Bugs' Bonnets (1956) watch online HD

"Bugs' Bonnets" is a very silly, yet quite effective, Bugs Bunny/Elmer Fudd cartoon directed by Chuck Jones. Under the impression that one's behavior can be affected by his or her attire, the wascawwy wabbit and the dopey hunter conduct themselves in accordance with various kinds of chapeaus that accidentally land on their heads!

My favorite moments from this film: With a wry facial expression, wearing a fedora, chomping a cigar, and flipping a coin, Bugs does a fine impression of movie gangster Edward G. Robinson. His Indian stereotype is also quite funny, and the musical accompaniment by Milt Franklyn makes it even funnier. Donning an army sergeant's helmet, Bugs realizes he's got Elmer right where he wants him!

One thing about "Bugs' Bonnets" that stands out, aside from the unique plot, is Elmer Fudd's personality, which seems to be a bit more childish in this film than in others. Speaking of bonnets, the song we hear during the opening credits is "Put On Your Old Grey Bonnet", a song Bugs Bunny put to good use in an earlier cartoon titled "Little Red Riding Rabbit" (1944).

This is an odd cartoon. Instead of the usual interactions between Bugs and Elmer, the cartoon begins by the narrator commenting that hats can change how a person acts. Then a truck carrying hats bursts open and spills hats everywhere. Again and again, hats fly on and off Bugs and Elmer and they immediately begin to act according to the style hat they wore. For examples, at one point Elmer gets a little girl's bonnet on his head and becomes a little girl and at another point a sheriff's hat falls on Bugs and he begins chewing out Elmer for hunting out of season. It's all cute fun but certainly odd--particularly, when a top hat falls on Elmer and a bridal veil falls on Bugs and they walk off in the sunset together (ewwwww!). A strange but fascinating cartoon.

This cartoon is fantastic, to say the least. It had me laughing constantly through its seven minutes of pure entertainment. The animation is brilliant, and the expressions are unbelievable. Shame that it's really very obscure. The ending and Bugs's transformation into a gangster are stupendous, and an interesting plot only makes it better. Surprising that it was written by Tedd Pierce and not Michael Maltese, who seems to have written all of Jones's best cartoons. Fantastic stuff! Very highly recommended.

This is one of the funniest Bugs shorts they ever did. Oddly enough, for an intensely visual cartoon, the funniest bits are mostly verbal in nature. This has some incredibly funny dialogue, particularly Bugs echoing a portion of Elmer's opening harangue calling on Bugs to show himself. Bugs's take on the line and his whole reaction is priceless! Wonderful cartoon! Well worth watching. Most highly recommended!

I have loved Looney Tunes all my life, and this cartoon is no exception. First of all, I loved the concept it was original and would work effectively if done right. And it was done right, with hilarious results. The visual gags are wonderful, and the dialogue is incredibly funny. The animation is excellent, with lovely backgrounds, convincing character features and beautiful colours, and the music is dramatic and lively. Bugs is on top form, I love Bugs and he is simply great here, and all the supporting characters are well written and well incorporated into the story. The pacing is fast and furious, and the voice work from Mel Blanc as is always the case is exceptional. Overall, it was a great idea and the results are hilarious! 10/10 Bethany Cox

Chuck Jones's "Bugs' Bonnets" mostly looks like a place holder, but they have some really neat tricks up their sleeve! Even beyond Bugs's and Elmer's changing personalities as they wear new hats, one has to wonder whether or not one's attire - or just head-wear - could alter the person in question, as happens to the stars here.

But let's not dwell on philosophical analysis. The point is that this is another funny one, with a real surprise ending. Definitely one that you'll want to watch. It only just became available on DVD a few weeks ago, on Disc 1 of the Looney Tunes Golden Collection Volume 5.

Yeah, corrupt cops do some real damage to our society. After all, they let the mafia get strong.

"Bugs' Bonnets" begins as a psychological study on the different clothes that people wear and it gives examples of how the same person can change if he or she wears different outfits (which is not the case in real life). When Elmer Fudd is chasing Bugs Bunny in the woods, a van containing various hats, driving on a bridge above the pair, has its doors broken open and the hats and outfits fall out. Throughout the episode Bugs and Elmer wear different hats and change their personalities and roles dramatically throughout the episode.

I do not know if anyone else noticed (if you watched the episode) but this episode reminded me of the sort of activities one does in drama, changing your personality completely just to sort an outfit. A bit like the reviewer Lee Eisenberg with his random theories, it may have only occurred to me and not to anyone else...

Anyway, here is a list of the good things about this Bugs Bunny + Elmer Fudd episode: 1. The idea is a clever and amusing one and is used well in the cartoon. 2. The "base" characters are good in this episode and the "added" characters are also very well done and amusing. 3. The cartoon opens and ends well, parts of episodes I feel can very often be patchy in a Looney Tunes cartoon. 4. The back-ground animation is very good, the character animation could be better, but it is not an issue in this episode. 5. The music was well done and often changed dramatically in this cartoon, which I liked.

If there was anything I did not like so much about the episode, it was the quickness of some of the character changes, the unnecessary pauses between some of the character changes and the slightly racist point where Bugs Bunny starts shooting Elmer Fudd as soon as Bugs is wearing Native American costume (I thought Americans had gone a bit better about that by the mid 1950's, but maybe I was mistaken).

I recommend this episode to any fan of Bugs Bunny and Elmer Fudd cartoons, to people who enjoy Looney Tunes in general and to people who love quick-changing personalities in a cartoon.

"It is a well-known psychological fact that people's behavior is strongly affected by the way they dress," claims the narrator. That sets up the premise of the cartoon which shows Bugs Bunny and Elmer Fudd both changing personalities as different hats fly on them. (A truck carrying lots of hats spills its merchandise in the forest where are two stars are, hence the different hats/helmets keep falling on their heads.)

Bugs goes from army sergeant to game warden to native American to gangster to judge to groom. Elmer goes from hunter to, General MacArthur, to pilgrim, to a little lady with a bonnet to policeman to bride. Why bride-and-groom? "Because it always helps a picture to have a romantic ending," Bugs tells us at the end.

I hate to spoil the party here but I did not find this cartoon funny, just stupid. I like Bugs Bunny cartoons but this one was just plain dumb despite an interesting premise.

. . . America realizes that changing one's sex (for Transgendered Folks), sexual orientation (for Bisexual Folks), or sexual special preferences (for Bestial Folks) needs to be as easy, simple, and judgment-free as changing your socks. That chief instigator of American Social Change, Warner Bros. Studio, realized all of this at least as early as the 1930s, and labored tirelessly to lobby both overtly and on a more subliminal level toward sometimes prodding but mostly dragging an often kicking-and-screaming nation down the path toward the vast smörgåsbord of sexual options that we enjoy today, particularly with its Looney Tunes animated shorts division. BUGS' BONNETS delivers this message in spades, as it closes with groom Bugs Bunny carrying his virginal white wedding-dressed bride Elmer Fudd toward some distant threshold. As the candy ad for Almond Joy and Mounds Bars states, "Sometimes you want to have nuts, sometimes you don't." BUGS' BONNETS also illustrates Warner's firm belief, depicted in many of its feature films, as well, that crook or cop, friend or foe, hero or heel is all a matter of perspective. Every American alternates between each of these roles, depending only upon which hat they're wearing at a given moment.