Yeladim Tovim (2005) watch online HD

This movie is definitely *not* for everyone. As another comment says, it is both raw and brutal. Unlike too many movies that portray prostitution, this one is not wearing tinted glasses. But it is not all negative either. There are moments of tenderness and friendship. I'm glad that someone recommended this to me as it is not something that would have attracted me by its description. However, I rather like strong drama and this is definitely that. I thought the acting was quite good. I'm not familiar with these actors but they ought to go pretty far. The characters are portrayed as real people with individual personalities and quirks rather than stereotypes. You find yourself rooting for some of the main characters even as you recognize that there is not a lot of hope for them. However, you realize that not a lot of hope is not the same as no hope. Highly recommended if you like drama and are not repulsed by the, at times, rather brutal portrayal.

This film is an ultra-low budget production, shot on video. The production values are minimal, and it's not particularly good looking. The bright-light scenes are flat, and the low-light scenes are grainy. You have to make an effort to look beyond the production values to see what's good in this movie. If you can do that, and focus on the script, you'll find a provocative, intelligent drama here, that gets more and more interesting as it goes along. It doesn't take long to figure out that the writer-director, Yair Hochner, is frankly queer. Not "gay" in some inoffensive, assimilated, "Will & Grace" way, but in-your-face Queer with a capital Q. This drama of hustlers leading complicated (and often dangerous) lives, hearkens back to the aggressive low-budget queer cinema of the late eighties; that is, to movies like Van Sant's "Mala Noche" or Araki's "Living End." Hochner didn't make this movie for straight people (be warned, straight folks!). Among the best things about the film is that the director captures the way gay guys really talk to each other. He also shows the fluid boundaries in gay relationships: two guys might be lovers one day, pals another day, or sex buddies when the need and the attraction arise. They make families among themselves to replace their biological families. Sex might be a job, a romantic expression, or a bit of mindless fun... And just because a guy is gay doesn't mean he can't be a father (and a good, responsible father at that). But this is no sentimental view of golden-hearted whores. It's bleak, and often brutal. Two hustlers work together for a client one night and sense an emotional bond; circumstances, however, lead to a string of missed connections, and the hope for love unravels in a way that reminded me of one of Thomas Hardy's bleak anti-romances. Still, the end isn't entirely hopeless (and yes, the movie does come to a pretty clear end, even if it's not the conventional tying up that some viewers seem to want). One character appears destroyed by his bad luck and brutal circumstances; the other forges a new bond that just might help him prevail over his hard life. It's not a romantic ending, and there's no happily-ever-after; but it's an ending that makes sense.

This film is about the lives of two gay commercial sex workers, who fell for each other in adverse circumstances.

I must say that this film rose above my expectations. From the hand-held camera and the non lavish sets, I thought it would be a mediocre film that serves little purpose. Instead, "Good Boys" is a raw and brutal film that examines the harsh lives of commercial sex workers. The plot is engaging and authentic. The two leading characters are heartfelt and genuine, and I feel for them very much. Everything in the film, from the living conditions, background of the people and the tragic events that happen, are so real. It particularly pains me to see Tal getting maltreated as if the commercial sex workers were not human beings. To think that it could be happening somewhere to someone this very minute is particularly saddening.

This film is capable of evoking emotions, which is unfortunately a rare occurrence in a gay film.