and acts as a marionette craving make his own way of life.His tutor(Kotto) believes that his virginal state originates her a sixth sense and he trusts the guesser quality to dodging the law.Others characters appear in the film are Baron Samedi(Geoffrey Holder).He's a Voodoo's chaman who controlled to San Monique people for executing the Kananga's orders .He takes his name of death's Voodoo God. The villainous Tee Hee(Julius Harris) , a giant killer copied posteriorly by others Bond films(Richard Kiel in ¨Spy who loved me¨).He enjoys deeply murdering with his steel arm that hooks the victims. Rosie Carver(Gloria Hendry) is an explosive CIA agent who brings to Bond towards the lush jungle of island.James Bond will confront against numerous dangers,odds,risks like the taking on starving crocodiles located in breeding place where there's a cartel saying: Trespassers will be eaten¨.Besides a breathtaking speedboats pursuit developed on everglades(in New Orleans,Louisiana)with bounds and leaps and intervention even of a headstrong sheriff(Clifton James)who pursues them with a police car.As always 007 will utilize several gadgets delivered by ¨Q¨ like a prodigious watch and an air bombing cartridges,both objects with special importance into the film. Spectacular and exciting final confrontation among Bond and enemies in the underground cave is narrated with moving and stimulating manner. Roger Moore as new James Bond is cool,lacked coldness and toughness characterized for Sean Connery however earned in irony,suavity and smoothness.Agreeable title song by Paul McCartney and Wings and sensational music score by George Martin. Colorful cinematography by Ted Moore.Movie is well directed by Guy Hamilton who also made others James Bond films.
  • comment
    • Author: Made-with-Love
    "Live and Let Die" (1973) is the eighth James Bond movie in the official series. It takes its name from the second Ian Fleming book, but aside of that has relatively little to do with the book. It is directed by Guy Hamilton, his third Bond movie, and stars for the first time Roger Moore as the secret agent. The opening theme is by Paul McCartney.

    Three different secret agents are killed and James Bond is sent to New York to investigate. Bond becomes convinced that Dr. Kananga, prime-minister of small Caribbean island, is involved in the killings. Bond follows Kananga to his island where he finds that Kananga uses an old voodoo cult to keep the superstitious locals from finding his heroin fields. Bond also meets Solitaire, a young priestess working for Kananga.

    "Live and Let Die" used to be one of my favorite Bond films as a kid and it's a good start for the Roger Moore era. It's got plenty of action starting with Bond trying not to get killed in Harlem, then trying not to get eaten by alligators and having a nearly epic boat chase scene. Looking this film now, years later, however does make me realize that it is a bit longer than would really be needed. Still it's a pretty entertaining movie and not as silly as the previous "Diamonds Are Forever".

    Roger Moore's take on Bond is one of those things that people seem to either hate or love. Some people complain that Moore made Bond too comical, too humorous, even a joke. While it's true that Moore does bring more humor to the character than any other actor I've seen, he's by no means bad. Moore's Bond is still charming, witty and always ready to take action.

    In other roles we have young Jane Seymour as the priestess Solitaire, a potentially interesting but ultimately rather forgettable Bond girl and Yaphet Kotto seems to be having fun playing the villain Kananga. Clifton James has a funny little role as the redneck sheriff who thinks of Bond as the enemy of humanity number one.

    All in all, "Live and Let Die" is not a bad Bond movie, it just doesn't reach its full potential either. It's still a good watch and a fine opening for the Roger Moore era. Above average.
  • comment
    • Author: Nuadora
    Roger Moore takes over the role of James Bond in the 8th installment to the series. In this film, James Bond goes to New York to investigate the mysterious deaths of some British agents. He feels there is a connection between a big time Harlem gangster named Mr. Big and Kananga, the mysterious owner of a small island who is trying to sell self produced heroin. As he gets deeper into the case, he discovers that Kananga and Big might be more closely connected than he originally thought. This is a pretty good installment to the Bond series.

    After Diamonds are Forever, the James Bond series needed a serious boost so it could be a serious spy series again. Though this movie isn't as good as the early Connery films, it's certainly better than the last two in the series. For the most part it sticks close to the Ian Fleming novel, though there are a few differences, mostly in the beginning and the end. The last film was more like a dumbed down action movie than a James Bond movie, and I was glad to see that they fixed that with this film by putting James Bond on a serious case. One thing that bothered me though was the dialogue. The writers kind of overloaded on the jokes and one liners, which made almost every line out of Bond's mouth corny.

    The acting isn't bad. Roger Moore gives his best performance as James Bond in this movie, and though he's nowhere near Connery, he's miles above Lazenby. David Hedison plays an average Felix Leiter. Jane Seymour was an alright Bond girl, and Yaphat Kotto wasn't too bad of a villain.

    Overall, this movie had room for improvement, but it wasn't bad for the most part.

    7/10
  • comment
    • Author: Arashigore
    I can't understand why some other people didn't like it. Actually this is the first Bond movie I've seen, it made a big impression on me and it still does. I found this movie being one of the most colorful Bond movies. There were few colorful villains, lots of action, some humor, and of course - Roger Moore who is my favorite James Bond. The story isn't typical for James Bond movies, it's more mystical this time, but I liked that. Of course nowadays when you watch this movie it may look cheesy in some scenes, but the action sequences where very exiting. Another reason why I liked this movie was the main theme song - Paul McCartney's Live and Let Die, which is yet my favorite James Bond theme.
  • comment
    • Author: Uste
    Updating Ian Fleming's most controversial novel, Live And Let Die, the producers, writer Tom Mankiewicz, and director Guy Hamilton choose to embrace the action packed comical Bond film as seen in the previous Bond film Diamonds Are Forever. Unlike that film, which turned out to be a very mixed bag, it works here.

    Roger Moore's debut as Bond sets up the tone of the films to come. Roger is more comic than Connery or Lazenby and in his later films is stuck with very bad one liners. But here, Bond's one liners are mostly well written and while Roger is mostly comedic, when a serious moment comes, Roger for the most part can play well. Roger makes his own Bond and steps out of Connery's shadow so well that it is extremely hard to make a comparison. On the down side, the more comedic 007 doesn't help the film in the realism department and that hurts the film quiet a bit.

    In the casting of Solitaire, Jane Seymour fits Ian Fleming's description of the character to perfection. Not only does Seymour look the part, she also plays the part well. Given that in both the novel and the film, Solitaire is a poorly defined character who Bond saves at every possible chance, Jane Seymour plays the role with believability that is rarely matched by an any other Bond girl. While some of the lines are cliché, the tarot card and ESP abilities of Solitaire give Seymour a chance to show off her considerable talents that have only improved over the years since this film.

    In Doctor Kananga, we get the first African American villain in a Bond film. Yaphet Kotto brings considerable menace to the character that is turned on and off as Kananga is both a public figure and then as drug lord Mister Big. It must be noted the well done plot twist of Mister Big being Kananga, though it doesn't make a lot of sense. Two things ruin an otherwise memorable character: his death. His death is completely absurd and doesn't even seem realistic.

    The supporting cast is mainly African American actors and actresses playing villains. That fact brings out the fact that while this a 007 adventure, it is also jumping on the blaxplotation bandwagon of the early 1970's and serves to date the film. Those actors are underwritten and way too often used for comic relief. Rosie Carver is another example. She is an interesting character who is underwritten to the extreme and we come off not caring that she is dead.

    While on the subject of the supporting cast, it should be note that David Hedison makes a great Felix Lieter. The bad memory of Norman Burton's Lieter as this Bond and Lieter share a very believable friendship. It is only a shame that the character doesn't appear again for 14 years as he could have added a lot to the Moore films. If there is one outstanding example of a bad character in this film, it has to be Sheriff J.W. Pepper. This type of character is out of place in a Bond film and one almost wonder's what everyone was thinking when this character was added. Most if Pepper's lines are cringe worthy, though the scene at the end of the boat chase where Pepper confronts Bond is the film's best comedic moment.

    The film can be best viewed as a chase film. The film is really a bunch of chases that the plot revolves around. While this is usually the kiss of death for any film (look at 1997's Tomorrow Never Dies for example), it works here. The chases are well done and, despite thirty plus years of other action films, are exciting. The tension in the film is primarily found in these chases and fights that test's the abilities of 007. While humor fills these chases, which ruined many chase sequences in Diamonds Are Forever, it works here. If there is anything to complain about these chases, it is the occasional lack of music. This is no more apparent than in the film's best chase: the boat chase.

    The boat chase is the film's lengthiest sequence and with good reason. The boat chase takes us across the buoy and showcases some amazing stunt work. The chase is occasionally hampered down by appearances by J.W. Pepper and his merry band of idiot cops. The chase is one of the better sequences to appear in the series and has truly stood the test time.

    The music for the film marks a milestone in the Bond films. This was the first time ever John Barry didn't compose any music for the film. George Martin, a long time Beetles producer, was hired to the score and he created the best non-Barry Bond score until David Arnold's score for Tomorrow Never Dies 24 years later. The score has a great feel to it and doesn't feel dated at all. Martin is however guilty for leaving some of the action un-scored. The boat chase is for the large part un-scored, but when the music comes on the excitement. Martin does a very good take on the James Bond Theme and the film's score is built around an excellent main title song. The song is an unabashed rock song, but it fits very well with Maurice Binder's title sequence.

    With a good main cast, a shaky supporting cast, good action sequences, an excellent tile song and a wonderful score by George Martin, Live And Let Die saved James Bond. Though when it is viewed in context with the rest of the series, it comes off as above average.
  • comment
    • Author: Dagdatus
    Roger Moore, who was always more of a clown in a tuxedo than a believable secret agent despite the occasional good moment, kicks off his run as James Bond in Live and Let Die, which has him fighting against a heroin smuggling operation. Live and Let Die is a slightly above average and overall a good Bond flick. This time it feels smaller scale and slightly less over the top although it has the action comedy tone which would define the Roger Moore era. Ludicrous yet rooted in the real world and centred on a very real issue rather than world domination or diamond lasers, LALD manages to get the tone right. I have never liked Roger Moore as Bond although he's not completely awful here. He would get really terrible in some later films though. There are 3 main action sequences (The film has a fairly quiet first half which is pretty effective) before the finale and all 3 of these are solid and entertaining. The finale is a let down although it does have That immortal one liner.

    The villain is fairly dull and the film is arguably the most sexist Bond movie of them all. Anyone who has watched even only a few of these films will know that is truly saying something. LALD does feel dated at times and doesn't always feel like a Bond film although that doesn't let the film down particularly. The novel was better and it's strange some elements from the book were left out. LALD suffers also from over length and pacing issues but overall, even if it doesn't match the book it's a good Bond film and a very watchable one. It's better on a second viewing as the lack of action in the first hour is surprising the first time you watch it. This stands as the third best of the Roger Moore era behind For Your Eyes Only and The Spy Who Loved Me. There's still a hint of Ian Fleming in the movie, unlike the other Roger Moore Bond films with the exception of For Your Eyes Only. To conclude, this is a good time and an entertaining Bond film although not one of the more memorable outings in the franchise.

    7/10
  • comment
    • Author: Fato
    Live and Let Die is a good movie with a very well written storyline and a great cast.It certainly isn't the best James Bond movie,but it's not the worst either.It is the first Bond to star Roger Moore in the main role,and while i like him as Bond in general,he isn't as great the first time around,he certainly improves as in later movies though.The movie certainly has its flaws,but it is action packed and also has several bits of humour throughout,which were certainly the most enjoyable parts.My favourite part of the film was certainly the villain Mr. Big,he was a great Bond villain and the actor really embraced the character.Live and Let Die is an enjoyable movie that James Bond fans will like but won't love.

    James Bond uncovers a plan by a drugs kingpin to get the world addicted to heroin.

    Best Performance: Yaphet Kotto Worst Performance: Clifton James
  • comment
    • Author: CONVERSE
    You've got to hand it to the Bond producers, they never do miss a trend they can exploit. In 'Licence to Kill' it was the contemporary 'War on Drugs'(the entire thing feels like a feature length episode of Miami Vice), in 'Moonraker' it was the sci-fi craze kicked off by Star Wars, in 'The Man with the Golden Gun' we just had to have some martial arts to cash in on Bruce Lee's posthumous celebrity. So, it's the early 70s and that means we just have to have some superfly cool blaxploitation. Hence utterly wonderful dialogue such as "Names is for tombstone's baby, take this honky outside and waste him!"

    Ian Fleming has often been criticised for his depiction of non-white characters and we see it here pretty blatantly, even with all the updates made between the novel and film (in the book one of Mr Big's heavies decides to spare Felix Leiter's life because they have a common love of jazz!). Women aren't much better off, we have the first Afro-American Bond girl but she is depicted as both incompetent and traitorous, gets slapped around by Bond (Roger has a reputation as being much more of a gentleman than Sean was but not here) and then murdered. Jane Seymour is lovely but also pretty insipid, Yaphett Kotto is a decent if not too remarkable villain. Nice to see Quarrel junior though, presumably the son of the character killed in Dr No. David Hedison is also fine as Felix Leiter and will make a return in 'Licence to Kill', the first actor to repeat the role. Bond's run across the crocodiles is a terrific stunt.

    All told, good stuff but as with Sean, Roger's Bond got better as he went along.
  • comment
    • Author: JoJoshura
    When three MI6 agents are murdered within a short period of time "James Bond" (Roger Moore) is sent to New York to investigate. Once there he discovers evidence that a man by the name of "Dr. Kananga" (Yaphet Kotto) may be responsible and so he heads to New Orleans to continue his investigation. It is here that he is abducted by a gangster by the name of "Mr. Big" (name deliberately withheld) and meets a beautiful psychic named "Solitaire" (Jane Seymour) who works for Dr. Kananga and keeps him informed of future events by the use of tarot cards. After managing to escape from the clutches of Mr. Big he then travels to a small island in the Caribbean called San Monique where he meets up with another agent named "Rosie" (Gloria Hendry) who is there to assist him. From then on events begin to rapidly overtake him as he encounters an assortment of hoodlums, crocodiles, a voodoo priest named "Baron Samedi" (Geoffrey Holder) and even a Louisiana sheriff by the name of "J.W. Pepper" (Clifton James). So essentially what we have is an action-packed movie that has elements of previous James Bond films mixed with a blaxploitation theme and some very good humor as well. Throw in some good performances by Roger Moore and Yaphet Kotto along with one of the most beautiful and talented actresses to appear in a James Bond film in Jane Seymour and there really isn't too much to dislike about this movie. That said, I rate it as above average.
  • comment
    • Author: Murn
    I suppose I remember 1973's Live and Let Die as a "spookier" Bond entry to that of those in the franchise. With the further benefit of hindsight in having seen most of what followed and preceded Live and Let Die, I think we're all able to deduce that the film was indeed a stark change to usual proceedings: here is the Bond film that featured a scene whereby people fell backwards into coffins full of snakes; here is the Bond film whereby we are plunged (during the pre credits sequence, no less) into ritualistic killings accompanied by blaring trumpet scores. Here is the Bond film wherein people tear away parts of their face; manage to survive having sections of their scalps blown off by well placed Magnum rounds and have the ability to see into the future. Even the immediate train-set ending to the piece is a full blown, anti-Bondian, anti-mainstream slice of ambiguous; open ended film making designed to force a complete revaluation on where we now stand in terms of whether things are as wrapped up as they seem.

    Moore's bow as James Bond begins with him in the company of a young woman whilst located, in what is a rare instance, within his actual house. It doesn't take long for this constant, burning sense of urgency the film has to establish itself when there is a visitor at the front door in the form of his boss, M (Lee), along with ally Moneypenny (Maxwell) – the pair of them paying him this visit ridiculously early in the morning. Where previous instances of debriefing or mission assigning have taken part during the (compared to this) far more relaxed, even leisurely, locale of M's office during normalised hours, this is here and now and in Bond's house such is the importance. The reasoning behind this pushing of the panic button lies with the separate events propping up the pre credits sequence, whereby three separate deaths at three separate, and somewhat disparate, locations took place. The first, a British representative at the United Nations building on account of a mysterious Black hand obtaining access to a place one would think is rather tight with security, sets the scene for a then road side assassination causing the entire street and mock funeral-parade to begin cheering, before things are rounded off with an extravagant ritual involving a hapless White individual at the mercy of a deadly snake bite precipitated by an array of Black cultists.

    Bond's task begins in New York City, where he investigates, along with the help of the C.I.A., a powerful political figure known as Kananga (Kotto), whose remorseless expression filled the frame in the United Nations building during the opening. There is a quite brilliant moment in a public bar, ruthless if only for the choreography of the sequence, whereby Bond swaggers in expecting to dominate proceedings, although ends up facing down the barrel of a gun in a completely new zone populated by the very people he's there to foil. The process of placing him there to begin with; having him offer the waiter a bribe for information; having the wall seat at which he is positioned do what it does and then have the waiter swipe the money from his hands before turning around and taking a sip out of the very drink Bond ordered for himself is a sharp, rapid and cutting series of instances reiterating how much control these people have over their domain.

    Things progress to the Caribbean, the nation of Jamaica doubling up for a fictional island country of similar geographical locale named San Monique; a strange place, an eerie and seemingly backwater zone populated by these very specific individuals who move and dance and perform in a very unique and very uncanny way. Knocking around is the tarot reader Solitaire (Seymour), a girl whose own plight of independence and ascent into womanhood is just as interesting as Bond's investigative strand as she begins to clash with Kananga's established patriarchy. It is first established how her mother once worked for the same man doing the same thing, and that she "lost" her abilities, something that is later revealed to be more broadly linked to the of a finding a man and falling for them. The use of the word "Solitaire" to double up for Jane Seymour's character's name, traditionally speaking a card game one plays alone, infers degrees of individuality or being by one's self. Bond's entrance into her life does well to spawn a character driven process that pushes Solitaire away from being the pretty supporting female, and into someone deciding not to be tied down to loyalty to a tyrant.

    Certainly, Live and Let Die was always a stranger and less conformative Bond entry which still somehow managed to find a way to wedge in all the codes and conventions synonymous with it. Indeed, Bond is torn from the world of espionage or the warring with the Soviets and instead placed into a domain that sees him go up against the illegal drug trade. These are socio-political ideas not necessarily revisited, nor previously explored under Sean Connery, until Timothy Dalton's two outings whereby he battled the Latin American drug trade under a familiar guise of the revenge framework in 1989's License to Kill and (according to some academics) found time to conform to an anti-Aids repertoire in 1987's The Living Daylights, when some-or-a-lot was made of the fact the usual interests Bond has in arrays of beautiful women was more muted. Things feel different in Live and Let Die, and yet it is all at once pleasingly familiar in that way Bond films should be.
  • comment
    • Author: Jugore
    After "Diamonds are Forever" Sean Connery left the role of James Bond officially with the words "Never again"( a foreshadow to his final but unofficial role as James Bond but thats for another review). The producers once again had the task of looking for a new Bond and who to pick but "The Saint"s Roger Moore.

    Lets just say that the plot is more strange and bizarre than the previous films as it involves sadistic murders, drug trafficking, an annoying redneck sheriff who is rarely funny, a virgin tarot card reader and a voodoo witchdoctor who may or may not be immortal. Not to mention that all the villains are black save for two allies that Bond meets in the film. This was to cash in on the blaxploitation genre that was popular in in the early 70s.

    Roger Moore's take on Jame Bond was very different from Connery's as he played it with more humor and charm. Jane Seymour as the bond girl was very beautiful but her character was only there as a damsel in distress for Bond to save at the end. Yaphet Kotto was an okay villain but his plan made little to no sense. Clifton James as Sheriff J.W. Pepper was only funny a few times but most of the time was very obnoxious in what was supposed to be a serious boat chase. David Hedison plays as the fourth actor to play Felix Leiter and does a great job.

    Guy Hamilton returns as director for the third time and makes an improvement after the disappointing "Diamonds are Forever". Surprisingly the tone is less campy but more surreal, strange and somewhat uneven.

    "Live and Let Die" is a decent start for the Roger Moore era and I give it good points especially for the catchy "Live and Let Die" song by Paul McCartney and the Wings.
  • comment
    • Author: Nern
    Roger Moore's first stint as James Bond, 007, embarks on a different kind of series of films based on the adventures of debonair, wise-cracking, sexually active, and seemingly impeccable at thinking on the spot when all hope seems lost British Intelligence super agent, going for a definite tongue-in-cheek, totally absurd approach. I have always liked Moore's Bond and For Your Eyes Only can be used as a 007 film that shuts up his critics who consider him a failure as the elusive secret agent.

    Yaphet Kotto is in fine form as Ambassador of a Caribbean island of San Monique, with a major heroine operation extending to both American cities New York and New Orleans. Kotto's Kananga has eyes/gunmen/spies everywhere, his advanced network has quite the tentacles so Bond will certainly have his hands full. While I cringe at the Voodoo culture exhibited on display as the cultural stereotypes are exploited to their maximum, there are characters who make the most of their roles, such as claw-handed Julius Harris as Tee Hee, Geoffrey Holder (and that devious smile) as dangerous Voodoo Priest, Baron Samedi, and the seemingly a sweetheart agent in the Caribbean, Gloria Hendry (who turns out to be working both sides out of fear of what Kananga will do to her). Others show up such as Voyage to the Bottom of the Sea's David Hedison as Bond's New York, American CIA contact, Clifton James in an ill-advised tobacco-chewing hick sheriff, JW Pepper (always spouting "Boy!" to everyone he finds egregious) , and the incredibly beautiful Jane Seymore as Kananga's tarot card reader, clairvoyant Solitaire (who becomes Moore's Bond girl).

    The action sequences include an extended motor boat chase (that seems to go on forever, played for humorous effect, such as when it flies across roads causing wrecks by those chasing him, leading one boat into a rich man's pool, another into Pepper's cop car, and a third through a wedding reception!), Bond's ingenious (if totally ludicrous) escape from encroaching crocs, and Bond's use of a Cessna plane to avoid Kananga's boys killing him. A funeral procession in New Orleans cleverly is used by Kananga to rid himself of spies guarding his headquarters, Bond puts a "magnetic watch" to good use on several occasions when in hairy situations, and how a "gas pellet" is used to "pop" Kananga has to be seen to be believed. That double decker bus and hand glider establish the kitchen sink rule that the filmmakers wanted Moore's Bond to use every form of transportation possible in his first outing as 007.
  • comment
    • Author: Natety
    As an avid fan of 70s horror and exploitation, I have no problem at all with Live and Let Die's voodoo plot elements and many blaxploitation trappings: as far as I am concerned, they only serve to make this a very unique debut for Roger Moore as cinema's greatest secret agent, setting it well apart from everything Connery did as Bond.

    In addition to superstitious mumbo jumbo and jive-speaking soul brothers, this adventure also benefits from a kick-ass theme song from Paul McCartney, an appearance by big-breasted Hammer babe Madeline Smith, the casting of a hot-as-hell Jane Seymour as sexy Tarot reader Solitaire (so called because, until meeting Bond, she'd only played with herself?), and some classic, corny quippery from an impossibly suave Moore.

    Unfortunately, despite all of this, the film must be considered something of a disappointment, suffering as it does from a weak storyline/script, dreadful pacing and sub-par action, including a soporific, overlong speed boat chase, during which we are introduced to Clifton James' irritating Sheriff J.W. Pepper, surely the most ill-advised character of the whole Bond franchise.
  • comment
    • Author: Peras
    Live and Let Die was Roger Moore's first appearance as Agent James Bond 007, a role he so obviously relished over the years. Then he was better known as a TV star following his role as the Bondesque Simon Templar in the Saint, and the follow up as Lord Sinclair in the less successful The Persuaders.

    When the film starts, Bond's briefing is not in the familiar office of his boss M, but in his apartment where he had just finished cavorting with a delectable Italian agent.

    M gives Bond the unfortunate news that three British agents have been murdered presumably by one Mr. Kananga, the dictator of a Caribbean country called San Monique. Bond is then ordered to investigate the deaths.

    Bond's assignment takes him to New York where he meets the beautiful and mysterious Solitaire, a tarot card reader with seemingly possible powers to predict the future. Solitaire played by Jane Seymour (her first acting role) was a virgin who will lose her power if she loses her virginity.

    He also encounters Tee Hee, the henchman with a hook instead of a hand. (In the Bond novels, Bond's friend Felix Leither had the hook); the seductively menacing Baron Samedi, supposedly The Man Who Can Never Die, and finally the big bad guy himself, Mr. Kananga played charmingly by Yaphet Kotto. Both Julius Harris and Geoffrey Holder who played Tee Hee and Samedi respectively were sadly underused but still their performances as the grotesque bad guys were arresting.

    Sadly, Desmond Llewlyn did not make an appearance but his character, Q, was still referred to in a comic altercation between Bond and M.

    Kotto has the distinction of being the first and only black villain in the James Bond franchise. And it was a role he played with equal measures of charm and menace. Kotto always has a magnetic screen presence and it show in this movie, almost matching that of Roger Moore himself, despite his lesser screen time. It was obvious that the Bond film makers were cashing in on the successful blaxploitation movies of the 70s, (although in a reverse order since the black guys are the villains). The racist theme was prevalent in the movie and which begs the question- were they black because they were villains or where they villains who just happened to be black? Roger Moore's interpretation of Bond was radically different from Connery's. He eschews Connery's sardonic wit and roughness to assume a more affable finesse and comedic persona. That charm is what made Roger Moore a more likable Bond in Nigeria (not in my opinion though).

    He smokes cigars, struts through the street of Harlem dressed like The Prince of Wales, speaks in refined English (his one liners where excellent like when his quip "sheer magnetism, darling" as he pulls down a zipper with a magnetic watch), shows no anxiety in being in the midst of violent black drug runners (when he is being taken away to his execution, he calmly advises Solitaire not to leave as he shan't be long) and tells a massive henchman called Whisper to keep the change when the henchman serves him with drinks and takes his gun in exchange.

    LALD is a fast paced movie which unusually for the superficial Bond movies skirts the supernatural world of voodooism, occultism and human sacrifices. The drug theme is also explored via Kananga who wants to monopolize the drug world in US by an operation that does not really make sense.

    As Kananaga puts it "I sell to anyone…black, white-I don't discriminate" Like most Bond films, LALD has its plot holes. It is never explained why the British Secret Service was interested in Kananga in the first place that led to the murder of their three agents, or even why their agents were murdered. Fantastically, one was murdered right in the General Assembly meeting of the United Nations! Or why Kananaga's dummy killers would kill one of their own agents on the verge of revealing information to Bond when they could have nipped the whole problem in the bud by just easily killing Bond. Wrong strategy, bad guys.

    Despite these plot holes, it is still an arresting movie with such highlights as the climatic boat chase, Bond's nifty watch that could emit a magnetic field, his nerve wracking entanglement with the alligators and a brilliant disco cum spooky song theme song from Paul Marcartney.

    It is better that its predecessor, the silly Diamonds Are Forever; not the best of the Bond movies but still a lot of fun to watch.
  • comment
    • Author: MisterMax
    Moore's charm smooths over the inevitable comparisons with Connery and is in keeping with the lighter tone that the films had already been accustomed to and which they would go on with throughout his tenure. The film is especially intriguing in that it is the only entry in the series which features metaphysics (Solitaire's ability to read the Tarot cards and predict the future) as a credible plot device. Otherwise, LALD's colourful blaxploitation gloss, confident pace and a few modern touches give it a vigour which was missing from its predecessor, "Diamonds Are Forever".

    Plus, it features an all-time great moment: Bond's escape from the crocodile pool. A winner.
  • Cast overview, first billed only:
    Roger Moore Roger Moore - James Bond
    Yaphet Kotto Yaphet Kotto - Kananga / Mr. Big
    Jane Seymour Jane Seymour - Solitaire
    Clifton James Clifton James - Sheriff Pepper
    Julius Harris Julius Harris - Tee Hee (as Julius W. Harris)
    Geoffrey Holder Geoffrey Holder - Baron Samedi
    David Hedison David Hedison - Leiter
    Gloria Hendry Gloria Hendry - Rosie
    Bernard Lee Bernard Lee - 'M'
    Lois Maxwell Lois Maxwell - Moneypenny
    Tommy Lane Tommy Lane - Adam
    Earl Jolly Brown Earl Jolly Brown - Whisper
    Roy Stewart Roy Stewart - Quarrel
    Lon Satton Lon Satton - Strutter
    Arnold Williams Arnold Williams - Cab Driver 1
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