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» » Blackadder Goes Forth Goodbyeee (1989)

Short summary

After years of futile trench warfare, General Melchett gives the order for the "big push": a suicidal charge across the battlefield towards hundreds of German machine guns. Desperate to avoid participating, Captain Blackadder hatches a plan to convince his superiors that he has gone insane and therefore cannot go into combat.

In the last three series of "Blackadder," all of the episodes of a particular series have titles that fit a pattern: all of the episodes of Blackadder - Zweiter Teil (1986) have single-word titles; all of the episodes of Blackadder - Dritter Teil (1987) have titles of the form "X and Y"; the first five episodes of "Blackadder Goes Forth" all have a military rank in their titles. "Goodbyeeee" is the only episode in the last three series that has a title that does not fit the pattern.

The title is based on the popular First World War song "Good-bye-ee!", written and composed by R.P. Weston and Bert Lee. The duo got the idea for the song while watching a group of factory girls calling out goodbyes to soldiers going to London Victorian station, and to war. The girls were using the word in an exaggerated way, which had been popularized as a catchphrase by the comedian of the time Harry Tate.

There are no closing credits. Instead, guest star Geoffrey Palmer, playing Field Marshal Earl Douglas Haig, is credited at the beginning.

During the filming of the episode, which took place before a studio audience at BBC Television Centre, Rowan Atkinson described sharing his character's dread of impending death and feeling a "knot in the pit of my stomach", something that he had never experienced.

Hugh Laurie said that filming was sad because "even for comic effect, we were representing the deaths of hundreds of thousands of people".

The piano version of the theme tune was performed by Howard Goodall and recorded in a gymnasium, giving it what John Lloyd described as a "liquid, lonely sound".

Ben Elton was primarily responsible for the sequence in which Blackadder explains how the First World War started.

The running gag of Baldrick using mud and bodily fluids to make coffee throughout the episode was greatly expanded during rehearsals.

Regarding Geoffrey Palmer, the producer John Lloyd said "[We] probably could have given [him] more attention", calling him "a wonderful actor" who is "really just delivering three or four plot lines [pieces of dialogue essential to the plot]".

John Lloyd cited the episode's lack of another major character as the reason they had time to "explore the relationships of the five principal people".

Rowan Atkinson said that the scene involving Darling's "ghastly realisation" of his commission was "very sad"; John Lloyd commented "I love the fact that Captain Darling does have some compassion; he's not just a bureaucrat". They noted that "all the comedy just goes away" upon Darling's arrival in the trench, and that "there are still funny moments, but dramatically there's no comic content, it's just leading inexorably to the end."

The only episode not have closing credits.

Blackadder attempts to feign madness by wearing underpants on his head and sticking two pencils up his nose. This plan was based on Rowan Atkinson's habit of sticking pencils up his nose to entertain his castmates during read-throughs and script editing sessions.

Originally, the finale was going to end with Blackadder, Baldrick, George and Darling jumping out from the trench and then getting shot dead instantly. They thought better of it and replaced it with the fade-out ending that won a poll in the UK in 2004 as the best ever farewell of a TV series.

The ending was filmed on a polystyrene landscape with no rehearsal, and as a result the cast bounced visibly as they fell down dead, ruining the poignancy of the scene. This was rectified by slowing the film down and fading into a post-battle shot of No Man's Land littered with corpses, followed by the final fade into a shot of a poppy field. Tim McInnerny has said that he hadn't known about this change prior to airing, and so he found it particularly emotional.

The very last scene of the episode is a sunlit field of poppies, a reference to the famous poem "In Flanders Fields" ("In Flanders fields the poppies blow..."). This poem was written during World War I by Canadian physician and Lieutenant Colonel John McCrae. He, like Blackadder and Co, did not make it out of the war.

In a 2005 BBC documentary series showcasing some of Britain's favourite sitcoms, The Blackadder edition of the series, presented by John Sergeant, revealed that the original ending of this series had Baldrick, George, Darling and the troops under Blackadder's command unambiguously killed. Blackadder himself only feigned death and was the only survivor.

There are no credits. It is left ambiguous as to whether the protagonists survive, although the part of the script describing how the characters rush over the edge of the trench also states that "They will not get far."

Comparing the ending scene to those of previous series in which the main characters were also killed, Richard Curtis commented that "I think it was by chance that [previous series] ended with Blackadder being killed ... but series four, we did do it very much on purpose." He said that he and Ben Elton felt they could use the First World War as a setting if the characters died, considering "if we did do that ... it would not be too disrespectful, and would actually represent some of the tragedy of the First World War".

User reviews


  • comment
    • Author: Brol
    Well, this is it. Not only is the fourth series of Blackadder coming to an end, this episode is putting an end to the whole legacy - four series spanning 500 years in history end here. And I am glad to say that this great comedy tradition is brought to an absolutely brilliant and powerful close - the characters we know and love are about to go "over the top" to glory, and never come back. This episode features many things that make it truly unique and rank it higher than all the others - Baldrick actually reveals his past, George expresses his fear, Darling joins the trench trio as they prepare to go to their deaths and General Melchett finally surrenders Darling and sends him to his death. Blackadder meets the elusive Field Marshal Haig, who turns out to be an idiot. We find out about the pasts of George, Blackadder and Baldrick - and that is what makes it great. None of them are exactly hardened warriors - even Blackadder himself admits: "The type of people we liked to fight were two feet tall and armed with dry grass." This episode is the most meaningful and sad of all the episodes - it isn't complex, but it is hugely moving and we really feel for all of the characters, who all have human and realistic sides to all of them. This episode shall linger in the mind long after the field of poppies fade away, and is easily the most realistic depiction of trench life that you will find in this series. And that makes me proud to say that this is the best Blackadder episode - not just of Series 4, but of the whole legacy. The one-liners and funny Baldrick scenarios once again take precedence over emotions and violence in this episode, but the humour actually makes the ending more powerful, and make it more effective than most dramas. "Goodbyeee" is an episode to be proud of.

    The ending won't be winning any awards for design any time soon, but its simplicity makes it better. The sound of the Blackadder theme tune being played in a sombre fashion, the sight of our four boys rising over the top of the trenches where they are met with furious explosions and gunfire, and the feeling of them being ravaged by the explosions and shells is caught brilliantly in slow motion, and sums up the real life experience - it feels like it is not happening. 90 years on, men are being sent to their deaths by incompetent fools - Blackadder Goes Forth's greatest talent is taking the truths of war and giving them a hilarious twist. The ending isn't funny, but it is the best thing about this episode, and you won't forget it. It carries an important message, and shows that all along, Blackadder Goes Forth's aim was to depict WWI's drudgery in a funny fashion. And it has done that job brilliantly and with honesty.

    This last episode of Blackadder brings one of our proudest comedy traditions to the close it has always deserved, and proves to be an experience that nobody will forget. To write a fifth series of Blackadder would ruin anything - we shall leave it as it has been for the past 17 years, with our heroes looking death in the face and running towards it, preparing for fate.

    My comments have spanned every single Blackadder episode from the first of Series 1 to this one - I have to say, this was the one that I most enjoyed reviewing. I have seen Back and Forth, and I may review that, but I know full well that it will never equal the classics, and does not contain the truths and wit of the 80s.

    May the brave soldiers who died in World War I never be forgotten.
  • comment
    • Author: wanderpool
    Seriously, the first time I saw the end scene when the battle fades to grey and to the poppies was the only time I have cried watching TV. Because of the show (and Wilfred Owen's) I now have a tattoo on my upper arm with two rows of barbed wire and poppies and the text "Dulce et Decorum est Pro Patria Mori".

    The greatest 30 mins of TV I have ever seen. Nothing comes close. Seriously. This is a programme that takes on the horror of war - it doesn't give in to punchlines and caricatures and doesn't focus on bloody horror. This is the one episode that should be shown to anyone who thinks that British comedy is shallow and pointless.
  • comment
    • Author: Stoneshaper
    "Goodbyeee" is far more than simply brilliant satire. This is the most sobering ending of any war film ever done--and certainly the most impressive for any World War I film, Paths of Glory and Gallipoli included. The final images of soft and gently healing earth and poppies filling in what was so brutally thrown away--especially the lives of the characters that we had come to treasure through the development of the series--brings to life all the images of "Great War" waste that resonate throughout works such as Robert Graves' memoir Goodbye to All That. Truly Goodbyeee was an extraordinary accomplishment, and one that took a rare determination and insight to execute. It deserves careful study by those who would work in the visual and performance arts fields for its brilliant blending of a stark economy of words, the singularity of setting, and the authenticity of the collective rising sense of a fateful duty (without histrionics or excessive drama) leading to that unforgettable leap into eternity...
  • comment
    • Author: Keath
    One of the best episodes of any comedy series, but one that has an important message. The plot revolves around Blackadder's attempt to avoid going over the top in another doomed offensive. The performances are excellent with the whole cast raising the bar for the final episode and the story getting gradually darker until its logical conclusion.

    Whilst the rest of the episode plays a little like Catch-22 (it is potentially lethal to go over the top but staying means that you will be executed) the end of the episode is what stays in the mind long after the field of poppies fade away.

    It addresses some of the issues of the time, the foolishness of the reasons behind the war and how it came to pass (Baldrick's explanation is not the worst I have heard and I am a history graduate), the seeming attitude of the generals and the differences between what the war was and how people thought it was going to be.

    The final few minutes of the show are the most important. The show had continually made fun of the predicaments which befell the troops, but at the last the tone becomes ultra serious, the fears of the characters coming to the fore. Captain Darling comments on the simple things he had hoped for in his life, George expresses his fear for the first time and Blackadder makes comments (which he does not believe) about dinner in Berlin.

    While not funny this is important as it underlines the sacrifice that many young men, on all sides, made in a pointless and highly destructive war.
  • comment
    • Author: hulk
    This may be a testament to the small number of anti-war films I have watched, but this is the only film (I can't think of a broad enough term) I have ever watched where I truly felt at the visceral, emotional level that war is evil and insane. Most anti-war movies I have seen leave me thinking "Yeah, war is stupid", but they don't make me feel that way - emotionally I feel nothing. After watching Goodbyeee, however, that is exactly how I felt.

    Satire has long been the most effective way of conveying a political message. Certainly, this episode pulls out all the stops, from its comical depiction of Field Marshal Haig to Lieutenant George's inability to present a case for the war. Remarkably, despite being absolutely hilarious, these do not really contribute to the pacifist message of the episode.

    Rather, it is the honest and simple characterisation of the protagonists as they prepare for their end that really builds the case against the insanity of war. Lieutentant George's simple but heartfelt admission that "I'm scared" and Blackadder's parting comment about nobody noticing "another madman around here" - these are the simple but surprisingly effective elements that prepare the viewer for the final (and again, surprisingly touching) sequence as the men go over the top.

    I think that this truly shows the brilliance of the cast and producers - their ability to effectively combine comedy, sarcastic wit, snide asides, and a serious message into an effective episode that succeeds both at making people laugh and feel the horror of war. The final scene, with the men fruitlessly charging and the sombre adaptation of the theme song playing over it, remains the only depiction on screen I have ever seen that made me feel the real futility of war.

    I'm not a pacifist, and never have been - but I've always known that war is a foolish and insane thing. Goodbyeee didn't have to convince me of that on an intellectual level - but it did convince me of that truth on an emotional level, and for that alone, it is the best episode of the Blackadder series. (Oh, and did I mention that it's absolutely hilarious as well?) Ten out of ten, and a job well done, with brass knobs on, as Lieutenant George might say.
  • comment
    • Author: Macill
    General Melchett calls the entire regiment to tell them that the time has finally come for them to advance and give the Germans a "damn good licking", in other words, its finally time for the men to get brutally slaughtered and utterly annihilated by machine gun fire. We see in this episode, the final, clever, but futile attempts of Captain Black Adder to escape his ultimate doom. The first world war is rightly portrayed as a grand farce and unnecessary slaughter of the lions of the nations who could've served their country off the battle fields and better than in the war. Captain Black Adder's initial plan falls flat on its feet and after that the men sit to discuss the summary of the entire war, anticipating their charge on the German army while hiding their fright and worry. The origin of the war is discussed and during this we realize how pointless the war really is. In a stroke of genius, the creators made Baldrick, the dumb side kick blurt out the words on everyone's mind, "Why cant we just stop?!" In the end he is shown to be the one who has actually learned something from history, while George trying to stop this 'mutiny' shows that he himself is trying to argue with common sense, that the war is quite pointless after all. Captain Black Adder's second plan is to call the Field Marshall on an old favour he did back in 1896 when the Captain saved his life from a rather sharp slice of mango being pointed at him by a pygmy. In this conversation we hear the atrocities of the wars that took place before the First World War where Britain was the oppressor and exploited others. It seems only fair that Britain is now getting its comeuppance. During this conversation we see the Field Marshall on the other side of the phone playing with his miniature army set, knocking off soldiers on the field and sweeping them in to a dust pan before throwing them in the trash. A powerful view on the actual Field Marshall is given in this scene when he is shown in his true light, he actually doesn't give a damn about the army. With his second effort futile, Captain Black Adder realizes that this is truly the end. With the final minutes of the final episode rushing by, we see General Melchett throw his loyal and faithful friend Captain Darling in to the battlefield as well. The scene is one of the best directed scenes in the whole series and can only be watched to be truly understood. As Captain Darling arrives at the trenches and the men start to prepare for the battle that would ultimately decide their fates, a sudden melancholy sets in. Captain Black Adder still jokes around with Darling's name but even the laughter in the programme seems to be muffled, the laughs are only coming mixed with a hint of sadness. The audience is laughing and trying to be optimistic but they know that the men are finally going to die. The final scene is a tear jerker, when all the emotion of four hundred years of violence, war and betrayal is amalgamated in to one instant the men rush out of the trenches to give it their all, knowing full well what their fate is. An emotional, sound and brilliant ending to a fantastic situational comedy and a moralistic message to all: learn from history.
  • comment
    • Author: Mopimicr
    I stood silently for the 2 minute silence during Armistice Day 2014, as I have always done ever year when and wherever possible. I have observed on Facebook how much this episode has on its viewers with respect to remembering those lost during WWI, and by extension during any of the conflicts that followed, right up to today. This episode most resonates with a viewer during the annual Remembrance period.

    I felt that doing WW1 in Blackadder Goes Forth was the best series of all Blackadders. I loved the ending especially as it was silent, which made it more poignant and respectful.

    This is where the writers and actors showed their own respect and humility in regards to the sacrifices of all those who gave their lives for their countries; but in the right context - made light of the casual brutality, senseless wastage and callous disregard for life by the generals & politicians of the age in the conduct of war. An amazing feat in a comedy, after all. One of the best "entertainment" programmes made by the BBC ever.
  • comment
    • Author: Brightcaster
    'Blackadder Goes Forth' was absolutely and without a doubt my favourite of the series, and 'Goodbyeeee' has to be one of the best episodes of any programme ever. The last ten minutes I was sitting in total silence, apart from Melchett and his moustache net, the last 'funny' moment of the series. Even though they die at the end of every series, I still thought there was a chance that they could survive, until Darling thought the war was going to end there in 1917, and then you realise that they are doomed. Satirical, well written and very, very poignant, this is an absolutely amazing episode - made all the more poignant because it could easily have been real.
  • comment
    • Author: Voodoolkree
    This is the best half-hour of television ever made. There's nothing else that could ever topple it from that position. What more is there to say?

    The plot is a basic one but it's not trying to tell a story. The trench Edmund commands is finally going to do their duty and fight.

    It's script is setting out to examine the characters and their individual histories before the war began. We learn that George was in the "Tiddlywinkers" pals' brigade and Baldrick was in another one. Both have lost all members but them and their realisation that all their friends in the war have died is a truly harrowing moment. All the mindless optimism we've seen thus far is replaced with an understandable fear of the same fate happening to them. As for Edmund, he needs no such revelation. We instead learn about his military experience, once saving Douglas Hague, and his disappointment in seeing enemies who are capable of actually fighting back. He was shocked when he saw them do that.

    He tries to go for another last-ditch effort to get out by pretending to be mad. Melchett and Darling come calling and tell George how he once knew soldiers to use the same method as what Edmund is doing and had them shot so Edmund is forced to backtrack on his plan. When he later calls Hague for help he is told to do it again but knows it's not going to work. "I believe the phrase rhymes with 'Clucking Bell'," says Edmund.

    The episode is entirely character-driven drama and it's an extremely brave thing to do in a sitcom. I doubt any other show could pull this one off but here it works. Substituting laughs for tears is done perfectly here and it's a nice U-Turn from comedy to drama as the jokes are permitted to take a back seat, only showing up when the writers want your brain to stop readying the tears and save them for the end of the episode.

    The scene when the setting switches to HQ is when you know the end is nigh as Melchett comes to Darling and gives him a summons to Blackadder's trench. "But I don't want to...!" Darling tries to tell him but Melchett is not getting the point: "Goodbye, Captain Kevin Darling." The sound of military drumbeats and the sudden bright light with his driver's silhouette is a moment you will never forget and is probably the saddest thing you'll ever see -- Until the final scene of the episode. The writing is indescribably wonderful here.

    The ending scene is the home of the true emotional heartbeat of things though as Darling arrives in the trench. He and Edmund have had a mutual disdain for each other since the beginning but it's all gone now and replaced with a mutual respect. The two actors are able to make you feel the new feeling of respect for each others' characters and that's not an easy thing to do for even Hollywood's finest, yet two TV actors manage it here.

    Then we come to the push with several one-liners here that punctuate the tension and represent what's being felt by the soldiers.

    "Wouldn't want to face the machine guns without this stick."

    "There's a nasty splinter on that ladder, somebody could hurt themselves on that."

    "Whatever your plan was it can't've been worse than my plan of pretending to be mad. Who'd've noticed another mad-man around here?"

    "The Great War: 1915-1917."

    Then they go out of the trench and the tears come out of your eyes. The slow-motion, the piano version of the theme tune, the booming sounds as it fades out and finally a shot of a field of poppies with birdsong in the background.

    It's a shame IMDb only allows up to ten out of ten since this deserves at least 1000/10. What more can I say?!
  • comment
    • Author: Ishnjurus
    Blackadder

    Curtis and Atkinson's passionate project of upsetting your expectation on both literature and history, is one of the rare art that inspires us even after decades. The writing still holds for both its maturity and pettiness, never has been before, a sketchy act so witty and truthful to its theme. It starts from the scratch on the infamous royal history of Britain and ends on a dramatic World War note, where both the humor and drama is given sincere respect on writing and performance. Despite of depicting various different stages of history with new characters, the themes often dwells on the chemistry of a master and a squire.

    And with equations shuffling like cards, where either there is envy, honesty and vacuous-ness between their relationship, the close calls that is the ignition of the chaotic humor is something that stays with us throughout the series. It often tilts towards satirical where politics, democracy, monarchy and even humanity is put to trial and being laughed at. Atkinson, as the soul and the title of the series, challenges himself on all sorts of personas, from gullible to being cunning as a fox, his necessity on greed and humility is the fabrication of the history itself.

    Robinson is the apt supporter of his, on every literal sense where every now and then brilliant actors like Laurie and Fry invests their talent in, to raise the bar. The world built by Curtis and Atkinson is a mirror to our own only with a slight change of post or title or references, the emotions and circumstances it goes through, still can easily be seen around us and it is that nakedness of the game that we are curious to dazzle with. Blackadder is much more than a mere series or a period sitcom, it has memories of ours and theirs childhood that makes it long last.

    Goodbye

    The primary reason why it stands out than any other episodes, is because it doesn't have an act or specific content to feed upon, it runs on the theme itself and delivers a heartwarming homage in the form of a satire.
  • comment
    • Author: Mr.mclav
    ...Bravo.... Comedy fans must watch it... Enough said.
  • comment
    • Author: Qumen
    I'm not a huge 'Blackadder' fan, unlike many millions of people in the UK and across the world. I am however a fan of this final episode of the show.

    The reason for this is that it can easily stand alone from the rest of the series, and indeed the whole saga, and manages to combine an awful lot of wit, with actually some very unexpectedly poignant moments. This show throughout its run tackled the hardship of war, but in this episode in particular they really went to great lengths to treat it seriously.

    If you ever only see one episode of this show, make it this one.
  • comment
    • Author: Getaianne
    Apparently the Brits adored this final episode and the way it ended. As for me, it left me totally depressed and completely unsatisfied. And, by the incredibly high score for this particular episode, I assume I am in the distinct minority.

    This episode is about the troops going 'over the top'--i.e., to make an insane dash across no-man's land only to die pointlessly in a hail of bullets, bombs, mines and shrapnel. My question is this...how is this a subject for a comedy?! There is an attempt at comedy when Blackadder decides to pretend he's crazy in order to avoid an almost certain death. But, the plan is a failure and Blackadder is screwed.

    Along the way there are jokes about Baldrick's coffee which consists of mud, phlegm and dandruff. This sort of joke, in my opinion, is getting a bit old to say the least. In fact, this is THE problem for this final episode...there simply isn't much of anything funny throughout the show aside from Baldrick's insanely pathetic poetry. It all ends with some maudlin talk about how the war sucks...and then they all go off to meet their deaths. Wow...what fun...as well as the reason season 4 is my least favorite of the Blackadder saga.
  • Episode cast overview:
    Rowan Atkinson Rowan Atkinson - Captain Edmund Blackadder
    Tony Robinson Tony Robinson - Private S Baldrick
    Stephen Fry Stephen Fry - General Sir Anthony Cecil Hogmanay Melchett
    Hugh Laurie Hugh Laurie - Lieutenant The Honourable George Colthurst St. Barleigh
    Tim McInnerny Tim McInnerny - Captain Kevin Darling
    Geoffrey Palmer Geoffrey Palmer - Field Marshal Haig
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