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Short summary

This drama is set in World War II Australia, where an American Marine, Rebel is recuperating from wounds suffered in battle. He is weary of war and is intent on going AWOL and escaping from Australia. He becomes infatuated with a local singer, Kathy and pursues her. Kathy is married and initially is not interested in him, but later begins to love Rebel. Kathy receives a letter advising her that her husband was killed in battle. The local police and the U.S. Military are searching for Rebel as an AWOL soldier. Rebel arranges to escape Austalia by a cargo ship, but eventually allows himself to be arrested in order to keep the local police from arresting Kathy for harboring him.

This film is based on the non-musical stage play "No Names . . . No Packdrill" by Bob Herbert who also co-wrote this movie's screenplay. The play, when it premiered in Sydney, Australia in 1980, starred Mel Gibson and Noni Hazlehurst. The play's title was for a time a working title for this film. This film's producer, Phillip Emanuel, became aware of the play at this Sydney debut.

The film's chief producer, Phillip Emanuel, originally conceived the lead two parts to be played by Olivia Newton-John, who was an Australian singer-actress who had appeared in the box-office hit musical Grease (1978) as well as Xanadu (1980), and Kevin Bacon, who was a new American star who had recently become hot from starring in the American music film Footloose (1984). Apparently, Olivia Newton-John was not available to do this movie. Instead, the lead parts went to Australian singer Debra Byrne and Matt Dillon.

The camera techniques of this movie utilizes a lot of long lenses, long tracking shots, fast film, out-of-focus shots, backlighting, Louma crane shots, and steadicam whilst production design is garnered with a large use of variations of the colour red as a thematic motif. Production Designer Brian Thomson once said of this: "We chose the colour red for what it is: it's passion, anger . . . The interesting thing is Bob Herbert's stage directions for the play actually say that it takes place at 'the red end of the experiential spectrum'."

The movie's central female character Kathy McLeod was a mail-sorting postal worker in the original source play but her profession was changed to a nightclub singer in an all-girl band for this movie. This was done as part of this movie's commercial strategy.

The original conception of this movie was a straight period piece adaption of its source play "No Names. No Packdrill" and was originally going to be known by this title. This play is non-musical. The film was re-conceptualized during pre-production and became a wartime romance musical.

This movie was made with the United States as an intended box-office market. Changes were made to the original play to make it more commercial, mainly turning into a musical with a commercial soundtrack. The movie also features a rising American star of the time, Matt Dillon.

The spiv character in this movie, Tiger Kelly, played by Bryan Brown was inspired by Ginger Megg's bully nemesis of the same name in the Australian comic strip, Ginger Meggs [See the filmed version, Ginger Meggs (1982)]. The character though is only credited as being called Tiger in the film's closing credits.

This movie had nine original songs written for it by Peter Best. The musical numbers in the film parallel the development of the love story between the movie's romantic leads.

The original conception of this movie was a straight period piece adaption of its source play "No Names, No Packdrill" and the film was originally going to be known by this title, it was this movie's working title. This play is non-musical. The film was re-conceptualized during pre-production and became a wartime romance musical.

Screen feature film acting debut for Australian singer Debra Byrne. Byrne received an AFI (Australian Film Institute) Best Actress award nomination for her debut performance in this film.

Veteran Australian actor Ray Barrett appears in drag in this movie.

This movie is set about one year after the 7 December 1941 Japanese attack on Pearl Harbor.

This movie was made with the United States as an intended box-office market. Changes were made to the original play to make it more commercial, mainly turning into a musical with a commercial soundtrack. The movie also features a rising American star of the time, Matt Dillon who had recently appeared as a rebel in Francis Ford Coppola's Rumble Fish (1983).

The meaning of the title of this film's source play, "No Names No Packdrill" is don't say anything and avoid consequences. Apparently, the first known use of the expression was in an Indian Treaty negotiations memoir in the late 1860s. This treaty was between the Native Americans and Britain in Canada. The wording "Pack-drill" is a punishment given to British soldiers making them do a full drill exercise in full uniform and with a full pack. In 1890, Rudyard Kipling used pack-drill in his tome Soldiers Three: "Mulvaney was doing pack-drill - was compelled that is to say, to walk up and down in full marching order, with rifle, bayonet, ammunition, knapsack, and overcoat." One of Kipling's poems uses pack drill too [n.b. CB means Confined to Barracks]: "O it's pack drill for me and a fortnight's CB / For 'drunk and resisting the Guard'." Pack-drill frequently meant doing a drill on the double as Arthur Guy Empey in 1917 says in Over The Top: "Then comes 'Pack Drill' or Defaulters' Parade. This consists of drilling, mostly at the double, for two hours with full equipment. Tommy hates this, because it is hard work." The mantra "No Names No pack-drill" elaborates on this, meaning that the names of soldiers who require punishment will not be disclosed in order to save them from that punishment.

The film utilizes an oft-used storyline of the war movie genre which has two soldiers in love with the same girl.

User reviews


  • comment
    • Author: Anasius
    As more and more of our soldiers come home from Iraq with life-altering head wounds, this is a commentary on what exists for them. Dillon plays the dull-witted Marine who is suffering from concussions and battle fatigue, now called PTSD. He wanders around the nightclubs AWOL, which makes the fact that he is termed 'shell-shocked' make plausible why he would be out in the public like that.

    A married nightclub singer, doing a great impression of the Andrews Sisters with her fellow chorines, takes him under her wing. This costs her, as the nosy landlady is continually messing in her business and finally really screws both of them.

    There is a lot of "Orpheus Descending", that famous French film, in this movie....as the MPs cycle in and out of the movie, always on the pursuit. Exactly what you ominously see throughout that film: definitely setting a mood.

    Matt Dillon does his usual excellent job, as he portrays the 'out-of-it' Marine, desperately needing love and solace...but still savvy enough to use his looks to lure the lady in, still the aggressive male. You wonder how he has enough self-protective instinct to keep driving, as she repels his advances, but he does. (Else you wouldn't have a movie).

    This one is not as nuanced as his more recent films, where he has grown as an actor (see "Crash" for an example of how a good actor portrays the bad and good in a person). However, it shows a lot about the atmosphere of that time, when AWOL was one thing, but desertion was a hanging offense. You'll pick up a lot of little-known facts about wartime life in this one.
  • comment
    • Author: elegant stranger
    Matt Dillon, imported almost directly from The Outsiders (and later Something About Mary) with Australia's one time Pop Queen Debbie Byrne made a rather awkward couple in this 1985 Cabaret musical set in World War 2 Sydney. Produced by local entrepreneur Phillip Emmanuel and taking full advantage of the tax concessions of the time (the infamous 10BA, much rorted here in Oz by unscrupulous 'film makers') REBEL tries very hard to en-ter-tain you whilst clobbering you with 80s kitch 40s style. Most everything in the film is a garish pink or red, with tin icon decor of Sydney and local actors yelling their lines at each other through very broad slang. Matt Dillon plays a soldier AWOL who hides out in Debbie's apartment and apparently falls in love with her. It is all sort of all right. In 1982 a better musical was produced here called STAR STRUCK and REBEL supplants all the OZ kitchery into a 1943 period harborside wharehouse nightclub and adds raucous musical numbers. Only one is really good; most are not. Today it is a curiosity of an attempt at having US stars in Oz pix for overseas sales possibilities. Many films were cast like this like THE MAN FROM SNOWY RIVER with - believe it or not - Kirk Douglas (!!!!) and Rebel is in this mould. Maybe that should be mold. Dillan looks good, pouts, kisses Debbie and ultimately goes home. It was a reasonable success in its day...but now...all a bit squirm inducing. It would be interesting to see if it is still on Dillon's resume. I think at the time he might have had more fun in real local nightclubs than on the set of REBEL.
  • comment
    • Author: Tehn
    Before the films from down under became such a delicacy (Strictly Balroom etc) this movie tries its best and, even though it doesn't accomplish much, still makes an impression that separates it from many other similar with it.

    A very very young Matt Dillon and then Pop diva make a bit awkward couple, but Debra Byrnes manages to earn some sympathy from the audience (and an AFI nomination for Best Actress). The story is a bit too much melodramatized and the last scene is a bit too extravagant, given the fact it takes place in a club and not an opera house.

    However, the song that Byrnes performs ("Heroes") made quite an impression to me and I still remember its lyrics even after 20 years or so that I have seen it.
  • comment
    • Author: Stylish Monkey
    Is Hell a real place? I don't know but if it's anything like sitting and watching this movie I know I don't want to go there. I experienced just that in a theatre in San Diego with this picture. This film is just plain BAD!!!
  • Cast overview, first billed only:
    Matt Dillon Matt Dillon - Rebel
    Debra Byrne Debra Byrne - Kathy McLeod
    Bryan Brown Bryan Brown - Tiger
    Bill Hunter Bill Hunter - Browning
    Ray Barrett Ray Barrett - Bubbles
    Julie Nihill Julie Nihill - Joycie
    John O'May John O'May - Benie
    Kim Deacon Kim Deacon - Hazel
    Isabelle Anderson Isabelle Anderson - Mrs. Palmer
    Sheree Zellner Sheree Zellner - Barbara (as Sheree da Costa)
    Joy Smithers Joy Smithers - Mary, All Girl Band
    Cassandra Delaney Cassandra Delaney - All Girl Band
    Antoinette Byron Antoinette Byron - All Girl Band
    Nicky Crayson Nicky Crayson - All Girl Band
    Nikki Coghill Nikki Coghill - All Girl Band
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