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Short summary

An unlikely kind of friendship develops between Fergus, an Irish Republican Army volunteer, and Jody, a kidnapped British soldier lured into an IRA trap by Jude, another IRA member. When the hostage-taking ends up going horribly wrong, Fergus escapes and heads to London, where he seeks out Jody's lover, a hairdresser named Dil. Fergus adopts the name "Jimmy" and gets a job as a day laborer. He also starts seeing Dil, who knows nothing about Fergus' IRA background. But there are some things about Dil that Fergus doesn't know, either...

Trailers "The Crying Game (1992)"

Neil Jordan originally intended to title the movie "The Soldier's Wife", but was advised by his friend Stanley Kubrick to change it. Kubrick recommended this change because he believed that films with either religious or military titles usually deterred audiences and were often financial failures (something that Jordan had experienced when his religiously-titled movies The Miracle (1991) and We're No Angels (1989) flopped at the box office). Jordan selected the new title from a 1960s hit British pop song.

A few lines of dialogue allude to Dil as being significantly older than Fergus (more specifically, a remark Dil makes about preferring younger men). Jaye Davidson, who plays Dil, is actually twenty-one years younger than Stephen Rea, who plays Fergus.

Debut theatrical feature film of actor Jaye Davidson, who was Oscar-nominated for his performance.

The film was shot on such a shoestring budget. It actually came very close to running out of funds.

Jaye Davidson was found for the role of Dil while in a bar.

The film cast includes two Oscar winners: Forest Whitaker and Jim Broadbent; and three Oscar nominees: Jaye Davidson, Miranda Richardson and Stephen Rea.

Picked by Entertainment Weekly magazine as one of the "50 Greatest Independent Films" in a special supplement devoted to independent films that was only distributed to subscribers in November 1997.

At the request of Channel 4, who were originally backing the film, Neil Jordan had to write and shoot a different ending for the film, because it was felt that with the original ending the film would be unreleasable. Jordan wrote and filmed this "fake ending" as he refers to it without love or conviction. However, when the film was cut with the fake ending in place, all agreed that it didn't work and the production received the funding to film the ending Jordan had originally written and with which the film was released. The alternative ending is included in the bonus material of some DVD releases.

The fable that Jody (Forest Whitaker) tells Fergus (Stephen Rea) about the Scorpion and the Frog was also told by Orson Welles in his low-budget film noir thriller, Mr. Arkadin (1955).

Producer Stephen Woolley owned a repertory cinema in London called the "Scala"; when there were funding issues with the film Woolley ended up borrowing money from the Scala to keep the production afloat.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

Features the only Oscar nominated performances of Jaye Davidson and Stephen Rea.

Discussed during a conversation in Отец Тед: The Passion of Saint Tibulus (1995), which was about a fictional movie that gained fame after the priests protested it.

While he is being held captive, Jody asks Fergus to "tell me a story, tell me anything." Fergus responds, "When I was a child, I thought as a child. But when I became a man, I put away childish things." Jody says, "What does that mean?" and Fergus responds, "Nothing." In fact, Fergus is quoting a famous passage from the Bible, in First Corinthians, Chapter 13.

In this movie, Stephen Rea plays a member of the Irish Republican Army. In his actual life, Rea was married for twenty years to Dolours Price, a member of the IRA who participated in a car bombing at London's Old Bailey in 1973. For her part in the bombing, Price was given a life sentence, though she actually only served seven years in prison. Rea and Price were married during the time that Rea filmed The Crying Game; they divorced in 2003 and Price died in 2013. In a posthumously released interview, Price admitted to also playing a role in one of the most notorious unsolved crimes of the "troubles" era: the 1972 kidnapping and murder of a Belfast mother of ten named Jean McConville, whose disappearance remained an open mystery until her body was found in 2003.

A few weeks into filming, Jaye Davidson got ill from flu. A doctor was called to the set to take a look at him. The doctor entered Jaye's tiny trailer, examined him and came out to talk to director Neil Jordan. The doctor asked Neil "Have you considered the possibility that she might be pregnant?". To which Neil and the other crew began to laugh. The doctor looked bemused, and was only let in on the secret a few minutes later. He felt very foolish.

The casting of Dil proved extremely difficult for the filmmakers (Stanley Kubrick had at one point warned Neil Jordan the role was probably uncastable) until the casting director (Susie Figgis) received a tip-off from director Derek Jarman about Jaye Davidson. Davidson was later "discovered" by the film's casting agents at a wrap party for Jarman's film Эдвард II (1991), and was offered the opportunity to try out for the role of Dil. Davidson was (by his own admission) very drunk and not particularly enthusiastic (he thought it was just a joke at first) but eventually took the role in order to pay for a pair of hand-made leather riding boots he had seen in a copy of Vogue magazine.

Time magazine critic Richard Corliss subtly gave away the movie's plot twist in his review of the film. The first letter of each paragraph spells out the phrase "She is a he".

The film was turned down by all the studios because they thought "the twist" in the film would turn viewers off; in fact, it became why many went to the movie.

Although producer Stephen Woolley was immediately taken with Neil Jordan's script, he met with zero interest in America. The general consensus was that the Jaye Davidson role was uncastable, the film's mix of sex and terrorism would prove unpalatable with audiences, and that the press would divulge the film's big twist. Eventually Woolley was able to drum up the necessary budget from British, European and Japanese sources, but then had to contend with the financial collapse of his production company, Palace Pictures. When Miramax, who had initially rejected the script, saw the finished product, they immediately made an offer to distribute the film in the USA, with a clause in the contract that they would push the film for Oscar consideration.

The plot twist of this movie was spoofed in a plot twist for Эйс Вентура: Розыск домашних животных (1994).

User reviews


  • comment
    • Author: Gholbithris
    The less you know about this film, the better. I won't tell you anything except what a well-written and well-acted movie this is. from the first 15 minutes, which is mainly dialogue between two actors, you are completely drawn in to the film, which has almost dream-like qualities.

    If you were planning to see it just because of the "twist" and to see what everyone was talking about, then see it. If you were planning to see it for the amazing script, acting and direction - see it. And if you were planning on not seeing it - see it
  • comment
    • Author: Goldenfang
    THE CRYING GAME / (1992) ***1/2 (out of four) By Blake French:

    I admire Neil Jordan for contributing his vastly original ideas to theater screens, as do I admire the Academy Awards, who appropriately rewarded "The Crying Game" with the best original screenplay Oscar in 1992. The film also earned nominations for best picture, director, leading and supporting actors, and editing. Jordan's style of filmmaking feels consistent over the years. "The Crying Game" offers the usual flavor of Jordan, but also incorporates unexpected, ninety degree twists that change the pace of his story altogether.

    "The Crying Game" begins in Northern Ireland, where the IRA takes prisoner a British soldier named Jody (Forest Whitaker). Among the team of committed terrorists is the quiet Fergus (Stephen Rea), and the seductive Jude (Miranda Richardson), who guard Jody in an isolated forest shelter. As Fergus continually watches Jody, the two become begin to like one another. Jody knows that his tragic fate nears, therefore, shows Fergus a photograph of his romantic interest, who lives back in London. He asks Fergus to look her up sometime if he ever gets the chance.

    The movie takes a ridged, unexpected turn, and the next time we see Fergus, he is living as a construction worker in London under a new name. He finds the soldier's girlfriend working at a beauty salon. Her name is Dil (Jaye Davidson). Fergus gets a haircut, and follows her to a nearby bar, then the next thing we know the two are deeply in love. But Dil has a secret-and so does Fergus. What would Dil think if she knew her new lover was responsible for her late boyfriend's death?

    Stephen Rae is the best thing in the movie, interlocking the several separate plots with a concrete narrative. The film takes his point of view, and does so consistently. This is essential, since we learn information as he does-a classic yet extraordinarily effective method of keeping an audience involved. Here, Jordan celebrates a clean story, but reveals information about certain characters that change the entire direction of the story, while keeping the important material in play. That is not easy.

    "The Crying Game" is not for everyone-it's a hard, perverse movie with enough content to warrant several R ratings. The sexual content is unexpected and distorted, but stunningly original. Three minutes do not pass before a character casually utters the notorious four-letter word. Even the violence is aggressive and graphic. "The Crying Game" takes no prisoners, so hold on tight and come prepared for the ride.

    I think the film could have investigated the relationship between Dil and Jody with more detail. We learn how Jody feels about Dil, but Dil resists sharing her feelings about Jody. Is this done for a purpose? I think so. Neil Jordan is not the kind of director who would leave out massive plot nuggets like this, especially in a movie as deliberate and complex as "The Crying Game." However, Dil feels a little shallow in this area. With a little more emotion and dimension, she could have been even more intriguing. Jaye Davidson does a great job with the character, however, which probably explains why this element of the story has not received many other complaints.

    "The Crying Game" was certainly one of the most original movies to hit theaters in 1992, and deserved many of its award nominations and wins. Neil Jordan bravely takes us through controversial material, while at the same time, keeps us focused on the main points of the movie. He keeps the audience in his grasp the whole way through-something all directors should strive to accomplish.
  • comment
    • Author: Jediathain
    When I was a teenager "The Crying Game" managed to surprise and touch. I watched it again last night and the magic is still there. Neil Jordan just have the touch.

    A soldier, Jody (Forest Whitaker) is kidnapped by the terrorist group of IRA. He forms a surprising friendship with one of his kidnappers, Fergus (brilliant Stephen Rea) who has "a killer smile" but has also a heart. Jody adjures Fergus to go and find his loved one if something would happen to him...

    Neil Jordan has written an amazing script which makes you laugh and cry. The story is very well structured. It is a story of love as an universal thing. This is the philosophy that is very dear to me. Jordan masquerades brilliantly human reflections through well-written characters like Fergus and Dil (Jaye Davidson). Dil's character gets to say the best punch-lines in addition of Fergus. The metaphor of the scorpion and the frog reflects human nature greatly.

    The acting is fantastic. Stephen Rea is always very charming in his subtle way. Forest Whitaker was then just starting but his performance as Jody is touching. Jaye Davidson was a very good finding to play Dil. Miranda Richardson is ice-cold and cool as Jude. Jim Broadbent is funny as the bartender Col.

    What a great movie! 10/10!
  • comment
    • Author: Dikus
    This is a great movie. While "the scene" achieved great notoriety and some think that's all the movie is about, it's really about so much more. The desperation of the Irish to achieve freedom from England is very much on display here. Like other ancient feuds around the globe, the passion on both sides is evident in their willingness to do just about anything to advance their cause(s). It's also a powerful, if strange, story of human love. Complicated, deeply felt, real love. The kind that would make you sacrifice virtually everything to prevent the one you love from suffering pain. Excellent acting makes this a worthwhile investment of time. A film to remember and cherish.
  • comment
    • Author: INwhite
    The Crying Game was a sensation when it was first released back in 1992, and looking back on it after all these years it still manages to be an intelligently written and well acted thriller of gender-bending proportions. It famously features one of the most startling plot twists ever conceived for film (which has since become well known; if you're fortunate enough not to know what it is, I will give you the pleasure of discovering it for yourself.). At the time of its release the "plot twist" in question was the main subject of discussion regarding The Crying Game; in retrospect, it is seen not just to be a gimmick, but also an ingenious narrative device--it fits organically with the rest of the plot, both before the revelation and after. Finally, The Crying Game is actually a film that deals with the universal theme of one's need to find acceptance and love in this world (This fact adds new dimensions to its theme song). And because it deals with such a universal theme, this film, like all great films, stands the test of time.
  • comment
    • Author: Yggdi
    N.B. Spoilers within. It's hard to do justice to this modern masterpiece. Let me get this out of the way: "The Twist." The whole issue is a real shame to me; viewers should just stick to the complexities of the story and characters, and not — as the marketers selling the film would soon glom onto — a twist. To think that this would go on to nearly define for the world Neil Jordan's incredible movie! (Along with this, the "I-could-see-it-coming-a-mile-away" attitude...give me a break and just suspend some disbelief.) It doesn't matter now: the poignancy and importance of what Fergus (Stephen Rea) and Dil (Jaye Davidson) experience in this film have given it staying power.

    But let's start at the beginning, in Northern Ireland and the IRA, and the kidnapping of British officer Jody (the very solid Forest Whitaker). Here Fergus shows his true colors as a man, befriending Jody — his hated enemy — and proving himself something of a human beyond the sworn duties of his terrorist associations. This first 35 minutes of the film will indelibly imprint on everything that happens thereafter. Fergus's bonding with Jody cannot be helped — because of who the two men are — even as it complicates the emotions between them. The essential story narrated by Jody of the scorpion and the frog serves as background metaphor for the rest of the story: "I can't help it…it's in my nature." Jody's revealing to Fergus of his distant lover Dil (why did he do it? To pre-avenge the terrorist acts happening to him? Out of pure love and sharing?) lights a fuse for the rest of the film, too. IRA activist and lover of Fergus, Jude (Miranda Richardson) proves herself tough in these opening sequences, but is nothing like the Valkyrie she will emerge as in Act III. Jody is unfortunately dispatched early from the picture, but the damage is done: his work on Fergus's psyche has been cemented.

    Fergus departs the IRA holdout, now in smithereens, and heads to London, where he becomes Jimmy. He looks up Dil, heavy with the knowledge of how complicit he was in Jody's fate. This, too, takes a constant place in the storyline and must always be kept in mind. (Stephen Rea wears his burdens in the way he talks, walks, breathes: he and Davidson are incredible.) Dil seems to be able to take care of herself just fine (dumping the the dufus Dave, for example), but once she meets Jimmy she falls in love. The feelings are mutual. At the club where Dil performs, bartender Col (a smooth and perfectly knowing Jim Broadbent) mediates the tentative relations between grieving Dil and searching Jimmy/Fergus.

    So, the decisive moment: the big reveal. Dil says honestly, "I thought you knew." And later (with the film's many touches of grim humor): "Even while you were throwing up, I could tell you cared." Fergus has another dream about Jody afterward: now Jody is not pitching (i.e. sharing) a cricket ball, but strolling away with a smirk and a genuine sense of revenge. But Fergus needn't worry: one of the great themes in this movie is the way he can't help but stick with Dil, no matter who she has turned out to be. It's all about Fergus's (and Dil's) huge capacity for love, which has become far more universal.

    All comes together breathlessly in the final Act. Jude & co. show up in London and re-recruit Fergus to the cause, an important assassination. Now Jude is ruthless and jealously knows of Dil and Fergus. It's incredibly touching when Fergus shears and disguises Dil to save her life: he has put her in harm's way. (One leitmotif in this movie is the music that accompanies the intimate moments between Fergus and Dil — a little sugary but very effective.) When Fergus FINALLY reveals to Dil his relationship with Jody, she is too drugged to fully grasp. But soon she will get it, in spades. The collision between love stories and terrorist plot is unforgettable. Jude is unprepared for the emotional force wielded by the liberated Dil, whose feelings for Jody come to the fore as she has learned of how Jude seduced Jody to his capture in Ireland.

    Now that Dil's secret is out (in the real world), the viewer must be fair to the film and *always* keep him/herself in Fergus and Dil's heads. Their points of view are crucial to taking this film on its own grounds. This is one of the most powerful and intelligent films I've ever seen; a thriller combined with multi-layered love stories. Jordan et. al. have created an utterly absorbing and memorable tale.
  • comment
    • Author: Vetalol
    Here is a really deep & touching movie. Dil sings (& moves her hands about like a classical Indian dancer rather distractingly) "I know all about the crying game" we know that she knows. It drips out of her voice, it rolls down her cheek, it stares out of her eyes. She knows she has lost her best chance in life - the only man to love her was killed in Ireland. Yet when she meets Stephen Rea the man who, unknown to her, was responsible for her lover's (Forest Whitaker) death in Ireland, hope again rises in her. She will hold on to Rea for her life for in him she sees a 'gentleman' very like Whitaker. But Rea is not the only one with a secret. Dil has one too & that gives the movie the tension, irony & ultimately the tragedy which sets it apart from any IRA/ star-crossed lovers/ hostage drama that I have seen. When Dil tells Rea that she knows he is lying but all the same she likes to hear him say that he loves her it moves everyone in the audience.

    The performances (Adrian Dunbar as the ruthless leader, Miranda Richardson as the cold, teasing assassin & Jim Broadbent as the bartender, not to mention Rea, Dil & Whitaker) are brilliant, the atmosphere is electric & the score is haunting. The only points that rankle are Whitaker's dream-sequence appearances looking like a model in a detergent ad & Dil's suddenly-acquired shooting skills which brings the movie to its horrific climax.

    A brilliant movie with layers & layers of depth, & comparable to Jordan's earlier 'Mona Lisa'. That is saying a lot because Mona Lisa walks into my Top 50 movies without even knocking!
  • comment
    • Author: Froststalker
    From a philosophical viewpoint, this movie illustrates unconditional love, which is not that prevalent in our present world. We could all learn some things from this movie, if we chose to do so.

    I regret that I am only ten (10) years behind in seeing and understanding this work.

    The entire cast and crew were excellent in their work and the writer deserves tremendous credit for such insight and understanding of the degree of heart and soul which can and does exist in some people.

    I would recommend it to anyone who is attempting to understand humanity and some of the trials and tribulations it puts itself through.

    It is classified as a "teaching movie" specializing in unconditional love, or "fiction with a definite positive purpose". Beautiful work.
  • comment
    • Author: Eta
    i saw this film in 2001 and it was indeed a wonderful experience for me because it is such a film that reminds us that how complicated and sensitive our relationship with each other. the main attraction of this film is obviously jaye devidson as"Dil" who played this complicated role beautifully.it is one of the best films i have ever seen.
  • comment
    • Author: HeonIc
    The only reason I watched The Crying Game was because I had heard it was pretty good and it is from the same director as The Interview with the Vampire. Plus it was on TV. The film really surprised me. It was wonderfully made and had a great twist. The performances were real and profound. The writing was some of the best in years. And the direction was outstanding. And the costume design, art direction, makeup, and score were all amazing. The song The Crying Game also caught me as particularly wonderful. The Crying Game is a classic in every way. It makes a lasting impression and should be viewed many times. It is a true classic.
  • comment
    • Author: Moonshaper
    This movie is not the average, run of the mill suspense film. It is well acted, with a solid script and very human side to the plot. Jaye Davidson launched a nice career with this surprise. In the end, Crying Game does not take the easy way out and cheat the audience. Neil Jordan made some excellent artistic choices. I am genuinely sorry I missed this film in the theatres and I am pleased I rectified this oversight.
  • comment
    • Author: Dynen
    The first part of The Crying Game is based on a great short story by Frank O'Connor, "Guests of the Nation." The balance of this provocative, brilliantly made film takes you on a journey fueled by guilt, romance, terrorist intrigue, and a plot twist that ranks as one of the most startling in all cinema. The acting, by Forest Whitaker, Stephen Rea, Jaye Davidson, and others, is all first-rate; the cinematography and score are stellar; and Neil Jordan directs with vigor and empathy.

    How can anyone give this movie less than a 10? I can't.
  • comment
    • Author: Phalaken
    "The Crying Game" is one of those films that you see and you talk about for days after you first see it. A genuine shocker at the time of its release, the film was huge in 1992 and earned a Best Picture nomination from the Academy. The film is a complicated puzzle which involves an IRA volunteer (Stephen Rea in his Oscar-nominated role) who is assigned to guard a British soldier (Forest Whitaker). An unlikely friendship develops and when Whitaker is killed, Rea goes to find his girlfriend who is not at all that she seems. There is no point in giving away her secret to those who have not yet seen this film. However, the twists and turns of "The Crying Game" are what make the film work. The movie is flawed in several areas, but overall it is a noble work that ranks real high on the list of other great films of the 1990s. 4.5 out of 5 stars.
  • comment
    • Author: Alsardin
    Considering the monumental reputation this film had, it is surprisingly average, a very slow moving plot and with rather clunky and, at times, amateurish direction.

    Even with its faults, this could have been a serious film, perhaps a masterpiece, if it had taken the easy route on several occasions. The earliest and most important of these cop outs is the shooting of Jody (Forest Whitaker). After its long (perhaps over long) opening sequence in which Jody is abducted, we feel we are at the start of a movie about moral choices and how, in this case the hero, Fergus, may have to do something he finds morally repugnant for the greater good. Alas, in a scene which completely deflated me, this choice is removed from him, Whittaker instead being run over by a British armoured car. Leaving aside the practical aspect (armoured cars are noisy things, not likely to creep up on you unnoticed), this completely destroys the powerful underlying tension of the film. Had Fergus shot Jody (or at least thought he had), then following his last request, had sought out the girl only to fall in love with her, the film would have asked serious questions about the nature of good and evil. Instead the hero becomes basically an errand boy.

    I do wonder if this strange decision was caused by a need to placate the American audience and thus sanitise the IRA to a degree? Certainly some of the next scenes in London seem to represent a cosy tourist view of the city with chirpy barman Jim Broadbent happily giving out cocktails to customers on their second visit (never known a barman to do that) and a clichéd white chav version of Essex man complete with shell suit. This stands out since the film is so careful (rightly) not to create stereotype Irish, black or LGBT characters. But this courtesy is not extended to white English males.

    The story meanders for a long time (with many rather pointless shots of a Jody bowling) both before and after the not so shocking reveal which I personally did not find that interesting. The story starts to flag just as Fergus's old IRA buddies show up. This lumbers to the final climax which again is rather amateurishly filmed.

    If you want to see a great and beautifully shot film about the IRA and love, ODD MAN OUT by Carol Reed is a far finer work.
  • comment
    • Author: Ferne
    I just finished watching The Crying Game and, I must say, it is worth all the hype. It has a great deal of twists and surprises, and yet manages to maintain its plausibility throughout. Notwithstanding the excellent action and suspense, it is a story of love and of human nature, that is masterfully shown here as infinitely multifaceted. 10/10
  • comment
    • Author: Marr
    Truly fantastic movie. Neil Jordan's apparent tale of an IRA terrorist who becomes involved in the life of one of his captives explores so much beyond the plot – issues of identity, belief, and yes, even love. The performances are brilliant from every cast member, especially so for Miranda Richardson, Stephen Rea, and the incomparable Jaye Davidson. Even if you know the secret, you'll still probably be captivated by this film. A triumph for Jordan one of the best movies of the 1990s.
  • comment
    • Author: Granigrinn
    This wonderful movie is even better on the repeat viewing after the secret was out because you'd pay more attention to the smallest details and enjoy the brilliant storytelling and acting by everyone. Besides Rea, Whitaker, and Miranda Richardson, I'd like to mention Jim Broadbent as a sympathetic bartender Col. For me, though, the absolutely stunning, one of the very best debuts in the movie history was Jaye Davidson who had no movie experience. You know, there are not many characters that I keep thinking about after the movie is over - where did they come from, how their life would turn after the final credits, how would this cruel world treat them, would they be happy? And I want them to be happy. Dil (Davidson) is one of them - what a marvelous creature, how vulnerable yet dignified she is, what a combination of dry remote coolness and quiet tenderness. No wonder, Fergus (Rea) (as Whitaker's Jody before him) fell under her spell even after he found out that nothing is what it seems. Great movie - makes you think, makes you feel, makes you talk about it, makes you want to see it again.

    9.5/10
  • comment
    • Author: Aradwyn
    Highly unusual drama concerning an English soldier (Forest Whitaker) who is kidnapped by an underground Irish Army, eventually befriending his captor (Stephen Rea), which leads to a complicated series of personal entanglements involving the soldier's lover (the mysterious Jaye Davidson). Exceptionally well-made picture from canny director Neil Jordan, who also penned the screenplay and won an Oscar. Too bad the third act is so convoluted, and the final scene so banal, that a slight dissatisfaction clouds the overall result. Nevertheless, a daring and provocative piece with excellent performances. **1/2 from ****
  • comment
    • Author: Nnulam
    This movie has received a great deal of critical acclaim, but I'm not sure why. The Crying Game has incredibly poor pacing, with characters being given little back story, confusing, abrupt cuts between scenes, and important plot points being thrown in with little introduction. Character motivations are unrealistic, as when Jody explains that he was not actually attracted to Jude, and as also evident in Dil's odd relationship with Dave. The movie's score is sappy and the approach to visual composition is mediocre. I think the reason this movie has received acclaim is because it made a daring move in including the IRA and transsexuality in the plot, but that doesn't excuse the poor structuring of the film. The plot itself could be good if combined with a more thoughtful approach to editing and visual/audio atmosphere, and with a better script and acting. Even Forest Whittaker couldn't pull out a good performance out of this disaster.
  • comment
    • Author: just one girl
    I really tried to like this movie. The critics (before I knew better) raved about this film so much it got me pumped up to see it. Well, to say it was a letdown is putting it mildly. Then again, a lot of people like sick and sordid films. I learned the hard way how sick mainline film critics are since they just loved the idea of a key character in the film turning out to be a transsexual. Wow! Cool! (Okay, if you say so.)

    There are just too many uncomfortable, sordid and dark scenes in this movie, including a horrible first 15 minutes in which Forest Whitaker is a hysterical IRA hostage out in the middle of the woods. That beginning was anything but entertaining, at least to me.

    However, I don't know anyone who watched this movie and liked it - not one!
  • comment
    • Author: Mozel
    This is one of my favourite films of all time. There is so much hatred in the world today that makes you loose faith in things, but this is a film that gives you faith in humanity. Fergus is such a genuinely kind person, this tale of platonic love is incredibly moving. I love how even when he finds out about Dil, that he still loves her in a platonic way and goes to jail for her. It is a moving and thrilling film, and you will be enthralled by the characters. Jaye Davidson is absolutely amazing there, as is the rest of the cast. This is a film for the very open minded and any one with any preconceptions will not appreciate the film fully, in my opinion.
  • comment
    • Author: Jockahougu
    To understand how a person could end up killing for an ideal (or not) in the modern world, see this movie. Its the best take on the IRA ever done in film. And, hello!, its all about identity. The movie works on many levels, yet never looses its way. The casting is spot on, and the description of Northern Ireland and the passions, stupidities, confusions and human connections that run altogether to spawn a modern "terrorist" struggle ring true even in the most unexpected scenes.
  • comment
    • Author: Domarivip
    Nearly a decade after its release, Neil Jordan's The Crying Game continues to stand out in the top ranks of intelligent, literate and provocative psychological thrillers. At heart it is a remarkable study of loyalty, identity and betrayal. A textured exploration of the nature of allegiance and friendship, the film is anchored by fine central performances from Jaye Davidson, Forrest Whitaker and Stephen Rea. Indeed, the American actor Whitaker's utterly convincing portrayal of a modern urban Briton is ample proof of his impressive range. It is perhaps Whitaker's finest performance. The triangular relationship explores the principal theme on many levels, and the fine supporting performances from Jim Broadbent and Miranda Richardson add to the richness of Jordan's film.
  • comment
    • Author: Kaim
    From the first time I saw this movie, I was absolutely captivated by it. This film propels the watcher into an almost dreamlike state. The cinematography helps to create this state. The performances (especially those of Stephen Rea and Jaye Davidson) are excellent. Neil Jordan's genius Screenplay (he also directed) is probably the strongest point. This is a movie that I doubt anyone can watch just once....And I would consider one of the best movies of the 1990s...
  • comment
    • Author: Faehn
    "The Crying Game" still causes a stir after it was first released in 1992. The film offers an interesting take on a love story, with the usual case of betrayal, desire and violence. However, the film's interesting twist is what kept people watching the film back in 92, and still affects moviegoers today.

    Jody (Forest Whitaker)is a British soldier that is kidnapped at the start of the film, lured by the seductive charms of Jude (Miranda Richardson). A group of IRA terrorists kidnap him in order for the British to release one of their own. Fergus (Stephen Rea), one of the group members, befriends Jody. During one of their discussions, Jody shows a picture of his girl Dil (Jaye Davidson), who intrigues Fergus.

    Things soon go bad when the kidnapping turns incredibly ugly and Fergus flees to London. With a new identity and a job where the boss constantly chews him out, Fergus (Now known as Jimmy)seeks out Dil, whose a hairdresser. Drawn to Dil like a moth to a flame, Fergus finds out a bit more than he expected. And even then, he can't break his relationship with Dil.

    With the re-emergence of Jude (Now brunette and dressed to kill), Fergus is forced into a suicide mission, which draws Dil into the mix. This also leads into a nasty situation when Dil finds out the connection between "Jimmy" and Jude.

    Even though the "secret" has been let out of the bag many years ago, I'm not going to spoil it for the few remaining people that don't know it. But the film, directed and written by Neil Jordan (Who won an Oscar for writing it),still gives you an emotional story. You do feel a bit like Fergus: you really do care about what will happen.
  • Cast overview, first billed only:
    Forest Whitaker Forest Whitaker - Jody
    Miranda Richardson Miranda Richardson - Jude
    Stephen Rea Stephen Rea - Fergus
    Adrian Dunbar Adrian Dunbar - Maguire
    Breffni McKenna Breffni McKenna - Tinker (as Breffini McKenna)
    Joe Savino Joe Savino - Eddie
    Birdy Sweeney Birdy Sweeney - Tommy (as Birdie Sweeney)
    Jaye Davidson Jaye Davidson - Dil
    Andrée Bernard Andrée Bernard - Jane (as Andree Bernard)
    Jim Broadbent Jim Broadbent - Col
    Ralph Brown Ralph Brown - Dave
    Tony Slattery Tony Slattery - Deveroux
    Jack Carr Jack Carr - Franknum
    Josephine White Josephine White - Bar Performer 1
    Shar Campbell Shar Campbell - Bar Performer 2
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