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Short summary

A propaganda film, made in the early months of World War II, dramatizing a new group of U.S. Army Air Force pilots receiving their wings from Lt. General H.H. Arnold: on off-screen narrator... See full summary
A propaganda film, made in the early months of World War II, dramatizing a new group of U.S. Army Air Force pilots receiving their wings from Lt. General H.H. Arnold: on off-screen narrator introduces four of them to us, we see them before the war, during flight training, and in their first assignments as pilots. In flashbacks, we see one with his parents, we meet another's younger brother, we see one with his wife, and meet the fourth pilot's sweetheart. By the film's end, they are flying planes and matériel to General MacArthur in Australia and their families see Air Force planes flying overhead, protecting the nation from invasion.

On November 22, 1942, the B-17 in this film with tail number 12536 (serial 41-2536) was lost along with its crew on a mission attacking Japanese ships 60 miles off Lae, New Guinea, when it caught fire and crashed into the sea. No trace of the plane or crew was found.

Vitaphone production reels #1017-1018.

User reviews


  • comment
    • Author: Painshade
    Very pretty young woman in this movie.

    Don DeFore as nice-looking airman.

    Yes, a propaganda film, BUT wonderful music. Army Air Force, becoming United States Air Force. Yay! Nice color in this film.

    I figure these young men in beginning of film were born as baby boomers after World War One. I figure that the enemy knew that the U.S. was full of eager young men who were patriotically ready to give their lives for home and country.

    Big industrial power? Don't you think that the enemy watched this, knowing how hard they would have to fight to beat our cause?

    These men would go on to have their own baby boom, after World War Two was over.

    Kill the enemy! Blast their planes out of the sky!

    Well, the enemy lost. I guess we outsmarted them.
  • comment
    • Author: Dakora
    21st century eyes may see the stereotypes heavy handed (racist "gung-ho" "kill the evil enemy" pep speeches and sexist views of the women back home) and the introductory message to graduating air recruits in the Midwestern nasal twang of real life Army-Air Corps commander "Hap" Arnold quaint, but that accent was familiar to viewers when the film was first released. Give a listen on "archive.org" to famous radio news broadcasters H.V. Kaltenborn or Elmer Davis. The Army Air Corps (the army and navy each had their own air branches before a unified air force was later created) six months into the start of World War II was scrambling to fill its ranks with the best men it could find and Hollywood co-operated with "human interest" short.

    Films like this (and full blown plotted programmers) combined promise of adventure, honor and idealized pictures of the nation's self image - what the fighting men felt they were being called upon to defend. Of equal concern - nicely addressed in this lavish Technicolor short - was the morale of those either left behind or working in war support production industries. They needed to be assured they were important too.

    The image may seem too well scrubbed and naive at sixty plus years remove, but it was a fairly accurate picture of what most of non-urbanized "middle America" thought of itself in 1942 - and the little touches can be fascinating. A notable part in the latter half of the one reeler deals with domestic military facilities being camouflaged and defended "when they arrive" to attack or bomb them. In mid-1942, the tide of battle had not yet turned in Europe or the Pacific, and this was a real concern for the target audience.

    MEN OF THE AIR may not be great film making, but it is a colorful and honest (if idealized) snapshot of middle-America at the start of an earlier crisis - just as it was coming out of the Great Depression and before the depth of rationing and total commitment to the war effort reached a country that thought of itself as safe.

    An interesting side note is the subsequent career of the cast. Unless they were featuring pre-war movie stars who had been "called to the colors," these recruiting shorts usually tried to cast unknown "everymen" that the audience could theoretically identify with. When this film was first released as "filler" between the main films you paid to see in the theatre - just the way Turner Classic Movies is showing it un-billed today - the biggest recognizable name to most audiences was General Arnold, but most audiences today will recognize the faces and voices of several of the recruits and their sweethearts (even if you don't know their names immediately) from long careers in films and TV work after the war.

    Worth a look - whether or not you feel called upon to set your video recording device.
  • comment
    • Author: Dalarin
    For a patriot person such as myself, it is impossible to watch MEN OF THE SKY and not want to run to the nearest time machine, set the dial for 1942, race through the inevitable sunshine to the Army Air Force recruiting center, and sign up to blast away at some of those sneaky little enemies! Unlike the first-ever Best Picture Oscar champ, WINGS (1927), MEN OF THE SKY does not feature any ill-fated Gary Coopers, here one minute, and jam on the training field the next. No one is shooting down their best buddy, just because their bro borrowed an enemy aircraft after being downed behind German lines. No one is weaving in and out of consciousness here, drunk out of their skulls, seeing bubbles every time a hooker farts. Nobody has a girl torn between two lovers, wondering what to do, not knowing "if loving both of you is breaking all the rules." Despite the Depression, no one in MEN OF THE SKY thinks twice about giving up their latest promotion to take apparently unpaid positions in the cockpit, 'cuz, gosh dern it, those Jauts ARE BAYONETTING BABIES (actual newspaper headline shown during MEN OF THE SKY)!
  • comment
    • Author: Goll
    Men of the Sky (1942)

    ** 1/2 (out of 4)

    When people view films like this one today they're probably going to be offended by some of the racist comments but it's important to remember that this here is a product of its day and we were in the middle of WWII so the film did it's job at trying to build up hatred for the enemy. The film is certainly pretty generic in terms of its story but then again, the main goal was to get people to enlist and I'm sure many did so after seeing it. What we basically get is a propaganda film that tries to talk young men into joining the war, getting their "wings," fighting the enemy and making their parents proud. Again, it's impossible to watch this thing and try to take it serious today as many people are simply going to object to the message. I think the film remains watchable today thanks in large part to the fact that it's pretty much history as to how the country and Hollywood tried to sell the war to people. It's interesting hearing the words used, the patriotic nature and of course how they try to sell the good that comes from it.
  • comment
    • Author: Vertokini
    In 1942, it was common practice to refer to Japanese as Japs and Germans as Nazis. For a post-Pearl Harbor propaganda film, this isn't as racist as it could have been. Newsreels of that time were often more racist than this.

    Watching this, I wondered how many of the men lined up for Gen. "Hap" Arnold to pin their wings on them were real pilots. And out of those men, how many would die in combat. I don't know the statistics, but I would imagine that being part of a flight crew in 1942 wasn't a job with great long-term prospects.

    If you're interested in American propaganda from the early part of American involvement, this is a good start. This isn't as good as the Frank Capra produced series "Why We Fight", but definitely worth a look if you are into World War II and American History of the mid-20th Century.
  • Cast overview:
    Tod Andrews Tod Andrews - Cadet Frank Bickley (as Michael Ames)
    Eleanor Parker Eleanor Parker - Mrs. Frank Bickley
    Don DeFore Don DeFore - Cadet Dick Mathews
    Ray Montgomery Ray Montgomery - Cadet Jim Morgan
    Ruth Ford Ruth Ford - Cadet Gladdens' Sweetheart
    Dave Willock Dave Willock - Bob 'Sir Galahad' Gladdens (as David Willock)
    Owen Crump Owen Crump - Narrator (voice)
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