Most of this is what you'd call kitchen sink drama--or the Canadian version of that. Dour uneventful life presented in a dour uneventful way. The set up is good and the final 20 minutes also finally mix invisible "problem" with real life problem into a satisfying ending. But at 97 minutes you feel you've seen a first draft screenplay for a short film tortured into a feature length.

Now it's not just that there aren't invisible "Gags" every other scene, it's that as a drama it's all very slow paced and in the worst sense Canadian.

Effects, what ones there are, are very well done but the connection and balance of existential invisibility and kitchen sink drama--really melodrama, isn't there.

Another thing is, it chooses to present invisibility as a sort of genetic problem not really talked about. This works well. Then unfortunately they introduce some mystical Chinese tea into the story? Either make this a supernatural or existential story--here they kind of mix the least exciting elements of both.

The writer and director just doesn't really have a handle on what would make this all work.

It has a first timer feel to the pacing--where everything just goes on and on so we hang for every last small nuance of performance. The performances are good, but the whole thing has the pace of a hangover.

Nicely produced. A good idea. But the script isn't there. Somewhere where between the over-the-top dumb exploitation of The Hollow Man and the small mostly-nothing-happens approach to this film is the film they were trying to make. As they say A for effort....

We found the acting in this film pretty decent and believable but the storyline was all over the place. So much more could have been done with this great concept of visually disappearing skin and flesh. We couldn't wait for it to finish.

A man (Aden Young), who years earlier mysteriously abandoned his family and isolated himself in a small northern Canadian town, returns for one last chance to reconnect with his troubled daughter (Julia Sarah Stone). When she goes missing, he risks everything to find her, including exposing the fact that he is becoming invisible.

The marketing on this film presents it as "a modern retelling of the 'Invisible Man' story", which is simultaneously true and also a bit of a red herring. This does remind us that historically the Invisible Man is sort of the redheaded stepchild of the Universal Monsters. He is never as celebrated as Dracula or Frankenstein, and even in the various toy lines you're more likely to find the Metaluna Monster than a Claude Rains figure. Among remakes and rip-offs, the only film that really comes to mind is "Hollow Man", which committed cinematic suicide with its abysmal sequel.

Now, "The Unseen" does have an invisible man, so the marketing isn't wrong. But there is a key difference here: the lead character's invisibility is really more of a subplot, something in the background. Sure, he has to deal with it day in and day out, but the real thrust of the story is the man's attempt to reconnect with his daughter, which involves him working both with and against drug dealers, an underground Chinese pharmacy and some other shady characters.

The strength of the plot comes from writer-director Geoff Redknap's bold decision to never actually explain the cause of the invisibility. We are left to infer that it is some sort of genetic disorder that is passed down through the generations. But how many generations back does it go? Was some sort of environmental factor a root cause? We don't know, and again, this only makes the tale a stronger story – because just as with many things in life, answers are not always forthcoming.

Although Redknap has previously dabbled in directing, he is best known for his career in effects and makeup. You may not have heard of him (behind-the-scenes crew never get the love they deserve), but a quick search will reveal that you've seen his work dozens of times. Most notably, you will find he worked on "The X-Files", both in its original run and its more recent reboot. I say "notably" because if you were to compare the tone of "The Unseen" to anything, it would be to one of the better "X-Files" episodes. Most likely this is just a coincidence, but perhaps not.

The direction is as solid as the script, and while I presume this was a lower budget film, it never comes across as such. Everything seems top notch, not the least of which are the effects. Hollywood hit a high water mark in 1993 with "Jurassic Park" and has grown increasingly lazy, with the SyFy Channel pumping out low-grade movies-of-the-week that feature creatures who look like awful cartoons. I'm looking at you, Roger Corman and Jim Wynorski. The folks working on "The Unseen" are pushing back. While the effects in this film could have looked like a cheesy green-screen job, the tech crew instead went all out and made it look about as real as possible for such a fantastic theme. Skin invisible allowing us to see inside? Oh yeah, we got that.

Aden Young (KILLER ELITE, RECTIFY) gives a dynamite performance, and if he wasn't noticed before, he will be now. Every second of the movie has him aching, inching forward with his life, struggling and creating tension. Young is the heart and soul of this film. Likewise, Julia Sarah Stone (THE KILLING, WET BUM) has already made a name for herself, but this may be her big breakout role if she hasn't already reached that stage. She has a strong screen presence and a very distinct look that sets her apart from the crowd. Her youthful, almost fragile persona in "The Unseen" is the perfect contrast for Young's dark and brooding, distant father. To say I was captivated would be an understatement.

Although "The Unseen" was only the first film of dozens I've had the privilege of watching for the 2016 Fantasia International Film Festival, it set a high bar. For the next few weeks, everything has been and will continue to be measured with Redknap, Young and Stone.

Vague story with potential to be decent but nothing happens for ages then it all happens in 10 mins. Glad I watched it at work, less painful losing hours of my life.

This movie deserves rating 5 because 50% of it is bad, and 50% is good. Bad is the scifi stuff, meaning it is shown without any explanation, details, or expected things. It just seems too extreme to be able to hide something from someone for so long time, yet ignoring it. Good part is everything else. It is very real. Canadian place, people, culture which is obvious from the beginning (this can't be USA or UK) but is all in english. Other realistic things are family problems, disease, enemies, accidents, and my favorite psychiatric hospital. It is exactly shown as it is in real life, meaning with all the usual problems we experience in our lives, with our families, and on our work. This movie, besides being scifi, is about hard work, disease, and other real-life problems. Unfortunately all such bad things except scifi part are part of our real lives. If somebody else liked psychiatric hospital part, I recommend them to watch Unsane movie, which is negative and realistic too, but more focused on mental hospitals.

This was a good movie, you just have to get through the first half which is a slow start. I really liked the cast. Julia Stone is really good, you can see a lot more of her in season 2 of The Killing. She's really good in that and it's one of my favorite series. This movie is well worth your time.

This movie is so creative. A slow burner but the reward is great. Effects amazing, acting solid and the story flows beautifully. Very powerful ending. Highly recommend to watch.

The thing going for it is the CGI, the disappearing flesh, which is very cool...just wished it played off that more and earlier...it's a genetic condtion passed on from grandfather, to son, then to his daughter...it was slow to get off the ground in the beginning and took past half way mark to even slightly get a sign of the impressive visuals. Do appreciate it's Canadian. It's filmed in Vancouver!

This was a longlasting story about a lonely grumpy, and as it shows , a very ill person. lepra might be the keyword but it takes a while to get there and that drags down the impression. though the acting are good at times, its a bit stiff and clicheed. the last 20 min though are pretty nice, with some good visuall effects, that made me look away for a while.

the grumpy old man loved gemini in the late 70's, so if you can handle that, you can handle this one too.6 stars from me