The Girl Who Dared (1944) watch online HD

The other reviews raise pretty obviously legitimate criticisms of this film, but I love it to death. Plot-wise, it's not particularly ambitious, and the racist representation of the servant is cringe- worthy. But I strangely find the movie enchanting and can watch it over and over. It's gorgeously atmospheric--the kind of cinematography I just eat up. The love story is modestly feasible, with two likable actors inhabiting those roles. I try to watch as many "old dark house" films as I can, because I love the look of them, I love murder mysteries, and it's a nice way to understand some of the conventions, fashions, trends, and language of the 30s and 40s. Unfortunately this film is not available on DVD, as far as I can tell. It streams on amazon, but you never know when those things are going to disappear. Again, this film is not technically a *10*, but I find it beautiful and absorbing, with the quintessential "old dark house" elements pure and strong.

THE GIRL WHO DARED – 1944

Quite watchable dark house mystery put out by Republic Pictures. A group of folks arrive at a country mansion for a party. The problem here is that the invitations were not sent by the home owner. The main leads are played by Lorna Gray, (Adrian Booth) Peter Cookson, Grant Withers, Veda Ann Borg, (playing twins) Kirk Alyn, John Hamilton and Willie Best.

Bodies start to pile up and the people are of course all blaming each other. Arriving on the scene is Investigator Cookson. He is pursuing a big city Doctor who absconded with $60,000 worth of radium. He suspects that one of the guests is in league with said Doctor.

The story is old hat and supplies nothing really new. But the pace is brisk and the actors seem to relish their parts. Somewhat wasted is Willie Best doing the frightened servant bit he had done in more than one film.

Anyways, there is the mandatory scene where all are gathered in a room while the Detective, Cookson flushes out the killer. If you have an hour to kill, this quickie should fill the bill nicely.

Girl Who Dared, The (1944)

** 1/2 (out of 4)

Decent "B" flick from Republic has a group of people invited to a party at a creepy house where legend has it a ghost appears once a year. It turns out this group doesn't know who invited them and sure enough it doesn't take long before one by one they start dropping dead. The "old dark house" genre was more than fifteen-years-old by the time this one here was released to theaters so needless to say there's really nothing new or original here. The more of these films I watch the more I realize that they were all for the most part cheaply made and I'm really not sure what the point of so many of them were unless they simply made a lot of money on small budgets. This one here certainly isn't a masterpiece but at just 52-minutes the thing is short enough to be fairly entertaining. I think the best thing the film has going for it is the nice cast, which includes Peter Cookson as a mysterious mechanic, Lorna Gray as the main female, Willie Best as the nervous servant and Grant Withers as one of the many possible murderers. Each person turns in a fine performance with Best once again doing that scary-cat act like no other. The story itself isn't all that bad and I actually enjoyed the backstory dealing with a pirate ship that crashed a hundred years earlier and this is where the ghost comes from. We also have a subplot dealing with radiation and the impact it might have on the person who comes in contact with it. There's some fairly good atmosphere but there's no question that they weren't meaning for this to be anything other than cheap entertainment. Fans of the genre who must see everything will certainly want to check it out but others will probably be squirming in their seats. This certainly isn't the type of movie for everyone but fans of the genre should find it entertaining.

Okay, you've likely seen the format before—a creepy isolated house, a series of murders, an attractive cast that includes the murderer, and an amateur sleuth. But also throw in a batch of radium a full year before the A-bomb, plus a purported ghost, for good measure. Surprisingly, the rather murky whodunit is not uppermost, instead it's the characters and atmosphere. What it all adds up to is a decent little programmer for wartime audiences and even for later folks taking a break from the computer.

You just know from the outset that despite appearances Blair (Cookson) can't be the bad guy, he's just too good-looking. Besides, the winsome Ann (Gray) takes a shine to him, and you know how Hollywood is in that regard. It's an attractive cast of vets and up and comers, but I did get confused at times with the similar names and appearances. Plus, the reveal scene was much too brief, like someone's contract had suddenly run out. Nonetheless, that one ghost scene was truly spooky, along with the usual secret passages, shadowy rooms, and stormy nights. Come to think of it, I miss old b&w for the effects that color simply cannot duplicate—new Hollywood should loosen up! Anyway, it's a fun little hour with a gang of Hollywood pro's and an old dark house. So how can you lose.

While this film has no big names (in fact no names I have heard at all), it still manages to be a fun "old dark house" film with a clever plot and interesting characters. The story and plot revolve around radiation, which I found to be very appropriate and a bit novel for the 1940s.

I also have to call out the black servant, Woodrow, played by Willie Best. Best may not be a household name, but he had an incredible career (including such films as "High Sierra" and "Cabin in the Sky"). Maybe it is wrong of me to find humor in these "black servant" roles. Maybe they are racist. But Best does them well, making the characters he plays endearing and fun. I look forward to seeing his work.

I recommend this film. It is short, so you are not investing much time. And it is well-written and of above average quality. Definitely worth a peek.

"The Girl Who Dared" sounds more like a Western adventure instead of a B old-dark-house mystery, but the latter is what it is. This fast (under an hour), breezy film is something of a variation of "And Then There Were None," and actually beat the film version of the Agatha Christie novel to the screens by a year! It leaves no convention unexplored and no cliché unplumbed, and the identity of the killer is more random than motive-inspired. But it is competently done, with some interesting camera work for such a cheapie, and a couple decent plot twists. The trapping of the killer is unique, too. The cast performs competently, and some of the actors play against their usual types, particularly Roy Barcroft, normally a Western and Serial heavy who here plays the hotheaded, jealous ex-husband of one of the key characters, and Kirk "Superman" Alyn, as the equally hot-headed brother of the "Girl" of the title. John "Perry White" Hamilton also enjoys a larger and different kind of role than he was normally given. If only the filmmakers had been so generous with Willie Best, who once again shuffles around as a pop-eyed, comic relief servant who is afraid of his own shadow. All in all, it's worth an hour of a movie buff's time.

Several people are invited to the home of Beau and Chattie Richmond for a party at which the "ghost of Heron Point" will make an appearance. The thing is - the Richmonds did not send out the invitations. The ghost is supposedly one of the crew of a pirate ship that sunk a hundred years ago near the Richmond estate. Then there's the mysterious mechanic who crashes the party. While the guests await for the ghost to appear, one of them is murdered but her body later disappears. Two more murders follow. This dark house type mystery is devoid of humor, has a thin and unbelievable plot, and a not really spooky atmosphere but is nonetheless mildly entertaining to watch because of the cast. Oh, there's Superman (Kirk Alyn), there's Perry White (John Hamilton), there's the guy that was in a gazillion Westerns (Roy Bancroft), there's Loretta Young's first husband and actor in dozens of B movies (Grant Withers), there's the brassy and always competent character actress Veda Ann Borg, and last, but not least, there's Willie Best as the servant who is always scared. At least the motive for the murder is somewhat innovative as is the ploy for identifying him. The lead characters, played by Peter Cookson and Lorna Gray are pretty bland. It is sad, though, to have to watch the talented comedian Willie Best as a shuffling, scared servant. This an actor who Bob Hope evidently referred to as one of the finest performers he ever worked with. What a waste and what a shame.

An assortment of relatives come to visit John Hamilton at his isolated house on an island, connected to the mainland by a causeway. The local legend is that a hundred years earlier a pirate ship had sunk there -- the remains can still be seen offshore -- and one night a year, this night, the ghost of the pirate captain can be seen from the shore. Then one of the houseguests is killed and the movie shifts gears.

It starts off as a lighthearted old-dark-house/mystery/comedy from Republic under the direction of Howard Bretherton, the studio's reliable jack-of-all-genres, and the B-list acting talent available for the studio's non-western programmers are up making the most of their roles and the spooky camerawork of Bud Thackery. It maintains its interest right to the end, although the mystery aspect of the movie is lazily handled; still, that fits right in with its multi-genre script, and more in keeping with its sense of being a mood piece, rather than a serious effort.

No great acting or production values here. Just a simple "B" mystery that lasts about 52 minutes. I, personally, enjoy this genre but I am under no illusions as to the craftsmanship of the production. Still, one can always count on certain things happening in this type of movie. Willie Best plays the servant so you know there will be some scenes with a scared, shivering, character. There's always a couple of red herrings as the identity of a triple murderer is ferreted out. And, lastly, the murderer is trapped by a trick device in the room where the entire set of suspects are present.

"You can't convict a man of murder if you can't find the body"--from the film...and certainly NOT true!

In the 1930s and 40s, Hollywood made a ton of scary old house movies. They always involved some folks getting stuck in some home as a maniac slowly begins picking them off...one by one. "The Girl Who Dared" is one of these films...but it's also a bit better.

In this film, a group of people are invited to a mansion...but when they arrive the homeowner says he didn't invite them. Soon, a body turns up...and then another. And, naturally, the phones have been cut and their cars vandalized so they cannot escape!

The reason I liked this one is the ending...it was a clever way to catch the killer and their motivation was interesting. A decent time-passer.

I've seen the public domain film, "Topper Returns", many times and have pretty much memorized all of the plot twists and dialog in that creepy last chapter of that short-lived screwball ghostly comedy series. Immediately upon beginning to watch this Republic mystery comedy, released just a few years later, I began to notice the similarities. A car breaks down on the way to a spooky mansion where mayhem is about to occur, the heroine (here Lorna Gray) deals with the wise-cracking mechanic (Peter Cookson) with whom romance is about to blossom, and once they get there, they find out that they actually were not invited, but other guests have shown up out of the blue as well. Several people are murdered, and the search for uranium on the distant property (disconnected from the mainland and only accessible by a Key Largo bridge like causeway) leads to further mystery. Like Eddie "Rochester" Anderson in "Topper Returns", there is a scaredy cat black servant (here Willie Best), and like the outcome of "Topper Returns", there is a clever way of trapping the killer. There are also secret panels and surprising clues and even twin sisters (Veda Ann Borg) who obviously hate each other. This is a surprisingly entertaining, if completely unoriginal, who-done-it, grasping the viewer in and not letting go until the final comes just an hour later. The spark between Gray and Cookson makes it all the more entertaining, and Borg gets to display two sides to her usual brash personality to make for an interesting characterization. In spite of the humiliating type of role Best plays, he is very funny, which speaks highly of his talents as a comic, even if it is a shame that he had to endure the types of parts he was cast in during his long career.