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Short summary

A U.S. fighter pilot's epic struggle of survival after being shot down on a mission over Laos during the Vietnam War.
In 1965, while bombing Laos in a classified mission, the propeller plane of the German-American US Navy pilot Dieter Dengler is hit and crashes in the jungle. Dieter is arrested by the peasants, tortured by the Vietcong and sent to a prisoner camp, where he meets five other mentally deranged prisoners and guards. He becomes close to Duane and organizes an escape plan; however, the unstable Gene opposes to Dieter's plan. When they discover that there is no more food due to the constant American bombings in the area and their guards intend to kill them, Dieter sets his plan in motion. However, an unexpected betrayal splits the group and Dieter and Duane find that the jungle is their actual prison.

Trailers "Rescue Dawn (2006)"

Those are real worms Christian Bale is eating.

In a show of solidarity, as many of his actors lost weight for their roles, the director lost almost 30 pounds.

Dieter Dengler was captured not once but twice in real life. The scene where he was captured while drinking from a river is based on his second capture.

Jeremy Davies lost 33 pounds for his role.

Christian Bale lost 55 pounds for his role.

The film was shot in reverse continuity so Christian Bale, having worked hard to lose weight for the role, would appear the gauntest at the end, and then could simply gain the pounds back over the course of filming, working backwards through time so that when Bale returned to his average weight he would be filming his scenes as Dengler prior to being taken prisoner.

All the guards in the POW camp were based on true characters from Dieter Dengler's story except for 'Walkie Talkie' who is a fictional creation of the director.

Steve Zahn lost 40 pounds for his role.

According to Steve Zahn, there were no trailers for the cast and crew on set.

At nearly $5.5 million dollars in the United States, this is the highest grossing film to date (March 2008) for Werner Herzog (his films have generally played in art-houses in the US).

To prepare for his role, Jeremy Davies read the book "Man's Search for Meaning" by Viktor Frankl. Frankl was a psychiatrist and a Holocaust survivor who wrote about the psychological reactions experienced by prisoners.

Based on the true story of Dieter Dengler, a US Naval Aviator shot down over Laos during the Vietnam War.

Stuntman Chris Carnel burnt his face in a scene depicting Dengler's plane crash.

The plane crash scene is the only scene where Christian Bale was doubled by a stuntman.

There is an aircraft decal of a boy flying using a umbrella on the outside of Dieter's cockpit. This is a reference to a German children book story of a flying Robert who, in spite of the advice of his parents dared to go out into the storm. The storm carries him away and they never find him again.

In the POW camp where Dieter Dengler was held, there were altogether 7 POWs. For story-telling purposes, this was cut down to 6. This is explained by Werner Herzog in his commentary.

Matt Damon was the original choice to play the lead role but ultimately turned it down and Christian Bale was cast instead.

Based on Werner Herzog's documentary Flucht aus Laos (1997).

Shot in 44 days, including the different locations and stunt scenes.

When Dieter (Christian Bale) is asked about how he became a Naval Aviator, he describes an awesome experience of seeing a fighter plane flying by very close when he was a child in wartime Germany. The experience described is strikingly similar to what Bale's character Jim had nineteen years before in Das Reich der Sonne (1987).

To show how powerless a man would feel once having been captured, the director insisted that whilst being held prisoner, everyone who was right handed must predomantly use their left hand, and everyone who was left handed must use their right. In some scenes this enormously confused Bale, but the director reassured him that everyone was confused.

First cut was almost 3 hours.

Herzog's film is starkly at odds with Dieter Dengler's own book "Escape From Laos," and Dengler's statements in the documentary Flucht aus Laos (1997), when it comes to the character of Gene DeBruin. The real Gene DeBruin (played in the movie by Jeremy Davies) was spoken of highly by Dengler: He described DeBruin as a strong leader and peacemaker when differences threatened their escape plan. Phisit Indradat - the last living survivor of the camp - called DeBruin "The finest man I have ever met." He believes that Dengler would be appalled by Rescue Dawn (2006), had he lived to see it, because of the character assassination of Gene Deburin. Indradat had high praise for the filming location but otherwise he said it technically showed a great lack of research. Indradat and DeBruin's family repeatedly tried to reach out to Herzog in pre-production to get a balanced representation of the events, but no one could reach him. Key events in "Rescue Dawn" that present Dengler as the mastermind, were in fact the work of DeBruin, who spent 2.5 years in the prison before Dengler arrived. He and fellow prisoners spent that time formulating an escape plane and storing rice in bamboo tubes in preparation. In the movie version, DeBruin is not only against any escape, but it is Dengler who comes up with the idea to store rice in the tubes (and DeBruin who tries to eat it beforehand). According to Dieter Dengler it was DeBruin who got the important nail, long before Dengler even arrived. And DeBruin was part of the attack on the guards, not a no-show like in the film. Debruin chose to stay back and care for a sick POW, who was not able to escape with the others through the jungle. This heroic, selfless act lead ultimately to his death. Herzog's screenplay and Davies' performance made basically a 'movie villain' out of the real-life hero DeBruin, but still used his real name in a movie, that claims to be based on fact. Herzog apparently regretted this misrepresentation later.

User reviews


  • comment
    • Author: Katishi
    For me, Werner Herzog will always be remembered for his haunting 1979 remake of "Nosferatu." Next to the silent-era original, it's probably the greatest artistic statement ever put to film on the myth of the vampire. Apart from that, he's been one of those fascinatingly enigmatic European infant-terrible directors, brazenly going against the studio system and doing whatever he damn well pleases, be it documentaries or bizarre art films. "Rescue Dawn" comes as a huge surprise, and proving that he still does whatever he pleases, is a dramatized version of the true story of Vietnam POW Dieter Dengler that Herzog previously filmed as a documentary in 1997 entitled "Little Dieter Needs to Fly." Masterfully realized, "Rescue Dawn" emerges as Herzog's most accessible film. After over 30 years of film-making, he's gone "Hollywood" but has done it on his own terms.

    "Rescue Dawn" features classical and feverishly transcendent direction from Herzog, breathtaking cinematography of Laos and Vietnam from Peter Zeitlinger, a triumphant and evocative music score from Klaus Bedelt, and Oscar-worthy performances from an amazing cast. In the lead role of Dieter, Christian Bale once again puts his whole body into the character (as he did in "The Machinist"). Bale has become one of those rare actors whose every role seems to be the performance of his career. Also noteworthy are Jeremy Davies ("Saving Private Ryan," and "Ravenous") as Eugene from Eugene, Oregon, who seems to always get cast as the most emotionally unstable soldier, and a shockingly good and sympathetic Steve Zahn as Duane. Herzog puts the cast through the ringer in artistically rendered depictions of torture, horror, and survival in the harshest of conditions. Even in some of the most cringe-worthy scenes, Herzog turns what could've been wallowing on its head--witness the fantastic transition from Bale eating live worms and one crawling in his beard to a beautiful caterpillar leisurely making its way across a leaf in the peaceful jungle.

    Essentially what we have here is the war-movie version of Milos Foreman's "One Flew over the Cuckoo's Nest" as Herzog depicts a group of average men who were slightly crazy already becoming increasingly more mad through involuntary imprisonment. While Bale's character refuses to be held down and is constantly trying to keep his brain and skills sharp through plotting an escape, some of his fellow prisoners are rendered hopeless as they have turned their own minds into the most impenetrable walls. Herzog does a great job of depicting tiny bits of humanity and dignity shining through in the most inhumane conditions, and how the will to survive can triumph over death. He's somehow crafted a movie that is both boldly anti-establishment and unapologetically pro-soldier and patriotism. Being based on a true story where the ending is known to the viewer doesn't take away from the white-knuckle suspense and human drama. Unlike Foreman's classic from the 1970's, where Jack Nicholson (mirrored here by Bale) flew over the cuckoo's nest and disappeared into his own insanity, Herzog gives up hope. One flew over the bamboo hut...and he made it.
  • comment
    • Author: Gardagar
    What a way to have a little counter-programming this July 4th! In a time when the summer blockbuster means sequels and remakes galore delivering high powered special effects but not much human soul, we need a picture with Dieter Dengler as the 'hero' of sorts. It's the closest Herzog has gotten to telling a story of the purest kind of survival, where it's not about a guy out to kill all the bad guys in sight ala Rambo, but in its harrowing way much more extraordinary. As played by Christian Bale, who goes once again to be totally gaunt, Dengler is a pilot who's been stripped of everything except for his will to live- which he has in spades, and is both very strong and vulnerable at the same time. Strong in the sense that he's capable of organizing an escape for himself and his fellow prisoners (including an unforgettable Steve Zahn- yes, unforgettable, not the usual tenor for Zahn, and Jeremy Davies, looking very much like Charles Manson), vulnerable enough to get close to Zahn's Dwight, leading to very sad results.

    LIke any great POW movie, Herzog does give his film many moments that aren't totally tension filled or with exposition relating to escape: there's humor, like with a prison guard who's a midget named Jumbo, or a dog with a few hind-leg walking skills, or the one prisoner who doesn't say a word but conveys "yes" without even nodding. He even has the wisdom to put the same educational short from Little Dieter Needs to Fly, for soldiers explaining what to do in case put behind enemy lines, only this time with the soldiers giving their own raucous commentary on the ship. And in what could be considered "conventional" in the sense that it's not totally abstract like Fata Morgana or wildly bleak like Aguirre, his style a lot of the time is that of a skilled professional as opposed to the great experimenter he can be. The documentary approach is still there, to be sure, but what's most fascinating considering the studio backing and slew of producers is that it never feels false as a Herzog film, that it still has the technique and approach to telling an epic story that his 8-man crewed films did. There were also many shots that I had rolling in my head long after the film ended.

    Featuring appropriately an emotional musical score, exceptional performances, and that good old jungle that's served as one of Herzog's love/hate facets of his career, Rescue Dawn is accessible entertainment that is also profound as a tale loaded with the kinds of ugly details (though not too graphic in PG-13 form) that wouldn't ever get by in the usual sentimental Hollywood malarkey. A must-see.
  • comment
    • Author: Hulis
    Besides terrific acting & a compelling (true!!) story, this film does not wallow in over-glorifying itself. It doesn't try to pump up the audience with patriotic blather or "gee whiz, what a guy" feel good stuff. It simply tells the story of this incredibly courageous and resourceful man, Dieter Dengler. This is a great example of how films should be made. Also, the film's historical content was very, very accurate, the writers took few if any liberties with the truth.

    Christian Bale is indeed an actor to be reckoned with. He's quickly becoming one of my favorites. His acting is believable and subdued.

    Highly recommended but see it in a theatre and not on DVD in order to get the full effect of this great story.
  • comment
    • Author: Abywis
    If you're a big fan of the mad German genius Werner Herzog, you might be disappointed in this, his first foray into Hollywood film-making. This is polished and not at all experimental. However, to me it feels like Herzog, when he stepped up to the plate, said to himself, "Well, I can make an American film. And I can make a better one than 95% of American films." And there's nothing wrong with that. The film is a dramatization of the events retold in Herzog's earlier documentary Little Dieter Needs to Fly. Christian Bale plays Dieter Dengler, an American citizen and German emigré who had one of the most impressive survival instincts ever seen in a human being. Shot down in Laos in the opening throes of the Vietnam War, he was taken to a brutal POW camp where he met two other American POWs (Jeremy Davies and Steven Zahn in the film) and three Asian men who had worked with the enemy. The two Americans had been there for an average of a couple of years, and had all but given up hope (the Davies character is sure there will be peace soon enough). Through his amazing ingenuity, Dieter planned a heroic escape. Most of the movie takes place in the POW camp. Most of what I remember from Little Dieter Needs to Fly, which I saw around two years ago, is the escape. It's a disturbing, horrifying tale of survival. I would have liked this part to be the longer, but it works very well. It's certainly harrowing. I was disappointed that one of the images I really remember from the original film did not appear: the bear that stalked Dieter during his final days wandering in the jungle. He considered it almost a friend, but in the back of his mind realized it was following him because it wanted to eat him. Herzog keeps things extremely subtle, telling them very much the way they happened. The story develops more like real life, not like a movie. It keeps melodrama to a minimum. My only problem is how it ends. The ending is way too boisterous and uplifting. Dieter Dengler was most definitely an upbeat kind of guy, but his suffering and the awful things that he saw – heck, with the awful things that we just experienced with him, so vivid is this movie – don't lead well to the celebration that ends the movie. I very much liked this film, and think it is one of the best I've seen so far this year.
  • comment
    • Author: Agagamand
    I saw this at the world premiere last night, and it was really great. Not my favorite Herzog movie, but overall his most well rounded one and definitely his most mainstream. It has a chance of doing quite well at the box office. The acting is all around terrific, and the camera work beautiful.

    Most Herzog movies seem like these flawed masterpieces; movies that are worth watching for several moments of intense brilliance. Rescue Dawn had these moments of brilliance, and the rest seemed like a very well made thriller / action movie. However, it didn't quite pack the same punch as the best moments of Fitzcarraldo or Aguirre. Still, I gave it 5/5 on my voting ballot.
  • comment
    • Author: Steel balls
    After getting shot down in Laos, Dieter Dengler is captured, tortured, and eventually transported to a remote POW camp where he is united with fellow American pilots with the same problem. With the arrival of Dengler, a new spirit emerges among the group, and an escape plan soon hatches. RESCUE DAWN is a story of struggle, friendship, keeping one's sanity, and survival amidst a war-brewing Vietnam and its inhospitable jungles. Werner Herzog does a great job with his direction, giving his actors full reign as well as inspiring them to their creative peaks. Each actor in the film does their best with each role; none becoming too hammy or extreme in their techniques; with Bale, Zahn, and Davies all shedding flesh as well as comfort in preparation for their tasking roles. Great cinematography throughout, as the Laotian backdrop is realized vividly; looming stone cliffs and walls of vine add further quality to the prison feel, and empty fields and lush rain forest paints the wild of Vietnam effectively. The music is excellent, and serves the film nobly, never trying too hard for tears or pity. RESCUE DAWN is a feel-good movie without really trying to become one, which is where so many survival and hardship movies fail; but any imperfections this film does have, is certainly overshadowed by its obvious technical genius, excellent acting, and courageous story.
  • comment
    • Author: Marelyne
    I saw this tonight at a preview in Somerville, Mass - a really excellent film. Just such good storytelling, with great suspense, and the usual Herzog weird touches that I am guessing must have come from him (and not the true story). The acting is also superb - both Christian Bale and Steve Zahn are fantastic. Bale really captured this guy's incredibly indomitable spirit, but also his almost child-like wonder and naivete at the world - which ironically enough helps him survive. I found the whole story really moving. The very ending of the film really disappointed me, but it didn't ruin the evening by any means. Wonderful music too. Interesting also to see the documentary about the REAL Dieter, LITTLE DIETER NEEDS TO FLY (http://imdb.com/title/ tt0145046/), also made by Herzog. I saw it at a film festival 10 years ago - and Herzog and Dieter were there! Of course, much of Dieter's 'real-life' obsessive-compulsive behavior - such as opening and closing a door multiple times after passing through - turns out to have been 'suggested' by Herzog! Cheeky filmmakers...
  • comment
    • Author: Hulore
    Writer-director Werner Herzog, whose films have always been marked by a rapport with the natural world, takes this trademark to Laos in "Rescue Dawn," a compelling, intimate account of the Vietnam conflict. Based on the real-life tale of Dieter Dengler (Christian Bale), a German-born/American-bred fighter pilot with a cocky, cowboy-like demeanor, the film goes for realism and largely succeeds. The setting is a microscopic POW camp where Dengler and a half-dozen prisoners, including Dwight (Steve Zahn, playing well against type) and Gene (Jeremy Davies--"Saving Private Ryan") plot an escape. Interestingly, the extensive Vietnamese spoken in the film is not subtitled, which actually adds to the strong sense of isolation incurred from the POWs' position. Herzog also paints "Rescue Dawn" as a timely meditation on the Iraq War--while Dieter's John Wayne persona (that takes a drastically different turn in the second half) could be read as an endorsement of American militarism, we see the emaciated, defeated prisoners almost as symbols of a war that's been "lost" from the beginning; even later in the film, the Vietnamese captors begin to show the same signs of fatigue and desperation. The whole concept of "escape" is essential to making an entertaining, suspenseful film (which "Rescue Dawn" certainly is), but also reflective of a current foreign-policy mess that should have been curtailed before it even began. But Herzog is subtle in his politics, and lets the jungle do most of the talking--once Dieter and his fellow prisoners escape, the road to a "happy ending" is anything but "cut and dry." The director often puts us in the midst of torture and terror, but also milks moments of surprising humor to great effect, and gets excellent performances from the entire cast (while Bale is top-billed, Zahn and Davies are the real standouts). My only real complaint about the film is a conclusion that comes off as contrived and unnecessary, stretching the credibility of the harrowing realism that came before. Otherwise, "Rescue Dawn" is one of 2007's standout features.
  • comment
    • Author: Voodoolkree
    I am amazed at how many people are so consumed with Anti-War fever that they can't appreciate a true story about a man who overcomes something that most people couldn't. If it does not reinforce their preconceptions then they consider it propaganda. Yet these same people hale anything, no matter how absurdly ridiculous that reinforces their beliefs. They completely miss the point. Their own prejudices keep them from recognizing and appreciating a work of art when they see it. Many of today's filmmakers seeking to make both fictional films and documentaries about the war in Iraq, as well as wars from the past, are running into a brick wall. Both Hollywood and the Independent Film Industry are refusing to show films that do not take a distinctive anti-war slant. Filmmakers that show an objective view of warfare, neither taking a position for or against the war, are finding it next to impossible to get their films shown. Likewise, if the film is even remotely related to a war and does not blatantly condemn it then it does not get shown. Just ask Nick Bicanic & Jason Bourque how hard it was for them to get their excellent documentary about the modern day use of Private Security Companies seen. As them how many studios offered to purchase the rights to film if they would only change the tone to one of condemnation rather than examination. I get the sense, from the back story about the lack of financing Herzog was able to get for this project that he ran into the same problem. Frankly I am appalled. The industry, both mainstream and independent, are pushing their own agendas over all else. The art form is suffering greatly for it. I congratulate filmmakers like Bicanic and Herzog for refusing to take no for answer. As for this film, it honors a man who risked his life not only for his country but for his fellow POWs. You can hate war and still respect the men and women who were called upon to fight it. You can hate war and still call a POW who escapes capture despite impossible odds a hero. You can hate the war in Iraq and appreciate the sacrifices the men and women who are fighting it are making on your behalf. Don't let your own personal bias lead you to make a mistake you'll regret for the rest of your life. Protest the war all you like, just do it in a way that does not belittle the airmen, soldiers, sailors and marines who are fighting it. Whether you agree with their decision or not, they deserve your understanding and your respect. Just as Dieter Dengler, the POW on whom this film is based, deserves your respect. Don't belittle his sacrifice by politicizing this film. Whether you agree with his decision to become fighter pilot or not, his accomplishments.
  • comment
    • Author: Usic
    The biggest compliment I can give Werner Herzog and his crew is this: Rescue Dawn is the most most well developed plot of this year.

    Rescue Dawn follows Dieter Dengler (Christian Bale) and his struggle to survive in the jungles during the early stages of Vietnam.

    All Dieter Dengler has ever wanted was to be a pilot. He was pretty much neutral when it came to war, but his main reason for signing up for military service was so he could fly. His one and only passion.

    His first mission was a heavily classified mission in Laos. Dieter is shot down and begins on the run in the jungle. It doesn't take too long before he's captured and sent to a prison camp of sorts. He's locked up in Vietnamese huts with 5 other men. The two he immediately connects with are Duane (Steve Zahn) and to a lesser extent, Gene (Jeremy Davies) One thing becomes obvious quickly. His captors are relentlessly mean and his cell mates are borderline insane. Especially Gene. Dieter appears to be the only one who completely has it together.

    Dieter becomes frustrated and quickly realizes he's not going to live much longer if he stays where he's at. Along with the 5 other fellows, Dieter plans his escape.

    What Herzog does so brilliantly in this movie is set it all up to come full circle. In the opening scene, Bale and others mock a training video that tells you what to do if you are stuck in the jungle on your own only to end out needing similar skills when he's on the run. The 5 men all appear crazy and we wonder "What's with these guys? Is Dieter the only sane one in the bunch?" well, Herzog makes you feel claustrophobic in that camp. Slowly we see Dieter's mind go and start to understand that all of these fellows were probably just as sane at one point as Dieter.

    This is a slow paced, expertly developed war drama. If you don't like slow moving character studies, avoid at all cost, but if you can even slightly appreciate such a thing, you will love Rescue Dawn. One of the better films of 07.

    9/10
  • comment
    • Author: *Nameless*
    It's no 'Saving Private Ryan' or 'Platoon', but Werner Herzog's Rescue Dawn is smart and engaging enough to be worth watching for a look at humanity and survival.

    Rescue Dawn is the story of Dieter Dengler, an American pilot who in 1965 crashed his plane in Laos during the Vietnam war. He was then held prisoner along with a handful of other individuals, until he led them to escape. He then had to survive the jungle during the flood season, with little to eat and no shoes, but he was eventually rescued.

    The premise is simple enough, and the execution by Herzog is competent, but it does have its weakness. While Rescue Dawn may be adventurous, it is not necessarily a powerful film like Platoon. One problem for example is how the Vietcong soldiers are portrayed as dumb jerks rather than tough fighters. There is little in the way of heavy drama, tension or brutality, although it does have its moments. The characterization and acting on the other hand is superb. Christian Bale gives a strong performance, and one that is far more colorful then his portrayal of Batman with his over the top Robbie Benson type voice.

    The photography of the jungle is illustrious, and it really gives the viewer an idea of how hard the film crew must've worked. The camera is place directly in rapids, mud slides, acres of thick vines for some effective shots.

    Werner Herzog is a strange filmmaker, but an interesting thinker. His body of work shows a man who knows how to tell compelling stories about people. This one may not be as emotional as 'Grizzly Man' or as surreal as 'The Wild Blue Yonder', but Rescue Dawn is a story that does shine through.
  • comment
    • Author: Xurad
    In 1965, while bombing Laos in a classified mission, the plane of the German-American pilot Dieter Dengler (Christian Bale) is hit and crashes in the jungle. Dieter is arrested by the peasants, tortured and sent to a prisoner camp, where he meets five other mentally ill prisoners. He becomes close to Duane (Steve Zahn) and organizes an escape plan; however, the unstable Gene (Jeremy Davies) opposes to Dieter's plan. When they discover that there is no more food due to the constant American bombings in the area and their guards intend to kill them, Dieter sets his plan in motion. However, an unexpected betrayal split the group and Dieter and Duane find that the jungle is their actual prison.

    "Rescue Dawn" is a good drama of war, with great performances of Christian Bale and Steve Zahn. Jeremy Davies has his customary role of an insecure and unstable guy. The story shows the spirit of a soldier and his struggle for surviving in a totally hostile environment. The poor and suffered peasants that had their lands, homes and families bombed are naive and do not have military training; therefore the storyline of Dieter's amazing escape is credible. My vote is eight.

    Title (Brazil): "O Sobrevivente" ("The Survivor")
  • comment
    • Author: Vudojar
    What are we to make of a very well-made movie that's based on false advertising? Werner Herzog is master of difficult locations, and this one, the jungle of Southeast Asia, is no exception. And there's no denying that Herzog is likewise a master of the dramatic.

    But what of the truth? Artistic license is one thing, but mendacity is something else. Allegedly, friends, family and the other survivor tried to contact Herzog about gross inaccuracies but were blown off. Herzog has misstated events and mis-characterized the players, actually slandering one of them as a crazy scoundrel, when in real life he was lucid, brave and self-sacrificing.

    In 1998, Herzog made a documentary, Little Dieter Needs to Fly, starring Dengler himself, apparently luring Dengler into giving him the rights to his story; then five years after Dengler's death, Herzog betrayed him. Werner Herzog is proud to be a b*st*rd for his art (see Mein liebster Feind - Klaus Kinski). But a lying b*st*rd? Visit rescuedawnthetruth.com, where you can judge for yourself.
  • comment
    • Author: Dianalmeena
    It really was the best movie I've seen all year- narrowly beating The Departed (VERY narrow indeed).

    I saw this at the second showing, so I wasn't there for Bale or Davies or Herzog, but the movie was obviously worth it. I am very eagerly anticipating its theatrical release. Oscar buzz is good for this so far, but I'm afraid with the release date set for early 2007 that might not happen.

    Herzog expertly adapted his documentary into a full-fledged narrative that is both thrilling and heartbreaking (Steve Zahn... How awesome). This is worth every penny you pay for the ticket.

    See it ASAP.
  • comment
    • Author: Hunaya
    A fighter pilot's plane is brought down over Laos during a secret bombing mission in 1966. Dieter Dengler (Christian Bale) is lost in enemy territory. With his radio and pistol abandoned, his attempt to evade capture by Pathet Lao troops is met with failure—and he is taken to a prison camp deep in the Laos jungle to face torture and starvation.

    A dramatic retelling of the story springs off of director Werner Herzog's documentary, Little Dieter Needs to Fly (1997). Written and directed by Herzog, this is not a Bat-21 or Behind Enemy Lines type tale, nor is it a commentary of Americas involvement in Vietnam mashed with Jimi Hendrix's "All along the Watchtower" that we have seen and have heard a hundred times over. The Vietnam War has really been done past its saturation point in film, but a vet of that time in history may argue differently.

    This is a film not just about survival of the body, but survival of the mind. When Dieter is brought to his prison with bamboo walls he meets his fellow cap-tees and it is obvious they have been there for some time. They thirst for news of the outside world like it was bread on the table for their empty stomachs. Gene (Jeremie Davies) and Duane (Steve Zahn) introduce Dieter to his jailers and teach him what he needs to understand in order to live. These are two actors who have committed themselves with no reservation to their roles. Davies looks no more then 115lbs, he plays his character with a Jim Morrison cadence that shows the only reason he has lived as long as he has is the false notion that release is eminent.

    Steve Zahn has produced the performance of his career in Rescue Dawn. A best supporting actor nod is most certainly in his future for the portrayal of a man broken—only held from falling to pieces by his friends in captivity. He wears sullen eyes filled with an empty 1000 mile stare, his motions are like that of a dog beaten by his master for inhaling the same air he breathes. He is a trapped mouse in a room full of starving cats. Zahn is stunning in this film. What an amazing talent he has cultured.

    The film on a whole didn't really get to me until about 30 minutes into the screening. It starts with footage of aerial bombings over the jungle with Klaus Badelt's (Pirates: Curse of the Black Pearl, Constantine) melancholy score bringing a rich sadness to the real life events depicted. Later, as hunger and desperation take hold of the prisoners, his music weaves in and the movements change to underline the dastardly situation that will put you on edge like a mosquito buzzing in your ear at night.

    Bale is good in this, but for me overshadowed by Zahn. Dieter has a naïve sense of his situation, he thinks because they are not at war; no threat really can enslave him. Im reminded of an old Gary Larson Far Side where there's a man shoveling coal in Hell whistling or making a casual comment to his fellow damned. The devil looks to a demon and says something to the effect of "I don't think we're getting to that guy," that's Dieter. He is given a chance to sign a paper that will give him freedom by denouncing the actions of the "Imperialist Americans", a paper his integrity will not allow him to sign. His response to the liaison, "I love America, she gave me my wings. I will not sign that." (Paraphrased) Dieter maintains the crews spirits by giving levity to their situation, and a chance to escape. This notion is scoffed at when they first hear of it, because their captors have all the advantages they need to keep them down. The walls are not the prison, it's the jungle. Herzog with cinematographer Peter Zeitlinger create a claustrophobic atmosphere using the jungle as bars. No place seems free, always stifling, hot, and treacherous.

    The thing that I have trouble with when it comes to these films about real life struggle dramatized is the fact that since you are seeing it, you know everything ends up OK. Like watching Will Smith play Chris Gardner is The Pursuit of Happiness, sure he's with his kid in a subway stall, but I find it hard to invest in the story when I can slip out of the moment and say to my self, "meh, he'll make it". Herzog got me in this one; the performances had a great deal to with this as well as the set up for the journey at the beginning. The pilots before going on their mission are viewing a Navy reel on what to do if they find themselves in traction. A hard faced recruit with a five o'clock shadow is shown going through the motions of concealment, water collection and the sharpening of his blade. He has this face of unbeatable pride, as if he was to walk up on a platoon of Vietcong, he'd slit all their throats with one hand while lighting a Marlboro Red with the other. In contrast, the faces of the real prisoners show nothing of the sort—even after a small victory in concealing food or vesting a guard in combat. They are tired, wretched, and devoid of emotion. They express humility, beaten souls that do not know if a God would exist in the world they find themselves in. Herzog shows men brought to their knees and asks the question—what do we know of freedom?
  • comment
    • Author: Gavinranara
    What's wrong with Christian bale that he loves so much to play with his weight? You think if a role required him to be painfully thin he'd do another straight after rather than fluctuate back and forth. American Psycho buff, The Machinist almost see-through, Batman Begins buff and now Rescue Dawn thin as a fat stick, this guy really does take method acting to a new level but come on Chris this cant be healthy. That said the level of realism, his physique and his acting ability make this a great film. Directed by Werner Herzog, probably best known in this country for documentary 'Grizzly Man', it tells the true story of Lt. Dieter Dengler a US fighter pilot who was shot down over Laos during the Vietnam war and his struggle for survival and rescue against all odds. Initially we meet the boys preparing for the mission and join in with their camaraderie, they take to the skies to start the bombing but all that changes when Dengler's plane is shot and he crash lands in enemy territory. Captured and tortured he is eventually taken to a kind of concentration camp where he bonds with others that share his predicament, together they hatch an escape plan that they hope will eventually see them saved. Ill, without food and water, constantly taunted and beaten the group endure as much as is humanly possible at the hands of their captors. What transcends on the screen is a story of faith, courage, friendship, endurance and sanity which is all played out against the backdrop of the Vietnam jungle. The cinematography is jarringly beautiful which makes the soldiers struggle all the more painful and real. As the group lose their minds and their weight we as an audience get to observe the cabin fever nature of man who without the body's essential needs starts to slowly deteriorate. Equally brutal as it is beautiful, the scenes where they have nothing but meal worms to eat are particularly stomach churning, the film as a whole contains a message that like others before it, 'Touching the Void', 'United 93' etc, can be surprisingly uplifting.
  • comment
    • Author: Nidora
    This movie is a complete misrepresentation of a factual event. To make it even worse the libelous part is that an admirable and honorable man was portrayed as a scum-bag Charles Manson type. If you want to read about the REAL story check this out... www.rescuedawnthetruth.com/ at this site family members and two of the POW's make statements about their experiences. Deiter Dengler has passed on and one Thai (Pisidhi) is still living in Thailand. Both of these guys made video testimony to the quality of the type of man Debruin was. The base message of this site is the fact that Gene Debruin was an honorable man. In the movie he was portrayed as a Manson type. The Director was contacted several times by the survivors and family before during and after the making of the movie. He NEVER replied to them. NEVER got any facts. He made a typical movie from Hollywood. Isn't it wonderful to know that if you go out and serve your country and then conduct yourself in a true and honorable way some idiot in Hollywood will drag your name and reputation through the mud. I can only hope that the Debruin family can bring a lawsuit against Director Werner Herzog. Seems to me that they would be able to easily win. There is also a critique of this farce of a movie by Debbie Schlussel at... www.debbieschlussel.com/archives/2007/08/what_happened_t_1.html Strangest thing is that the Manson look for Debruin in the movie is more that a little coincidental. The actor that portrays Debruin did in fact portray Manson in the movie Helter Skelter. How's that for slander?
  • comment
    • Author: Zamo
    In this most mainstream film to date Werner Herzog dramatizes the escape and rescue in Southeast Asia of Dieter Dengler, whose life he reviewed more thoroughly, and probably more memorably, ten years ago in the documentary, 'Little Dieter Wants to Fly.' Unlike most of Herzog's work, this is NOT a movie nobody else could have made, because it follows a conventional adventure format. But still maybe nobody could have done it quite the way Herzog did. He has created a paradox. Working in a genre that's usually uplifting, he's held back from offering the uplift. To do that is uniquely Herzogian, even if the result isn't one of his finest films.

    What sets 'Rescue Dawn' apart further is the authenticity and detail of its setting and the rough experience the cast and crew went through to make it. It's also true that Herzog has famously dealt with men's struggles in the jungle realistically enacted by cast and crews in 'Aguirre, the Wrath of God' and 'Fitzcaraldo,' and he took Dieter to Thailand to relive his experience for 'Little Dieter.' Herzog tied Dengler's hands together and in Dieter's words, "There were Thais following me with rifles. I said, 'Jesus, Werner, this is too close for comfort! I really don't like this.' And Werner would say 'That's exactly what I want you to say!'" (This is from an 'Indiewire' archive interview.) Maybe Christian Bale, a game and athletic actor who lost 63 pounds for the film 'The Machinist' (but not a handful to deal with like the legendary Klaus Kinski) said something similar. In 'Rescue Dawn,' Bale as Dieter appears to eat live worms at one point; struggles with a wildly writhing six-foot snake and strips it with his teeth. And the jungle locations in which this film were shot were no picnic. The landscape, as always in Herzog, is intense and ever-present.

    The film cuts quickly to the chase. Dieter, who we later learn was born in Germany and fell in love with flying when he saw the face of an American bomber pilot grazing near his window, has come to America and joined the Navy to fly and the Navy has sent him out to Southeast Asia. On his first mission he's shot down in his little plane and captured by Laotians who torture him, try to get him to sign a denunciation of his adopted America, torture him some more, and put him in a remote prison camp with a few Asian and American prisoners. The Americans are helicopter pilot Lt. Duane Martin (Steve Zahn) and Eugene DeBruin (Jeremy Davies), a semi-coherent, starved civilian from the CIA-run Air America, who rigidly opposes Dieter's plans to escape. Bale loses a lot of weight again for this adventure, but nothing like the emaciated Davies. The usually comic Zahn is appealing and real as Dieter's failing partner. Dieter must wait months to try an escape because the other prisoners, who've been there for upwards of two years, know survival in the jungle will be not be possible until the rainy season comes to provide a water supply. The prisoners talk in loud whispers, even after they escape, and perhaps partly because Herzog is unused to directing an English language film, the dialogue sometimes becomes hard to follow.

    Rescue Dawn's greatest weakness is its greatest strength. Herzog follows Dieter Dengler's story closely, organizing the film to tell it, rather than striving for emotional effects. The result is stripped down, authentic, and appallingly gritty—but not as suspenseful as some other prisoner-of-war classics. A couple of the most shocking events go by so fast you hardly have time to absorb them. Christian Bale is fine in the lead, conveying his character's real life determination and upbeat spirit but also his wile. His raging grin is Dieter-esquire. However, he might have looked a bit more haggard toward the end given all his character's been through: look at a real photo of Dengler at that stage (in his Wikipedia bio). But the jungle struggle is marvelously, spectacularly, repellently vivid. The emotional heart of the film is the relationship between Dieter and Duane.

    At the end the traditional uplift is replaced by the simple joy of being rescued—and a hedonistic platitude. When Dieter gets back to a cheering crowd of civilians and military, he's asked for a message and all he has to say is "Fill what's empty, empty what's full, and scratch where it itches"—words attributed to the Duchess of Windsor. And no doubt that's what Dieter Dengler really did say to that crowd at that moment. But in this section Herzog is out of the jungle and out of his element, and however accurate this is, it feels more stagy.

    Nonetheless this is a pared-down and effective story. It's no betrayal by Herzog. He's dealing with one of his special people, even if conventionally. It's just not as interesting a film as 'Grizzy Man' or Herzog's famous earlier masterpieces.
  • comment
    • Author: Bumand
    This was the first time netflix did me wrong. I was slightly engrossed in the story, but the more I thought about it, the less I liked this movie. The first thing that truly bothered me were the fart jokes, that would have been excusable as realistic, had the movie opted for realistic R rating, instead of their tame PG-13. I don't know about you, but I'm being shot at, there'd be some obscenities. There's no art in this movie, the cinematography is blah, even Christian Bale gives a mediocre performance; it's a bad sign when the best part of a movie is the make-up. The only exciting parts of this movie were the escape elements, but it doesn't make up for the disappointing elements. If you want a good escape movie, rent The Shawshank Redemption, or if you want a realistic war movie, rent Full Metal Jacket. The worst part was easily when Deiter grinningly asks when he can fly again. There might as well have been a anti-communist Accapella band with 5 choruses of "USA, USA!" All in all, it seems like a made for TV movie with a high budget, devoid of any style or soul.
  • comment
    • Author: Mall
    I have seen "Rescue Dawn" three times by now, and the movie is still as entertaining and impressive as it was the first time around. And the fact that the movie is based on a real story just adds a whole outstanding level to the movie experience.

    The story told in "Rescue Dawn" is not your average war drama, so don't expect a heap of gunfights and explosions. This is a war drama that focuses on survival and the ordeal of Dexter Dengler (played by Christian Bale).

    I will say that the story is told in a very nice manner; a way that really draws the audience in and puts us right there in the midst of the traumatic ordeal deep in the jungle.

    There are some amazing performances in "Rescue Dawn" and a really impressive cast. Christian Bale puts on an amazing performance as always, and so does the always impressive Jeremy Davies. But Steve Zahn is really outstanding in this movie, casting aside his usual comedy roles and really stepping up to the role. All three actors really showed commitment to their roles with their weight-loss and authentic appearances.

    "Rescue Dawn" is definitely a movie that should be watched if you enjoy character driven dramas with outstanding performances.
  • comment
    • Author: Umge
    This prisoner-of-war movie was a little too grim for me. I like war films but not where a good portion of it involves capture and torture and mostly unlikeable characters, or it takes such liberty with the truth that it becomes an insult. I know how filmmakers play with the facts, but something as serious as a POW film I think should be handed with more respect regarding the truth.

    I expect the enemy to be portrayed as brutal and almost barbaric, as they are here, but I don't care to see the good guys act smug, weird and profane. That's what you get in this picture.

    Christian Bale's character, "Dieter Dengler," was too unbelievable. I'm sorry but POWs, from what I've read and heard from actual guys who were captured, don't act as brazen and obnoxious as Dengler in this film. "Don't ever do that again,' he screams in the face of one of his captors right in the beginning, as if he was in charge. No, I don't think so. No, I wasn't there, but I just don't think the real "Dieter Dengler" was like Bale's presentation, and comments from other IMDb reviewers seem to back that up.

    Werner Herzog is like most filmmakers: not one you can trust to give you the real truth of the story, but to embellish it and play with characters and make them what they aren't in real life. If you don't believe me, check out "http://www.rescuedawnthetruth.com." Hey, the jungle looks beautiful, the picture moves along okay even with a few prolonged lulls but the POWs - not just Bale - were a little too unrealistic to take this movie as seriously as I should have, considering it's based on a real-life situation. However, what's worse, according to actual family members, is the portrayal of Gene DeBruin, which more than borders on a possible lawsuit action. Reportedly, Herzog ignored all calls and just went ahead and filmed what he wanted to film....and to hell with anyone. That doesn't shock me. Films are wonderful entertainment but the people that make them often have zero principals. They rarely let the truth get in the way of presenting a supposed "true story."

    The audio problem other reviewers have cited is a legitimate complaint. It's hard to be entertained or educated when you can't hear the dialog in a film. So many lines are mumbled in this movie, it's distracting. I wound up putting the English subtitles up, which I shouldn't have to do for an English-speaking film.
  • comment
    • Author: Uriel
    If you choose to accept art from someone, you form a life bond with them, I believe. My notions of just what this bond are, evolve over time. For the moment, it seems to me that what your artistic companions do afterward matters. It matters a lot, especially if you work with life as something dynamic, with revolutionary surprises and insights.

    The tools you previously used are all interlinked, have a life of their own, and modify each other. As you change, perhaps grow, you are entangled with all the others you have accepted.

    I view Herzog films all out of order, and arranged to suit my life, not his. Some of them have been life-altering, and I believe that part of that comes from the immense risks involved. Some other of his projects, both his and others in which he participates, have rewarded with sly cleverness, new folds.

    And then there are the more recent ones. They show extremes but are not extreme in themselves. They show interesting men (always men), but themselves are uninteresting. Is it mere age? Is it that he has personal life with a meaningful woman at last? Is it that he has left Germany behind, with all that it carries?

    I cannot say. But I do know that when you invest so much, a film like this can ruin your day.

    Its a rambling epic, parts not quite related to one another narratively. Its almost a documentary as Herzog likes to make. Things happen, and then other things that are not arranged for the convenience of the filmmaker. The actors are magnificent in their roles by conventional measures. Surely you can see that they are committed and mostly believable. The jungle impinges much like the South American jungle does in Fitz and Aguirre.

    I'm sure Herzog believes this to be as intense, as engaged. And that's the disappointment because maybe it is. And we've all moved a bit and need some opera in the jungle.

    I append a recommendation to each comment. I do this because people ask me to, but its complicated, no? This is a worthy film, but I will recommend either that you see earlier films and not this, or vice versa. It'll help keep you sane.

    Ted's Evaluation -- 3 of 3: Worth watching.
  • comment
    • Author: Vut
    this movie had Oscar written all over it ,what a great cast and very well written ,a must see from a very skeptical movie go-er....i will go this this same movie again,Chritian Bale give his career a definite boost with his role...and the rest of the supporting cast does an amazing job making him look even better then he does on his own ,this story is told and it makes you wonder just how realistic it is .kudos to the writing team and first time producer NBA star Elton Bran & Steve Marlton ,they put together a classic movie for my DVD shelf.thanks again ...i give this ten stars last time i did that was Forrest Gump. TJ (HOLLYWOOD)
  • comment
    • Author: YSOP
    I have watched this movie, and then did a bit of research. I have personally met and know several former POWS from WWII and Viet Nam. The True story of what happened is much more gripping than this piece of fiction. If Dieter Dengler had lived to see this movie I'm sure he would have reacted to the distortion of facts and the implied slander cast upon several of the brave soldiers. The other survivor, is not even mentioned. (Check the facts there is another survivor living in Thailand). The true stories of what these men and others like them went through are too important to be molded to the desires directors and studio chiefs. Tell the stories as they really happened and cut the BS. You'll get a better movie, and higher box office gross.
  • comment
    • Author: Went Tyu
    Though i admire the work of Herzog , so not this one. I found it not interesting enough to keep me glued to the screen for the time it lasted. And especially the 'Hero-Welcome ' I found very corny !,and not 'Herzog-like' (for whatever that is..). I was'not to sure as to why it was necessary to starve the actors for this film ...what for ?I mean to make the horrifying experiences these guys went trough more 'real' ? This could be achieved in other creative ways.... the overall acting was not top notch to me... with conversations stuck in predictability's.... the escape scene of the two guys...well i found it far too long lasting and not interesting enough to fill a feature lenght film with it. Dieter Denglers experiences were undoubtedly horrifying but for me they don't come out as such in this film by Herzog. Like the maggot-eating scene...one would say that none of these guys would have any trouble in eating that stuff but even after years of starvation they'r food-etiquette still stands !(I found that hard to believe) I mean , in such a situation a full plate of maggots is a treat ! another thing that kept me skeptical was the music score.... not fitting in to what was being told i found.Herzog likes classical style music to appear in his films and give them a sense of drama..but in this one ..for instance a deafening industrial machinery sound would have worked to create a far more intense sense of jungle survival....I mean the sound should be from out of hell ! Cristian bale failed in portraying Dieter as a serious character.looked like...sometimes too much 'boy scout 'overacting a' so-so' film...for me. I sensed a bit 'lack of control' by Herzog...
  • Cast overview, first billed only:
    Christian Bale Christian Bale - Dieter Dengler
    Zach Grenier Zach Grenier - Squad Leader
    Marshall Bell Marshall Bell - Admiral
    Toby Huss Toby Huss - Spook
    Pat Healy Pat Healy - Norman
    GQ GQ - Farkas (as Gregory J. Qaiyum)
    James Aaron Oliver James Aaron Oliver - Jet Pilot (as James Oliver)
    Brad Carr Brad Carr - U.S. Navy Pilot
    Saichia Wongwiroj Saichia Wongwiroj - Pathet Lao Guard
    François Chau François Chau - Province Governor (as Francois Chau)
    Teerawat Mulvilai Teerawat Mulvilai - Little Hitler (as Teerawat 'Ka-Ge' Mulvilai)
    Yuttana Muenwaja Yuttana Muenwaja - Crazy Horse
    Kriangsak Ming-olo Kriangsak Ming-olo - Jumbo
    Somkuan 'Kuan' Siroon Somkuan 'Kuan' Siroon - Nook the Rook
    Chorn Solyda Chorn Solyda - Walkie Talkie
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