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Short summary

The adventures of Gustave H, a legendary concierge at a famous hotel from the fictional Republic of Zubrowka between the first and second World Wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend.
GRAND BUDAPEST HOTEL recounts the adventures of Gustave H, a legendary concierge at a famous European hotel between the wars, and Zero Moustafa, the lobby boy who becomes his most trusted friend. The story involves the theft and recovery of a priceless Renaissance painting and the battle for an enormous family fortune -- all against the back-drop of a suddenly and dramatically changing Continent.

Trailers "Grand Budapest Hotell (2014)"

Unlike most movies, everytime a newspaper article appears, it contains a complete depiction of the events in the headline, all written by writer/director Wes Anderson.

Tilda Swinton spent five hours in the make-up chair to play eighty-four-year-old dowager Madame D. "We're not usually working with a vast, Bruckheimer-type budget on my films, so often we're trying a work-around", said Wes Anderson. "But for the old-age make-up, I just said, 'let's get the most expensive people we can'."

According to writer/director Wes Anderson, the cast stayed in the same hotel, the Hotel Börse in Görlitz, Germany during principal photography. He insisted all make-up and costume fittings happen in the hotel lobby to speed up filming. The owner of the hotel appears in the film as an extra working the front desk of the Grand Budapest Hotel. After filming would end for the day, the crew would often return to find him the front desk of their own hotel.

In an interview, Saoirse Ronan said making the hotel's signature confection, the Courtisane au Chocolat, wasn't easy. Unlike most films, the food plays an integral part, and required the actual making of a pastry

The highest-grossing independent film of 2014, and the highest-grossing limited-release film of 2014.

The name of the fictional Republic of Zubrówka comes from the Polish vodka Zubrówka. It's the brand of rye vodka, seasoned with bison grass, and renowned in Europe.

The scene in which Ludwig (Harvey Keitel) says "Good luck, kid!" before slapping Zero (Tony Revolori) across the face was shot forty-two times until Bill Murray was satisfied. Keitel actually slapped Revolori each time.

According to "Variety", Fox Searchlight Pictures sent its specification for the film's "proper projection" to theaters before its release. Although this film was shot in three different aspect ratios (1.37, 1.85, and 2.35:1) to inform viewers where they are in the time line, which alternates between 1985, 1968, and the 1930s, instructions state in large, bold red font that the film is meant to be projected in the 1.85:1 aspect ratio (the standard). Aside from the projector setting, the directions include information on framing the picture, image brightness, audio configuration, and fader setting.

As an example of how important attention to detail is in movies, graphic designer Annie Atkins stated in interviews that they had created a prop notebook for M. Gustave (Ralph Fiennes) to use. However, Fiennes immediately noticed that the notebook had no lines in it. After arguing that an organized and meticulous man as his character, M. Gustave, would always prefer lines to write on, the design department got him a notebook with lines. Atkins later stopped using this example when she learned that journalists had completely missed her point, and wrote about Fiennes' alleged diva behavior on the set.

The cast includes 4-Oscar winners: Adrien Brody, Tilda Swinton, Fisher Stevens, and F. Murray Abraham; and 12 Oscar nominees: Bill Murray, Jude Law, Jeff Goldblum, Edward Norton, Owen Wilson, Harvey Keitel, Bob Balaban, Tom Wilkinson, Willem Dafoe, Saoirse Ronan, Ralph Fiennes, and Lucas Hedges.

The erotic painting hung in place of "Boy with Apple" mimics the style of the early 20th century Austrian painter, Egon Schiele. It was created by illustrator Rich Pellegrino, a regular contributor to San Francisco's annual "Bad Dads" exhibit of artwork inspired by the movies of writer/director Wes Anderson. The painting's official title is "Two Lesbians Masturbating".

The appearance and style of F. Murray Abraham's Mr. Moustafa is based on prolific American writer and professor Harold Jaffe. Wes Anderson is an admirer of his work.

L'Air de Panache (The Air of Plume) was produced by a Parisian fragrance boutique for Wes Anderson to give to his actors and actresses.

Wes Anderson's seventh collaboration with Bill Murray.

The highest-grossing film to date of writer/director Wes Anderson's career..

The soundtrack features a rare instrument; the balalaika, a 3-stringed, triangular-shaped Russian folk instrument that was carefully chosen by Wes Anderson. Balalaikas come in various sizes, much like the violin, from prima to contrabass. Several dozen players from France and Russia gathered in Paris to record the soundtrack in Anderson's presence. The instrument is heard throughout the movie, but is most prominent in the second part of the official trailer (down the ski slopes) with the balalaika's most popular theme, "The Moon Shines" (svetit mesyats).

Despite the movie's title, Wes Anderson confessed in an National Public Radio interview that Prague was his main source of inspiration.

Ludwig's (Harvey Keitel's) tattoos are a direct copy of the character of Pere Jules in L'Atalante (1934). The "MAV" tattooed on his left arm is the abbreviation of the French saying "mort aux vaches", which translates to "death to cows", "vaches" being street slang for "cops" ie policemen.

Jeff Goldblum plays Vilmos Kovács, a tribute to Cinematographers Vilmos Zsigmond and László Kovács.

The "Boy with Apple" painting appeared in various locations throughout the hotel and is hanging behind the front desk during the young writer's (Jude Law) stay. It can also be seen on the back of the menu, when Zero (F. Murray Abraham) begins to tell his story.

M. Ivan (Bill Murray) can be read in Hungarian as "Mi van?", which means: "What's going on?"

In the wedding scene, the snowy rock formation in the background is the Saxon Switzerland (Sächsische Schweiz) in the region of Saxony, Germany.

Alexandre Desplat's Oscar for original musical score marks the first time a comedy has won the award since Isimylejęs Šekspyras (1998), though in that year, the Academy had 2 categories for score (dramatic and comedy) and the first comedy score to win without two categories ever since One Hundred Men and a Girl (1937).

Angela Lansbury was originally cast as Madame D. She had to drop out due to scheduling conflicts with the stage production of "Driving Miss Daisy".

In addition to this film, Edward Norton appeared in Žmogus-paukštis (2014). Both films led the 2015 Oscar nominations with nine each.

The film contains several references to Agatha Christie's mysteries, including naming a character Agatha. Specifically referenced is "4:50 from Paddington", a Miss Marple mystery, wherein the word "tontine" is used as a clue. A body is found in a sarcophagus, and a family lawyer deals with the will of an elderly person who has died, and the family wants the money divided up.

In an interview with Stefan Zweig's biographer, Wes Anderson singles out two of Zweig's books, "Beware of Pity" and "The Post Office Girl" as ones from which this film has elements 'that were sort of storm's.

The Art Museum in which Kovács (Jeff Goldblum) hides is the Zwinger in Dresden, Germany. It was built as an orangery, garden, and festival area.

The prison, which is shown twice for two short moments, is Kriebstein Castle, close to Chemnitz, Germany.

The fictional painter Johannes van Hoytl the Younger (1613-1669) was based on a combination of Hans Holbein the Younger (1497-1543) and Lucas Cranach the Elder (1472-1553).

Ralph Fiennes partly based his character's vocal traits on English comic actor Leonard Rossiter.

The traditional Twentieth Century Fox fanfare is not heard in the film's opening titles.

Of the many crudities and tragedies in the film, most were not explicitly shown on-screen. All the scenes are off-screen, either suggested. Despite most of these scenes being off-screen, the movie was rated R, due to foul language, rather than the depiction of violence.

Zero was named after Zero Mostel.

During the film, the concierges always address others and themselves with the title Monsieur. The only time this is not followed is during the "Secret Society of the Crossed Keys" sequence, where all the concierges are referred to by their first names.

The 1968 sequences involving Jude Law and F. Murray Abraham were filmed first, due to the production team first accessed the vacant old Görlitz department used for the hotel lobby, and later the shuttered concert hall Stadhalle, it was originally discovered in an ideal envisioned state, shabby, crumbling, but somehow enchanting in the ruins. The art team redressed the entire area to simulate the hotel in the 1930s. The drop ceiling was removed to reveal the original 3-floor area, but was CG-augmented to 6 floors.

The main character - M. Gustave, (played by Ralph Fiennes), is modelled significantly on Stefan Zweig.

There were rumors that George Clooney made a cameo appearance during the shoot-out scene in the hotel.

The main auditorium in Stadhalle was used and appeared several times throughout the movie, but with different identities: Schloss Lutz trophy room (the reading of Madame D.'s will). The dining hall between the Writer and Moustafa in 1968. The hall of armor suits where Jopling pursues Kovács. The train façade. The inner rooms of the monastery in which Serge X. was hiding.

the character played by Jude Law is a fictionalised version of Stefan Zweig.

When Jopling (Willem Dafoe) is examining Agatha's (Saoirse Ronan's) picture on his deck, the insignia of the Zig-Zag division next to the photo is of similar design of the one belonging to the Nazi S.S.

This is the first time Wes Anderson has used the 1.37:1 aspect ratio since Bottle Rocket (1994).

The 'author' character, played by Tom Wilkinson Is a partially fictionalised version of Stefan Zweig.

The motorcycle J.G. Jopling (Willem Dafoe) rides is an early 1930s BMW R12.

In Rabbinical lore, the "Lutz" is a bone that houses the soul after death in preparation for the next life.

When Dmitri (Adrien Brody) checks into the Grand Budapest Hotel at the start of the war, M. Chuck (Owen Wilson) puts him in the "Ferdinand Suite". World War I started because of the assassination of Archduke Franz Ferdinand.

The fictional town of Nebelsbad (home of the Grand Hotel Budapest) is based upon the spa town of Karlovy Vary (Carlsbad) in the Czech Republic. 3 minutes into the film, people can be seen using an elevator to reach the statue of a deer (or stag) on a rocky outcrop. This is almost an exact copy of the deer at Jeleni skok (Deer Jump), a famous landmark overlooking Karlovy Vary. In the film, Nebelsbad is in the Alpine Sudetenwaltz and Karlovy Vary lies in what was, prior to WW2, the Sudetenland. Karlovy Vary has its own 'Grand Hotel'; the Grandhotel Pupp, which has appeared in many films, including Casino Royale and Last Holiday. Although the hotel is not connected to a funicular, there is one in Karlovy Vary which allows people to visit the statue at Deer Jump.

Included among the "1001 Movies You Must See Before You Die", edited by Steven Schneider.

M. Gustave (Ralph Fiennes)'s prisoner number is 112, which is the emergency response number throughout most of Europe.

Ralph Fiennes, Edward Norton, and Harvey Keitel appeared in Raudonasis drakonas (2002).

Jean Dujardin and Vincent Cassel were considered for the part of Serge X.

Ralph Fiennes and Willem Dafoe appeared in Anglas ligonis (1996).

When M. Gustave (Ralph Fiennes)says "thank you" to Wolf (Karl Markovics) before being told of the escape plan, Wolf is sitting next to Ludwig (Harvey Keitel). Keitel played Winston "The Wolf" Wolf in Bulvarinis skaitalas (1994).

Bill Murray, Owen Wilson, Willem Dafoe, Waris Ahluwalia, and Jeff Goldblum appeared in Gyvenimas po vandeniu (2004).

The film has three actors who appeared in James Bond films opposite Daniel Craig. Ralph Fiennes (Operacija Skyfall (2012)), Mathieu Amalric (Paguodos kvantas (2008)), and Léa Seydoux (Spektras (2015)).

Jeff Goldblum played Deputy Kovacs. Goldblum played comedian Ernie Kovacs in Ernie Kovacs: Between the Laughter (1984).

The only best picture Oscar nominee that year to also be nominated for best make-up and hairstyling; and best costume design.

Tilda Swinton and Ralph Fiennes appeared in Didesni purslai (2015) and Šlove Cezariui! (2016).

Harvey Keitel appeared in Negarbingi šunsnukiai (2009) (though only in a voice cameo) which was also shot in the small town of Görlitz, Germany.

Bill Murray and Saoirse Ronan appeared in Zarijos miestas (2008).

M. Gustave (Ralph Fiennes) does not appear until nearly ten minutes into the film.

Second film with Tom Wilkinson involving the stealing of a painting. The other being Rokenrola (2008).

Tom Wilkinson and Tilda Swinton appeared in Maiklo Kleitono sukurta tiesa (2007).

Jude Law and Jason Schwartzman appeared in Aš myliu Huckabees (2004).

Owen Wilson, Lea Seydoux and Adrien Brody also starred in Midnight in Paris

Jean Dujardin: A German gunman in the hotel shoot-out scene.

Zero (Tony Revolori) leaves Agatha (Saoirse Ronan) a note revealing the hiding place of "Boy With Apple", and he advises her it is "in code". The note actually contains straightforward directions to the hiding place, with some letters flipped backward,

Body count: 12

In addition to being one of the rare films to have actuall stories which are connected with the newspaper headline seen on-screen, the newspapers shown on-screen near the start of the film reveal much of the film's plot (and ending), as well.

J.G. Jopling (Willem Dafoe) has a concealed Browning Model 1910 pistol strapped to his jacket, and a Colt M1911 pistol lying on his desk, but never uses either in the movie.

When Jopling (Willem Dafoe) cuts off four fingers from Kovacs' (Jeff Goldblum's) hand, it calls to mind the scene in Anglas ligonis (1996), where Dafoe's character had his thumbs cut off.

User reviews


  • comment
    • Author: Adrietius
    Can a film be absurd, funny, exciting, violent and colourful at the same time? Yes. 'The Grand Budapest Hotel' combines all those elements. And I didn't even mention the most important characteristic: it is visually wonderful.

    In this film, director Wes Anderson creates his own universe, full of colourful characters, old-world charm and witty one-liners. The nice thing about creating your own universe is that you can make it look perfect. Every shot, every little detail and every set is flawless. From lead character Gustave H.'s purple jacket to the title of the newspaper announcing the war (The Trans-Alpine Yodel) - Anderson has given thought and attention to everything.

    The story is not very important, because it is merely a vehicle for the stunning visuals, the dark humour and the rapid-fire dialogue. It's all about a hotel concierge, Gustave H., who is being chased by various villains for stealing a painting. All this is set against the backdrop of the Nazis invading Central Europe (although in Anderson's fantasy world they are not called Nazis of course). Some of the scenes are very funny, but there is always a darker tone because of the looming war. Anderson doesn't shy away from extreme violence, but he shows it in an offbeat and almost comical manner.

    My favourite scene, in which it all comes together, shows concierges in hotels all over Europe, calling each other to help Gustave H. Each of them is shown in his hotel (with a wonderful fantasy name off course), busy doing some important job like tasting the soup or giving first aid to an unconscious hotel guest, when he is being called away to the telephone. Each hands the job over to his assistant, and answers the phone. This fast succession of little scenes is done so perfectly, it's a great joy to watch.

    Ralph Fiennes steals the show as the sophisticated Gustave H., who never despairs, even in the most unfavourable circumstances. He is supported by a large number of star actors, who are sometimes almost unrecognizable. Because of the amount of support actors, some of them are a bit underused. Tilda Swinton gets rather little screen time, as does Harvey Keitel.

    The film moves forward at a breakneck speed. You have to be very alert in order not to miss something. The plot is not always very easy to follow, and the dialogue is fast. And there are the great camera angles and the wonderful detailed sets to pay attention to. I think by seeing the film a second time you can discover lots of things you didn't notice the first time.
  • comment
    • Author: Qus
    My heart is still rolling from the escape to 30's Europe this afternoon, and without jet lag. This movie is an inspiration, a dream, a walk through a painting and a study of humanity.

    Ralph Fiennes is a phenomenon as M. Gustave. his interactions with every cast member and especially newcomer Tony Revolori are fantastic. The later holds his own weight beyond belief and the entire film is an amazing adventure with James Bond style chases, a large murder mystery, the best placed cussing and of course the sensational cinematography. The sets, models, angles and even the most nondescript characters come to life each on their own and together as a symphony of beauty. It's freaking brilliant; The Grand Budapest Hotel.
  • comment
    • Author: fabscf
    Wes Anderson is one of the last directors -auteurs- who's got complete control on the film set and has the power to make whatever kind of film he desires. His distinct visual style is apparent since his 1996 debut Bottle Rcoket. But that was just a start, with every film he made he was perfecting his technique more and more. This marvelous attention to detail, the way he composes his shots( tracking shots, the symmetry, the characters running in slow-motion), chase scenes, love story, nostalgia, explanatory montages, the colourful set design and the prevalent theme of every one of his films: family. This all adds up to the reason why the audience enjoys Anderson's film so much. This all is brought to perfection in Grandhotel Budapest.

    Through complex narrative framework, which itself is a mockery of all these films that are being narrated by someone and is also being an excuse for not being too realistic, we get to a story of a young lobby boy named Zero Moustafa and Gustave H. (Ralph Fiennes)the concierge of the Grandhotel Budapest. Many of the female guests of the hotel mainly come to enjoy Gustave's company. When one of these ladies passes away, Gustave grabs Zero and boards a train for her mansion. Soon he's blamed for her murder and hunted by police led by Edward Norton and a grim-faced assassin played by Willem Dafoe. There also is a love story between two young teens - Zero and Agatha (Saoirse Ronan) who has a birthmark in the shape of Mexico.

    I frankly don't understand how can this film be successful in the USA. This film is just so typically European, that I guess some aspects of the film Americans just aren't familiar with. Some of the humor reminded of old French, Italian and Czech comedies.

    Wes Anderson remains to be a stand-out filmmaker who never disappoints with any of his creations and is a safe bet to rely on his qualities. You won't want to return to the real world when the credits start to roll.
  • comment
    • Author: Meztisho
    Wes Anderson is one of the most original film makers working today. None of his films can be categorized into any particular genre. His latest, The Grand Budapest Hotel, which opened the Berlin Film Festival, continues that trend. It is a tale within a tale within another tale. Whilst every shot has been meticulously arranged as though a work of Art hanging in a museum, story wise Anderson has let his imagination run wild. Though the tale (with Tom Wilkinson as the author of the story) and the tale within the tale (with Jude Law as the young author & F Murray Abraham as the mysterious owner of THe Grand Budapest Hotel) have straightforward narratives, the tale within the tale within the tale, which comprises the bulk of the film and is set in the years preceding the Second World War, is a wild uproarious train ride of story telling. It also boasts the cast of a life time: Ralph Fiennes, Tilda Swinton, Edward Norton, Adrien Brody, Willem Dafoe, Harvey Keitel, Jeff Goldblum, Bill Murray, Owen Wilson & countless cameos. It will delight Anderson fans but is more likely destined for Art house cinemas as it is too off center for mainstream audiences. The production design and music are outstanding and even the end credits are imaginatively done (and received another ovation from the audience).
  • comment
    • Author: Hulis
    I would consider myself a Wes Anderson fan, however in saying that, I have only seen a handful of his movies. I was very excited for The Grand Budapest Hotel, because of its excellent cast, the fact it's directed by Wes Anderson and just by how unique it looked. After watching The Grand Budapest Hotel, I can confidently say that it's my new favourite Wes Anderson film, and probably his best.

    As I was hoping, the story to The Grand Budapest Hotel is very original and unique, some may even say strange. And as the movie goes on, the story only gets wilder and wilder. The film is often very hilarious, with some seriously funny dark humour thrown in there as well. Characters are extremely well written, with the bond between Gustave and Zero being the backbone of the whole movie as it's so well written. The Grand Budapest Hotel features an odd narrative structure that works very well for the film, again adding to the uniqueness and freshness of it. I wasn't exactly sure how the story would play out, as I purposely avoided all promotional materiel so I would know as little as possible before watching. This was a great benefit to my viewing experience as I loved everything I saw, and felt as though nothing was spoiled from watching too many trailers.

    I haven't been a huge fan of most of Ralph Fiennes' work since his phenomenal performance in 1993′s "Schindler's List", but this is easily his best performance since then. He proves he can do comedy just as well as he can do drama, providing a perfect balance of both. Newcomer Tony Revolori is excellent as well. I won't get into the whole supporting cast because there's so many who were all so great, but I was particularly impressed by Willem Dafoe, Adrien Brody, Harvey Keitel, Jude Law and Saoirse Ronan.

    The Grand Budapest Hotel is definitely a Wes Anderson film, down to its very core. If you know his style, then you known what to expect, as this movie is full of it. Thankfully though, it's not a case of style over substance, with a great story to accompany the gorgeous visuals. The colour palette is beautiful; it's nice to see lot's of bright colours when so many other films are so dark and dreary. The set design and costumes are perfect, and there's so much attention to detail within the sets. The cinematography is phenomenal, and I really like how the film was presented in different aspect ratios.

    You really can't go wrong with this film. It's probably Wes Anderson's best film, it has gorgeous visuals, excellent acting and a wonderful story. If you're a fan of Wes Anderson's previous work, you cannot miss this, and even if you're not a fan you should go and see it anyway.
  • comment
    • Author: Deorro
    The Grand Budapest Hotel is the latest from Wes Anderson, and what great fun it is. My review of Monuments Men pointed out that putting the likes of George Clooney, Matt Damon, Cate Blanchett, Jean Dujardin, Bill Murray and Hugh Bonneville in the same film was no guarantee of a good film. Following that logic, what should we make of the following turning up together: Ralph Fiennes, Bill Murray, F. Murray Abraham, Adrien Brody, Willem Defoe, Jeff Goldblum, Jude Law, Edward Norton, Tom Wilkinson, Saoirse Ronan, Owen Wilson and (a wonderfully made up) Tilda Swinton? The answer is a near masterpiece of cameos that add up to a highly entertaining and memorable film.

    In a complex serious of flashbacks, Tom Wilkinson plays an author remembering his younger self (Jude Law) being recounted, a number of years before, the life story of The Grand Budapest's mysterious elderly guest Zero Moustafa, played by Abraham. (Are you still with me?) Featuring strongly in this life story, Ralph Fiennes plays hotel concierge and lothario Gustave H., seducer of his elderly and wealthy guests. He is supported in this role – for everything outside the bedroom that is – by trainee Bellboy, and Gustave's protégé, Zero (in the younger form of Tony Revolori).

    Following the murder of one such guest (Tilda Swinton), Gustave is not surprised to feature strongly in her will, awarded a priceless Renaissance painting – Boy with Apple. This is much to the displeasure of her son Dimitri (Adrien Brody) and his evil henchman Jopling (Willem Defoe). What follows is a madcap pursuit across snowy landscapes, various grisly murders, a couple of civil wars, some disconnected fingers, a prison break and a downhill ski chase.

    All the cast seem to enjoy themselves immensely, but it is the production design and cinematography that really shines through: every single shot of the film is just a joy to look at, from the bright pastel colours of some scenes to the oak-panelled finery of the elderly lady's mansion. Beautifully crafted, beautifully lit,beautifully costumed, beautifully filmed. Bringing a film out so early in the new Oscar-year must be risky: but one can only hope that the voting members have a long enough memory to recognise this movie in these sorts of categories.

    There are some interesting crossovers to recent films: both 'The Book Thief' and 'The Monuments Men' were filmed – as this was – in Studio Babelsberg in Potsdam. No coincidence then that the steam train chugging through the East European countryside looked startlingly similar to that in the opening scenes of 'The Book Thief'; and if you have Bill Murray and Bob Balaban in town for Monuments Men, then why not stick them together for this film too? Simples! Alexandre Desplat turns up AGAIN with another quirky and fitting score.

    All in all, if you like the quirky style of films of the likes of Moulin Rouge then you'll love this. Highly recommended.

    (If you enjoyed this review, please check out my archive of other reviews and while there sign up to "Follow the Fad"! Thanks!).
  • comment
    • Author: Bev
    The Grand Hotel Budapest is a zany, colorful and fascinating journey through old postcard Europe, such as only Hollywood can think of. With his old, almost square picture format Wes Anderson pays tribute to recent days, but with the whole movie. In addition to his brilliant humor and endearing characters, this film captures gems with seemingly small details and meticulous compositions. For me, now one of the funniest and most original movies of 2014.

    The style is unique. You will either like it or you won't. There is no middle ground here.

    With too many great actors to mention, they all gave outstanding performance that will keep you enchanted.
  • comment
    • Author: Mejora
    A wonderfully funny fable of the adventures of world's greatest hotel concierge (a brilliant, inventive and hilarious performance by Ralph Fiennes) and the friendship he strikes up with the hotel's new lobby boy (a strong debut by newcomer Tony Revolori).

    The story goes in many unexpected directions, every one entertaining and eccentric, and the cast is full of first rate highly comic performances by F. Murray Abraham, Adrien Brody, Willem Dafoe, Jeff Goldblum, with terrific cameos by Bill Murray, Harvey Keitel, Edward Norton, Tilda Swinton, Jason Schwartzman, Tom Wilkinson, Owen Wilson, Jude Law and others I feel bad for forgetting here.

    While not Anderson's most profound film, it may be his most joyful. I don't think I stopped smiling from first frame to last, and I laughed out loud quite a few times. And yet, as in any good fable, there is some real poignancy as well. A top notch marriage of a lovingly crafted art-film and a wacky human comedy, something rarely pulled off with such panache. Even my friends who don't enjoy Anderson's work in general had nothing but good things to say. The sweetest treat of the movie year so far.
  • comment
    • Author: Kirimath
    21 March 2014 Film of Choice at The Plaza Tonight - The Grand Budapest Hotel. I really had no idea what this film was about, having seen only one trailer which in the event, bore no relation to the plot whatsoever. However, my interest was piqued so this evening found me watching a splendid little film packed to the rafters with stars. This was the tale of Gustave H, the legendary and infamous Concierge of The Grand Budapest Hotel, a rather glamorous edifice perched atop a mountain and his protégé and most trusted friend Zero, The Lobby Boy. This is a tale of friendship, murder, revenge and deep dark plotting. There were some completely ridiculous moments which were quite refreshing and several, what I like to call Guffaw moments where several members of the audience emit a loud blast of laughter followed by slightly hysterical giggling that you find yourself joining in with. As I said a host of stars in this film ranging from Ralph Fiennes, Jeff Goldblum, Jude Law and Bill Murray to Tilda Swinton, Owen Wilson and Harvey Keitel to name a few, but one of the outstanding performances must go to Tony Revolori, a relatively unknown young actor who plays Zero, who is In almost every scene. An entertaining film, worth watching.
  • comment
    • Author: ᵀᴴᴱ ᴼᴿᴵᴳᴵᴻᴬᴸ
    After seeing the previews several times, I thought I would enjoy a delightful almost-fantasy-like film. But, at age 64, after going to the movies literally hundreds of times in my lifetime, I did something today that I've only ever done 3 times previously -- I walked out of a movie halfway through the picture. I didn't blame Wes Anderson, because clearly his films have a following...but I thought it must be an acquired taste...that I had not acquired. I admitted that it was a uniquely visually pleasing film, but I wondered why so many fine actors agreed to what were rather small parts. At the time I said that this film bored me even more than "Moonrise Kingdom".

    The the other night it was on cable. I thought I would give it another try, but I fully expected to turn it off at home, also. Perhaps it helped that rather than watch it all in one setting, I broke it into roughly 30 minute segments with breaks in between. Guess what. This time I liked it. I'm not saying I loved it. But I did like it. What did I see this time that I didn't see before. Well, perhaps the tongue-in-cheek attitude of the film. The chance to see Ralph Finnes be downright silly instead of his typical dramatic role. The wonderful photography and special effects. The skill of young actor Tony Revolori. The pleasure of seeing F. Murray Abraham again. And, this time enjoying the many "cameo" shots.

    I still think it dragged on a bit too long (at 100 minutes there are still a few small bits that could have been edited more tightly or even eliminated). And, I'm still not a raving fan of it. But, this time around I did "like" it. But it won't end up on my DVD shelf, and I doubt I'll watch it again. But, bravo...good (not great) job!
  • comment
    • Author: Runeshaper
    Wes Anderson seems to be one of those Directors to look forward to as he has gained a reputation for his quirky eccentricity and stylish flair over the years. In his new film, 'The Grand Budapest Hotel' he tightly weaves together a crime caper that is sharp, witty and slick, but sadly lacks interesting characters.

    I won't go too far in explaining the plot because a lot happens in the 1 hour and 40 minute running time. The narrative is rather complex as it is handed down from Tom Wilkinson who plays the author who hands the story to his younger self played by Jude Law, who then speaks to Mr Moustafa (F. Murray Abraham) who then tells Jude Law his times of when he got a job as a Lobby Boy at the Grand Budapest Hotel, working for the eccentric perfectionist M. Gustave (Ralph Fiennes). We then move from the run down Hotel of that time to the 1930′s when the hotel was booming. We see the hotel in a wedding cake style aesthetic, where anyone who is anyone in the aristocratic world comes to stay, and alt of the time, sleep with Gustave. This includes elderly aristocrat Madame D (An unrecognisable Tilda Swinton). When Madame D dies, she leaves Gustave a priceless painting 'Boy with Apple', to the disgust of Madame D's greedy family, especially her conniving son Dimitri (Adrien Brody). This starts off a chain events which involve lawyers and hit men, an elaborate prison break, a secret society, a woman who hides things in her detailed cakes, and unspecified war and much more.

    The film looks amazing. It adopts the aesthetic which has become the signature of Wes Anderson films. The perfect framing, the elaborate set design, the costumes matching the sets and all the quirkiness and eccentric deadpan humour to boot. Ralph Fiennes proves to be a fantastic comic lead. His sense of timing and delivery is perfect. Also, his character is very interesting as he initially comes across as a self serving eccentric, but as the film goes on, you realise he has a lot of good in him. Unfortunately, I felt he was the only interesting character in it. Many of the touted cameos which include Owen Wilson, Jason Schwartzman, Bill Murray, Lea Seydoux, Harvey Keitel, Jeff Goldblum and Willem Dafoe play a small part in the plot, but a lot of them are underused. The talented Saoirse Ronan I felt was particularly underused. The intricate and complicated plot felt tiresome towards the end as so much takes place and the dialogue is so quick and sharp, that if you miss a line, you will miss a big part of the plot. It started to feel too cluttered as there were too many people in it and too much happening. It is still consistently funny and dazzling, but lacked emotional involvement that it felt slightly empty. I think personally, I still pine for Wes Anderson's more melancholic tones of 'The Royal Tenembaums' and 'Rushmore'. In those films, I cared more for the characters and enjoyed the visual and quirky style. I feel his films are drifting towards a more silly and farcical tone, which is fine, but in my opinion I don't feel it is for the better.

    See my Film Review Blog - www.projectionistreview.wordpress.com
  • comment
    • Author: Shalizel
    A former lobby boy, Zero Moustafaw tells a story to a writer, who tells this tale of a hotel, it's guests and the outstanding concierge Monsieur Gustav H to us. It's about (blind) loyalty, duty beyond the required, greed, stupidity, love for women in any age ... and the power of influence when treating persons with the grace of that person's beauty.

    It's (black) comedy at its best. The ridiculous becomes brilliant through cleverly constructed dialog, impeccable executed timing and timbre change. Many camera shots are little art pieces like in Moonrise Kingdom, beautifully constructed with cuts that ad to the timing, visually. The production design takes you from the shabby to over-the-top kitsch to breath taking wooden interiors and mountains. The CGI reminds me of Monty Python, deliberately unrealistic which is part of the humor yet makes it at the same time oddly believable.

    Never thought of Ralph Fiennes as a comedic actor. He convinced me here. Tony Revolori as young Zero Saoirse Ronan as Agatha are remarkable. And then there were: F. Murray Abraham, Jude Law, Tilda Swinton, Adrien Brody, Willem Defoe, Jeff Goldblum, Edward Norton, Léa Seydoux, Harvey Keitel, Tom Wilkinson, Bill Murray, Owen Wilson, (I think I saw George Cloony for 2 sec)... Just to be able to get all these heavy weights to sign up for minor roles, demands respect. To get them all set their mark in a few minutes, is awesome.

    "He retained the illusion with remarkable grace." is one of the last lines in the movie. It describes both the main character and also the heart of the movie. This is a real 9 - beauty combined with dirt, great cinematography with dry jokes and art with silliness. If you like to be amazed, see something out of the ordinary, are able to go with a flow, you will LOVE this movie.
  • comment
    • Author: Xar
    An extraordinary cinematic confection and probably Wes Anderson's greatest film. Ralph Fiennes plays the concierge at the Grand Budapest Hotel in the 1930s, which exists in a fictional European country in the Alpine range. He has a habit of keeping some of the old women who stay at the hotel company. When one (Tilda Swinton) leaves him the valuable painting Boy with Apple, Swinton's evil son (Adrien Brody) frames Fiennes for the murder. Fiennes' closest companion, the hotel lobby boy Zero (Tony Revolori), and his girlfriend (Saorsie Ronan) conspire to free Fiennes from prison and sell the painting for loads of money, hopefully enabling them to leave the country, which is being overtaken by fascists. The story isn't much more than fluff (though there is a nice tinge of poignancy), but it's enormously amusing fluff. The highly amusing trailer did give away many of the film's best gags, but this is a laugh a minute movie. The visuals are absolutely delightful. Sure, it's all nothing you haven't seen before from Anderson, but I found it his most perfect accomplishment. The film is loaded with great cameos and little roles (the woman behind me almost had an orgasm when Bill Murray appeared), but my favorite was Willem Dafoe as a toothless heavy.
  • comment
    • Author: Chi
    That it was directed by Wes Anderson (who has a unique style that really fascinates, but admittedly not everybody will like or warm to his style) and that the cast is so stellar were reasons enough to see 'The Grand Budapest Hotel' in the first place, as well as its many accolades and critical acclaim.

    While it isn't quite flawless, and it is easy to see why a number of people don't like or will not like it (due to a lot of the cast's roles being pretty short, only Gustave and Zero being fully fleshed out of the characters and those who have a problem with Anderson's style), 'The Grand Budapest Hotel' is a visually stunning, hugely entertaining, wonderfully weird and impeccably cast and acted film.

    It really stuns visually, with cinematography that is not only clever in technique but also gorgeous in aesthetic and tight, fluid editing. The costumes, production design and hair and make-up richly deserved their Oscar/Academy Award wins, the costume and production design have a lusciously colourful fairy-tale feel while also given substance by the bleakly atmospheric quality that reflects the crime drama aspect of the story brilliantly.

    Alexandre Desplat also received an Oscar, and with its hauntingly hypnotic and entrancing tones it richly deserved it as to me it was by far the best score of those nominated. Anderson directs superbly, the story balances darkness and quirkiness to great effect (the prison scene is unforgettable) and it's never too simplistic or convoluted (though of course the visuals, dialogue and performances make much more of an impact) and the screenplay is a sublime mixture of the dark, the quirky, the witty and the subtle delivered with rapid-fire.

    'The Grand Budapest Hotel' boasts an impeccable cast and pretty much everybody does a splendid job, though many of the roles are short. My only criticism of the film is that Harvey Keitel and Saoirse Ronan are underused and just get lost amongst everything else, an unrecognisable Tilda Swinton also has little to do but still gives a bat-out-of-hell performance.

    Bill Murray, F. Murray Abraham, Jeff Goldblum, Jason Schwartzman and Owen Wilson give very entertaining performances, while Edward Norton is delightfully droll and Adrien Brody and especially Willem Dafoe bring sinister foreboding to the film. Some may say that Tony Revolori is overshadowed by the more experienced cast members (being the only newcomer in a large cast of big names), but to me he more than holds his own and effectively plays it straight. The film belongs to Ralph Fiennes, in what is essentially the heart of the film, while he has always been a fine actor he has not given a performance this brilliant in years, never knew he could be so riotously funny.

    In conclusion, a wonderful film and a hotel well worth revisiting more than once if to one's taste. 9/10 Bethany Cox
  • comment
    • Author: Avarm
    It's gorgeous to look at, often witty, and has a few brilliant casting choices. But two thirds of the way through, the charm wore off.

    It's not certain now exactly where it started to feel wrong. Maybe it was the nested story within a story within a story; maybe it was the way that the older Zero M. didn't match the appearance of the younger one (the eyes?) Maybe it was the unfortunate things that kept happening to M. Gustav, which were unexpected after seeing the trailers and poster. Maybe it was the shifting accents of the Americans in the cast; Jeff Goldblum started talking about "Mah-dem", then switched to "Mah-dahm". Maybe it was the that M. Gustave, who is usually quite aware of his surroundings and predicament, was sometimes clueless. When Bill Murray finally made his appearance, nothing special happened. Whatever it was or whenever it happened, it was disappointing.
  • comment
    • Author: OCARO
    Prepare to delve into yet another intentionally bizarre Wes Anderson rabbit hole, guided by no less than three narrators providing flashback upon flashback... And then, somewhere in there, an actual story begins…

    Skipping to what's really important is Ralph Fiennes as M. Gustave, concierge of the neglected European GRAND BUDAPEST HOTEL during the 1930's. He sleeps with spinsters and runs the place with an iron fist – more polished silver than heavy chrome. His young mentoring bus boy, Zero, the one narrating in the form of an aged F. Murray Abraham, sticks to his boss like gum while the duo, like the story, jumps all over the place…

    Although a real plot is chiseled down from a horde of bantering dialogue when an extremely rich woman dies, bringing Gusave to an estate where he could inherit, to the chagrin of her nefarious son, a pricey painting. The first half ends with Gusave and Zero stealing the painting, and the intrigue builds nicely. Then something happens… Or perhaps, you can say, too much happens far too soon…

    When Gusave is sent to prison, director Anderson abandons his quirky character-driven romp and throws several genre-devices into the pot, including a heavily planned old school prison escape and a ruthless hit man: The latter in the form of motorcycle riding Willem Dafoe, a cross between Steve McQueen and Al Pacino's muggy bodyguard in the second GODFATHER: Dafoe's mobile loon kills anyone connected to Gustave, including pets.

    There are darkly humorous moments here and here, and always something to gander at, especially the picturesque locations resembling popups from an antique children's book… But with so much running around the central plot is all but forgotten, and Ralph Fienne's smug yet endearing gigolo gets lost in a mix of wasted detours and distracting star cameos (including Bill Murray, who could have been played by anyone)…

    And last but not least, with the task of playing the true leading role, young actor Tony Revolori displays the perfect deadpan that befits hipster-friendly art-house fare, but alas, he's not that interesting or, in a movie full of mischievous devils, someone worth rooting for.
  • comment
    • Author: Fonceiah
    Loved it Loved it. Loved it. Beautiful, funny, smart, silly, sad, fantastical. I will probably see this movie at least a dozen more times in my lifetime. Can't wait.

    Why is there a minimum of 10 lines required to make a review? Weird. Anyway...

    Ralph Fiennes is wonderful. Could end up being a signature role for him and one that is remembered for some time - although I keep forgetting his character's name. That's a problem.

    All the usual players show up and their all good to fantastic. Willem Defoe is especially fun. Adrian Brody might be the weakest featured player in the movie. He just doesn't quite seem to match up with the rest of what's going on. Same with Ed Norton, although he's less of a sore thumb. But they aren't problematic for the whole movie. Just very very minor distractions - for me, anyway.

    I just loved it. So much!
  • comment
    • Author: Debeme
    It's a fantastic Wes Anderson film. Definitely stands up after repeate watches. Fiennes is spectacular, so is everyone else for that matter. The cast includes one of my top 5 most hated actresses/actors and wes made them look good. Not much else to say except watch it.
  • comment
    • Author: Dagdatus
    "The Grand Budapest Hotel" has a wonderful quirkiness to it that can only be felt, not explained. It is incredibly charming, as can be expected from a Wes Anderson film.

    -Analysis of Notable Work- *Writing/Directing: Once again, Wes Anderson directs with amazing artistry. The story is one that is both hilarious and melancholy. It is a film that refuses to be forgotten. *Editing/Cinematography: The cutting together of the film is near perfect. Every moment timed beautifully and expertly. All the ridiculousness unfolds without blemish. Director of Photography Robert Yeoman brings back the signature style of Wes Anderson films that audiences have grown to love. The color palette is vibrant and exciting. The camera moves are quirky and odd. It all falls together wonderfully. *Dialogue/Acting: Total ridiculousness is what comes out of the mouths of the characters, but that is all for the better. We feel pulled into the world of the Grand Budapest Hotel for how absurd it is and how unlike our world it is. The performances are incredible by all of the cast. Ralph Fiennes, Adrien Brody, Willem Dafoe, and F. Murray Abraham all shine in this wonderful film. But everyone clambers for their chance in the spotlight. Jude Law, Saoirse Ronan, Jeff Goldblum, Bill Murray, Tony Revolori, and others all perform spectacularly. *Music/Sound: Once again, the music is phenomenal like in most Wes Anderson films. It has an air of innocence but also a bit of chaos and even some melancholic themes. It is the perfect accent to a beautiful film. The sound design is detailed and incredible. *Production Design/Special Effects: The costumes and set pieces are glorious and visually incredible. They are fantastic additions to the world Wes Anderson has created. The props and miniatures are all wonderfully made. The animation portions are gorgeous. All parts of the film tie together wonderfully.

    *Conclusion: "The Grand Budapest Hotel" is a wonderfully bizarre film that must be watched. But although it is sure to be enjoyed, one may not be able see if there was a reason for all of it. And perhaps it doesn't need one. That is what adds to the charm.
  • comment
    • Author: Tejora
    I went in to this movie not knowing anything about its plot or story. I only knew it was about the adventures of some hero from a Budapest Hotel. Honestly I didn't think this movie was going to be any good since its plot wasn't that much interesting but I though I'd give it a try since it was the only movie from the 2015 Oscars highlights I didn't saw. Now I can say that I was not wrong because this movie succeeds as a comedy with some absurd scenes that had me laughing very hard and with characters that are really well done. Aside from that this movie in my opinion had some issues. Mainly the story is very weird told and I was bored for most of the movie although I understood the main thing of the movie and this whole adventure Gustavo and Zero had. The movie never emphasised the characters who were important to the story... I get the movie had to be absurdly funny but you need to catch the viewer's attention with a plot that can be followed and interesting and characters that are introduced properly. I was continuously asking myself who's this? who's that? because the movie's story went on like I was supposed to know who those characters were. But putting that aside there were things I liked like the absurd humor that sometimes had me laughing very hard and the way the movie was constructed. It's been told like a multi-layered story that goes from present to the past with 4 levels of story which made it really interesting in that perspective. Apart from that there were some extremely well done scenes and the movie as a whole was very colorful with some of the best cinematography (I honestly would have given the oscar for cinematography to this movie not to Birdman) although I literally can't understand how Interstellar was not nominated that year. Overall a funny movie with some interesting characters and a multi-layered story and absurd humor. 8/10
  • comment
    • Author: SupperDom
    Wes Anderson is not for everyone. At this point, his films are an acquired taste, and there's enough of a body of work for people to make up their minds whether they like the brand of hand-made, exquisitely carved life-sized doll houses he's selling (if you told me a major director was also a serial killer, my first guess would be Wes Anderson). I happen to be an avid Anderson fan, but I don't argue with people who aren't. His bouts of whimsy are prone to self- indulgence, and his austere emotionalism can be hard to connect with. He's a tremendous filmmaker but he isn't invincible—The Life Aquatic is self-indulgent, The Darjeeling Limited is just plain bad. Still, Wes Anderson on his worst day is better than 98% of working directors on their best.

    The Grand Budapest Hotel is Wes Anderson working on a very, very good day.
  • comment
    • Author: melody of you
    When it came to comedy in my younger days, I always watched movies that make me howl with laughter like Ace Ventura or Animal House, but when my parents recommended The Grand Budapest Hotel, I watched the trailer and it peaked my interest and I later watched it and absolutely adored it. From it's ingenious writing and glorious visuals to it's comedy and acting, this is what so many modern comedies aspire to be and yet always fail.

    The movie opens in modern day where a young woman reads from a book by an author who vacationed at a run-down hotel in the Republic of Zubrowka called The Grand Budapest Hotel in the 1960s where he encounters the owner named Moustafa who tells him the story of how he inherited the hotel. We are than again thirsted back to 1932 where the Grand Budapest's attendant, M. Gustave is busily attending to the desires of the hotel's rich customers as well as educating Moustafa who is the hotel's new lobby boy, but when a favorite client of his is killed under questionable conditions, he is framed for killing her and is placed under arrest but is able to escape. Now, Gustave and Zero must clear his name and reclaim what is rightfully his.

    While on the surface, the movie may seem like a zany comedy with a murder thrown in for good measure, it's actually a series of arranged events in which many people tell the story of M. Gustave over the years while the extraordinary intro hints at the boundless creativity of director Wes Anderson. Some viewers might think that it's pointless, but it does give a lot of background when the last title card shows up, summing up the reason for the time skip, but it doesn't let up as the movie is a comical multiple genre journey that never seems to slow down for a breather, but even when it gets to the tense moments, there's always a sense of cheeriness right up until the movie ends. Much like what Quentin Tarantino did with Inglorious Bastards with it's self-awareness and adjusting of history, it's hardly surprising that Wes Anderson added in references to WW II throughout the movie as it's based off of a few books by author Stefan Zweig which adds to the authenticity of the movie not to mention that throughout the movie, the war rushes our heroes and villains to carry out their motives rapidly in order to accomplish their various ambitions which adds to the authenticity of the movie.

    While the human characters are fascinating, The Grand Budapest Hotel feels like a character itself with its spectacular setting, the baths, the hallways, tall roofs, soft colors and identical carpets and walls all give the viewer a sense of grandeur and awe making the viewer feel like they are actually staying there while the visual landscape and photography is simply gorgeous and not only ingenious in approach but also beautiful in gorgeous and smooth editing not to mention the production design, the clothes, hair and make-up all justly earned their Oscar wins as they encompass a distinctively bright and enchanted aura to them while at the same time giving meaning to the gloomy aspect that mirrors the crime drama characteristics of the movie wonderfully. The musical score by Alexandre Desplat is also wonderful with its memorably compelling and captivating musical themes while the film's score crafts a whole new setting for the movie's characters to thrive in and the themes for the various characters are just as attention-grabbing. While the movie has an undercurrent of seriousness, it's still a laugh riot and there's pretty to chuckle at in the movie from Gustave's prison breakout scene to him and Zero fleeing across the snow. The characters are portrayed to such excessiveness that it's impossible not to be entertained by watching them in spite of the dangers they face, the witting too is marvelous with plenty of hilarious lines that are bound to make you laugh your head off more times than once during the movie.

    To make the movie complete, Anderson recruited one of the best ensemble casts for a comedy I've ever seen and everyone is perfect in their roles. Saoirse Ronan is wonderful as pastry chef Agatha, Tilda Swinton leaves a wonderful impression as Madame D and gives a fine performance, Jeff Goldblum is fantastic as a doomed attorney, Bill Murray is great in his role as is Owen Wilson, Edward Norton is great as the police chief, F. Murray Abraham is wonderful as the older Moustafa, Adrian Brody is awesome as Madame D's conniving son while Willem Defoe is perfect as the evil and brutal psychopath especially when he's standing in the shadows and endangers unsuspecting targets. Ralph Fiennes is fabulous as M. Gustave and brings his familiar endurance to this outlandishly bizarre character, but in a comical curve puts on a formal yet amusingly vulgar witty persona that is more than captivating and there's no absence of hilarious dialog coming from his mouth as he spouts passionate poetry, biting banter or distasteful fits of swearing, truly one of the finest comedic performances of the decade. Assisting in Ralph's crazy adventures is the inexperienced yet ever devoted Zero, perfectly acted by Tony Revolori who brings a dash of boyish zazz to the role as Zero learns his surroundings, but we do learn about his troubled past later on in the film not to mention the interaction between him and Fiennes is so heart-melting as it feels like a father-son relationship by the movie's end.

    Honestly, there's nothing else I can say about the Grand Budapest Hotel, it's a wonderful comedy that provides plenty of laugh-out-lord moments but still manages to stand above most other comedy movies by being intelligent with it's writing, characters and humor, so if you want a comedy movie that won't insult your intelligence than this is your movie.
  • comment
    • Author: JoldGold
    Ralph Fiennes shows why he is considered a great actor! You can easily follow the story, you will understand the characters and most of all you won't feel the time passing by... Isn't this the main reason why movies exist? You will laugh, you may cry and next time you visit an hotel you will remember this staff. 9 out of 10.
  • comment
    • Author: Budar
    The Grand Budapest Hotel has it all: great actors, an interesting story-line, beautiful cinematography, a dreamlike set, and of course a brilliant director.

    Ralph Fiennes, who played M. Gustave, was the perfect concierge. He not only embraced the intimate role of the concierge, but he somehow "completed" those words on the screenplay in a way that most actors could not. I have to say that the entire cast made a stellar performance on this film, but sadly cannot name them all as I would run out of space to write the film review.

    M. Gustav and Zero's relationship throughout the film was a pleasure to watch. It was funny to see them from the very beginning, when they had first met, to the point where they trusted one another with their lives. In a way, they became the family they'd always missed.

    If you're a fan of Wes Anderson's style, the colours, the patterns, the comedy, the symmetry, and all that jazz--you won't be disappointed. The sets are beautiful (no wonder they won an Oscar for Production Design) and the costumes are very well put together (another Oscar there).

    Wes Anderson has created a masterpiece--a literal piece of artwork that will be praised for decades to come.
  • comment
    • Author: Malodor
    In a fictional country whose name might earn 100 points on the Scrabble, one of these typical points in the map that started the century in the Austrian-Hungarian splendor and ended up in Soviet austerity, there is a hotel. In this hotel that used to be the place-to-be to all the visitors from Europe, there was a professional, no-nonsense but not without a debonair quality of his own, concierge, his name was Gustav. He had a lust for aging blonde socialites, and from the way he explains it, it's something that requires the taste of a gourmet.

    There's also a timid but motivated lobby boy named Zero, a baker named Mendl, a murder, a jail sentence, inheritance, family plots and many other ingredients of a real pastry of movie whose story and tone will get over the heads of those who expect something with a plot. Well, that's not what the film is about, it has the old-fashioned charm of Golden Age Hollywood movies, but with a sense of self-conscious wit that gives it a modern touch of originality. It is weird, it is old, you wouldn't believe this is a 2014 movie but like Gustav' tastes, it takes a gourmet to appreciate it.

    There's something delightfully refreshing in "The Grand Budapest Hotel" in the way it doesn't call for any particular analysis, and provides nothing that can encourage your mind to venture into intellectual considerations. This film is meant for pure visual and narrative entertainment and all you have to do is imagining yourself checking in a hotel where all your wishes will be granted, you don't even have to think, it's all in the 'wait and see' premise.

    There's also a leitmotif in the film consisting on a delicious pastry, from renowned baker Mendl, who looks and tastes good and is so appealing in any way that when it is sent to a jail pensioner, the man in charge of checking if there's no outbreak device hidden in food, doesn't even let his butcher knife spoil the visuals. This is almost a metaphor to Wes Anderson's aesthetic power, one you don't want to butcher with 'thinking'. You don't need and you shouldn't, because if you try, you're likely to find yourself in some sort of private joke you're the only one not to get.

    So, embrace that big joke of a film, that shaggy-dog story where each shot, looks like the vignette of a comic-book, enjoy the dry with of Ralph Fiennes in his greatest comedic performance since "In Bruges" and don't take the whole thing seriously. The only serious aspect about it is that the film is a visual masterpiece with a unique use of colors, contrasts and environment shots, Anderson is a director, who like Jeunet in "Amélie" knows how to make people move in an environment, whether a hotel lobby, a jail or a mountain. Actually, he even know how to make them static, in the middle of a frame, looking at the camera but never breaking the fourth wall, quite a stunt, really.

    Other moments come in mind, an exchange of punches that look like the frame never moves yet three or four guys end up on the floor, there's a suspenseful moment over a ravine where a man breaks the ice to make Gustav fall only to be thrown away and fall while spinning like in a Tex Avery cartoon. The juxtapositions between shots is another trick cherished by Anderson, a group of escaping prisoners look down over a hole they just opened, the next shot features the exact opposite with guards. I mentioned comic-books, the film's story board would have made a terrific one. The uses of costume is another aspect that immediately associates the film with the animated world, nothing is too wacky or over-the-top if it means a great-looking shot or a hilarious gag, or both.

    The film is also known for his ensemble star-cast and indeed, it's part of the publicity, it would take a whole paragraph to list all the actors, but the thing is that the film owes them nothing, they're giving their best shot even for a few minutes of screen-time (Bill Murray doesn't have more than a minute but he steals that minute) because they know the film is good enough to have fun with it. It was Ebert who mentioned in his show with Siskel that there was nothing better than seeing actors having fun with their characters, the film would highlight that 'fun' aspect. We know actors love rely on disguises, phony accents and go beyond their usual method acting just to make fun of their own shtick. That's how refreshing the tone of Anderson is. The film would garner 11 Oscar nominations, the most with "Birdman" but not one for acting. Fair enough.

    And as star-studded as it is, Anderson was wise enough to cast a relatively unknown young fellow (Tony Rivelori) for the central role of awkward lobby boy Zero (his old counterpart is played by F. Murray Abraham), Zero doesn't have any physical appeal, he's not even competent, but he's totally devoted to his Master Gustav and that is the key to their relationship, he's his eyes and ears during his absence in prison and together, they lead a heart-pounding adventure with the dawn of the War as a backdrop. Their relationship, which is one of the mentor and master can be very inspiring at time, even poignant, so maybe there are a few things to appreciate beyond the zaniness, after all.

    But apart from that, it's a film that can be tasted like a treat and full of tricks whose only purpose is to make you laugh, the whole thing wrapped up in a sumptuous visual package à la Anderson, a cinematic Mendl. "The Grand Budapest" is all about intellectual detachment, visual entertainment, and fun, fun and fun, tricks and treats, really.
  • Cast overview, first billed only:
    Ralph Fiennes Ralph Fiennes - M. Gustave
    F. Murray Abraham F. Murray Abraham - Mr. Moustafa
    Mathieu Amalric Mathieu Amalric - Serge X.
    Adrien Brody Adrien Brody - Dmitri
    Willem Dafoe Willem Dafoe - Jopling
    Jeff Goldblum Jeff Goldblum - Deputy Kovacs
    Harvey Keitel Harvey Keitel - Ludwig
    Jude Law Jude Law - Young Writer
    Bill Murray Bill Murray - M. Ivan
    Edward Norton Edward Norton - Henckels
    Saoirse Ronan Saoirse Ronan - Agatha
    Jason Schwartzman Jason Schwartzman - M. Jean
    Léa Seydoux Léa Seydoux - Clotilde
    Tilda Swinton Tilda Swinton - Madame D.
    Tom Wilkinson Tom Wilkinson - Author
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