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» » Mannen är farlig (1974)

Short summary

A young Soldier is killed in the line of duty in Vietnam. That same night, the soldier returns home, brought back by his Mother's wishes that he "Don't Die"! Upon his Return, Andy sits in his room, refusing to see his friends or family, venturing out only at night. The Vampiric horror is secondary to the terror that comes from the disintegration of a typical American family.

Richard Backus was cast as Andy because he was able to create a silent stare of intense hatred for the casting agent. Backus' creepy facial expression came into play frequently for the film.

Tom Savini's first film as a make-up artist.

Christopher Walken was considered for the part of Andy.

The 'decaying' makeup for Richard Backus took six hours to apply.

For the opening Vietnam scene there was additional footage shot of a traumatized Andy walking through the jungle among the bloody carnage. The footage was cut in favor of a quicker intro to the story. There was also supposed to be a similar scene later where Andy walks through the streets at night and comes across a blind veteran sitting on a porch. This scene was also cut for time.

This film and its themes can in many ways be seen as an early reflection of the popular awareness of the effect of combat trauma on soldiers that the Vietnam War helped bring to light. Much of Andy's disposition and symptoms, e.g. sudden violent behaviour due to the re-living of traumatic experiences, would later be associated with Post-Traumatic Stress Disorder, defined by the American Psychiatric Association in the Third Edition of the Diagnostic and Statistical Manual of Mental Disorders (1980).

There was a mishap with the fiery car climax. While Richard Backus and a stunt driver were speeding through the streets the fire set at the rear of the car got out of control and was sucked into the back seat of the speeding car. Fortunately there was a Plexiglas shield dividing the backseat from the front of the car where the performers were. It startled Backus, who had to stick his head out the window to keep from inhaling smoke. Much to the actor's dismay, director Bob Clark wanted the scene re-shot with less fire.

In the final scene at the cemetery a tombstone with the name "Daily" is seen over Andy's shoulder. The same tombstone appears in Bob Clark's previous film "Children Shouldn't Play with Dead Things" (1973).

Bob Clark and his associates shot this film back-to-back with Children Shouldn't Play With Dead Things (1972). Both films were shot on location in Florida with much of the same cast and crew. Clark, Alan Ormsby, Jeff Gillen and other crew would later reunite in 1974 to make the Canadian-shot horror film, Deranged.

Portions of Carl Zittrer's music score for this film were later expanded and reused for Bob Clark's later horror film Black Christmas (1974).

The movies playing at the drive-in are "Death in Space" and "The Spacenauts."

The story is a variation on "The Monkey's Paw," a short story by W.W. Jacobs.

The films Italian title is "La Morte dietro la porta", meaning The Death Behind The Door.

According to the scratched tombstone Andy Brooks is 21 years old at the time of his death in 1972.

Filmed in Brooksville, Florida, the family's last name in the movie is Brooks, a homage to the town it was shot in.

The biggest prop built for the film was the Brooksville Cemetery gate. It was, of course, created to be smashed during the climatic car chase sequence.

Actual locations in Brooksville, Florida were used throughout the production. The drive-in featured in the movie was the old 41 Drive In Theatre in Brooksville. It has since closed down.

At the diner where the truck driver stops early in the movie, a promo for veterans of war services can be seen on the counter.

Director 'Bob Clark (III)' cameos as the cop that shoots Andy.

The film originally ended with Christine Brooks sitting at Andy's makeshift grave, looking up to the policemen and saying "Andy came home..." Though shot, the bit was later edited so that the film could have a swifter conclusion.

Writer Alan Ormsby cameos as the man who tells Charlie that Doc Allman has been killed. Ormsby was married to Anya Ormsby (who plays Cathy Brooks) at the time. Their young son cameos as the crying kid in the scene where Andy kills the dog.

User reviews


  • comment
    • Author: melody of you
    This is a horror film that expands the boundaries of the genre.

    Put simply, it is a film about a dead man walking, but this dead man "died" in Vietnam before he returned home and his unexpected arrival opens many wounds within his family and amongst old flames and acquaintances.

    Director Bob Clark is not satisfied depicting returned vet "Andy" as a zombie. Although he does crave human flesh and speaks infrequently, part of the film's charm is the reaction of people to the dead man's less-than-chipper mood.

    Shots of Andy rocking like an autistic child are priceless, as is a "conversation" Andy has with the mailman who laments the returned boys "we should have lost". The family pet is not exactly Andy's best friend anymore, either.

    John Marley as Charles Brooks, Andy's dad, is really great here. Although he tries hard to accept the new Andy, we really experience his gradual realization and disappointment that Andy is not the same Andy anymore.

    Jim Backus is brilliant as the undead vet. He uses his voice to convey Andy's apparent indifference to life back home and adopts a strange, somnambulistic gait.

    Technically adequate for a low budgeter, the film's richness of character and situation never shifts our attention to any production deficits.

    One of the best horror films ever.

    Truly creepy and, ultimately, very sad.
  • comment
    • Author: Urtte
    Excellent spooky variation on "Monkey's Paw" really plays on deep emotions in a crude (but effective) manner.

    Low-budget, but fast-moving and scary. This is one of my favorites.

    A distraught mother "wishes" her deceased Vietnam soldier-boy son home only to discover he isn't quite who he was when he left.

    Many different horror archetypes (zombies, vampirism, cannibalism) are touched on without being confirmed, which makes the film that much more effective.

    The film is also a sharp and dark commentary on the state of the returning GI. Andy sits for hours in his dazed "zombie-like" state and stares at the walls. He becomes violent and acts irrational. Many symptoms of post-traumatic shock syndrome.

    Written by Alan Ormsby, who also collaborated with Clark on "Children Shouldn't Play With Dead Things" and would later go on to pen Paul Schrader's remake of "Cat People".

    If you're looking for another solid Bob Clark spook-fest, check out "Black Christmas" (which bears an eerie similarity to the original "Halloween", though it predates it by several years!!) before "Children Shouldn't Play With Dead Things".

    Many have commented on the *shocker* ending. If you are expecting something along the lines of the original "Carrie" - something to make you jump out of your seat - you will be disappointed.

    The ending is more dour and stunning. I didn't see it coming, but it made perfect sense in line with everything that had happened. It's the kind of ending that a film would never have now. It's simply too honest. One of the better horror endings I've seen, actually.
  • comment
    • Author: I ℓ٥ﻻ ﻉ√٥υ
    So many horror films, both then and now, exist solely to provide cheap titillation to gore hounds and casual thrill-seekers. 'Dead of Night' (aka "Deathdream"), however, is serious business, and seriously scary. Comparable to 'The Exorcist' in its exploration of the parent-child dynamic when the child is given over to something sinister, I personally liked this more than I liked 'The Exorcist.' It's leaner, more suspenseful, and less pretentious.

    Richard Backus is Andy, a soldier who returns from the war (presumably Vietnam) the very night his parents and sister are informed of his death in combat. The homecoming is not a happy one, however. Andy just isn't quite himself. Laconic, humorless and irritable, he doesn't want to go out and isn't interested in seeing visitors. Worse, there could be a link between him and the gruesome murder of a truck driver that occurred the night of his return.

    Like 'The Exorcist,' 'Dead of Night' - a reworking of "The Monkey's Paw" -- aspires to be more than simply a horror film. It aspires to be a Vietnam allegory, and it aspires to be a family drama. Remarkably, it succeeds as all three. It makes a compelling statement about returning soldiers, is a truly frightening horror film, and also a harrowing family drama. John Marley, as a Andy's father, conveys torment and confusion effectively, and Lynn Carlin is especially good as Andy's mother, a woman who has disappeared completely inside of her denial. The suspense is unbearable, and there's skillful use of both sound and space in creating it. The chills are never cheap and are consistently hair-raising. The movie marches headlong into its inevitable conclusion and is utterly uncompromising throughout. That it was rated PG at the time is a shocker.

    The movie has some flaws and lacks visual polish, but this is almost irrelevant given how brilliantly everything works. The director is Bob Clark, who would go on to direct the first two 'Porky's' films, 'A Christmas Story,' and 'Baby Geniuses,' and he has made a rare horror film, one that is intelligent, thoughtful, and damn scary.
  • comment
    • Author: Getaianne
    I've heard about this movie for years and read the praise heaped on it, and I knew it couldn't be as good as all that. I could never get my hands on it anyway, so I figured I'd never know. But I just watched it yesterday, and it is as good as all that.

    Though filmed in the early 1970s, Deathdream doesn't come off as hopelessly dated. Its themes resonate strongly even today.

    As an allegory, the film makes its anti-war points bluntly. This war (thought it is never named it's obviously Vietnam) is killing too many of our boys and making zombies out of the ones that make it home. But the movie is not generally anti-war -- it manages to contrast Vietnam with WWII, represented as a good war (in the person and words of the mailman), where there was little doubt what we were doing was right and that our military forces were being led authoritatively to absolute victory. The same couldn't be said for Vietnam, and by 1972, no one really remembered what we were fighting for anymore. Deathdream was filmed before Vietnam ended and released after, making its timing perfect.

    There are a few criticisms, hardly worth noting -- some scenes are poorly staged and lighted, and Clark doesn't always get the best out of his actors (and has little to work with in some cases). Early scenes are a bit stilted (Was the movie shot in sequence with the story? That might explain it), but the movie finds its groove at about the 30 minute mark.

    Don't expect a slick production. It's a small, claustrophobic, personal movie with rough edges to spare. Some scenes of violence are cartoonish and others are brutal. Also, the effects and makeup are much better than we have any right to expect. Poor, rotting Andy is a heck of a sight, and a sad sight in the scene where he is led down the stairs by his mother.

    Deathdream is an amazing accomplishment all things considered.

    "Everything's fine, Bob."
  • comment
    • Author: Golden freddi
    I saw this movie on Chiller Theater sometime in the late 70's, and

    it stuck with me for a long while. I never knew the title, however,

    until I re-discovered it a few years ago. My memories of seeing it as a young kid mostly focused on the

    weirdness of the film itself. Richard Backus does an amazingly

    creepy performance as "Andy," a soldier in Vietnam who returns

    home after being supposedly killed in action. His mom, overjoyed

    to see him, refuses to believe anything is wrong, while his sister

    and father begin to suspect all is not quite right given his behavior,

    pale, vampiric appearance and the many strange incidents which

    begin to occur around him. Mom continues to stay in denial until

    the very end. The scene with the double date in the drive-in particularly stuck

    with me after all those years. Honestly scared the bejezus out of

    me as a kid! But re-watching as an adult, I saw the movie more for what it was

    meant to be, a social commentary about the Vietnam war. It still

    holds up very well today. I am glad to know it has been re-released on DVD with additions,

    though I haven't seen this yet. For years it was difficult to even find

    a video copy. Plus it was released under several different names. I

    think I originally saw it as "The Night Andy Came Home." Definitely recommended.
  • comment
    • Author: Kamuro
    Bob Clark was such a fantastic and visionary filmmaker during the early 70's and directed no less than three very important and hugely influential horror movies in a row. Unfortunately, he reverted to making lame & mainstream comedies during the 80's and 90's and - even more unfortunate of course - was his untimely death earlier this year 2007 as a result of a car accident. But back then he definitely was the man, because he was single-handedly responsible for one genre-defining slasher ("Black Christmas"), one playful yet creepy zombie classic ("Children Shouldn't Play with Dead Things") and then this one: a unique and genuinely intriguing horror-sleeper. "Deathdream" is primarily an unsettling shocker, but it definitely also qualifies as a subtly powerful anti-war protest and even as a depressing middle-class family drama. Right from the excruciatingly sober opening credits, showing the frozen image of a soldier dying in agony after taking a bullet in the chest, you immediately realize this won't become just another outrageous splatter flick with zombie-soldiers and gratuitous massacres. Rightly so, because the story then cuts to the dinner table of a seemingly random American family who are very busy making plans for when their son Andy returns home from Vietnam, and you literally sense tragic news is about to knock them down. Andy is indeed reported killed in action shortly after, and the drama affects both the parents differently. Especially the mother refuses to accept her beloved son's departure and stays up entire nights, praying & wishing for Andy to come home. And then suddenly he DOES come home … but not as his family and friends remember him. Andy doesn't talk or eat, he spends the whole day in a rocking-chair whilst staring in the distance and his body rapidly starts decomposing if not regularly supplied with fresh doses of human blood!

    Andy Brooks isn't just a pitiable character in a 70's horror gem. No, he presumably represents every young soldier who reluctantly enlisted to serve in Vietnam, only because their fathers and the small-town communities they lived in expected them to. Rather than to feast on the blood of innocent bystanders, Andy returns to raise feelings of guilt and anguish among his former friends and particularly his dad. "Deathdream" clearly features some harsh social undertones, and they're magnificently supported by the realistic characters (and, respectively, the terrific acting performances). The relationships between Andy's mother, Andy's father and Andy himself are perhaps the best achievement of the entire film. The pacing is quite slow, but it works efficiently, and the overall ambiance of "Deathdream" is very creepy. The images of Andy in his rocking-chair (complete with screeching sound) and his grimaces when chocking the family dog in front of several young children are unforgettable. Considering the main themes and, undeniably, the budgets Bob Clark disposed of, you shouldn't expect a lot of gore, but still there are some nasty and convincingly unsettling make-up effects to enjoy. If they weren't interested just yet, all horror fans will unquestionably want to see the film because it marked Tom Savini's debut as a SFX-guru. In my humble personal opinion the ending could have been a bit better and less abrupt, but that's just a small detail. This film ranks high amongst the best genre achievements of the 1970's and it's fundamental viewing for all fans.
  • comment
    • Author: Nafyn
    The opening scene of "Deathdream" is set at night in the midst of the Vietnam War. The viewer witnesses a young soldier get shot. Next we see an American family having dinner. They haven't heard from Andy, their son in Vietnam, and are trying to cope with this. In the middle of their dinner, they get the news that he has been killed in battle. The grieving process begins. But Andy comes home in the middle of the night! They assume that the messenger was mistaken and celebrate their son's return. However, Andy is very different to them--he is ostensibly emotionless and doesn't say much. And he's a little pale. And more than a little violent.

    ***slight plot spoilers ahead, though not anything you don't know from reading the plot summary or the back of the DVD***

    This has to be one of the most depressing horror movies I've seen. I suppose it could be classified as a zombie movie (even though there is only one "zombie"), and in the tradition of NOTLD, this one has a message. Everyone knows someone who returned from war a different person. Not only is Andy emotionally numb, he also needs to kill in order to "survive," just as he did while he was at war. The family, which was fragile before his return, is now completely torn apart. The dad drinks, mom is in denial, sis insists on making things like "the good ole days," and they all fight about Andy, who has nothing much to say at all.

    ***slight plot spoilers over***

    This low-budge production has a made-for-TV feel, but it isn't by any means a bad movie. The performances are mostly great. There are some amusing events and dialogue that seem somewhat out of place, but I was thankful for the comic relief. There are also some cheesy and overdone elements, but they don't affect the movie too much. There is also the "killer's viewpoint" camera-work (which Bob Clark also uses in Black Christmas), that became staples of 80s slashers. The climax seems absurd, but that is only because with all the melodrama, it is easy to forget that this is a horror movie! The final sequence is heartbreaking. I highly recommend Deathdream to anyone who thinks that horror movies are only for escapism and have no other value, and everyone who already knows that this isn't true. My rating: 8/10
  • comment
    • Author: Buriwield
    When the twenty-one year-old soldier Andrew "Andy" Brooks (Richard Backus) is murdered in Vietnam, his mother Christine (Lynn Carlin) is summoning him asking him to come back home. Andy is the pride and joy of Christine that has eyes only for him. When the Brooks family is having dinner, they receive an Army´s letter telling that Andy died in the war. However a couple of days later, Andy arrives at home late night surprising his father Charles (John Marley), his sister Cathy (Anya Ormsby) and Christine. In the same night, a truck driver that is giving a rider to a hitchhiker is murdered in his truck. Soon Charles suspects that Andy is the killer and he has a conversation with his friend Doctor Allman (Henderson Forsythe) that agrees with him. Does Andy really come back home?

    "Dead of Night" is a creepy and depressing horror movie directed by Bob Clark. The story is sad, with family, friends and girlfriend missing a twenty-one year-old missing in Vietnam. His return as an undead killer is depressing and bringing tragedy for those who loves him. Richard Backus is creepy in the role of Andy. My vote is seven.

    Title (Brazil): "Sonho de Morte" ("Deathdream")
  • comment
    • Author: Marilace
    Between the time that he made his delightfully campy debut film Children Shouldn't Play with Dead Things (1972) and his horror masterpiece Black Christmas (1974), Bob Clark made this under-mentioned little horror gem.

    Vietnam soldier dies during battle, but then inexplicably returns home to his family who soon enough discover that there's something very wrong with their now-ghoulish loved one.

    Known under numerous titles (Deathdream, The Night Andy Came Home, The Veteran, The Night Walk) Dead of Night is one effectively haunting low-budget horror film. The story serves up not only scenes of shocking violence, suspense, and scares, but actually manages to strike some strong emotional notes as well. Aside from it's unsettling storyline, director Clark creates an atmosphere of eerie dread that energizes this smart horror film. The unnerving music score by Carl Zittrer (who also created the warped music score for Black Christmas) strongly adds to the tense atmosphere. Also great are the makeup FX of a young Tom Savini. Dead of Night marked his cinematic debut as a makeup artist.

    The cast is quite good. Richard Backus delivers a creepy performance as the haunted young soldier. John Marley is strong as Backus' understandably troubled father and Lynn Carlin is sympathetic as his unstable mother.

    Dead of Night is another of those low-budget horror gems of the 70's that got lost after the death of the drive in. But horror fans owe it to themselves to resurrect this forgotten film from the late-great Clark.

    *** 1/2 out of ****
  • comment
    • Author: VizoRRR
    I attended the world premier of "Dead of Night" which was held in 1974 at the Britton Theatre in Tampa. John Marley was in attendance and spoke for several minutes preceeding the showing about the making of the film and how happy he was with how it turned out. After the showing he stood at the rear of the auditorium as the audience filed past. Several people stopped to complement him saying they had really enjoyed the film and it was really scary. But the best compliment he received came from two teenage girls who proclaimed much to his delight that it was "scarier than The Excorcist!"

    The film was shot in and around the small community of Brooksville just north of Tampa. The drive-in theatre that was utilized for several scenes was the U.S. 41 Drive-In in Brooksville which is now long gone. John Marley was a great character actor. You'll probably remember him as the studio head who awakens to find the bloodied head of his prized horse in bed with him in "The Godfather." He also played Ali McGraw's father in "Love Story" in addition to many other film roles.

    "Dead of Night" is one heck of a sleeper that slowly creeps up on you, and its small town look and feel make it all the more frightening. Despite the limited budget Bob Clark has managed to create a quiet little film that builds mounting dread. I've looked for many years for a copy but figured it had slipped into obscurity forever. I just found out its finally on DVD. I highly recommended this one!
  • comment
    • Author: Quynaus
    **Some Spoilers** I heard about this movie many years ago when looking up the cast and crew of "Children Shouldn't Play With Dead Things", and never thought about it until seeing the DVD for sale. I looked at the cover and the plot intrigued me, so i thought what the heck. I watched it and it has become one of my favorite movies. It is very unique in its using a horror movie to tackle a controversial subject: the effects of the Vietnam war on both the soldiers and their families. As a veteran of Iraqi Freedom, experiencing emotional trauma in a war can have an effect on somebody, turning them into a shell of their former selves (a wonderful metaphor of portraying Andy as a zombie), and change the family structure as well. All said, I felt sorry for Andy in the end, not scared of him (though I'm not condoning his actions,he was one of the undead who injected blood to keep from decomposing, another metaphor of the supposed drug use in Vietnam). But experiencing the horrors of war and the effects it has on a family made me almost want to cry in the end because it hits so close to home. Kudos to the cast and crew of "Deathdream" aka "Dead of Night" amongst numerous titles for crafting a unique blend of zombie horror and family drama into one of the most unforgettable films to ever come out in the 70's (despite some plot holes eg. How did Andy get home?, but they're forgivable). I'm glad that I discovered this film and it comes highly recommended for those looking for a horror film with substance, instead of gore (which this film has very little of).
  • comment
    • Author: Akinozuru
    This is a very good film for what it is. If you don't expect Shakespeare or a film from the Criterion Collection, then you may also find that it's an amiable little film.

    A family is at home when they receive a visit from a friend in the military. The man came by to personally inform them that their son was killed in Vietnam. However, the mother insists that a mistake has been made and she spends the night praying for her son's return--and she get's her wish. But, like the Garth Brooks son "Unanswered Prayers", the family ultimately realizes that sometimes it's best when you DON'T get what you want. Why? Because the young man is undead and has a frightful habit of killing people and taking their blood! And, he even kills the family's poor doggy just because that's the sort of thing zombie-vampires do! As I said, this is not a fancy schmancy film but a horror film. Campy, silly but fun. The film won't change your life, but you also won't be disappointed if you are looking for a good chill! Well worth seeing.

    By the way, you may recognize the father but aren't sure where you saw him. That's John Marley--the guy who was the recipient of a horse's head in "The Godfather".
  • comment
    • Author: Llbery
    A very interesting movie by Bob Clark who has just passed away.Gore and special effects are kept to the minimum,the director and the screenplay focusing more on the family than on the dead man walking.

    Bob Clark renewed a theme which French Abel "Napoleon" Gance had broached in the silent era (and remade as a talkie): "J'accuse" .Gance showed the dead soldiers rise from the grave and attack the profiteers of war .Too bad Clark did not follow suit and show the veteran attack those who sent him to war...but after all,it was this over possessive mother who made him join the army (that'll make him a man).The parents 'responsiblity is obvious here.The love the mother feels for her dearest son verges on monstrous -and becomes really monstrous in the final scenes,in every sense of the term.

    An unusually inventive use of music creates a disturbing eerie atmosphere,a "something is not normal" feeling,some black humor (the drive in),and the hero swinging in his chair like a robot.All that makes "Dead of Night" a movie worth watching.

    NB:Should not be mistaken for "Dead of night" (1946) a scary film made up of sketches.

    Like this?Try these....

    "Jacob's ladder" Adrian Lyne 1993

    "The war at home" Emilio Estevez 1996
  • comment
    • Author: It's so easy
    Andy Brooks (John Marley) dies in Vietnam, while back home his mother is desperately praying for his arrival back home. The family gets a telegram saying that Andy has been killed, but shortly thereafter, he inexplicably returns home. But this isn't the same boy who left for the war, becoming cold, distant, and murderous. While the film lacks polish, somewhat cheesy in places, and the casting of the writer's sister, Anya, as Andy's sister is further proof that synergy almost never works, the acting by the others is good (specificly by John Marley from "The Godfather", as Andy's father) and it still remains a suitably spooky Vietnam-era variant on the old "Monkey's Paw" story. Director Bob Clark would go on to make such classic as "Black Christmas", "Porky's", and "A Christmas Story", before apparently losing his mojo in 1984 with "Rhinestone" and his subsequent outings being atrociously bad. Writer Alan Ormsbry would fare a bit better (in longevity, if not in creativity) with "My Bodyguard", "Cat People", and "the Substitute"

    My Grade: B

    DVD Extras: Commentary by director Bob Clark; Second commentary by screenwriter Alan Ormsby; "Tom Savini: The Early Years" Special FX featurette; Richard Backus interview; alternate "Deathdream" title sequence; extended ending sequence; 4 stills galleries; and Theatrical Trailer

    1 Easter Egg: In the Extras menu, to the left of the word 'Commentaries' is a hidden 'Deathdream' word; Highlight it for Alan Ormsby showing some prosthetics
  • comment
    • Author: Heri
    A couple receives word that their son has been killed in Vietnam. The mother refuses to accept this and stays up all night wishing over and over that her son return home. Which he does, but not like she hoped. He's very weird and says next to nothing. Soon there are murders happening in their small town with people drained of blood.

    Cool low-budget horror movie from Bob Clark. It's a variation on the Monkey's Paw story -- "Be careful what you wish for." The cast is pretty good, particularly the actors playing the parents, John Marley and Lynn Carlin. Richard Backus plays the son and was apparently cast for his creepy stare, which he uses to great effect throughout the film. Chilling at times with a great atmosphere throughout, thanks in large part to the budgetary limitations. Low-budget '70s horror films are some of the grittiest and creepiest ever made. The first half is much better than the second, which is why my score isn't higher. After awhile the strangeness gives way to a more traditional vampire type story. I'm not sure if we can even call this a vampire movie but it has the primary element -- undead person who craves blood from the living. Tom Savini handled the special effects in one of his earliest films. It's an interesting and worthwhile horror film you should check out.
  • comment
    • Author: Amhirishes
    There's nothing more disturbing in everyday life than having to deal with someone who doesn't -- quite -- follow the usual rituals of interaction. He gets around all right and looks normal. But when introduced, he doesn't offer to shake hands. The most he can muster up in a vague smile, and sometimes not that. He doesn't say thank you if you give him something. He shows little interest in the usual male proclivities like sports and sex. He's never really happy to see an old friend. He never laughs.

    That's what the central figure, Richard Backus, is like. His family -- father John Marley and mother Lynn Carlin -- are overjoyed when he suddenly appears at home, since they recently received a telegram that their soldier son had been killed in Vietnam.

    That, the Vietnam War, I think, is what this story is about. In 1972, the year of this release, the movies still couldn't really touch Vietnam because it was too controversial and studios are ever on the alert for an alienated audience that refuses to buy tickets and gives bad reviews. "Apocalypse Now" didn't show up until 1979, and "Platoon" not until 1986.

    As in "The Monkey's Paw," Backus' mother wishes him home, and home he comes, but he's some kind of mixture of vampire and zombie who needs the blood of others to delay his decomposition. I suppose his condition is supposed to be symbolic of what was to be called Post-Traumatic Stress Disorder. Beckus' symptoms more closely match one of the common features of schizophrenia -- flattened affect. He simply doesn't show any emotion except for an occasional burst of rage.

    Towards the illogical end, after he's murdered three people, he turns into a boring monster with a Halloween face. I don't care if it was Tom Savini's make up debut or not. The best horrors are more hinted at than fully revealed. A cockeyed world is more frightening than a world divided into pure good and pure evil. (Cf., "Carnival of Souls" or "The Cat People.")

    Marley and Carlin are professional and do their jobs well, except that Marley isn't really a convincing drunk. Backus, as the disintegrating ex soldier, isn't much of an actor but he looks the part. A clean-cut lad with a lower jaw that doesn't quite fit the rest of his face and seems to just go up and down when he grimaces or speaks, rather like a ventriloquist's dummy.

    The director, the late Bob Clark, who appears as the chubby police officer, does the best he can with the script. And both the direction and the script are, in fact, quite good, except for the ghoulish transformation. I worked in one of Clark's later movies, "From the Hip," a rude lump of foul deformity. The movie itself was no good but the director ran a happy set and was one of the least pretentious authority figures imaginable.
  • comment
    • Author: Kigul
    Having been informed of the death of their son Andy (Richard Backus) during the Vietnam War, Charles and Christine Brooks (John Marley and Lynn Carlin) are surprised when the young soldier returns home, apparently still alive and kicking. Unfortunately, he is actually a zombie who needs to drink blood to stay looking fresh…

    I'm not really a big fan of Bob Clark's movies, but I'll give the director his dues: with the exception of Porkys and Porkys II, no two of his films are alike. Even though his first two horror movies, Deathdream and Children Shouldn't Play With Dead Things, both featured zombies, they were as different as chalk and cheese (or day and night, since we're talking about zombie films).

    Clark was also an innovator, pioneering the slasher genre with Black Christmas and, with Deathdream, making one of the earliest films to deal with the horrors of the Vietnam War: following so soon in the wake of Night of The Living Dead, it would have been easy for Clark to have cashed in on George Romero's success with a similar storyline, but instead he offers up a totally different approach to the zombie movie. While it might not be anywhere near as gripping as Romero's '68 classic, being a little too slow and drawn out to be wholly effective (unless rocking chairs happen to be your thing), it is an undeniably creepy and atmospheric tale that cleverly uses the medium of horror to illustrate the tragedy of war.
  • comment
    • Author: Nicanagy
    After reading other reviews that compared elements of the film to John Carpenter's 'Halloween' and the mention that the film had deeper connotations regarding Vietnam veterans returning home from the war, my curiosity got the better of me.

    From the very beginning of the film it is abundantly clear that the production is very low budget and the film looks dated. The war scene looks like it has been filmed in the local woods and there are glaring inaccuracies to their uniforms. However, what the film does well is to create a very creepy atmosphere from the moment he is shot and you hear Andy's mother reminding him of his promise to return home.

    The acting is often wooden and sometimes quite strange which actually adds to the film's creepiness. The sound and camera work is lacking at times but occasionally it excels with a number of unconventional shots that are surprisingly effective. There is also some interesting use of sound used to convey Andy's confused and primal state that reminded me of 'The Texas Chain Saw Massacre' (1974).

    I felt the film started to drag a little in the middle but picks up again as it draws to a close. There are some memorable scenes with Andy that appear to be metaphors for PTSD in war veterans. It also touches on other issues such as alienation, depression and the Oedipus complex. The violence itself is not particularly gory or emphasized by today's standards and the film tends to focus rather on Andy's disposition and the effect it has on his family.

    The film's conclusion is disturbing and unsettling. It left me feeling depressed but with a greater understanding of the loss experienced by victims of the war and their families. I was initially concerned that the film might reinforce prejudice towards war veterans that struggle to readjust to civilian life but the anti-war sentiment is so strong that I think the film is worthy of merit even if it makes for difficult viewing.
  • comment
    • Author: Mr_NiCkNaMe
    Those horror films that work on an emotional level as well as a visceral level can be quite devastating; Cronenbergs' remake of "The Fly" would be another good example. Here's a story (written by Alan Ormsby) that can work as a metaphor for the effects of the Vietnam War on the young men who fought it. Its characters are thoroughly relatable and sympathetic, and its horror works quite well. Thicky atmospheric and spooky, it benefits from solid acting in all of its major roles.

    John Marley and Lynn Carlin star as Charles and Christine Brooks, the parents of Andy (Richard Backus), a soldier fighting the war in 'Nam whom they're told died over there. So it's a delight to them when he turns up alive and seemingly well. But all is NOT well, and Andy is definitely not the same person that he was when he went away. The signs don't take long to reveal themselves, and Charles is dismayed over the change in his son, while Christine, still full of love for her boy, tries to deny that anything could be wrong.

    This is an impressively mature genre effort from the late, great cult director Bob Clark ("Black Christmas" '74, "Porky's") who'd previously guided the more irreverent "Children Shouldn't Play with Dead Things". It's also historically important for marking the first credit for makeup effects legend Tom Savini. Filmed on location in Florida, it's got some fine suspense and is often genuinely creepy. Savini's effects are good but parcelled out in small doses until near the end. And that ending, when it comes, is a grabber that will really stay with you.

    Marley and Carlin are wonderful as the parents with the differing feelings and reactions toward their son, and Backus does a fine job of being initially standoffish and growing more and more unnerving as the story plays out. Henderson Forsythe is excellent in support as the concerned local doctor, and various cast members from "Children Shouldn't Play with Dead Things" - Anya Ormsby, Jane Daly, Jeff Gillen, and Ormsby himself (who was also a makeup artist on this show) - play other supporting roles and bits.

    Any fan of the genre is well advised to check this one out. It's simply one of the finer horror films to come out of the early 1970s.

    Nine out of 10.
  • comment
    • Author: Fog
    An imponderably dull, slow moving, and inept "shocker", this movie has very little going for it other than it has an ending.

    At 1 1/2 hours, it's rather long, and punctuated by outstretched moments of mundane dialog by incapable and tedious actors. Not much is said, nor even shown on the film. The texture is mediocre at best, resembling an unvaried, drudging, low-budget horror piece from the 1970's, complete with too many close-ups and bad lighting.

    The make-up is atrocious, it looks like caked-on powder in some scenes. I can not understand how it is rated so highly other than the fact that most people are gullible.

    One can surely understand the undercurrents and metaphors for the Nixon-era crony scandals and the Vietnam war, but that is hardly enough to regulate it to horror masterpiece.

    Avoid this unless you want to be bored.
  • comment
    • Author: Ericaz
    This is a great chiller based on the old story of the monkey's paw. It's creepy atmosphere lends itself to some chilling moments and shows that a love for a child can blind you to who they really are. The ending was kind strange (cause I don't know why the zombie boy did it) and the father's suicide didn't make much sense but the rest of it was a interesting look of how the Vietnam changed people. Of course most of them weren't undead. Be warned though this movie is depressing.
  • comment
    • Author: riki
    Andy (Richard Backus) is reported killed in Vietnam to his parents (John Marley, Lynn Carlin). His mother refuses to believe he's dead and prays for him to come back. He does--but he's not the same. He's unemotional and has a craving for blood...

    Good movie but not the cult classic it's called. It's also not exactly a horror film--it's about a family being torn apart about something that happened to their son over in Vietnam. The film isn't really political as some people say. The script is good and the acting superb--Marley and Carlin are right on target and Backus is incredible--he shows no emotion but you see his rage through his eyes--some shots really scared the hell out of me!

    It's a quiet, somber film. There's next to no blood and gore--in fact, the film originally had a PG rating! (The R it has now is ridiculous). The low budget shows (even in Blue Underground's DVD) and I found the film a little too slow. But it does work on you--and there are some VERY unsettling moments that sort of creep up on you. The ending packs a punch.

    It's good--but no classic. I give it a 7.
  • comment
    • Author: Hap
    Bob Clark was on a creative high back in the early seventies with this film and the seminal masterpiece 'Black Christmas', and overall it's a real shame that the director went on to direct rubbish like Baby Geniuses, as if he's stayed on track; he could well have been remembered as one of horror cinema's finest assets. Deathdream is actually a really original and inventive little movie, which takes it's influence from both the vampire and zombie genres and tells a story rich with classic themes such as 'be careful what you wish for', as well as the horrors of war and the effect it has on it's veterans. The plot centres on an American family with a son fighting in Vietnam. Around the same time that he's due home, the family get the dreaded home visit from an army man who tells them that their son is dead. However, after the mother's wishes for her son's safe return, the family are delighted when he turns up on their doorstep. But the fact that he's a little worse for ware isn't down to his experiences in Vietnam, and it turns out that the report of his death wasn't inaccurate...

    It has to be said that the film gets off to a slow start, but it's never boring and director Bob Clark uses this time well to set up the situation, which pays dividends once the real horror starts. Even though zombie films were popular around the time that this one was released, it does manage to retain a lot of originality as it centres on just one zombie and his plight. The film takes influence from the classic short story 'The Monkey's Paw', and I can't blame scriptwriter Alan Ormsby for using it as a basis, as it's a great story and most definitely one of horror's finest works. The influence that this film has had on cinema is modest, but well felt; with George Romero's semi-masterpiece 'Martin' being the film to take most from it. The blood and gore on display isn't likely to satisfy the most hungry of gorehounds, but what we do have is well used and the kill scenes are more shocking overall than they would have been if they were soaked in the red stuff. The make-up on the lead character is a major standout, and it's not difficult to believe that it was done by the great Tom Savini. Overall, Deathdream is a really good and original slice of horror, and I wouldn't hesitate to name it as one of the best 'lesser' hits of the seventies.
  • comment
    • Author: Zamo
    My rating may seem harsh as the movie isn't bad for what it is but in the end it felt quite empty. Not asking all my questions should be answered in the ending, I actually enjoy movies that leave something of the mystery untouched, but here were just too many which resulted for me in an unsatisfying experience. So this young man died in the war but returns home any way because his mother send prayers, so her son would not die. So he is a zombie even though he still looks like a normal human being. He changed being distant to anyone but his mother and he doesn't seem to have any need for food or drink, no heart beating. He does a bit of killing, assuming he needs the victims' blood to stay alive? It doesn't help in the end as his body starts to rot anyway. Clearly the director wanted to make some kind of statement or tell some message but that must have gone over my head. Yeah war does change people but if that was the message the director wanted to tell the viewer this was not a convincing way to do so. What was very clear to me is that the mother had seriously an obsession with her son. She loved him more than she did love her daughter or husband. Not too bad but too many flaws for me to give it a pass.
  • comment
    • Author: Morlurne
    Eerie, atmospheric and tragic, Bob Clark's "Dead of Night" plays like one of the superior made for television horror movies that used to be prevalent during the 1970s. The story itself is fairly simple but it's loaded with subtext and commentary, enough to propel the narrative forward despite a relatively limited scope and context. Clark manages to establish an off-kilter mood from the first few frames, and not only maintains it admirably throughout the movie but also manages to build upon it scene by scene until the deeply melancholic climax rolls around. Like many horror movies from the 1970s, this is more of a slow-build thriller than a jump-scare-laden frightfest, but it's precisely that sophistication that makes the movie so arresting.
  • Cast overview, first billed only:
    John Marley John Marley - Charles Brooks
    Lynn Carlin Lynn Carlin - Christine Brooks
    Richard Backus Richard Backus - 'Andy' / Andy Brooks
    Henderson Forsythe Henderson Forsythe - Doc Allman
    Anya Ormsby Anya Ormsby - Cathy Brooks
    Jane Daly Jane Daly - Joanne
    Michael Mazes Michael Mazes - Bob
    Arthur Anderson Arthur Anderson - Postman
    Arthur Bradley Arthur Bradley - Army Captain
    David Gawlikowski David Gawlikowski - Truck Driver
    Virginia Cortez Virginia Cortez - Rosalie
    Bud Hoey Bud Hoey - Ed
    Robert R. Cannon Robert R. Cannon - Drunk (as Robert Cannon)
    Raymond Michel Raymond Michel - Policeman in Diner
    Jeff Becker Jeff Becker - Young Boy
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