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Short summary

Jake Van Dorn is a businessman from the American heartland who shares strong Calvinist convictions with most of his countrymen. His teenage daughter is missing from her church youth convention trip to California and Van Dorn hires a private investigator to find her. The result of the investigation is his daughter is spotted in a cheap X-rated movie. Van Dorn decides to bring her back personally and during the quest he becomes familiar with the pornographic underworld.

George C. Scott and director Paul Schrader did not get along, so much that at one point Scott refused to come out of his trailer and threatened to quit the film. Scott only agreed to come out after forcing Schrader to promise that he would never direct again (obviously, Schrader went back on his promise).

Paul Schrader originally had Scott's character discover that his daughter has been killed in a totally unrelated car crash, at which point he simply goes back home. He changed it to Scott finding her against his better judgment.

Adult actress Marilyn Chambers was considered for the role of "Niki" but was turned down because producers felt she didn't look enough like a porn star.

The movie was based on a real true life story. As a high school student, writer-director Paul Schrader had heard about a local teenage girl in Grand Rapids, Michigan who went missing and who eventually was found to have appeared in an adult movie. This local mini scandal organically evolved into the screenplay for this picture.

Originally actor Warren Beatty wanted to play the lead role and was attached to portray Jake Van Dorn. However, Beatty wanted Paul Schrader to rewrite the script so he would be either the girl's brother or boyfriend and would be searching instead for either his sister or his girlfriend and not his daughter. When Schrader refused, Beatty passed on the project. Beatty then went onto star, co-script and co-direct his own production of Heaven Can Wait (1978).

This picture was the second 70s feature film from Paul Schrader dealing with the highly controversial subject of teenage prostitution. Schrader had previous written Taksojuht (1976) for director Martin Scorsese where Jodie Foster played a teen call-girl.

When location director Paul Pav was scouting porno shops for the film,he was stonewalled. Paul remembered, "That was the worst experience of my life. They're all scared to talk to you. If you say to a manager that you want to film in his porn shop, he says, 'Get out!' Then you have to go and find the owner of the shop. That's the most difficult thing. They're often lawyers and doctors. I'd have to leave my name, then someone would call me back. Often I wound up talking to people behind closed doors."

The city of Grand Rapids, MI. voiced concern about what was perceived as an "unfavorable depiction of middle America" in its early scenes and the Van Dorn character's overly repressive and harsh nature. The movie was said to have been based on Schrader's own upbringing where he was denied social privileges (i.e. Alfred Kinsey's father's rules) until he completed high school, unlike most other adolescents of Schrader's time who were allowed them before their high school graduations.

The religion that Jake VanDorn (George C. Scott) was was a Calvinist. Director Paul Schrader once studied to be a minister in the Dutch Christian Reform Church. Schrader actually came from a strict Calvinist upbringing in a family that lived in Grand Rapids, MI where part of this film is set.

Writer-director Paul Schrader used John Ford's classic western The Searchers (1956) as inspiration for this movie.

The production filmed on-location at actual real-life sex shops, strip clubs, porno theaters, massage parlors and adult film studios all of which are seen in the movie.

Because of the very religious and conservative city of Grand Rapids, Michigan, the production operated under the name "The Pilgrim" during filming. When it was revealed that the title would be "Hardcore," many businesses and citizens were upset saying they would likely not have allowed production to film at their locations had they known the title.

Wording which appeared to be a quote by George C. Scott from the film was boldly publicized in a massive font size as the film's main tagline on movie posters. It said: "Oh my God, that's my daughter!". However, Scott doesn't actually ever say this in the movie.

George C. Scott later admitted that although he liked the script, he never would have accepted the role had he known the film was going to be shot at real-life seedy locations.

The picture has frequently been said to have inspired the later 1999 Joe Schumacher film 8MM (1999).

Writer-director Paul Schrader said of this film for the movie's publicity: "After you take down the white picket fence of traditional morality, where do you set it up again? What can we permit? What can we tolerate? At what point must society say, NO! - this is not acceptable!".

Steve McQueen turned down the lead role.

Debut theatrical feature film of actress Ilah Davis. The movie remains Davis' only film or television credit.

A number of the cast and crew on this pictured had worked on the earlier Paul Schrader scripted film Taksojuht (1976) which dealt with some similar themes and settings. This included actor Peter Boyle, editor Tom Rolf, screenwriter Paul Schrader, music editor Shinichi Yamazaki, and cinematographer Michael Chapman.

The picture was nominated for Worst Picture at the Hastings Bad Cinema Society's 2nd Stinkers Bad Movie Awards in 1979.

The movie was retitled "The Hardcore Life" for its British theatrical release in the UK. On the Australian 1980s home-video release this phrase ran as a kind of subtitle under the movie's "Hardcore" title logo.

Paul Schrader flew out to Grand Rapids to see some of the locations chosen by location director Paul Pav, but a severe snowstorm restricted them to their hotel for three day. According to Pav, "There was nothing to do but sit in the bar and the restaurant. I really got to know Paul then; I loved working with him - he's a strange, wonderful man"

A movie with the same title, Hardcore (1977), a heavily fictionalized autobiography of 70s sex superstar Fiona Richmond, had been made and released just a couple of years earlier in 1977. Both pictures had story-lines dealing with the daughters of religious men.

The film's "Hardcore" title had two meanings according to publicity for the picture. An edition of Movie News magazine published in 1979 stated that "Hardcore is modern slang for what used to be called smut - or pornography. It's also an adjective used to described unwavering religious faith and old-fashioned values".

The film was nominated for the Golden Bear Award at the 29th International Berlin Film Festival.

Schrader originally wanted to cast Diana Scarwid in the role of Niki but the studio decided against her because they didn't think she was attractive enough.

The movie is about pornography but is not a pornographic movie. The film features no actual "hardcore sex" footage but rather such scenes are only ever discreetly implied or suggested and never indiscreetly nor shockingly depicted.

Lead actor George C. Scott plays a Calvinist religious character in this movie. The film was released in the 20th Anniversary year of Scott's first ever cinema movie The Hanging Tree (1959). In that debut film, Scott had also played a religious character, the zealot George Grubb.

The nick-name that Andy Mast (Peter Boyle) had for Jake VanDorn (George C. Scott) was "Pilgrim".

Private Investigator Andy Mast (Peter Boyle)'s fee per week was $750 minimum plus expenses including travel.

About three years after this movie, actress Season Hubley went onto appear in another film encompassing the same type of milieu. That film was 1982's Vice Squad (1982).

The alias name that Jake Van Dorn (George C. Scott) used when he was pretending to be a porno producer was "Jake de Vries". The garb and make-up he wore whilst playing the sex movie producer included blue denim jeans, long hippy hair, a drooping fake mustache, and a tie-dyed sweat-shirt.

The name of the Calvinist church that the Van Dorns went to regularly was the "Tenth Street Dutch Reformation Church".

Kristen VanDorn (Ilah Davis)'s adult film name was "Joanne". The name of the 8mm adult short film she appeared in was "Slave of Love".

User reviews


  • comment
    • Author: Rocksmith
    Paul Schrader's celebrated collaborations with Martin Scorsese will unfortunately always overshadow his own directorial efforts. His own movies have been variable to say the least ranging from the truly forgettable (e.g. 'Light Of Day' and 'Witch Hunt', both from the "what on earth was he thinking?!" category), to the truly unforgettable ('Mishima', and 'Light Sleeper', both sadly overlooked). 'Hardcore' is one of his best efforts in my opinion, but MUST be watched taking into consideration WHEN it was made, and the censorship prevalent at the time (something a few of the other comments here fail to do). Over twenty years later certain scenes seem way too tame and almost unintentionally humorous to our jaded "sophisticated" movie-going eyes, but even so to me overall it is still a very powerful and impressive film. And for those who think it too dated and "safe" just compare it to Schumacher's lame '8MM', a movie which is almost an uncredited remake of 'Hardcore' in some ways, but one that despite the relaxation in depicting sex, violence and profanity in mainstream moviemaking, fails to pack the punch that Schrader's movie does. 'Dr Strangelove's George C. Scott is solid as a straight-laced and in many ways unworldly man who finds himself in the alien (to him) urban world of sleazy strip joints, sex shops and pornography. Season Hubley (John Carpenter's 'Elvis') plays the streetwise hooker who becomes his guide. Peter Boyle ('Taxi Driver', 'Young Frankenstein')) is a stand out as a crafty low life private detective. Buffs will also get a kick out of small roles by Tracey Walter ('Repo Man') and Ed Begley Jr ('Meet The Applegates') as a clerk in a dirty book store and a porn actor respectively. 'Hardcore' is a very fine movie, one of the most underrated of the 1970s, and highly recommended viewing.
  • comment
    • Author: Cemav
    Paul Schrader, who wrote and directed this film, also wrote the screenplay for "Taxi Driver"; both films were tips of the hat to the classic western, "The Searchers".

    The excellent performances by George C. Scott and Peter Boyle are nowhere more apparent than in the scene where Boyle shows the porno flick starring Scott's daughter; he almost has a sadistic gleam in his eye as George C. Scott grips the arms of the chair and screams, "Turn it off... turn it off!!!".

    Christians who complain that their faith is often ridiculed by Hollywood should see this movie, in spite of its disturbing subject matter. Scott deftly portrays a man whose religious convictions motivate him into risking his life for his daughter's sake. (Ironically, it may be those same convictions which drove his daughter from him in the first place.)

    The only real drawback to this movie was that the "snuff film" element was not really necessary to create a sense of urgency. The urgency was captured perfectly in the "turn it off!" scene; there was really no need for a contrived life-or-death situation. Other than that, "Hardcore" is a gritty, brutal and poignant story.
  • comment
    • Author: Xtreem
    George C. Scott gives one of his best performances as a respected, religious, businessman who sees his daughter off for a church camp and is shocked when she turns up missing. His search leads him to the seedy world of pornography where scummy private detective Peter Boyle finds her in a porno movie. The search leads on as Scott enlists the aid of a hooker.

    A moving, powerful look at morality and the wrong turns some of us take - whether we know it or not.

    This is a great drama save for an abrupt conclusion (writer/director Paul Shrader also abruptly ended his equally superb "Blue Collar") that is not for those easily offended.
  • comment
    • Author: Skillet
    In the late '70s Schrader used to make films almost as great as Scorsese's. "Blue Collar" and "Hardcore" are both fantastically realistic and ambiguous, simultaneously horrifying and funny. So, what happened? Except for Nick Nolte's performance (which as good as it was, is easily topped by George C. Scott's amazing one here), nothing in Schrader's recent "Affliction" is anywhere near the level of "Hardcore," which ususally gets only a ridiculouly low 2 stars from critics.

    The great thing about "Hardcore" is that it doesn't cheat on reality by having stereotypical characters or idiotic "Magnolia-like" cynical cartoons running around like aliens from another planet pretending to be portraying people on this one. Scott's character is often made to look so absurd, walking around preaching rigid Calvinist ethics to hookers, you can't help but sympathize for his girl having run away. Even making a living in cheap porno films can be seen as preferable to having to put up with a father like Scott. When Scott beats up "Jism Jim" in the shower for having unknowingly made a hateful remark about his daughter's sexual hunger and wildness when performing fellatio, you can't help but feel the real reason for Scott's anger. Scott erupts so volcanically because he can't imagine his 'pure' daughter being so "staved" for sexual attention that she'd be willing to go that wild for a degenerate like "Jism Jim." It's reality that hits him in the face like a cold slap; the fact of his having repressed his daughter all these years into a 'nice girl' and of her having had secret desires that had gone unsatisfied or without even a hope of being satisfied under the repressed conditions which she lived. Nevertheless, the ending is definitely NOT a happy one as some people suggest; it is a highly ambiguous one. After telling her father that she wasn't forced to do what she did, and that she did it because she chose and wanted to do it, she nevertheless decides that the sleazy, dangerous world she's caught up in is not where she'd like to find her happiness, and goes back with her father FOR THE TIME BEING. This does not mean that she's decided to go back to what she was before, but that she's intelligent enough to know that she has to strike a balance between the two extremes. So, in a sense, it is a happy ending, if you can imagine that from now on her father will let her live a freer life, and that she'll be able to assert herself and be independent. However, that is anything but certain, and she might end up having to run away again. But if George C. Scott has learned anything in his misadventures in the world of low-rent porn and prostitution, it is to be less judgemental and more sympathetic to people and will have to strike a balance himself. In the end he has come to care enough for 'fallen people,' to want to also help the hooker Nicky, who helped him find his daughter, but for whom it seems to be too late.
  • comment
    • Author: Macage
    ****SPOILERS**** George C. Scott, Jake Van Dorn, gives one of his best acting performances in "Hardcore". It's every bit as good as his role in "Patton" in this modern day version of the great John Ford Western "The Searchers" as the distraught and angry father searching for his missing and runaway daughter Kristen, Llah Davis.

    Powerful and riveting film builds up to a fever pitch as Jake goes into the bowels of hell in his desperate and emotional quest for his daughter in the dangerous and sleazily world of the legal as well as illegal porn industry. The scene, in an empty and darkened porno theater, where Jake was shown by private investigator Andy Mast, Peter Boyle, a clip of his daughter preforming sex acts on the screen was so powerful that it made you forget that you were actually watching a movie, not the real thing. An unsuspecting Jake, who had never seen a porno film before, went from bewilderment shock outrage and then became sickened and nauseated by what he saw, all this in just under two minutes of screen time, ranks right up there with the greatest and most unforgettable moments in motion picture history!

    Jake ends up finding his daughter but she was emotionally destroyed not only by the porno world that she was living in and was part off but also by her detachment and alienation from her very religious father's feelings for her. Jake is also faced with the fact that the world outside of his small and cloistered community in Grand Rapids Michigan is as different as the Earth is from the planet Pluto.

    After Jake's daughter Kristen disappeared from a trip with her classmates and members of the local Dutch Reformation Church Jake with the help of private investigator Andy Mast and local L.A hooker and part time porno actress Niki, Season Hubley, track her down in the red-light district of San Francisco. Jake is then shocked to find out that she left him because of his possessiveness and restrictions that he had on her and the friends that she choose.

    Even though the movie "Hardcore" is now a bit dated and the ending is a bit too pat and contrived in order for it to pull all the loose ends in the movie together and give the film a happy ending George C. Scott's Academy Award caliber acting in the film is good enough to make you overlook the movies many faults.

    Both Peter Boyle and Llah Davis are also very effective as the hired PI and Jake's missing daughter. I feel that the most sensitive as well as tragic acting in the film, on par with Mr. Scott, was that of Season Hubley, Niki, as the hooker who lead Jake to, in the end, find his daughter. Feeling that she had a chance of, with the help of Jake, leaving the life that she had in the porno world Niki sadly learned in the end of the movie that hope was nothing but a pipe dream. Knowing her helpless situation Niki sadly accepted the reality of her life in it. I feel that Jake's very emotional and truly touching final scene with Niki was far more gripping and heart-wrenching then the final scene that Jake had with his daughter Kristen and almost as good as the scene of Jake in the theater when he broke down from watching Kristen in a porno movie.
  • comment
    • Author: Marad
    Now that George C. Scott has passed away, many of my on-line acquaintances were citing selections from the movie "Patton" as their favorite on-screen quotes from the late actor.

    My personal favorite, however, comes from what was the turning point of Scott's character in this movie. I pitied what Jake Van Dorn saw (then couldn't bear to see) as he watched his daughter coupling with the stringy-haired porn actor. Then I pitied him more as he unsuccessfully tried to crash the porn world in search of his only child. Finally, Scott made Van Dorn's final desperation palpable as he sat in the dimly lit motel room, head in his hands (although the toupee WAS hilarious) after "interviewing" the parade of hapless "actors" and "actresses".

    When Van Dorn raises his tired eyes to see that the individual who just entered his room is the stringy-haired actor ("Jism Jim"), Scott's acting, the camera flashbacks and the music made me lean very close to the screen. As Van Dorn showed his little girl's picture to Jim, who thereupon throws a tantrum ("That BI***, do I have to act with HER? She made my c*** so...") I found myself very happy to watch Van Dorn beat the stuffing out of Jim with the table lamp.

    And the quote? Van Dorn's, in George C. Scott's comforting, whiskey-cured voice as he prepares to shove Jim into a cold shower for some interrogation:

    "CHEER UP, YOU'RE NOT DEAD!"

    R. I. P. Mr. Scott.
  • comment
    • Author: Fenritaur
    This is an extremely sordid movie, but one you never forget. I saw it in the theater almost 20 years ago and it was shocking then, so much so that I've only seen it once since and have no desire to see it again. It just left such a bad taste in my mouth.

    This is a frightening picture of the pornography business 20 years ago featuring about everything you can think of in that seedy world. Unfortunately, the story centers around finding a girl from a "religious" family and the father, played by George C. Scott, is painted as something of a fanatic. He's portrayed as a cold and violent figure. (Hey, Hollywood isn't going to portray a Christian father as kind and loving.) Yet, Scott is not all that bad because he still is extremely dedicated father who went to all lengths to get his daughter back.

    This movie really shows the sleazy side of the entire porno business and, thankfully, it doesn't glamorize any of it. Peter Boyle is good as the detective and Season Hubley is interesting as the prostitute who gives you her ideas on life in the business. This is a fascinating film in parts but also very tough to view in a number of areas. This may sound naive, but when I saw this in 1979, I was stunned that this type of sick-underbelly of a society existed....at least to this degree. I can't imagine what's out there today.

    In summary, a very powerful but brutal movie to watch, especially if you have kids of your own.
  • comment
    • Author: Nuadora
    Hardcore is the mirror image of Boogie Nights. Whereas Boogie Nights the pornography industry is seen from the participant's point of view, Hardcore shows it from the outside. It's not a pretty picture.

    Though the film itself doesn't come off in many ways, no question that George C. Scott's performance in the lead is strong dynamic stuff. He's a Midwest businessman of conservative values from Grand Rapids, Michigan whose daughter runs off during a church youth convention out in Southern California.

    It would have been very easy to have made Scott's character something of ridicule. This was right around the time of the founding of the Moral Majority and Scott's church seems just the kind to have signed up for that. Instead Scott creates a sympathetic and totally believable character as the father who dominates the film.

    In order to accomplish his mission he has to invade a world he hasn't a clue about, but he proves surprisingly resourceful.

    Also look for a good performance by Peter Boyle as a private detective who operates on both sides of the moral and immoral.

    Hardcore is not a great film, but it's a great performance by George C. Scott.
  • comment
    • Author: Tamesya
    Reading the reviews back when this was released, it is fair to say that Hardcore is anything but.

    Poor George C. Scott. he's a Middle America, quiet family values man who loses daughter and finds out she has been lured into the underworld of adult porn.

    So, George goes under cover in seedy urban areas to find his child. Even when he loses the mid America look and wears the loud "I'm a pervert" shirt, he still looks and feels like Patton. There is no transformation. It becomes comical when he adds the fake mustache and wig.

    The on-set tension between Schrader and Scott is palpable. I can just picture George C. Scott screaming " I look like an idiot!!" Scott looks as though he would rather have joined a typing pool for three months than have made this poor excuse for a movie.

    Couldn't Schrader have casted someone in 1979 who could make the plausible shift to urban low life? Why does every low life in this movie feel comfortable offering Scott any and all information on where to find his daughter??? He looks like a cop and always looks out of place.

    The script is laughable. You never get a sense of either Scott's hometown values or the underbelly of porn. Everything just scratches the surface and the characters are all two dimensional.

    Horrible. Schrader's biggest embarrassment.
  • comment
    • Author: Ginaun
    I'm not a big fan of Paul Schrader, but I really dug this film! Personally, I think `Hardcore' is Schrader's best film, as it successfully mixes effective social drama with compelling tension. George C. Scott is truly magnificent as the hardworking, Midwesterner Jake Van Dorn who individually searches for his lost preteen daughter. At first, he cooperates with a private-detective (a very convincing Peter Boyle) who discovers that his offspring is now active in the hardcore porn-industry. Later, Van Dorn forms a partnership with a poor whore who brings him into contact with the right persons in the business. The first hour of this film is really good and works on many levels. Not only does Schrader mixes different social mentalities and religious convictions, he also gives a perfect portrayal of how someone is driven to complete distraction. The sequences in which Van Dorn witnesses his own flesh and blood feature in a sexfilm are truly intense and vindictive. Of course, the pornography shown isn't real (or even explicit) but you can easily imagine what a father's reaction would be. And please keep in mind that the film is now 25 year old and the censorship has changed a lot since then. Unfortunately, Van Dorn's private investigations aren't always credible (Scott dresses up as a stereotypical adult film-director and organises a cast-session) and the ending is rather abrupt and unsatisfying. Nevertheless, `Hardcore' is a dreadfully overlooked film and one of the most efficient thrillers of the late seventies. George C. Scott is truly brilliant and I personally think this was his best period as an actor. A year later, he starred in the unforgettable horror-chiller `The Changeling' and gave away an equally brilliant performance. If you appreciate good thrillers, you have to give `Hardcore' a chance. Highly recommended.
  • comment
    • Author: mIni-Like
    HARDCORE is an all-around excellent film about the sleazy "underbelly" of the 70's porn era. From what I've read about these times (I was only about 3 years old around the time this film was set...) it seems that a lot of the "details" in HARDCORE are pretty accurate - the sleazy "massage" and "wrestling" parlors, the "adult bookstores", the hotel-room "casting-calls" and "auditions", the scumbag producers and directors, the drug-hazed actors and prostitutes...it all seemed a realistic representation of the porn underworld of that time-frame.

    The film centers around a young girl who grew up in a small, religiously devout town in Michigan. She goes off on a bible-camp trip to California, and promptly disappears. Her father (played BRILLIANTLY by George C. Scott) is a local business-owner who goes to California for information, and eventually hires a semi-sleazy private-dick to help find his daughter. Scott heads back home to Michigan while the investigator makes his inquiries. A few weeks later, the investigator shows up in Michigan and shows Scott (in a pretty harrowing scene...) a short porn reel that shows his daughter being double-teamed in some scummy hotel room. Apparently, daughter-dearest has turned to a life of b.j.'s and face-baths, either by force or by choice. Furious at this change of events, and by the fact that the investigation is turning up so little info after weeks of "digging" - Scott high-tails it back to L.A. to do some "research" of his own. At first, he goes to local porn shops, whore-houses, etc...with a picture of his daughter and asking a bunch of questions. Naturally, he doesn't get too far with that route, as everyone just thinks he's a cop. After a few unsuccessful attempts, he decides to pose as a businessman looking to fund a porn film, and starts making some contacts. This exposes Scott to shady producers, pimps, whores, "actors", and all other types of underground low-lifes. Eventually he hooks up with a small time hooker who knew some of people that hung-out with his daughter. This leads them on a blind chase across California - from L.A., to San Diego, and finally to San Francisco to look for a couple of guys that have been spotted with his daughter, and are into some pretty rough stuff, including making authentic snuff films. Now seriously fearing for his daughter's life - Scott sets up a meeting with someone who claims to know his daughter...and this leads into the dramatic climax. Will he find his daughter? Will she still be alive? If so, why did she leave - was it by choice or force?

    Sound interesting?...it is, and you should find out for yourself...

    Although I didn't get to personally witness it, I'm highly interested in the 70's/early 80's era of grindhouse and porn as it was such an experimental and subversive time for underground films, and HARDCORE captures the "feel" of the era perfectly. The film itself is great in every way, and also explores a lot of subjects, without ever becoming "preachy". There's the "fish out of water" tale of this religious man thrown in amongst pimps and whores and porn, and it's interesting to watch Scott adapt to his surroundings in order to find his daughter. There's a "cautionary tale" about running out on your own at a young age and trusting untrustworthy people. There's a story about the breakdown of family, and the gap between parents and children that oftentimes parents either overlook or deny entirely - and of course the story of the pitfalls of sex and drugs. But again, I feel that HARDCORE portrays these situations in a fair and honest light, and doesn't seem to really cast "judgement" on many of the characters, as can be seen in some of the amusing and truly touching conversations between Scott and the young hooker he enlists to help him.

    As the film itself goes - I can't think of a single flaw with it. Obviously an early precursor (and superior film in general) to the Nicholas Cage vehicle, 8MM, which deals with much of the same subject matter - I've tried to think of a reason to NOT give HARDCORE a 10/10, as I don't tend to throw perfect ratings out lightly - but I honestly can't think of a damn thing that I didn't like about this film. The story was interesting, well-paced, and at points harrowing and suspenseful. The acting was superb by all involved. The direction was perfect and really caught the grittiness of the underground sex-scene - and it wouldn't be one of MY reviews if I didn't mention the pretty abundant amount of nudity, including a little bit of brief full-frontal (goes to show that even in a more "serious" film - nekkidness ALWAYS has it's place). I really can't find a flaw in this film and highly suggest it to those that are interested in this era of underground films, or are just looking for a good, suspenseful crime/mystery style film...10/10
  • comment
    • Author: Kage
    After seeing 8 mm I decided to check this out- Scott does a good job of portraying the distraut father who a detective has found showing up in porno flicks. A believable portrait of the lengths a dad will go to save his daughter from what he perceives is a life of depravity. Peter Boyle is a good addition to this- making the world seem real... all its players and the picture given of "the life" is seamy and real- especially how he dumps the girl who helped him find his daughter. One scene that really got to me was when Scott had to watch the scenes with his daughter in the movie- how he squirmed in his seat- revolted but attracted to the lurid details...a movie that uncovers and disturbs
  • comment
    • Author: Beahelm
    In short; I did like the movie but still had plenty of problems with it.

    The premise of the movie is really good and interesting and also lets this movie sound like it is a great and powerful movie, about some previously unseen and very ugly, dirty things. But the movie just isn't quite it. It never gets confronting or shocking enough and in the long run, the movie fails to make a true emotional or dramatic impact.

    That is the real problem with this movie; it's lacking any good emotions and dramatic developments. The search for George C. Scott's daughter just never feels intense enough and he doesn't always make a very desperate or depressed impression at all.

    The movie also gives you the feeling it really isn't delving deep enough into things. This could had been an interesting exploration into the darker and ugly side of the porn business but the movie just never quite goes there. You could blame it all on the writing but perhaps you should also blame it a bit on the approach that the movie is taking.

    The approach just never makes the movie a real interesting one really. It's lacking a good buildup to certain things and situations, which also causes the movie to fail to make a true great impact with anything.

    Some moments are still being made great by George C. Scott's performance. But unfortunately he himself also can't really ever make his character a compelling enough one. He isn't even all that likable and his character is also making some odd and very unlikely choices throughout the entire movie.

    There still is plenty to like about this movie. I for instance loved it how it was taking a real typical '70's approach with its film-making, even though not everything about it worked out all that well. And like I also said before, the movie does still definitely has its moments and it besides still remains a original movie to watch, thanks to its main concept and premise.

    Definitely good enough but it all had far more potential in it really.

    7/10

    http://bobafett1138.blogspot.com/
  • comment
    • Author: Gavigamand
    Watching this film may cause some irritation. At times it is cheaply melodramatic, at times it is clearly a comedy despite of a rather serious story, and George C. Scott, known to the public principally as refined, cynical urbanite (The Hustler, Petulia, The Changeling) seems to be a very odd choice for the part of a deeply religious man from the Midwest looking for his daughter who disappeared during a trip to a Calvinist convention in California and is later discovered to be a starlet in porn movies.

    MINOR SPOILERS On second thought the story is pretty fascinating. Apparently it is derived from Greek mythology. Like Hercules, Ulysses and other heroes of Antiquity, the main character has to fulfill a task to please the Gods (well, singular, in this case). And he goes to work with the ruthlessness of a true hero. The object of his search does not really matter. The relationship with his daughter is never explored and it is little surprising that she is not particularly pleased to see him again. The enemy of the Hero is the porn industry. He courageously descends into Hades all right, but it is not easy to identify your real adversary there. The director really makes a point in presenting the red light district in all its aspects as a well working sector of the economic machinery, with its rules, laws and boring everyday routine – somehow it succeeds more so than Boogie Nights. Like in many movies based on a Schrader script, the action soon departs from rational common sense and reverts into a man's wishful thinking and dreams of violent action which lead to a climactic final part with an anti climactic ending. And this end justifies the hiring of George C. Scott fully.

    The most interesting part of the movie for me was the conversation between the main character and a young hooker who is ready to help him with his task (people knowing more about Greek mythology than I might find the right parallel there). The girl declares herself a Venusian. I believe in TULIP, replies the Hero who has a Dutch name and probably forefathers of that nationality. What at first seems (to an ignorant soul like me) a cynical joke reveals itself to be an acronym denominating the five principles of Calvinist faith which the Hero then explains in a matter of fact way. Suddenly it becomes clear that the title Hardcore does not refer to the porn industry but to the main character who acts according to his faith which can be pretty inhuman if you follow it to the letter.

    Like all Schrader movies I know Hardcore is an exercise in aesthetics. The colors are beautiful and well balanced, George C. Scott's wardrobe is a sight to behold. Watch for the final scene in a house of bondage where the main character crashes vigorously through the paper thin walls of several ‚torture chambers' in hot pursuit of his adversary. Very telling. And very funny, to be honest.
  • comment
    • Author: Malalanim
    Writer/Director Paul Schrader struck gold more than once in the 1970s; Taxi Driver being his best work as writer. Maybe if Scorcese had directed Hardcore, then it might have turned out better. Hardcore is the story of an honest and God-fearing businessman from Michigan whose teenage daughter inexplicably runs away from a church field trip to California and joins the porn industry. George C. Scott plays Jake Van Dorn, the businessman who now finds himself in the middle of the seediest parts of L.A. desperately trying to rescue his daughter from the new world she has either chosen or been pulled into against her will. Jake Van Dorn is hopelessly out of touch with how the porn industry works, and with the help of a sleazy private detective (Boyle) and an "industry girl" (Hubley), he plows ahead through the sea of sludge to hopefully track his daughter down.

    One would think that The Searchers would be the motivation for this story to some degree. Scott, who did not get along with Schrader during filming, gives as much dignity to the project as he can muster. But the seedy locations, and ridiculous characters ultimately win out as Hardcore becomes a study in exploitation. There are gobs of nudity at every turn. This film probably was very close to getting an X rating back when it came out. There are parts of this script that try to bridge the gap between porn and religion, but this is just too big of a gap to overcome.

    Some scenes are unintentionally hilarious. In one, Scott is posing as a porn producer and he brings several potential actors into his hotel room in a fake casting call. One of them calls himself "Jism Jim"!!! He apparently was in a film with Scott's daughter, and Scott beats the heck out of him once he recognizes the guy. But not until after the creep describes how bad Scott's daughter was at giving oral sex! Another potential actor is played by Hal Williams who you may recognize as the Sgt from Private Benjamin. He is known as "Big Dick Blaque"!! HA HA!! He goes on for almost a full minute describing his sexual prowess in explicit detail... the whole time, Scott is wearing a sleazy wig and fake mustache for his disguise! The scene is just a micro chasm of the film. It's just too sleazy to be taken seriously. Another major problem deals with the daughter's motivation for joining the porn industry. It is never convincingly explained, and her lack of screen time only adds to the mystery. Her scene with her father toward the conclusion really isn't as compelling as it should have been.

    Overall, the film is worth a look for curiosity purposes only. Scott is as watchable as ever, but even his best scenes border on overacting. Schrader's mind has produced many, many better things than this. 5 of 10 stars.

    The Hound.
  • comment
    • Author: Mavegar
    Uptight Scott's adolescent daughter goes missing in Los Angeles and he plunges into the world of hardcore porn to try to find her. The musical score by Fred Nitzsche provides him with a reflective companion -- from the quiet, slightly eerie tones of an ancient church organ in Grand Rapids, Michigan, at the beginning to the shrill squeal of an electronic guitar in the depraved city.

    The writer/director Paul Schrader has captured the milieu perfectly at the opening in snowbound Grand Rapids. The Van Dorn family makes good solid furniture. They are earnest Calvinists. There is no corruption. Nothing is going on. The family gets together for Christmas dinner, Mamma serves the turkey, the carefully groomed children laugh, the head of the family says grace, and Normal Rockwell gets the whole scene down on canvas. It's a credible portrait of blissful innocence.

    When Scott's gawky daughter turns up missing on a church visit to LA, then appears in a skin flick, the movie follows Scott to LA too and it falls apart, killed by the pernicious murk. The whole narrative makes no sense. The police won't help Scott so he begins hanging around with people in the porn industry. He poses as a investor in these schlock movies. I ask you, the discerning viewer, can you believe an upright middle-aged businessman from a strict religious background could don a mustache, a wig, a necklace, and a gaudy shirt, and then pass himself off as an inside man in the skin industry?

    But that's just one of the movie's problems. Scott enlists the aid of a whore (Season Hubley) and promises to take care of her if she'll guide him through the blue and rose of the neon-tinted underworld. Then at the end, after a weak attempt to give her some money, he abandons her to her fate. Just two sh*ts that passed in the night. What kind of morality is that?

    And when, finally, he bashes through walls and brains everyone who stands in his way, he finds his daughter shivering with fright in a corner, extends his hand, and says soothingly, "Let's go home." And she lets him have a broadside. She wants to stay here in this living hell with people who love her, because Scott never loved her at home, she was never pretty enough or good enough. There is absolutely no set up for this exchange, no hint of previous discord. That scene of the family Christmas stands in direct contradiction -- everybody dumb but happy.

    Scott is restrained in the role of anxious, tearful, enraged father. This film seems to have begun a deflation in his career. I don't know what was behind it but after several sterling performances in the 60s, he made a series of movies of lesser interest and then disappeared entirely for a few years before showing up in a few supporting roles.

    No one else in the cast stands out, but probably Peter Boyle as the cynical, flawed but effective private investigator is the most believable character.

    Not a total loss. There are some moments of humor. The long-haired skinny young director of a skin flick is proud to be a graduate of UCLA's film school. And there is a keenly observed conversation about predetermination and sex.

    But it can't make up for scenes like that in which Scott first watches a hardcore movie in which his virginal daughter is gang banged and the camera lingers on George C. Scott's face slowly filling with anguish and then hate until he screams and covers his face. The shot lasts too long. Nobody could carry it off. I hate to use the word, but it all seems "dated." It's less about a man's search for his missing daughter than it is about giving the good folks of Grand Rapids a tour of the odious underworld of Hollywood's porn industry.
  • comment
    • Author: Mr.Twister
    In Taxi Driver, we never get to know what Iris thinks about Travis "saving" her. We get to hear from her parents who thanks Travis in a letter. But maybe Iris was happy with the pimps and the junkies. She was probably not fit for Middle-America. Anyway, we are never really told what Iris thinks about the whole shootout. We assume (with good enough reason) that Travis saved her and she is in safe hands. Hardcore is a film about the sort of background and patriarchy that might have created a runaway teenage prostitute like Iris.

    Jake Vandrom (played by George.C.Scott) could well be Iris' father. Jake is a straight laced furniture salesman who follows Calvinism. The adherents to Calvinism believe that god has already decided whether you're going to be saved or not. Nothing you do in this life can save you unless god deems it because the decision has already been made.

    Jake's daughter disappears while attending a Christian summer camp. After he seeks the help of a private investigator (Peter Boyle), it is revealed that his daughter acted in a porn film and might be hanging out with all sorts of seedy folk. The rest of the movie is about Jake's search for his daughter. So an extremely conservative man from conservative America penetrates the Californian porn underworld to find his daughter.

    Paul Schrader does portray Jake as the only decent man among a variety of pimps and prostitutes. But there is a scene where JAKE has a conversation about Calvinism with a prostitute who agrees to help him find his daughter. It gives clues to Jake's strict attitude towards life and why his daughter might have run away from home.

    And in the end, when Jake finally finds his daughter, we get to hear her side of the story. She left him because she was fed up of life with him. And while she says she is loved among the pimps and prostitutes, she does agree to go back with Jake.

    The ending was quite stupid. I read in the trivia section that Schrader had to change the original ending. I guess the film suffers from the lack of a firm directorial hand and vision. It is sort of a thriller and a mystery. Schrader does try to exhibit some directorial flourishes in the final action scenes. But i don't think he is a very good director. The film is flat. It does not have the stamp of the director. It could have been directed by Ron Howard for all I know.

    There are a few gripping scenes here and there. There is a scene where Jake is in bed at his hotel after getting thrown out of a brothel. A group is singing a Christian song on TV and then the camera pans on to the window showing the concrete jungle that is California (the music changes from the soppy tune on the TV to a disturbing background score) and the camera finally rests on Jake thinking about what he ought to do next. In the next scene, he sheds his conservative demeanor, having decided to make some adjustments to fit into this brutal and alien world.

    George.C.Scott has an imposing screen presence. I liked the way he uses his eyes. Peter Boyle's role was so ill conceived. I hated the way he changes his mind and becomes goody two shoes in the end. Season Hubley was adorable as the prostitute who helps JAKE.
  • comment
    • Author: Ynneig
    George C. Scott stars in this Paul Schrader vehicle as Jake VanDorn, a man of a different, more simple era whom finds himself thrust into the seamy underbelly of the pornography business after his daughter, Kristen, goes missing. The police are no help and the sleazy private investigator he hires (played superbly by Peter Boyle) is not much better. Jake tries hopelessly to keep his unvarnished soul intact as he looks for his daughter. This is a well-acted, well written, well directed film that kept me riveted...to a point. That point being the horrible studio required cop-out ending that forces the film to tie everything up in a neat little bow at the detriment of what could have otherwise been a classic. Tis a shame.

    My Grade: B

    Eye Candy: Linda Morell shows her heavy hangers; Season Hubley shows everything; Ilah Davis provides T&A; Gigi Vorgan, Leslie Ackerman, & Serena get topless as well
  • comment
    • Author: Nuadabandis
    What's up with the low rating for this one? It's totally excellent. 10/10. In fact, it's almost better than Taxi Driver. Paul Schrader is a very talented clever director and writer. The main character in "Hardcore" looks so much like Dennis Hopper that it's almost spooky but one has to remind oneself that it is not Dennis Hopper. Anyway, I just think that this mans search for his lost daughter is one of the most exciting tasks ever seen in film. Surely this is a very important but overlooked picture. The point is not to "chock" by showing nudity or sex but to expose the suppression of the porn industry. I once heard that the two major industries in the world is weapons and pornography. Anyhow, this is an excellent movie juxtaposing the two very different worlds of American life.
  • comment
    • Author: Dellevar
    Paul Schrader's Hardcore features a rare performance that tows the fine line between believable lunacy and cartoonish behavior that never crosses over and subjects itself to the latter. The performance is that of George C. Scott, who plays Jake Van Dorn, a Calvinist businessman working in Michigan and serving as a single-parent to his eighteen-year-old daughter Kristen. While presumably on a church retreat to Bellflower, California, Kristen never arrives at the event, leading Jake to hire a private investigator (Peter Boyle) to try and find her whereabouts. Eventually, the investigator finds an 8mm film of his daughter and two other men around her age; it's clear just from the first frame of the film, which Jake sees at a local seedy theater, his daughter is now a porn star.

    Jake loses it, with enough questions, assumptions, judgments, and miscalculations racing through his mind to cripple the psyche of a dozen men. He comes to the conclusion that his daughter had to have been kidnapped to join such an underworld, and becomes dedicated to bringing her back home. He dives into California's sleazy, pornographic underworld, venturing through brothels, adult bookstores, and peep shows to find her, eventually meeting Nikki (Season Hubley), a porn star and hooker.

    Hardcore is the classic case of a character being immersed in a world he had no conception of and would've rather gone on pretending as if the world and all of those affected by it never existed. His tunnel-vision, conservative mindset has made it seem that since everything in his own life was perfect and completely free of any trouble, that there's no way anyone else's life could be troubled. He doesn't see problems, therefore none exist.

    Jake's rude awakening becomes more alarming with what he has to witness. To many audience members, presuming their braveness to already seek out such a peculiar film, the content in Hardcore isn't particularly jolting, but to Jake, it's some of the most revolting stuff he's seen in his entire life. Consider the discomfort and anxiety felt by Jake as he walks into a low-lit brothel, with pulsating, blood-red lights and wallpaper decorating the rooms and meets a young stripper, with a thick piece of glass separating them. The stripper plants both of her heels on the glass whilst sitting down, exposing her whole body for Jake's pleasure, as they communicate through the glass. Jake is beyond uncomfortable and is simply trying to get his daughter back, but in order to do so, he must subject himself to worlds he never thought could've existed.

    This kind of relativism makes for a deeply fascinating film, and in Schrader's screen writing and directing hands, Hardcore beams with life. Schrader includes a barrage of must-have locations for this kind of film, and captures them in a way that adheres to the principles of realism. Never does Schrader seem to go overboard in his depictions of this underworld, nor does he compromise Jake's character by making him unlikable. This is one of the first times I've seen such a close-minded, holier-than-thou, judgmental character on screen that I didn't detest; it's not entirely his fault he's been closeted to his own set of beliefs for so many years. He thought all was well and good.

    Scott captures this character so intensely that even his freakouts and mental breakdowns don't feel forced nor over-the-top. Scott eventually learns how to get ahead in this business, at one point going undercover as a director and interviewing male porn stars that could've perhaps had contact with his daughter. These scenes, when Scott dawns a wig, a fake mustache, and shag clothing, are completely transforming for his character, and we see a man's own personal ethics and values degrade throughout the entire film, in a slowburn fashion.

    Hardcore sizzles on screen, creating characters that exist, a fascinating underworld captured in details rather than in essences, and an impending sense of dread as time marches on and Jake's daughter's fate becomes more and more questionable. Much has been made about the finale, which is said to have been taken over by cautious studio executives rather than accurately reflecting the original vision of Schrader. For me, it works as a way to simmer down the film's explosiveness that it carries throughout, especially towards the end, as things intensify. The bittersweetness of the entire affair, in addition, compliments the film's nature of nothing ever totally being right or in place; not even in the beginning, as Jake is still so deeply lost in his own mannerisms.

    Starring: George C. Scott, Season Aubrey, and Peter Boyle. Directed by: Paul Schrader.
  • comment
    • Author: anonymous
    I decided to have a bit of a George C Scott night the other day, mainly his more genre orientated work. I watched this back to back with The Changeling and The Exorcist 3. An interesting triple bill for sure! Scott plays Jake Van Dorn, a Calvinist and conservative business man who seems to have everything going right for him. That is, until his teenage daughter Kristen disappears whilst away at school in California. Cops and an eye witness speculate that she was lead off by a young man, and the detectives don't hold out much hope of finding her. Taking the advice of the cops, Van Dorn hires a private dick, Andy Mast, (Peter Boyle, sleazier than me on a Saturday night) to begin searching himself. A month later, Mast shows back up with a reel of 8mm footage. What's on it? Why, hardcore pornography, of course! In it is his nubile and innocent daughter, not looking so innocent anymore.

    Van Dorn understandably goes heavy off the deep end. He moves out to California and scouts the strip, harassing hookers and pimps about his daughter, to the point where he gets his ass kicked. He realizes that the world of sleaze is not a place for a man like him, so he re-invents himself as Jake DeFreese, porn producer extraordinaire! He gets in touch with the local heavy hitters of the porn world, posing as a wealthy guy looking to make a porn flick. He then meets young hooker and porn star Niki (Season Hubley), and together they head off into the underworld to track Kristen down...

    George C Scott gives a pretty mean performance as Van Dorn, a man with clearly high moral values thrown into a maelstrom of sleaze and profanity. the scenes where he watches the porn with his daughter is a gruesome moment. Not only must he face the decadence of the porn world, but he must also face up to certain other realities and truths. Is his hard lined faith really the cause for his daughters self degradation? And if he does find his daughter, will she be the same person she once was, or even want to come back home with him? These questions are what make Hardcore interesting for me. Schrader almost pulls it off too, but he drops the ball a few times in terms of plotting. Van Dorn's transformation into 'porn producer' isn't entirely convincing, yet it certainly is amusing. Same goes for the discovery of the snuff reel. It was unnecessary to the plot really, and it was pretty lame looking. And of course, the finale. A bone of contention with a lot of people, me included. The ending was apparently forced by the studio, and Schraders original bleak ending was dropped. What could have been a masterpiece on futility and abandoned faith gets a neat little ending, almost all tied up. Sure, it's entertaining, but unrealistic.

    What works for me about a lot of Paul Schraders early films is how he paints the everyday characters so colourfully. He has a knack of writing the everyday blue collar guy in realistic yet likable fashion. Just look at both Taxi Driver and Blue Collar for that. He creates a world you can taste, and even if his central characters are off the wall, you can relate to the surroundings in a grounded way. Peter Boyle excels as always as the sleazy private eye. Even great little cameos by the likes of Hal Williams as 'Big Dick Blaque!' will have you rolling in your seat with glee. And of course, Season Hubley, Kurt Russell's ex-wife and star of my all time favorite pimp and hookers flick, Vice Squad, for those who are interested. She does a pretty good job of portraying a lost youth, much like Jodie Foster's role in Taxi Driver. She also gets highly naked, which may be of interest to some of you. For me, all I can say is yikes! Overall, Hardcore is a near miss of a classic. However, the film is shot beautifully, capturing the neon lure of California at night, and the camera work is truly stylish and innovative. The film also has plenty of nudity and violence to keep the casual crowd interested. Oh, on a final note, if the plot of this sounds vaguely familiar, that's because it was essentially remade as 8MM, by Joel Schumacher. The less said about that film, the better...
  • comment
    • Author: Gribandis
    When I first read the summary for this movie I found it really peculiar that Jake was a Calvinist. Calvinism is a pretty strict view of Christianity and I think that is the reason this movie is partly so brilliant. I think few movies have dealt with the mentality of a strict Christian upbringing and the "surprising" rebellion of the child that is subject to it as realistically or as seedy as "Hardcore." First of all it totally is in the same vein, as far as setting goes, as Taxi Driver (also written by Schrader). The movie is not afraid to show the peculiar and sometimes deranged side of seventies pornography. It creates an overall uncomfortable feeling, but in the way that is enlightening and eye opening. It is not only carefully respectful of Jake's orthodox beliefs, but it carefully depicts the young girl as being independent as well as very vulnerable. The further down she gets into the scene the more dangerous and the more malicious the pornographers become. The movie is never preachy in either direction and honestly shows humanity in all of the characters. Mainly Jake as he realizes he doesn't really see who his daughter is. He has overlooked her because he's been preoccupied with rules instead of feelings.

    If you love wood paneled walls and Peter Boyle then Hardcore is for you.
  • comment
    • Author: jorik
    If you have seen 8MM you might want to see this. This was obviously a basis for that film. George C. Scott's performance is very good and this is a good film. I think that the happy ending takes away from the overall feel of the movie. This is a good rental.
  • comment
    • Author: Otiel
    Dutch Calvinist father searches for daughter who's off on a lark in the California world of hardcore films. Insights: This film begins in the northwest side of Grand Rapids, Michigan, in the neighborhood where Paul Shrader and I grew up. It opens with scenes of the hill where we snow-slid; and the kids leave from the Broadway CRC church we both attended. All Grand Rapids folks would find the intro interesting. As if on a foreign planet, George C. Scott must learn to function in the California porn world looking for his daughter - but he is resourceful and has an insider's help. The films end was filmed around Broadway in San Francisco where I happened to work in 1978 as a banker - an interesting coincidence.
  • comment
    • Author: Xig
    Looking at the relatively high ratings and positive reviews of this film I was very puzzled. It is quite strange to me that the other reviewers praised all the positive aspects of the film (of which there are precious few, if at all), and completely overlooked all the glaring problems in the script, acting, direction, etc. (of which there are plenty.) Here are just a few:

    • A highly unbelievable script. Who in his right mind can believe that the various dwellers of the porn underworld would express their suspicion that the main character is a cop in this fashion: "Are you an officer of the San Francisco Police Department or in any way affiliated with it or any other law enforcement agency?" (Note that the creators of the movie apparently found this sentence such a big scriptwriting success that they used it several times throughout the film, spoken by different characters.) Has anyone actually heard anyone, let alone a hard-core criminal, utter something like that?? The members of the other of the two worlds shown (or, rather, caricatured), in the movie, the Bible Belt conservative Christians, including the main character himself, are equally misrepresented. The scene where Jake VanDorn tries to explain the Five Points of Calvinism to the prostitute and porn "actress" Niki is particularly revealing. Where on earth has anyone seen a Bible-believing Christian (or so we are expected to think) starting to present the basic Christian beliefs with the Five Points of Calvinism??? Under the circumstances, Niki's reaction to such an "explanation" ("And I thought *I* was f***ed up!") is completely justified, except that it should really be directed at Paul Schrader, the inventor of this completely implausible scene. And these are just two examples; the movie is full of them.


    • The acting and direction are no better. George C. Scott, whom I never really thought to be a good actor (his only good role being the one in "Dr. Strangelove" - the role that *required* gross overplaying,) is no better here than in his other movies. Even in the scene where he first sees his daughter in a porn movie, the scene that is supposed to be the most emotionally charged in the whole film, Scott manages to make his character completely impossible to believe, and, therefore, to sympathize with. The rest of the actors are equally bad, although that may be due to the fact that their characters are so one-dimensional and unrealistic.


    All in all, the film attempts to show two completely different worlds, but I couldn't help but suspect that its creators totally don't know or understand either of them, or worse yet, trying to fool us, the viewers. Thus, my rating is 2 stars out of 10.
  • Cast overview, first billed only:
    George C. Scott George C. Scott - Jake VanDorn
    Peter Boyle Peter Boyle - Andy Mast
    Season Hubley Season Hubley - Niki
    Dick Sargent Dick Sargent - Wes DeJong
    Leonard Gaines Leonard Gaines - Ramada
    Dave Nichols Dave Nichols - Kurt (as David Nichols)
    Gary Graham Gary Graham - Tod (as Gary Rand Graham)
    Larry Block Larry Block - Detective Burrows
    Marc Alaimo Marc Alaimo - Ratan
    Leslie Ackerman Leslie Ackerman - Felice
    Charlotte McGinnis Charlotte McGinnis - Beatrice (as Charlotte McGinnes)
    Ilah Davis Ilah Davis - Kristen VanDorn
    Paul Marin Paul Marin - Joe VanDorn
    Will Walker Will Walker - Jism Jim
    Hal Williams Hal Williams - Big Dick Blaque
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