Carry on Regardless (1961) watch online HD

With work sparse in England, the labour exchanges have become almost a social club with so many men hanging around without joy. It is in this environment that Bert Handy spots an opening for a firm carrying out any odd-jobs on request and thus the "Helping Hands Agency" is born. Recruiting a gang of odds and sods, Bert quickly finds that there are all manner of jobs out there to be done that don't fit anywhere. However can his men all cope with the sheer range of jobs thrown at them? About 10 minutes into this film I started to realise that this had no plot. At regular intervals from then on this view was reinforced as the film just became a series of sketches using the odd-job company as a frame for setting each one up. This sounds like a criticism because it is but surprisingly it was not a real problem because the sketches are mostly pretty funny and the amusement they make up for the total lack of any actual narrative drive. The sketches mostly stand alone but are not that contrived or forced – only the mixed up jobs part is a little forced; the wine tasting, the translated argument, the home improvement show and others are all consistently amusing even if none of them had me rolling in the aisles.

The cast all take to the sketch format with their comedy background. James has the least role since he has to act as the glue holding the funny bits together but he does get some laughs and he is rarely less than interesting and amusing. Connor, Williams and Hawtrey all do the characters they had done in the previous four films – all of them are funny and they do well in their various sketches. Owen joins the male cast in a minor role while Sims and Fraser are stuck with "pretty young girl" roles which minimise their comic impact a little bit. Support from Jacques, Hickson, Cannon, Alexander and others is good and they make the film feel fuller than it would have done with only the main roles filled with well known faces.

Overall on the surface of things this is a plot less mess that has no rhyme or reason to it; however it does set up a series of sketches that are mostly pretty amusing. It won't be remember as fondly as the later Carry On films that produced laughs with a fuller plot and costumes but it is still an enjoyable film that shows how good the group were as comics. Not quite what you think of when you think Carry On but an entertaining collection of sketches nonetheless.

This is a great Carry On. The unemployed group together (under Sid James aka Mr Handy) to provide 'services' to various people for a fee. Special treat is Stanley Unwin who is desperately trying to warn them of their impending eviction, but due to his gobbldygook language, they don't understand. Until Kenneth Williams (an equally skilled orator) comes to the rescue. Best bit definitely Kenneth Connor in the Gentlemans club. Almost as good - Kenneth Williams walking the Chimp, Kenneth Williams interpreting for the German Woman, Kenneth Connor and Joan Simms (No sweets, no draws), Stanley Unwin all the time, Charles Hawtrey boxing ..... no, there's too many good bits to recount.

The film centred around The Helping Hands business is full of laughs.Favourite sketch is Sam Twist (Kenneth Connor) in the club as steward and is told not to make a sound.You can't help but laugh as he gradually loses the plot when he sees an old man's fly undone on his trousers,an old man falling asleep reading a book and an old man sleeping as his wig slips down over his face.Top notch.A film (like all Carry On films)that I never get sick of watching with all the early Carry On regulars present.Typlical Carry On gags and double-entendre with the campness of Charles Hawtrey and Kenneth Williams always guaranteed to make me laugh.

For their fifth venture, the usual "Carry On" suspects (Sidney James, Kenneth Connor, Charles Hawtrey. Kenneth Williams, Joan Sims and Hattie Jacques) are joined by other irregular members (Fenella Fielding, Liz Fraser, Esma Cannon, Terence Longdon, Bill Owen, David Lodge and Norman Rossington) and some surprising cameos (Stanley Unwin, Jerry Desmonde, Kynaston Reeves, Howard Marion Crawford and Patrick Cargill) in a frequently hilarious but ultimately patchy and disjointed romp.

James' Bert Handy heads "Helping Hands", a well-meaning but hopelessly incompetent firm providing any services the customer may require: and, so it is that James is asked by an eccentric millionaire to take his place in the queue at a hospital's waiting room and is consequently mistaken for him and waited on by the matron (Jacques, naturally); Connor is in top form here: ostensibly hired as a babysitter, he finds himself acting as Fielding's lover to arouse her neglectful husband, being a librarian driven to hysterics when attempting to observe a public library's rule of silence, getting himself all wet when, completely misunderstanding a client's request, he engages in some Hitchcockian espionage aboard a train full of sinister passengers, getting engulfed by the "Bed of the Century" when attending an Ideal Home exhibition and, best of all perhaps, going "cold turkey" after his sixth attempt to stop smoking; Sims also has a memorable bit when she ends up drunk at a wine-tasting event and makes a shambles of the place to the chagrin of organizer Crawford; Hawtrey goes into the ring against a massive opponent when, acting as his second, he inadvertently injures the challenger!; Williams enjoys a tea party with a group of chimps at the zoo, etc.

The finale shows Cannon's infallible filing system going bonkers with each member of the group being sent out on the wrong assignment and, afterwards, the whole gang join forces in demolishing a dilapidated building…even if their original task was merely to clean it up a bit! In a notable appearance, celebrated comedian Stanley Unwin speaks his trademark nonsense language and drives the entire crew to distraction during his intermittent visits to their office…before multi-linguist Williams manages to explain that he is their landlord and is about to throw them out!

As one can make out, there are several funny bits in this film but it is also evident that its inherently episodic structure (which entails that some of the gang members are given precedence over others) fails to coalesce into a cohesive and completely satisfying whole.

This film is definitely in the top three of Carry On films.

Alongside the early line-up of usual players - Kenneth Williams, Joan Sims, Charles Hawtrey, Kenneth Connor and Sid James - this film is notable for its host of cameo roles by other comedy greats. Some, such as Hattie Jacques and Fenella Fielding, had greater prominence in other Carry On films. Some, such as Betty Marsden, became famous elsewhere in comedy. Further familiar faces in cameo roles here include Molly Weir, Terence Alexander, Joan Hickson and Nicholas Parsons.

The five main actors listed above are ably assisted by Liz Frazer, Bill Owen, Esma Cannon, Terence Longdon and Stanley Unwin, all united around an agency that aims to help customers in whatever way they can. Hence the great range of cameo roles available.

Joan Sims performs one of her greatest drunk roles; Kenneth Connor does his best tongue-tied shy man, both in the company of temptress Fenella Fielding and when he's attempting to give up smoking; Charles Hawtrey wins a boxing match; and Kenneth Williams gets to walk a very unusual pet.

The humour in this film is far superior to the sex and toilet jokes that later filled (and possibly destroyed) this great series of films. This is a film that the family can watch time and time again.

Despite their being much decried at the time of their release, the Carry on Films are, and will become even more so with time, an integral part of English Comedy Culture. Most of the protagonists of these films are as of today, dead, and nothing as side-splitting has unfortunately come to replace them. They are films you can watch over and over again, when you are feeling down in the mouth, even when you know the stories. In France, the equivalent is called ' L'Equipe du Splendide " who made films of the "Les Bronzés" series during the seventies, but their output was far less prolific and the protagonists are still alive today as far as I know. As for the carry-ons, there are so many of them, that one is never short of a good laugh, and today, there is none of the good light hearted humour of those fifties and sixties. Unfortunately, the late twentieth century plague called "political correctness" has seen to that and what a shame it is too ! Carry on regardless is one of the funniest carry-ons, unfortunately in Black and White, but with the added attraction of Stanley Unwin speaking "gobbledygook" (charabia) and this had me reeling in fits of laughter. Mind you, I'd already seen Stanley several times on English TV years ago but I can't remember in what context. Anyway, carry on watching ..............they're nearly all now available on DVD for about £10 or 15 ? !!!

This Carry On does not seem to have a story line- it is more of a series of sketches linked together only by "Helping Hands". However this is a good one, NOT quite what the tagline suggests, but a good one. Most of the main stars (to date) are here, and they all get their own sketches. My fav being the Kenneth Williams/Chimp one (But this could be because KW is the best "Carry On-er"!). Other highlights are the Joan Sims' sketch at a wine tasting party and the end scene whare all the gang demolish a house. Apart from Stanley Unwin (I can't stand the way he talks) this is a good-un.

A bunch of out of work folk are delighted when several positions come onto the market at the Helping Hands Agency...

As most reviews attest to, this fifth Carry On film barely has a plot to get your hands on. Pic basically takes the seven members of the agency through a series of vignettes, the jobs they are assigned to do ranging from chimp walking to modelling underwear!

Each slot allows for some amiable comedic opportunity, the best of which finds Joan Sims getting sloshed at a wine tasting function, Charles Hawtrey landing in a boxing match with a hulking brute, Kenneth Connor involved in a 39 Steps parody, and all of the workers pitched into chaos during an Ideal Homes Exhibition. Back at the Helping Hands office Sid James and his secretary Esma Cannon are flummoxed by the continuous appearance of Stanley Unwin talking his gobbledygook, which all leads to the big finale as the whole cast get to have a grand old time of things. While as usual there's fun to be had spotting the future stars of British TV and film who pop up in cameos.

Carry On Regardless finds the creators on safe and amiable ground. It's no high point of the series but it's good fun and lets some under valued comic actors work their respective charms. 7/10

This "Carry on" as other writers have noted has no plot but that does not detract at all from enjoying it because its like a series of delightfully funny sketches. Lets face it plot was never very important in this series any way. The sketches are fun. Some of course are more successful than others but there are moments in this Carry on that are simply priceless. One problem is the usual weak link in the series, Kenneth Connor. The producers must have been very fond of him because he is always given more to do than the others. The 39 steps send up is dull. He annoys me. It is not that he is a bad actor, far from it its that the characters he played do not hold up today. He is not quite as annoying as I usually found him and his scene with the great Finella Fielding is a joy. This wonderful actress graced the screen when ever we saw her. I wonder if she always played this character because she did it to perfection. What a brilliant actress! There are plenty of other great performers in this movie. Australians will recognise June Jago a small role and the great Ed Devereaux in an all all too short appearance as an insanely jealous husband. Of course the more one reads about the great Charles Hawtrey makes one wonder what was really going on in his mind in that scene with the incredibly cute boxer who strains his finger. Hawtrey is in great form here. Kenneth Williams is brilliant and he gives one of his best. The chimp scene is lovely and that little animal gives a great performance too. I hope there was no cruelty to the beautiful creature, one worries about these early films. Sid James is nicely restrained. Fine old actors like Esma Cannon and Joan Hickson are as always brilliant and although Hatti Jaques only has a small role, she lifts the film as always. The Joan Sims drunk scene is a master piece. She was always a winner. The scene when we are meant to be convinced she is fat does not work. I find her very attractive. This is one of her very best. The best performance comes from gobbledegook talker Stanley Unwin. I don't know how he does it but I have not laughed so much in a while. Esma Cannon's reaction to him are hilarious. A fun movie. For me it gets an 8.I must say it is Unwin who steals the film... remarkable and what an incredible gift. I cannot do it nor can many people.

The fifth movie in the popular Carry On series, Regardless opens in an employment office where many of the Carry On regulars are seeking work. When someone spots an advertisement in the local newspaper for a vacancy at The Helping Hands agency, there is a stampede to the office, where boss Bert Handy (Sid James) gives all of the hopefuls jobs, sending each member of staff on an assignment with disastrous results.

With a virtually non-existent plot, the film being little more than an episodic series of comedy sketches tenuously linked by the Helping Hands agency, this is one of the least engaging of the Carry On capers. As wonderful as the performers all are, there is little they can do with the lacklustre material, and there are precious few genuine laughs to be had as each character goes about their appointed task. The not-so-hilarious escapades include snobbish Francis Courtenay (Kenneth Williams) taking a chimp for a walk, neurotic chain-smoker Sam Twist (Kenneth Connor) believing that he is involved in espionage, and lovable Lily Duveen (Joan Sims) getting tipsy at a wine tasting event.

On the plus side, there's no shortage of crumpet on show to elicit a few 'Phwoar's from male viewers: voluptuous blonde Delia King (Liz Fraser) models lingerie for a husband who is trying to buy a present for his wife, busty brunette housewife Penny Panting (Fenella Fielding) tries to make her husband jealous by dressing sexily and canoodling with Sam, lucky boss Bert gets to examine a line-up of young nurses stripped to their underwear (which, this being the 1960s, involves sexy stockings and suspenders), and Sims' fans get to see Lily in the bath (although copious bubbles preserve her dignity).

I rate Carry On Regardless a disappointing 5/10, but deduct one point for Stanley Unwin, whose dreadful gobbledygook routine soon becomes extremely tiresome (he appears in the film numerous times as a potential client who cannot explain his requirements because no one can understand him).

This fifth film in the popular British series of alluring comedy films is probably the only one that doesn't really have a storyline, but the theme is a good hook. Basically a variety of characters are complaining that all jobs that are advertised are boring, and the ones they are interested in disappear. Then they are brought to the Helping Hands agency, run by Bert Handy (Sid James), a new enterprise that specialises in helping people in any kind of odd jobs, these jobs aren't just odd, they're strange in most cases. So Sam Twist (Kenneth Connor) is contacted to be a babysitter for Penny Panting (Fenella Fielding) who really wants company and then to make her husband jealous, Francis Courtenay (Kenneth Williams) is looking after a pet chimpanzee for a woman with flu, and Lily Duveen (Joan Sims) is taking invitation cards for a wine tasting evening which she boozes in. Bert gets himself into a job himself as well, when Sir Theodore (Kynaston Reeves) wants him to take his place in a hospital queue, but he ends up being mistaken for him not as a patient but an inspector, looking over the wards, and some new nurses in their underwear and bras. Francis gets two more jobs, first modelling in a bee-keepers helmet, and then with his knowledge of languages translating for a bickering couple with the wife being German, while Sam is desperate to quit smoking, but can't, oh and Gabriel Dimple (Charles Hawtrey) is helping out at a boxing match, and he ends up being the opponent in the ring when he is insulted, and he wins. Next Sam is over the moon when he thinks he has found a job as a top secret spy, he believes he is expected at the Forth Bridge in Scotland, but it was a mix up and he was actually meant to play the card game bridge. When he returns all the new employees of Helping Hands are teaming up to demonstrate some new products for the Ideal House exhibition, of course this doesn't go well as mishaps ensue while trying to work everything. The final scene sees Bert joining all his employees as they make what might be a last attempt to impress a high paying gibberish talking customer, repairing an old mansion falling apart, but in the end the guy changes his mind allows them to carry on regardless. Also starring Liz Fraser as Delia King, Bill Owen as Mike Weston, Hattie Jacques as Sister, Terence Longdon as Montgomery Infield-Hopping, Joan Hickson as Matron, Esma Cannon as Miss Cooling and Stanley Unwin as Landlord. The cast as usual make you laugh with their enjoyable individual characters, the film is filled with the usual double meaning dialogue, the saucy stuff, a little innuendo, and some slapstick that will certainly make you chuckle, a fun comedy. Carry On films were number 39 on The 100 Greatest Pop Culture Icons. Good!

Sid James again leads the cast of Carry On's. We also have Kenneth Conner, Kenneth Williams, Joan Sims, Hattie Jacques and Charles Hawtrey. Sid James works at the job placement center called "Helping Hands", and he sends the others out to different jobs. Most of them have funny moments, but there is no real plot involved here. Sid James is the best as always. The movies with him always add a point or two. Kenneth Williams has some good moments in the film. He gets to take care of a monkey and then he does a photo shoot in a bee hat. He thinks they wanted him for his looks and they drop the hat on him at the very last second. Another funny moment has Kenneth Conner sent to a bridge waiting in the rain, the man wanted a fourth for his bridge game. Overall this was a pleasant movie, but lacked the bite of the best ones.

The girls (Liz Fraser, Joan Sims) stand out (cue laugh). Liz gets to model some undies and Joan dolls up to greet guests at a wine-tasting with predictable results. Mainly the cast wander round London of the 60s meeting a lot of eccentrics and chimpanzees. Kenneth Williams shines as usual as a toffee-nosed language expert who is the only one who can understand Unwinese (as gibbered by Stanley Unwin). Of course the jobs get mixed up, Joan Hickson gets to reprise her hospital Sister role and Kenneth Connor gets sent off on a 39 Steps parody where he bumps into rarely-seen radio star Betty Marsden (why wasn't she made a Dame?). The non-plot descends into slapstick when the team are sent to renovate Unwin's country house (which would now be worth millions). And is that German or Yiddish the mismatched couple are speaking?

I didn't enjoy this one as much as Carry On Teacher. Altho she hasn't had an outstanding part in one as of yet, I was quite disappointed that dear Hattie's role was very minor.

The lack of plot didn't bother me at all. Joan Sims drunken bit was very amusing.

The fellow with his odd talk wasn't at all entertaining. Truthfully, if you paid attention, you could half follow what he was implying.

The transition of the performers from the first movie, Carry On Sergeant, to this one is interesting to observe, in a mere three or four year period in intriguing.

Clearly, this person Kenneth Conner was to be the center of attention. From an American viewpoint, he doesn't shine through.

While I didn't enjoy Carry On Constable as much as Teacher, I liked the exterior shots. What few street and outdoor scenes Carry On Regardless had was a bit disappointing as well.

I would have just liked more.

Well, on to the next one, the first colour Carry On: Carry On Cruising!

"Carry On Regardless" was the fifth "Carry On" film to made.

It does not have a basic plot, but is full of sketches about an agency called "Helping Hands", that consists of people who are sent to help out in homes or at functions etc.

The fact that the film has no basic plot might make it confusing for some people, but having a series of sketches is a nice change, and this film contains some memorable ones, including Kenneth Williams taking a chimpanzee for a walk, Joan Sims getting drunk at a wine tasting, Charles Hawtrey winning a boxing match, Kenneth Connor in a "The 39 Steps" parody and Sid James getting up-close to the nurses at a hospital. Other treats include a home equipment demonstration and the gang demolishing a house.

10 out 10!

Unlike the other films in the series, this is essentially a sketch comedy film held together by a loose plot. I was sceptical about the sketch format at first and it took a while to get going but I think that it worked very well. The funniest sketches feature Kenneth Williams taking a woman's pet chimp Yoki on a walk around London and taking in a chimp's tea party, Joan Sims getting extremely drunk at a wine tasting event, Sid James being mistaken for one of the finest living diagnosticians at a hospital and Kenneth Connor getting the wrong end of the stick and thinking that he has been hired to work as a spy. The latter is a great parody of pre-Bond British spy films. Those four actors are the strongest performers and get the best material on this occasion.

As in sketch shows, not all of them work. The comedic potential of Charles Hawtrey (criminally underused in contrast to most of the other films) working as a bouncer at a strip club is wasted because we never actually see him do it. The four scenes in which Stanley Unwin spouts his trademark gobbledygook are just painful, frankly. On the bright side, as the matron in the hospital sketch, the prim and proper Joan Hickson provides a fantastic contrast to James' leering and dirty jokes. The film has a very good cast such as Hattie Jacques (who only appears in said hospital sketch), Esma Cannon, Fenella Fielding and Terence Alexander. However, the early regular Terence Longdon, making his final appearance in the series, and Bill Owen are basically relegated to cameos and Liz Fraser only has one scene worth mentioning after she parades around in her underwear at the beginning of the film.

The aforementioned problems aside, however, it is an extremely funny film which produced plenty of belly laughs. What more can you ask for from a "Carry On" film?

The Carry On gang had one of their best outings in Carry On Regardless, the story of an employment agency run by Sid James where they handle temporary and unique job situations. The nature of the film with the various Carry On troupe members sent on assignment is perfect exhibiting the comedy styles of all the regulars.

Such a structure tends to be episodic but in this case hilarious. During the course of the film we see Kenneth Williams get hired as a pet walker and the pet turns out to be a chimpanzee. Great scene when they end up at the London Zoo with Williams and his charge at tea time with his peers. There's also Joan Sims hired to help out at a wine tasting party by Howard Marion Crawford and getting absolutely polluted. And we can't forget Charles Hawtrey hired as a boxing ring second stepping into the ring and taking over when his fighter can't perform. Each skit fills the comic style of the performer perfectly.

A really marvelous comedy from Great Britain courtesy of the ever ready Carry On troupe this time at the Helping Hands Employment Agency.

Another fine, early, memorable entry in the Carry On series. This one has a very loose story indeed, one that barely provides continuity between a series of sketches that mostly veer towards the very funny. Most of the regulars find themselves employed in Sid James' odd job agency, taking on all manner of work, with the inevitable mix-ups and crossed wires along the way.

The ratio of funny to unfunny sketches is very high. Off the top of my head, the following are all highlights: Kenneth Connor trying to keep quiet in the library, Charles Hawtrey having a stab at boxing, Kenneth Williams walking a chimp, and of course the ending in the derelict house which is slapstick at its very Laurel and Hardy-style best.

Stanley Unwin's gobbledegook-speaking character makes for some memorable interludes and the actors are at the top of their game, with everybody getting plenty of screen time aside from Hattie Jacques, who appears in a cameo (she was ill during filming). Liz Fraser, a Barbara Windsor prototype, also proves very good in a straight-type role, while Joan Sims gets a chance to let her hair down at a wine-tasting session. Watch out for the delightful Esma Cannon as the dotty receptionist, Fenella Fielding and real-life wrestler Joe Robinson as boxer 'Dynamite Dan'. This one's a treat!

The Carry on genre of films was in the late fifties, sixties and early seventies a British institution. I have a special soft spot for Carry on Regardless, as the exterior scenes of the Employment Exchange were filmed at Yiewsley Town Hall (Middlesex), just a couple or so miles up the road from Pinewood Studios, and more importantly for me just a few hundred yards from my school. Myself and several of my class mates bunked off school to watch the shooting, and although we were not allowed to get anywhere near the actors, the film crew let us watch from across the road, which was very exciting for an eleven year old. We got caned the next day for bunking off school, but in hindsight it was worth it. Apart from my personal bias, I do think that Regardless was one of the funnier Carry On's, it had moved on from the rather twee Carry On Sergeant, rather silly Carry On Teacher, and showed the beginnings of saucy postcard humour which were to become the films trademark. Sadly, the Carry On films lost their way in the mid 70's, Carry on England being painful to watch and Carry on Emmanuel being more a porn film than a classic British comedy.

This outing sees the Carry On team working in a temping agency called Helping Hands which is run by Sid James; there isn't a plot to speak of they just go out to a series of jobs which leads each of them in to amusing situations; Kenneth Williams has to take a chimpanzee for a walk, Joan Sims gets rather drunk at a wine tasting, Liz Frazer ends up modelling underwear for a man who is actually wanting them to give to his wife and Charles Hawtrey has to be a second at a boxing match but ends up in the ring himself! There are plenty of other jobs they are sent to and when it seems they have exhausted the idea of sending them on jobs they are qualified for an accident at the office means everybody gets sent to jobs they are not qualified for.

I don't think this is one of the best known in the series but it had more laughs than I had expected; the regulars perform well in their roles although that isn't too surprising as they usually play similar characters. Stanley Unwin who played the difficult to understand landlord makes a fun guest appearance; it is difficult to describe how he talks; it sounds like English but the way he twists the works makes it delightfully difficult to understand. If you enjoyed other early Carry On films I'm sure you will enjoy this; there are plenty of laughs and it isn't too rude for youngsters to watch.

Carry On Regardless is an entertaining film in my mind, but it is not among the best for me, not like Cleo, Up the Khyber and Screaming. There is a complete surfeit of story, the film feels more like a handful of sketches, and Stanley Unwin I found more irritating than funny. However, the gags are funny constantly, with Kenneth Williams baby-sitting a chimp and Joan Sims getting hammered the highlights. The film is well directed, has a snappy script and looks nice too. The acting, other than Unwin, I have little to complain about. Kenneth Connor gives one of my favourite Carry On performances of his, and while he could have done with more to do Charles Hawtrey is good as well. Sid James seems to having a lot of fun, and Esma Cannon simpers superbly, while Kenneth Williams and Joan Sims come off best. Overall, a fun entry that entertains even with an uneven story. 8/10 Bethany Cox

By 'Carry On' standards, the fifth film in the long running series could almost be considered avant-garde. No plot as such, just sketches based around a single premise - Bert Handy ( Sid James ) and secretary Miss Cooling ( the priceless Esma Cannon ) run the Helping Hands employment agency in London. If you want any job done, no matter how small, no matter how bizarre, approach them and they will find someone to do it. The mainly incompetent staff includes Montgomery Infield-Hopping ( Terence Longdon ), Francis Courtnay ( Kenneth Williams ), Gabriel Dimple ( Charles Hawtrey ), Lily Duveen ( Joan Sims ), Delia King ( Liz Fraser ). Mike Weston ( Bill Owen ), and Sam Twist ( Kenneth Connor ).

The jobs include taking a chimpanzee for a walk in the zoo, wine tasting, male modelling, acting as seconds in a boxing match, trying on women's clothing, taking a patient's place in a hospital queue, and displaying the goods at the Ideal Home Exhibition. The sketches are variable, but all manage to be well performed and enjoyable.

'Regardless' has one of the best ever 'Carry On' cast lists. Alongside the regulars, there is Patrick Cargill, Nicholas Parsons, Terence Alexander, Fenella Fielding, Howard Marion-Crawford, Betty Marsden ( as a 'Mata Hari' type ), and, the master of gobbledygook himself, dear old Stanley Unwin. Freddie Mills, the prizefighter who died in suspicious circumstances in 1966, has a role. Sally Geeson, later to play Sid's daughter in 'Bless This House', is one of the children who watches Williams demonstrating toys.

Norman Hudis does not look back on the film favourably and while there are some ideas that don't work ( Sam's craving for cigarettes being one ), most do. My favourite is Sam's recreation of 'The 39 Steps' which involves him, wearing a hat and trench-coat, and sporting an American accent, travelling to Scotland via train and then jumping off at the Forth Bridge, only to land in a deep puddle. 'The 39 Steps' had then recently been remade ( starring Kenneth More ) by Gerald Thomas' brother Ralph.

Hattie Jacques was due to take a major role but had to withdraw due to illness and so her lines were given to Joan Sims and Liz Fraser. She did appear briefly though as ( what else? ) a Matron! Unusually risqué for the time - Sid is mistaken for a doctor at one point and has to examine a line of nurses, all stripped down to their underwear, Fenella Fielding's sex-starved housewife goes by the name of 'Mrs.Panting', and when a bit of paper falls off a desk, Kenneth Williams picks it up and says: "Blew off!".

In case you're wondering, "Cariochus" is Unwin's rendition of the film's title.

It's the early sixties and jobs are tough to come by, enter Helping Hands, an agency that can fulfill any post.

These earliest carry on films seem like a totally different group of films to the latter offerings. Regardless is funny, charming and truly light hearted, there was an innocence to this earlier movies that was replaced with something more adult in later years, possibly more smutty.

There isn't a tight plot, it's very loose in a way, a series of sketches hang together before a mad cap slapstick ending. Every sketch had its moments, Kenneth Connor's sniggering at the gentleman's club is hilarious, as is a drunken Joan Sims. I wouldn't say there's a particular standout, but Stanley Unwind and Esma Cannon although being supporting characters provide great laughs. Liz Fraser is great, such a sensational beauty.

The Carry On movies at one time were the very soul of British humour. I used to love them. And I have fond memories of a London stage Review "Carry On London" on one of my first visits there in the sixties. But, alas, the movies, at least this one, have not worn well. I eagerly looked forward to watching this item when it turned up on one of our specialty channels. After all, Sid James is/was a very funny man! But, sad to say, I found it trite, predictable, clichéd,dated,juvenile and not really all that funny. I guess it was right for the times, a product pre-dating IRA bombing campaigns, the common market and the Americanization of English life. But in 2005, unlike some other "oldies", it just doesn't make it.

"I was looking for someone to make a fourth at bridge",an exasperated Eric Pohlman splutters to Sid James after Kenneth Connor has performed a death - defying leap a la Richard Hannay from a speeding train crossing the Forth Bridge.This is just one of a series of misunderstandings that force Sid's "Helping Hands Ltd"to the verge of extinction,only to be rescued at the last minute by their own serendipitous incompetence whilst working for the sublime Stanley Unwin whose career was brief but ecstatic for the former schoolmaster. Apart from a distinctly unfunny Patrick Cargill in a pre Leslie Phillips Leslie Phillips role,"Carry on Regardless" is inoffensive to all but the most po - faced amongst us.There is lots of good old British cheek of course,but it's innocent enough and nicely played. Like Dorian Gray,the series grew more raddled as time progressed,but fifty years ago when the censor's pencil hanged Damoclese - like over the theatre and the cinema,it was much more of an achievement to slip in a few iffy gags into a "Carry On" than it later became to show full frontal nudity then rape and buggery on stage and screen - to no good purpose in my opinion. Not one of the most typical "Carry On"s,"Regardless" finds the genre approaching the crossroads at which point it got progressively better or progressively worst according to individual taste.It is not the beginning of the but it is the end of the beginning.