» » Barbazul (2012)

Short summary

Barbazul is based on the classic fairytale "La Barbe Bleue" (Bluebeard, 1697) by Charles Perrault, author of Cinderella, which tells the story of a wealthy and feared aristocrat with a blue beard who has the bad habit of killing his wives. In the original story the sinister aristocrat, with many wives already under his belt and whose fates are a mystery, convinces a neighbor to give Bluebeard his youngest daughter's hand in marriage. The bearded villain takes his new young and terrified wife to his castle, gives her the keys to all of the rooms and the liberty to open each one, with the exception of one room. In Amy Hesketh's version, Barbazul meets Soledad, a young aspiring model trying to financially support her younger student sister. Barbazul proposes marriage and takes her to his faraway plantation. Soledad knows that Barbazul has already been married to a famous model who disappeared under mysterious circumstances. Following the original story, Barbazul gives the keys to the ...

User reviews

  • comment
    • Author: Lbe
    Based upon the classic serial killer horror of Bluebeard, BARBAZUL presents a new and chillingly effective original version of the tale. Jac Avila skillfully plays Barbazul/Bluebeard with a charming sophistication that seduces innocent and worldly victims alike. As the advertising promo for the film says, he loves women, he just can't stop killing them. And some of those murders in the film are written, staged, and directed by Hesketh in such a way that they crawled under my horror movie radar and jumped me from the inside. I have seen so many scary movies, but the kind that play it easy, using gore and jump-out-at-you scenes, fade as soon as the film is through. Others, like the suspense classics of Hitchcock or the shadowy mood pieces produced by Val Lewton, slip up on you and instead of making you react by looking away, keep you watching, even when it begins to feel like you are intruding on something very private that you would really rather not see. But then it's too late. You saw. It's in your mind. And it keeps coming back to you at odd moments the next day, and afterward. It is obvious Hesketh impressed me, again.

    Each of her films thus far, Le Marquis de la Croix and Sirwiñakuy, have been a unique and strong example of how entertaining artistic films that break the mold and defy convention can be. Being a writer myself, of course I credit the way Hesketh creates the underlying story with how effective the work becomes. And her character in BARBAZUL is a writer whose demise is every writer's nightmare! "Come on, just give me another minute to finish this, I'm almost done, just a moment more, don't interrupt me right now, come back later, let me finish!" It is a diabolical scene for a writer to watch. But at least, all of us who have been interrupted while trying to write do not, hopefully, have happen to us what Hesketh has happen to her character! And then, of course, it gets worse.

    All of the actors turn in excellent performances. Jac Avila's stylish interpretation of Bluebeard was aristocratic and cultured even as the sociopath within him does cold-blooded Evil, reminding me of Vincent Price's best performances. Roberto Lopez's Walter is one of the creepiest butlers on film, sinister without being overt, very subtle and effective, one of those "there's something wrong here but nothing I can put my finger on so it's probably just my imagination, but--" kind of things...if there were an anti-Batman, this is the anti-Alfred,or even more, "Klove" in the second Christopher Lee Dracula film Hammer Films made, Dracula Prince of Darkness. Come tothink of it, this could almost have been Bluebeard Prince of Darkness! The ride to get to Barbazul's plantation (castle) over the twisting, turning road (like the one leading to Castle Dracula) emphasizes how far from any kind of help the women he takes there are. And the countryside through which the road passed reminded me of the beautiful, vast emptiness of the high desert of Northern Arizona where I once lived. Mila Joya's innocent and noble character totally sells her growing unease and alarm as she becomes more and more aware that she has been trapped by a monster (like Jonathan Harker in Castle Dracula!--and it just occurred to me that Hesketh's Dracula, if she ever chooses to do one, might finally nail Stoker's classic better than anyone ever has...). Another "victim," convincingly portrayed by Veronica Paintoux as an aggressive and worldly counterpart to Joya's character's helpless innocence, makes you believe she can damn-well take care of herself, which makes it even worse, for her, when she suddenly discovers that, no, not really, she can't handle Barbazul, either.

    Original music by Brad Cantor and La Negra Figueroa added just the right touch to the film, reminding me, somewhat, in the best way of a Goblin score for an Argento classic. Finally, "Superb" does not really do this film justice. "Eros and Thanatos" writ large might be a better description, "Sex and Death," "Beauty and Horror," like the face of the great Barbara Steele's "Muriel" at the end of NIGHTMARE CASTLE, or the visage of the Norse Goddess Hel, half beautiful and seductively alive, half dead and nightmarishly decayed. In BARBAZUL, you can't have one without the other, see? As if you'd want to, right? And one extra bonus--if you happen to have seen Richard Burton's portrayal of Bluebeard in that famous old film, Jac Avila will finally make Burton's face stop flashing into your mind at the mention of the name, "Bluebeard." So, in addition to this great new film, thank you, Amy and Jac, for that!
  • comment
    • Author: Eigeni
    Barbazul (Bluebeard 2012, NR) is recommended for (1) mature audiences who (2) enjoy literary, paced horror (with healthy doses of disturbing erotica): This graphic tale aims to disturb in elegant fashion. Note firstly that the script is an adaption of a classic fairytale "La Barbe Bleue" (Bluebeard, 1697) by Charles Perrault. Most folks in 2014 in the USA will not recognize his name, but he authored many other famous tales translated to the movie screen (i.e.,Little Red Riding Hood, Cinderella, Puss in Boots, and The Sleeping Beauty). Here, Bluebeard tells the story of a wealthy aristocrat who kills his wives.

    Beautiful Serial Killing: Bluebeard appropriately plays like the "Sweeney Todd" play. Viewers watch as victim after victim are taken to Barbazul's remote plantation to suffer an unsuspecting death. The pacing is measured; the music and strange situations carry the film. The beautiful remote setting and filming was reminiscent of the cinematography of the Coen Brother's Fargo (1996) and Stanley Kubrick's rendition of Stephen King's The Shining (1980). About ~10 minutes could have been shaved off the first third without lessening anything, so impatient viewers may lose interest.

    The acting, writing, casting, and filming were all well done. The music score did overwhelm voices at times (at least on the version I streamed); however, despite the writing being good enough to listen to, the occasional dimmed conversation didn't detract from the film. For one, I was reading the subtitles anyway. Also, the acting is clear enough that this could have been presented as a silent movie (keeping the wondrous soundtrack of course).

    Each victim arguable has more character depth than the titular Barbazul. They all have some artistic bent (poor model, mature model, singer, writer, museum goer), which reinforces the artistic nature of the film. Each death is intimately, and vividly, captured at length. Despite the cruel nature of the deaths, and the copious amounts of exposed flesh, the "blood and gore" was kept at minimal levels; in short, the murders are done tastefully. The beauty of each woman is torturously lost as viewers become voyeurs to fatal sex. Bizarre, really.

    Excerpt: Creating horror with beauty is a tough task, yet screen writer Amy Hesketh (also Director and actress for Jane) seems to reveal the movie's core theme explicitly:

    Barbazul: So, do you enjoy modelling?

    Annabelle : I am enjoying the fact that I am still beautiful. I love taking photos, looking at my photos. It's something that will last forever. It's artistic as well. Using your body, knowing how to move, knowing yourself. To understand your own beauty is…not that easy…

    Art Horror: The film crew at Pachamama Films have made a series of historically based horror films, each being unapologetic about graphically killing naked women. Yet they aim to keep rooted in history or classic literary works, and they take their craft seriously. Somehow they present loads of erotic horror in a beautiful way; that is a stunning balancing act. I look forward to their film currently in production called "Olalla," which is based off of Robert Louis Stevenson's story (Treasure Island, and Strange Case of Dr Jekyll and Mr Hyde.) That tale originally featured an English soldier recovering from battle wounds when he falls in love with a woman who belongs to a mysterious vampiric family. Can't wait to see the Pachamama adaptation.

    Availability (2014, US): DVD's in the US run ~$35; buying a streamable version from Amazon is ~$20.
  • comment
    • Author: Xarcondre
    Beautiful photography, excellent scenery, complex character development with a perfect musical score fitting the storytelling, this was absolutely fantastic. A great story with unbelievable twists. A must-see for any Giallo, Mystery or Crime movies fan. Amy Hesketh's second movie delivers with everything expected. It's only her second movie and I can already see a great and promising career as a Director/Actress/Writer. My favorite detail was that among Barbazul's wives, you see every type of woman from a psychological point of view. The character development is very realistic. I'm already waiting for Amy Hesketh's next masterpiece.
  • Cast overview:
    Jac Avila Jac Avila - Barbazul
    Veronica Paintoux Veronica Paintoux - Annabelle
    Mila Joya Mila Joya - Soledad
    Paola Terán Paola Terán - Maga
    Erika Saavedra Erika Saavedra - Agatha
    Amy Hesketh Amy Hesketh - Jane
    Mariela Salaverry Mariela Salaverry - Ana
    Roberto Lopez L. Roberto Lopez L. - Walter
    Erix Antoine Erix Antoine - Paul (as Erik Antoine)
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