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» » Downton Abbey Christmas at Downton Abbey (2010–2015)

Short summary

At Christmas 1919 the Crawleys welcome Edith's former suitor Sir Anthony, now a war invalid, who tells her that he is too old for her, and Robert's sister Rosamund with her beau, the raffish Lord Hepworth. Sybil writes to announce her pregnancy. After Carlisle's selfish attitude towards the servants and his jealousy when Mary accompanies Matthew to visit Lavinia's grave, Robert prises from his wife the fact that the newspaper baron is effectively blackmailing his daughter into marriage to keep her secret and, on her father's advice, Mary breaks off the engagement, knowing that the angry Carlisle will now probably expose the family. Aware that Hepworth is penniless, Violet unsuccessfully tries to warn Rosamund against marriage but Rosamund is determined to go ahead with the wedding - until she catches her fiancé in bed with her maid. Things do not go well for John, on trial for killing Vera, though Robert and Matthew vow to contest his life imprisonment. Upstairs and downstairs at ...

"Mais où sont les neiges d'antan?" ("But where are the snows of yesteryear?"), Violet's line, spoken in French, referring to her having known Lord Hepworth's father in her youth, is from the poem "Ballade des dames du temps jadis" by François Villon.

Daisy finds a Ouija board on the shelf downstairs. These boards came along after the Civil War and were used by spiritualists to talk to the dead. The Ouija board was patented in the 1890's in the US. They were wildly popular after WWI. The one they're using is a generic talking board of Brit manufacture, on the money bag is the symbol of the English pound. Although science has proven these talking boards are really operated by the subconscious mind, the Catholic Church still has them outlawed for use.

Lord Hepworth, played by Nigel Havers, is named for Cecil Hepworth, and his company, Hepworth Studios, where actress Ivy Close, grandmother of _"Downton Abbey" (2010)_ producer Gareth Neame, got her start in the film industry.

In the first and second season characters make fun of Edith for her wanting to be with Anthony Strallan even though he is considerably older than her. However they don't say a word about Mary and Richard Carlyle who is also older than she is. They don't say the ages of Anthony and Richard, but in real life both men are older than Hugh Bonneville who plays Edith and Mary's father.

When Robert hears Sybil is pregnant, he states she has 'crossed the Rubicon'. The idiom "Crossing the Rubicon" means to pass a point of no return, and refers to Julius Caesar's army's crossing of the Rubicon River in Italy in 49 BC, which was considered an act of insurrection and treason. There was no turning back for Sybil now, Robert is saying.

Robert makes a big deal about the fact that Sybil's child would be Catholic. It seems odd considering that he is Anglican and married a woman who was Episcopalian with a Jewish father.

User reviews


  • comment
    • Author: Saithi
    i know an awful lot of people hate Downton, my dad and an awful lot of my friends included, but i love it a kind of indecent amount and the Christmas special absolutely made my heart sing. The absolute trick of loving the show, as most Downton lovers probably know, is that its absolutely meant to be fun- you don't have to believe it would or could happen you just have to take the whole thing as a bit of a mini and extremely pretty pantomime where you can boo and throw crisps at the screen every time Carsile comes on, cheer at Sybil and Branson ,enjoy the genuinely heartfelt moments,take bets on the crazy storyline and basically have a lovely time. with all that taken into account i adored the Christmas special, it was festive enough with the snow in the proposal and gray skies at the shoot but also added to the storyline instead of doing the doctor who thing and creating a little "one off" as i had feared. It wasn't too depressing but was absolutely a roller-coaster ride of emotions (forgive the cliché) I think scenes including daisy and William's father, as well as, surprisingly, the proposal itself, seemed genuine and really well acted.it was nice to see everyone have a dance at the servants ball and the Mathew/Richard fight had me actually jumping up and down. of course there were a couple of sticky moments in the script, as there generally is,and the bates storyline seemed a bit detached from everything else and it didn't seem like fellowes couldn't decide how much Sybil/branson stuff should be mentioned but the happiness the (in main) fairytale ending supplied was immense and as always it was beautifully shot, so no complaints from me and i think it was amazing Christmas day entertainment.
  • comment
    • Author: Gunos
    The Crawleys celebrate Christmas and welcome 1920 but not everything is joyful as it seems. An innocent Bates is sentenced to death for the murder of his wife. Richard Carlisle acts possessive towards Lady Mary. Daisy is burdened with her guilt of lying that she loved William. Lady Edith seems like she is not lucky in love as she is turned down by Sir Anthony Strallam.

    Downton Abbey, as always, never failed to impress me. Joanne Froggatt's performance is exceptional. Maggie Smith is amazing as always.

    The episode ends with a "happy ending", but is it?
  • comment
    • Author: DireRaven
    Downton Abbey

    Fellowes has successfully managed to make a soap opera melodrama, luxury rather than a necessity. This royal family and the impact it casts upon others surrounding them is the ultimate definition of royalty, in terms of that it spews each of our assumptions of the livelihood of people residing in such palace onto the screen with elegance and stature that does more than people-pleasing work. The emotions comes in plethora of it- hence arguable the titled genre melodrama- but what doesn't come in hand is the content, the writers fiddles with you with such panache that you are rumble down to be gullible enough to nod at anything offered. And this is primary the reason, why in its middle seasons, where the writing was questioned and yet loved and accepted by us effervescently.

    Its primary theme that it adapts or conjures for an episode is shared by an entire cast that makes the episode balance and all the tracks, no matter how long they may carry on later, gets a definite period within that hour for you to pin down your decision. The most difficult part of the writers is to pass on information or rumors in this too-big-a-palace but with flawed three dimensional characters, it is weaved out with excellent justifying reasons leaving you in an awe of it.

    Fellowes doesn't share its cast, nor a scene, nor humor, nor any anchor that would weight him down to take bold risks, he doesn't compromise on lopping off a character from the screen or adding one despite of being shared by so many, he has managed to reboot the drama until every last viewers gets that point jaggedly on mark. The series is also blessed with incredible cast like Dockery, Bonneville, Carter, Coyle and Smith that stands out among plenty other performances. Downton Abbey is, yes, cheesy, but each aspect of the series owns it, and with commitment like such comes maturity and just good storytelling.

    Season 02

    Installing the premise of War and the catastrophe it casts on each character, this season feels more reserved on exploring the characters' equation and more on diving deep on individuals, along with adding few more and reincarnating the previous errors, it keeps its standard consistently good.

    Christmas At Downton Abbey

    A well earned hour by the makers, by spewing their best aim on all directions from a compelling courtroom drama to the usual inner family politics, the holiday is celebrated with equal sincerity by revealing new surprises and finally accepting the love track.
  • Episode cast overview, first billed only:
    Hugh Bonneville Hugh Bonneville - Robert Crawley, Earl of Grantham
    Laura Carmichael Laura Carmichael - Lady Edith Crawley
    Jim Carter Jim Carter - Charles Carson
    Brendan Coyle Brendan Coyle - John Bates
    Michelle Dockery Michelle Dockery - Lady Mary Crawley
    Siobhan Finneran Siobhan Finneran - Sarah O'Brien
    Joanne Froggatt Joanne Froggatt - Anna Bates
    Robert James-Collier Robert James-Collier - Thomas Barrow (as Rob James-Collier)
    Phyllis Logan Phyllis Logan - Mrs. Hughes
    Elizabeth McGovern Elizabeth McGovern - Cora Crawley, Countess of Grantham
    Sophie McShera Sophie McShera - Daisy Mason
    Lesley Nicol Lesley Nicol - Mrs. Patmore
    Maggie Smith Maggie Smith - Violet Crawley, Dowager Countess of Grantham
    Dan Stevens Dan Stevens - Matthew Crawley
    Penelope Wilton Penelope Wilton - Isobel Crawley
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