Search

» » Star Trek: Deep Space Nine Sacrifice of Angels (1993–1999)

Short summary

Operation Return has begun. The goals: to get through the Dominion/Cardassian blockade; to retake Deep Space 9; and to stop the Dominion from destroying the minefield blocking the wormhole. But the blockade is barely budging, and back on Terok Nor (Deep Space 9), the resistance members are arrested, awaiting execution. Although Odo comes to his senses, are the resistance, and the Defiant, too late to stop the Dominion reinforcements?

The poem that O'Brien and Bashir quote is 'The Charge of the Light Brigade' by Alfred Lord Tennyson.

This is the first Star Trek episode where CGI is used exclusively in battle sequences.

This episode contains the largest battle ever seen in Star Trek, topping "The Way of the Warrior", which itself had topped "The Die is Cast".

Dukat's strategy, deliberately opening a hole in the Dominion-Cardassian lines, hoping to draw the enemy in and then envelop them, is similar to the successful strategy used by Hannibal at the Battle of Cannae on Earth in the third century BC. It is interesting that Bashir is the one to point out the trap; Alexander Siddig later portrayed Hannibal in a made-for-TV film.

The Prophets' description of Sisko's life as "the game" is a reference back to the series premiere. There, Sisko explains linear existence to the Prophets using a baseball game as a metaphor. They also referred to 'the game' when explaining to Quark why they had taken away Zek's greed in the third season episode "Prophet Motive", because he wanted to know the outcome of the game before it was over.

In Star Trek Online, the missing Dominion fleet plays a critical role in the Featured Episode series, "The 2800", where it is returned to the Alpha Quadrant 34 years after the war ended, and proceeds to capture Deep Space 9.

The story document for this episode was distributed around Paramount with a typo on the cover, instead of being entitled "Sacrifice of Angels", it was entitled "Sacrifice of Angles". Ira Steven Behr has jokingly said that he prefers the 'Angles' title.

"The Charge of the Light Brigade" details the events of the Battle of Balaclava during the Crimean War in 1854. Britain and France were at war with the Russian Empire, and that battle was one of the bloodiest of the war. 600 British light infantry were sent to secure guns and artillery abandoned by the Russians, but a miscommunication caused the commander of the brigade to believe their orders were to attack an artillery group that wasn't yet abandoned, which was a suicide mission for a group of light infantry (kind of like the Defiant single-handedly taking on a fleet of Dominion ships 2,400 strong). Accounts from the survivors say that most of the men knew it would be a suicide mission, and when they pointed this out to the commander he stated that their duty as soldiers was to obey orders, even if those orders meant certain death. The commander's response is referred to in what is probably the best known line from the poem: "Theirs not to reason why, theirs but to do and die", which is often misquoted as "ours is not to question why, ours is but to do and die." The brigade attacked, but it wasn't long before the commander was killed and the men retreated. They suffered heavy casualties, 101 members of the brigade were wounded, 160 were killed in action. The other lines best known from the poem are the lines quoted by O'Brian and Bashir: "Cannon to right of them, cannon to left of them, cannon in front of them volley'd & thunder'd; Storm'd at with shot & shell, boldly they rode & well, into the jaws of Death, into the mouth of Hell rode the six hundred."

When Sisko says to the Prophets, "You once told me you were of Bajor", he is referring to the fourth season episode "Accession". After "Emissary" and "Accession", this episode represents Sisko's third visit to the Prophets.

This takes place in 2374.

Quark's amusingly contradictory orders to the Jem'Hadar during the holding cell breakout are reminiscent of a bank heist scene involving John Goodman in the 1987 Coen Brothers film Raising Arizona.

This episode concludes a highly serialized six-episode arc. DS9 would then return to more episodic storytelling until the final nine episodes of the series.

Jeffery Combs has the distinction of portraying eight different characters on Star Trek series. He has played the roles of Brunt, Weyoun, Shran, Tiron, Kevin Mulkahey, Penk, Krem, and a holosuite guest. He is one of only five actors to play seven or more different characters in the Star Trek franchise, the others being Randy Oglesby, J.G. Hertzler, Vaughn Armstrong and Thomas Kopache. Coincidentally, Combs has appeared on Star Trek with all four of those actors.

Casey Biggs (Damar/Prophet) is the ex-husband of Roxann Dawson who played B'Elana Torres in Star Trek Voyager.

Considered to be the Game of Thrones: Battle of the Bastards (2011) (TV Episode) of the series. Sisko and the Federation fight to retake DS9 from the Dominion.

Salome Jens (Female Changeling) previously appeared as the ancient humanoid in the Star Trek: The Next Generation episode "The Chase" in 1993.

Casey Biggs (Damar/Prophet) is a member of the Enterprise Blues Band, which writes and performs songs about Star Trek. The other members are Vaughn Armstrong, Richard Herd, Steve Rankin, William Jones, and Ronald B. Moore. Biggs plays the rhythm guitar, and sings some of the back-up vocals.

Final appearance of Ziyal.

The footage of Federation starships docked and flying around Deep Space 9 after it has been successfully recaptured was previously used in "The Way of the Warrior" and "Doctor Bashir, I Presume".

This episode marks the death of Ziyal, Gul Dukat's half cardassian, half bajoran daughter.

47 reference: During their evacuation, Dominion personnel are ordered to proceed to air locks 4, 7 and 12.

User reviews


  • comment
    • Author: Xtani
    So surprising that there is only one review for this episode, this episode which is possibly one of the best pieces are Star Trek ever made. Not going to give anything away but watch this with Favour The Bold, not sure why they made them 2 parts as together they stand up well as 90 min of awesomeness the like of which has seldom been seen before in Star Trek history.

    The story here is brilliant, full of action, lots of loose ends tied up, lots of characters finding their own true courage and realising what it is they really believe in and what's important to them.

    Superb acting throughout, especially Dukat and the Vorta. The action sequences are some of the best ever seen in Star Trek and you'll wish they went on for longer. Yes the shields weren't animated but folks this was 1997 and CGI power is nothing like it is today.

    If they ever make a new Trek series then they should take the best elements of TNG and DS9, mix them up and you'll have a guaranteed success. It's hard to choose between DS9 and TNG but those two certainly are way ahead of the other three series, and this is one of the best episodes of them all.
  • comment
    • Author: Gagas
    The Battle to retake Deep Space Nine has finally begun and Rom is somewhat disturbed by O'Brien and Bashir reciting 'The Charge of the Light Brigade', it is a good thing he doesn't know what it is about. As they fight the enemy fleet it looks as if all may be lost until the Klingons arrive, although even then only the Defiant manages to slip through the blockade.

    Back on the station Demar has rounded up Kira, Leeta and Jake; scuppering Kira's plan to destroy the station computer to prevent the Cardassians from bringing down the minefield. In a surprisingly brave move Quark and Ziyal break Kira and the others out of the holding cells. It looks like Rom will bring down the station's weapon system with moments to spare but he is too late. With the Dominion fleet heading their way Sisko takes the Defiant into the wormhole to intercept them. Here he has a conversation with the Prophets, they seem willing to help but ominously say his destiny is to be changed. With the Dominion fleet lost in the worm hole and weapons systems off line the Dominion and Cardassian forces order the evacuation of DS9; when Ziyal is killed by Damar Dukat has a breakdown and remains on the station while the others leave.

    This episode was packed with action, it was impressive seeing the two huge fleets engaging in close quarters combat and while less spectacular is was fun to see Quark take out two Jem'Hadar soldiers to free the captives. Some of the best scenes where those between Dukat and Weyoun, Marc Alaimo and Jeffrey Combs are great in the roles. It was good to see Sisko retake DS9 the ending was tinged with sadness following Ziyal's death.
  • comment
    • Author: Ka
    ***SPOILER ALERT*** This is probably my third time watching this episode and it really does not get better with subsequent viewings. Here are my issues with it:

    1. The Odo storyline. So apparently The Great Link is paradise - which would indicate it's highly addictive - and Odo just walks away from it because of Kira? Kira, that constantly angry, annoying, shrill woman? And after Odo's many betrayals - including having a conversation about the Resistance with the female Changeling in the room, letting Rom get caught, his beliefs becoming almost Nazi-like in his disdain for "solids" – he suddenly sees the light and goes right back to how he was? And all is forgiven after he saves Kira in the end? This was just way too easy and contrived. Basically "let's have Odo dance with the devil for a while and then get him back into the fold quick and easy with no lasting impact". This is not how real situations unfold. It's lazy.

    2. As others have mentioned, none of the things that happened in previous episodes to impact the Dominion war effort ever had a noticeable impact. What happened to the limited supply of White? What about the destruction of the shipyards or the sensor array? It's as if none of it mattered to the strength of the Dominion.

    3. The Battle. I cannot for the life of me understand how the writers think "good" space war strategy would be to get a bunch of ships close together in the vastness of space for a huge battle. If I were the Federation, and I were trying to get to DS9, there would seem to be a nearly infinite number of paths for getting there. Why in the world would I group my "last ditch" fleet in close proximity to each other where they could easily be destroyed? Why wouldn't you break your ships up into many, many, smaller groupings each with a different path to get to the station? No way with its sensor array out the Dominion would be able to stop them all from getting there. Setting that aside and accepting the stupid premise that the Federation would group its fleet together in such a way, once they spotted the huge Dominion fleet, why wouldn't they have just gone to warp and gone around it? Again, they could have sent different groupings on different routes. At a minimum, the faster ships would have reached DS9 before the Dominion. Why would you risk all at that point to try to "break through" this grouping of ships that's an infinitely small cluster in the vastness of space? This makes absolutely no sense. Maybe if they had said there was a HUGE nebula between the Federation fleet and DS9 and there was a hole in the nebula that was the quickest way to DS9 and the Dominion fleet was waiting there to ambush...that *might* make sense. But by all indications, this was the middle of nowhere and they just decided a confrontation with a superior force was a great idea.

    And whatever happened to "hey captain, there's this giant Dominion Fleet on our sensors. It's about 8 hours out. I just thought I'd let you know." Seems like the writers forgot about long range sensors. The Dominion fleet can't cloak. Should have been fairly easy to pick up such a massive number of ships! Instead, we get this clever dialogue:

    O'BRIEN: I'm picking something up. It's a large Dominion fleet bearing zero zero four mark zero zero nine.

    Instead of Sisko saying "how close is it?" or "can we go around it" or "hey O'Brien what the hell have you been doing for the last few hours that you missed a MASSIVE fleet", he just charges into battle when his ONLY goal at this point is to get to DS9 and stop the OTHER massive Dominion fleet from coming through the wormhole. At least come up with some plot contrivance that FORCES Sisko to fight this fight. There's nothing.

    And why didn't the Klingon's hail Sisko and let him know they were on their way? You think that might have affected his strategy at all? Or maybe the Klingons should have just headed to DS9 since the Dominion fleet was busy with Sisko? See how many holes there are in the plot logic here?

    Also, if the favored strategy of space warfare in the day is to create these massive fleets of ships that travel right next to each other for some reason, why not develop long-range weapons that you can fire over light years? You know, maybe equip photon or quantum torpedoes with warp engines and bombard these huge fleets from light years out? Or launch devices from way out that could irradiate a large area? Kind of like old-fashioned shelling or chemical warfare? Why would you fight the fight that they want you to? I know, this wouldn't look very fun on TV, and HUGE SPACE BATTLES ROCK!!!, but this is SCIENCE fiction, right? So shouldn't we use logic?
  • comment
    • Author: Mogelv
    Action-wise, this is certainly one of the best episodes of DS9. But it also has character development, ties well with the previous episodes, and the ending is excellent, thanks to the fact that Marc Alaimo's Dukat always seems to steal the show - and here he is given a lot to work with.

    However, I can't give the episode more than a 6, when the major plot development depends on the most childish, disappointing, "oh god they can't possibly use that" deus ex machina imaginable (by literally anyone who has seen the show).

    Let's just say that even if Q just appeared without warning or reason and decided to help the Federation, it would be a better solution. It is inconceivable that the people who wrote this otherwise fine episode came up with this predictable and woefully unconvincing magic trick to turn the tide of the war.
  • comment
    • Author: Briciraz
    Inexplicably, the Dominion and Cardassians troops aboard the space station allow Jake and others a lot of freedom. They are supposed to be evil--but they allow everyone who has a reason to hate them to have full access to just about everything. Regardless, these forces are working hard to find a way past Rom's minefield. In fact, by the end of the show, it looks like this defense grid is shot to heck. So, it's up to Sisko's friends living inside the wormhole, them Prophets, to come to the rescue.

    While this is an exciting episode, there are a few logical issues with it. Plus, I am a bit tired of the Prophets and the way they interact with Sisko. Good but it could have been better.
  • comment
    • Author: sobolica
    There will be more battles for sure, but this whole series of events was quite engaging. It involved Gul Dukat finally having to face the realities outside of his head. He prances around, celebrating before things have been resolved. He needs to deal with his daughter who has rejected him. The resistance on the ship is quite entertaining. The thing that was most gratifying was that Odo had a change of heart. Of course, Sisko and his Emissary thing continues and that's hard for me.
  • Episode cast overview, first billed only:
    Avery Brooks Avery Brooks - Captain Sisko
    Rene Auberjonois Rene Auberjonois - Odo
    Michael Dorn Michael Dorn - Lt. Commander Worf
    Terry Farrell Terry Farrell - Lt. Commander Daxx
    Cirroc Lofton Cirroc Lofton - Jake Sisko
    Colm Meaney Colm Meaney - Chief O'Brien
    Armin Shimerman Armin Shimerman - Quark
    Alexander Siddig Alexander Siddig - Doctor Bashir
    Nana Visitor Nana Visitor - Major Kira
    Andrew Robinson Andrew Robinson - Garak (as Andrew J. Robinson)
    Jeffrey Combs Jeffrey Combs - Weyoun
    Marc Alaimo Marc Alaimo - Gul Dukat
    Max Grodénchik Max Grodénchik - Rom
    Aron Eisenberg Aron Eisenberg - Nog
    J.G. Hertzler J.G. Hertzler - Martok
    All rights reserved © 2017-2024 hd.thomson-multimedia.com