The overall production was stellar.

Ethan Hawke gives a honest performance that showcase his most endearing qualities as a fine thespian. His portrait of Chet Baker is impressive.

Hawke and Cameron Ejogo who played his girlfriend in the film had a lot of chemistry between the two of them, which is good because the movie centers on the both of them greatly. I herd her role is more of a mixture of many women Chet seem to be able to pull down, which only makes her performance more important, as she goes from being a coworker in a movie about his life to his love interest, the mother of his child, and most importantly the muse the keeps him going and inspires him to kick his drug habit in order to get better and play better.

The imagery of the film was great, it was not too colorful but gave a bright California vibe known in 1960s movies.

And it was a well told story about about drug addiction. It was not one of these things where you should feel super sad for the person cause he can't stay off the stuff. It was a honest look about an insure man who could not function properly without heroin in his system.

Truly a masterpiece in cinema when you can tell a fantastic and interesting story in a motion picture that does not to use Hollywood clichés in it. I loved it.

Ethan Hawke stars in this beautifully acted portrayal of jazz trumpeter and singer Chet Baker during his prime. Know that the film treats the facts of Baker's actual biography, as one reviewer said, more like a chord chart than a score and riffs from there. What is true-to-life is that Baker was an only child, born on a lonely ranch in Yale, Oklahoma, and went on to have numerous relationships with women and a long-term relationship with heroin. Musically, he was a progenitor of West Coast Swing, but always had his eye on the New York scene, with the mantra: "Look out Dizzy, look out, Miles. There's a little white California boy coming for you." An accident when Baker was 12 caused him to lose a front tooth, after which he had to re-learn to play the trumpet. That was a mere warmup to the effort he had to put in after his drug dealer pistol-whipped him and knocked out all of his front teeth, destroying his embouchure. Yet, he couldn't stay away from heroin. He thought it made his playing better, and he was all about his music. While Baker had a great talent for improvisation and sustaining a melodic line, he had no talent at all for being happy. After one important comeback milestone, his manager (Callum Keith Rennie) asks, "Would you try to be happy for more than ten seconds?" This line provides the ironic overlay to the choice of title for the film, one of Baker's big hits. Hawke did the films vocals; the trumpet playing was by Canadian trumpeter Kevin Turcotte. Written and directed by Robert Budreau, the movie has an opening scene that shows how a girl he picked up after a performance casually introduced him to heroin, and he didn't say no. This scene turns out to be part of a movie being made about him and whether such a significant life event happened in such an offhand way, we don't know. The insertion of black and white scenes, some of which may be from the movie (which was never finished) or from his memory, plays with the order of events, especially early in the film, an improvisational approach to history that mimics jazz music itself. Although Baker does get clean for a several years as he is recovering his playing ability, a return to heroin remains a risk in the music business. As his parole officer says, "You go into a barber shop and sit in the chair long enough, you're going to get a haircut." Still, his parole officer, his girlfriend—the delectable Carmen Ejogo (playing a composite of several women)—his manager, and many musicians wanted him to succeed, including Dizzie Gillespie and Gerry Mulligan. Miles Davis, notoriously prickly, was not a fan, and we'll get a chance to get his side of the story in the biopic with Don Cheadle, coming soon.

Greetings again from the darkness. Most biopics aim for historical accuracy with only the occasional stretching of facts for dramatic effect. Within the past couple of weeks, I've seen two that take a much different approach … fictionalized versions of jazz icons – legendary trumpeters Miles Davis (Miles Ahead) and Chet Baker. Writer/director Robert Budreau expands on his 2009 short film to deliver a feature length look at the talented and troubled Baker … with a huge assist from Ethan Hawke.

The film begins in 1966 with Baker locked up in an Italian jail cell. Bailed out by a filmmaker who wants Baker to star in his own life story, a flash back to 1954 allows us to see Baker at his musical peak. As he heads into a gig, he asks an autograph seeker "Who do you like best, me or Miles Davis?" The question could be arrogance when asked by another artist, but it's our first insight into the insecurity that Baker struggled with his entire life. His desire to be liked sometimes conflicted with his goal to be great. But like the story of so many musical geniuses, it was the drug abuse that continually sabotaged the talent.

Carmen Ejogo (Coretta Scott King in Selma) plays Jane, a fictionalized blend of Baker's lovers through the years. The two of them are good together, though she is as much a caretaker as a lover … keeping him on track and nursing him through the (many) tough times. Baker received a savage beating that cost him his front teeth and ability to play the trumpet for years. The movie presents the beating as drug-related, but history is unclear on the matter. Still, it's painful and brutal to watch Baker bleed for his art.

Baker is credited as the inspiration of West Coast Swing, though it's quite challenging to relate to yet another junkie musician – no matter how talented. He's just not a very interesting guy as presented here. Talented, yes … but not very interesting. Additionally, none of Baker's music is actually heard. It's been reimagined, just like his life story.

Despite the issues, Ethan Hawke delivers what may be the best work of his career. He is tremendous and believable as both the talented jazz artist and the insecure drug addict. Director Budreau creates a dream-like atmosphere at times, which adds to the "is it real" style. The 1988 Oscar nominated documentary "Let's Get Lost" is probably a better source for Baker's life story, but Budreau's take does capture the man's struggles.

Born to be Blue follows famed jazz musician Chet Baker as he struggles with both losing and attempting to regain his ability to play the trumpet, as well as quitting his addiction to heroin.

Ethan Hawke plays Chet Baker, and I was a little unsure as to what I'd think. I haven't been terribly impressed by Hawke, despite liking him in his movies. He hasn't blown me away with anything. That is, until this movie. He's pretty great. He fits the character perfectly as this rough-around-the-edges but still used to the wealthy lifestyle which he has and a little naive because of it kind of guy. One would think that the higher tone of voice he uses for this role might be annoying, but it really isn't. Plus he just looks the part. He was perfect in every way for this film and his character.

This is a movie about a famous jazz musician, so we can assume that the soundtrack will be good. And it certainly is. Not much to say there, but it's great. The fact that Hawke even sang all of it is even more impressive on his part. He's got a great voice for the part too, and I'll definitely be listening to this soundtrack in the future.

The flashback sequences were pretty cool. Normally filters placed over a scene bother me, but in this case it worked really well. That, and the fact that it isn't the whole movie placed under a filter. Plus, the filter is just really cool. It suits the movie with it's black and white look with a tint of blue. It looks like a flashback, but it has this dark liveliness to it, similarly to how Baker's life was portrayed. Furthermore, the movie decides to use the same actress as his lover for both the flashbacks and the present for reasons that I won't spoil. But trust me, it was a interesting decision and it worked.

And the climax, or more just the whole last twenty or so minutes, are amazing. They are easily the best part of the movie. There's an excellent scene right before the climax itself involving a decision Baker has to make, and it's so good. Of course, Hawke continues to tell us how great he is in this role. Then the climax itself starts and it's great. And as it comes to a close it wraps itself up in a way that we don't see often. It's a realistic, unconventional way of doing it that I figure is the truth. As far as biographies go, we don't see a lot of them where the ending isn't all good and happy. Born to be Blue is one of those rare movies that has the balls to tell an honest story with an honest ending, and I loved it. Right down to how certain small elements were handled were just on point.

If I can find any real error in this movie its the fact that the general plot of some skilled person hitting rock bottom and working their way back up has been used many times. However, the presentation is all that really matters in a case like this, and I thought it was pretty great. On top of that the movie is, despite being only 97 minutes long a little slow. Maybe I expected it to fly by because of how much shorter it is than some other movies, but I thought it dragged just a little from time to time.

Overall Born to be Blue is pretty fantastic. The acting, specifically from Ethan Hawke is great, the music is great, the climax is fantastic, and it all around nailed it's presentation of an otherwise unoriginal idea. This is one of the best movies of the year and I would definitely recommend checking it out.

I wouldn't go as far as to say that Ethan Hawke was "born" to play Chet Baker (no pun intended to the title), but this is the kind of performance that tends to be talked about for years to come. There's no front put up between him and the audience, and despite the vocal change to be a little more hoarse or whispery or however it was that Baker was naturally from his Oklahoma-cum-cigarette-strewn roots, it feels as if Hawke has slipped into Baker's shoes from the outset and that he just IS him. And though it's mostly set in the time period where Baker bottomed out the hardest - getting his teeth knocked out by a dealer while shooting a movie featuring himself as his own character in the 'Chet Baker Story - with those scenes from the movie in the movie (whether they were filmed or just imagined by Baker from the script written for him) Hawke gets to play multiple time periods and not in a typical bio-pic format.

As an actor he gets to have such a complex, vulnerable person to slip into, and at first I wasn't sure how he would do. I think Hawke's a terrific actor, though a lot of the time it seems as if it's just Hawke as... Ethan Hawke on screen, with some exceptions (like Gattaca), and even in the 'Before' films it seems just like it's this cool guy getting in front of the camera. It seems like a lot to keep harping on the lead performance like it means everything but in this case it kind of does - there's no Giamatti or Elizabeth Banks like in last year's Love & Mercy, and also the filmmaker behind this, Robert Budreau, is not making filming it quite like the standard bio-pic: long takes where the actor (also co-star Carmen Ejogo for most of it) has to keep our attention while playing a famous musician who was not someone with a presence off-stage that was immediately compelling.

There's a lot to dig in to here thematically, whether it's drugs or race (Baker being the 'white boy' among the black giants like Miles Davis and Dizzy Gillespie, the former doesn't take too kindly to Baker in the 50's prime by the way), but while watching the movie you don't need to think about that. It's simply about this man who has his own way of going about things, is gentle in his way, and yet there's an intensity, bordering on a rage, that makes him compelling. Is it about addiction as much as the Eastwood Charlie Parker movie (Bird)? Yes and no - yes in that it's always there, as it is for all addicts, and when a scene like after he plays a show at the local bar (where he's trying to rebuild his trumpet playing skills) and a 'fan' slips him some dope (to which he responds "I thought you were a nice girl"), it seems hard not to sort of feel sorry for Baker that he's in a world where it's almost expected, in a way, for the Jazz heroes to be stone-cold junkies.

But no in that it's primarily a love story, which is where the chemistry between Hawke and Ejogo is especially crucial and, in this case, kind of strange and awesome in the approach. Many times you simply see a famous musician or actor or whoever in a movie meet a girl and fall in love and they have the ups and downs (Ray and Walk the Line are little else if not that), but here the twist is that Baker meets his love interest as she is playing his *former* lover in the movie-that-didn't-finish in the 1950's. It's a meta touch, but it's not to the point where the director takes us out of the film to any annoying degree; it's cleverly done in the opening 10/15 minutes where we think, the audience trained on clichés of biopics, that we're seeing a black-and-white flashback of this jazz-man's story of playing in Birdland and doing such things as the "first time" on heroin with some local girl.

The trick is that Baker is always Baker, whether it's in the 'real life' of the movie or the movie within the movie, it's all a movie, after all! It helps that the music is wonderful, and that's not something that is incidental; I have no idea if Hawke is playing the trumpet (he likely isn't, a handful of actors play their own stuff, let alone well, in these movies), but he does have to sing, and it's remarkable work on songs that require a thin line to walk on. Baker wasn't that phenomenal a singer except in the aspect of ripping-off-skin-to-see-the-insides honesty. It hurts to see Baker sing, and to see Hawke sing as him, and all the more that they're tender love songs. It doesn't necessarily come right away either, as the first passion for this man was the trumpet. Whether he comes to it by himself is something the movie leaves out (though I could surmise it was organic), but the point is that by the time the last third comes we've seen this man live a real life, which is all that Miles Davis asked for anyway.

A sincere, heart-breaking and simultaneously uplifting movie that is just a drama about a man working his art (among the giants always in his mind or in front of him), and a true-life story second. That it involves one of the coolest of his form is a bonus, and with an actor delivering a career-highlight work as well.

This movie's about a fellow battling some personal demons. We never really get a good feeling about his chances to win. We keep rooting for him anyhow.

It really snuck up on me. I was repulsed by some of the repulsive scenes, but didn't notice how subtle yet effective the love story was until the tragic end, when it pretty much broke my heart, darn it.

Ethan Hawke plays Chet Baker, a jazz trumpeter who achieved 40's and 50's popularity by playing music that sounded like a beautiful dream. His own life was nightmare: wandering into heroin addiction, an anchor that never stops dragging him down.

Carmen Ejogo plays Jane, who fights the battle with him when he needs to kick it to make a comeback. She temporarily derails her own life trying to straighten out his.

The movie is very well made, letting us fill in blanks. Like why does Ejogo gets involved with him in the first place. That led me to wonder why there's always someone like her around trying to pull someone like him out of their self-made quicksand. It becomes a kind of meditation on love and addiction, and when the line between the two gets blurred. These two characters may have a lot more in common than they realize.

The final scene between the two is very powerful. I was stunned by the acting. Ejogo doesn't even speak. It's too bad it's such a sad movie, otherwise it might be getting some Oscar nods.

Not for kiddies or when you want something cheerful, but if everyone in the room's a grownup and you don't mind something tough, it's a great movie.

Holy Chet! The Chet Baker biopic "Born to Be Blue" was a whopper of a film. Its suave style is reminiscent of another Baker jazzy film, which is the classic "The Fabulous Baker Boys". Chet Baker was a renowned trumpeter and jazz legend who had a near lifelong addiction to heroin. "Born to Be Blue" focuses on Baker in his 40's. His career has gone down the tubes, he gets brutally beaten by some drug dealers, and he cannot play his trumpet due to his injuries to his mouth. Baker then meets a beautiful aspiring actress named Jane who plays as an inspiration for Chet to get sober and make a jazzy comeback. Writer-Director Robert Budreau plays all the right tones in his direction and screenplay of the picture. Steve Cosens' cinematography was a picturesque mastery that should get him many encores to work in other movies. Ethan Hawke does not blow it at all as Baker; in fact, his Baker Act is the best performance of his illustrious career. His work as Baker is born to be an Oscar. Carmen Ejogo was sweet music to my ears in her performance as both Jane and Baker's ex-wife Elaine who was shown in flashbacks. Callum Keith Rennie manages to do some fine work as Baker's longtime manager Dick. The music of "Born to Be Blue" was a grand piece of Chet. I have no doubt that this movie will be in my Top 10 or even 5 of my favorite films of 2016. I was absolutely enamored with this stupendous movie! True "Born to Be Blue", baby I love you! ***** Excellent

Ethan Hawke as Chet Baker is giving us a characterization of Chet Baker not as the person but surely as what it felt like to be Chet Baker. It is Chet Baker trying to understand himself and how his music was a projection of himself to which he was always striving to make more perfect. No human can do this therefore the heroin was an escape from himself.

Carmen Ejogo positively shines as the two women in his life. As his girlfriend Elaine she tries to bring some sense of balance and grounding into his mixed-up life and realizes late into their loveship she will always be second to his music and drugs.

This story is fascinating and painful. And this is where the viewer may experience compassion burnout because Baker is forever making the same mistakes. He cannot see this but you the viewer will see it and by movies end you just do not care anymore. Everything about this movie is right but by the end you are just at the point of being bored!

Still this is a film worth every minute of viewing time.

"Born To Be Blue" (2015 release; 97 min.) is a movie about jazz legend Chet Baker. As the film opens, we are in "Lucca, Italy, 1966" and baker is in prison, only to be bailed out by a Hollywood director. When then go to "Birdland, New York City, 1954" when Baker is at the peak of his fame and fortune, only to be exposed to heroin by a femme fatale. As it turns out, we then understand that this entire sequence was reenacted back in "Los Angeles, 1966" with Baker, now on the com-back trail, starring in his own movie. Alas, misfortune strikes again, as Baker is viciously assaulted, to such a degree that he cannot play the trumpet anymore. Now he faces even longer odds to come back. At this point we are 15 min. into the movie but to tell you more would spoil your viewing experience, you'll just have to see for yourself how it all plays out.

Couple of comments: the movie does not tell us that this is a "true story" or "inspired by true events", and for good reason, as this is NOT a bio-pic in any way, shape or form about Chet Baker. Instead, the movie brings a fictionalized composite of certain elements and episodes of Baker's life. Canadian writer-director Robert Budreau makes this into his own cocktail mix, and the end result is quite good, and certainly entertaining. That said, the movie would not have succeeded if it weren't for the outstanding performance by Ethan Hawke as Chet Baker, I mean, Hawke nails it. Kudos also to Carmen Ejogo as Baker's love interest Jane (who is African-American). There are a number of key scenes in the movie. One that stands out for me is when Baker and Jane visit Baker's parents in Oklahoma. At one point, the less than friendly (and outright racist) Baker's dad sneers "I never dragged the Baker name through the mud", to which a stunned Baker has no reply, and simply walks away (and leaves for good), wow. If there is one criticism of the movie, I felt that the music was not given a full enough role. There are long stretches in the film where music seems to be an afterthought. Given Baker's fierce love for music, music should never be an afterthought when looking at Baker's life.

"Born To Be Blue" premiered to great acclaim at the 2015 Toronto International Film Festival, but despite that only got a very limited theater release in the US (it never made it to my local art-house theater here in Cincinnati). So glad I finally picked this up as a DVD. A comparison between this movie and last year's "Miles Ahead" (about jazz legend Miles Davis) is inevitable. I found both movies are quite well done, each in their own way. If you liked "Miles Ahead", you are bound to also like "Born To Be Blue", and vice versa. Bottom line: "Born to be Blue" is worth checking out, be it on Amazon Instant Video or on DVD/Blu-ray.

It was like a blues music, and the title explains the whole movie. The protagonist, Chat Baker is a person who cannot live without heroin and trumpet. These two things does not let him to get any other kind of happiness. Ethan Hawke's acting was good enough to make Chat Baker's miserable life look romantic. He suffered between his desires, walked a path of agony, but while he walked through the path, he looked beautiful, and he seemed the person who was born to walk that path. Also, I loved the ending. I cannot think of any possible alternative ending, because it is like an ending note of a song, and any other note cannot complete it.

Great photography, good direction and decent acting gave substance to this movie, which unluckily suffered from a poor script. The plot is too diffuse and the characters appear to be poorly structured. While the idea of showing Chet Baker during his struggle to regain ability to play the trumpet is okay, the film focuses too much on the role of his relationship with Jane in his comeback. To the viewer it is never really clear why this relationship started and on what it is based on. Chet is presented from one direction, he doesn't really change during the movie and he is never really introduced, this leaves a gap that makes it harder to follow the character in his struggling.

Ethan Hawke is my favorite actor and I make it a point never to miss his movies. Just for that reason I know about 'Born to be Blue'. Where I live, this movie will never get screened in a movie hall, I'll never find a DVD and it will probably rarely be ever shown on TV. I guess even in Canada(Chet Baker's home country), not many have seen it yet. Such is the low profile of Ethan Hawke's art cinema role preferences that most of the times people come to know about these movies long after they are released. That trend is in-fact exemplified by this semi-fictional biopic about Chet Baker, the prolific jazz trumpeter, heroin addict and a free spirit.

The story is a bit of a noir mixed with real life incidents. It plays like a heroin fueled jazz improvisio. Chet Baker, the artist on whose life it is based on, was a bit of an enigma himself. Starting way back in the heydays of jazz, Chet was a white artist making his mark in the black dominated music scene. Estranged from his father and addicted to substance abuse, he was on a lookout for love that was always around the corner but never enough. A typical self destructive musician. The biggest crest in the plot comes in the form of actual physical harm. Details are unclear but some rivalries lead to him getting beaten up and losing his ability to play the trumpet. We see a lot of movies about 'comebacks' but this one is real. It is not just about overcoming defeat or depression. It is about finding yourself being propelled by passion and passion alone to achieve something impossible.

Ethan Hawke has done it again! Ever since Gattaca, I have found his performance mesmerizing. As Chet Baker, he embodies the pain and madness of a jazz artist so brilliantly that you would forget the flaws of the person and start loving him for what he is. Oh! and Hawke sings in his own voice in two of the songs. Soundtrack of the movie consists of some of the best Jazz standards and songs performed by David Braid. So, if you're a jazz aficionado then you should not miss it for the world.

Carmen Ejogo is a fresh face from England and plays the persistent love interest of Chet in the film. This is her first performance that I've come across and she is scintillating. To say that her role is split in two parts is enough preview without spoiling the rest. I implore you to go watch this film. Go with a lover if you can because it is about heartbreaks more than personal struggles.

This movie is a fictional reconstruction of a short period in the life of Baker, during the 60s. Starting with Chet in an Italian jail in 1966, the story quickly moves to New York, where Chet is invited to play himself in a documentary about his life. Then follows one of the most amazing scenes I ever saw.

Opening as a black & white flashback, we see a young Chet in 1954, playing very cool in Birdland, with Miles Davis and Dizzie Gillespie in the audience. In the backstage we see what should be Baker's initiation to heroin, but we discover that the scene is actually part of the documentary.

Brilliant film-making is made of such scenes conveying all the magic of cinema.

The story continues with Chet trying to rebuild his "career" with a help of a female artist, unfortunate enough to be attracted by his relatively good looks and melancholic charm. The pair moves from New York to California, where Chet swear to be clean and ready to play some serious jazz.

Unfortunately, Chet was the master of all junkies, unreliable, selfish and self-destructive. His girlfriend wisely dumps him and off he goes to enjoy the company of heroin until the day he died.

I am not a jazz fan and never heard any of the music Baker played, so I cannot comment about the remarks about the music not being good enough or even detrimental to the movie. For me it was a very well written and executed film, with a solid plot and good performances.

PS: as far as "blackening the reputation" of Baker... I never understood why junkie musicians should be idolized. The history of contemporary music is paved with unpleasant, self-destructive characters who had exceptional musical skills. Egotism does not make them any less talented, but certainly does not add to their charm.

If you want to see what years of heroin addiction do to the body, just check the photos of Chet from his early 20s until the end of his life. The crevasses on his face mirrors the destruction of his internal organs....

1) Hawke sings like garbage, Chet sang brilliantly. 2) Why didn't they use the original Chet recordings, why re-record everything thus cheapening the music? 3) Why did the film makers and Ethan Hawke etc. not ask / get permission from The Chet Baker estate to make this film? Chet's son / family is trying to sue them now! as they should. I hope that they are successful. 4) Last and MOST IMPORTANTLY: read Artt Frank's book "Chet Baker The Missing Years" to get the TRUE story about Mr. Baker's life during this time period. When I watched this movie, after studying the music and life of Chet Baker since 1989, I considered the film's story line to be about 75% historically wrong. Now that I've just read Artt Frank's book, I assure you - it's at least 95% wrong. Completely wrong! This to me is a huge insult to one of Jazz music's all time greatest geniuses - Chet Baker. - Piano Man Larry Hunt, 10/25/16

Am I aware that substance abuse is frequent in the entertainment business? Yes. From Ray, Walk the Line, and I See the Light, am I aware that some great artists became great while abusing drugs and alcohol. Yes? Is Born to Be Blue, about jazz trumpeter Chet Baker, more of the same? Yes. I just can't believe there is no more to the lives of Ray Charles, Johnny Cash, Hanks Williams, and Baker than abuse. Apparently, filmmakers believe we are anxious to experience these artists' dark abuse sides. For me, NOT!

Or rather I more prefer to experience their music trajectories and intricacies than their vulnerable abuse sides. Baker, once the premier trumpeter with his West Coast Swing, fell from grace for guess what? Heroin administered by a groupie and almost in plain sight of his wife. As for his next wife (playing both wives is Carmen Ejogo), Jane takes the clichéd role of loving support with little individuality.

Notwithstanding the formulaic nature of Born to Be Blue, Ethan Hawke's performance as Baker is a career high for its depiction of Baker's obsession with music and his poetic, vulnerable side. Never for a moment do we believe he will forsake his calling for pumping gas or Mariachi playing, temporary measures to keep the authorities off his paroled back.

When the film comes to an end, we can be pleased that the usual biopic tragic ending is upended by his continued success in Europe. Just as Baker was reborn in a concert before the likes of Dizzy Gillespie and Miles Davis with the help of drugs, so too did his European gig thrive on the addiction, right to his death. It is gratifying that the filmmakers didn't re-imagine that part and that it at least doesn't follow the usual redemptive path.

Although like me, you may shout "enough" at the drug motif, we can both say we enjoyed getting to know one of the greatest musicians of the last century.

"The thing to judge in any jazz artist is, does the man project and does he have ideas." Miles Davis

Jazz trumpeter Chet Baker (Ethan Hawke) gains early fame for his West Coast Swing. Miles Davis dismisses him as White Men's Hope. Drug addiction breaks up his marriage to Elaine (Carmen Ejogo). Years later, he is struggling. He meets actress Jane (Carmen Ejogo) who is playing Elaine in his movie. His drug dealer smashes his face for not paying. He loses the movie and his ability to play. Even his producer friend Dick Bock (Callum Keith Rennie) has had enough. With Jane's help, he lives in a van and slowly regains his trumpet playing.

The flow is idiosyncratic like jazz. I also would like more of his early drug addiction downfall. There are some good character work from Ethan Hawke. There isn't a overriding drama but it has good some personal moments. This is solid work from Hawke but the movie is a bit slow as a whole.

This is one of the worst movies of all time. On one side i hated it as a fan of jazz and chet baker. it wouldn't be that much of a problem that its part fictional, if these added parts weren't that corny. ethan hawkes portrayal of baker is so bad, its almost like a satire, just cringe worthy from start to finish. aside from that, its just a bad movie. the story arch is just flat out boring, not a single good acting performance, a waste of time. "Lets get lost" is just a documentary but in many ways has more of the wit and drama of a well scripted and acted movie. what is also bothering in this movie, is the description of the African Americans, who are portrayed as either evil influences on baker or simply bad persons.

To start is necessary to say that this movie wouldn't be half as good without Robert Budreau's vision. Otherwise, it would be just another bio-pic about a musician that people kinda forgot.

Burdreau's bold decisions, like using the black and white "footage" of the movie Chet was staring as flashbacks, and by that, having one actress, the lovely Carmem Ejogo, playing two parts, both as Jane and Elaine, or having two actors on one row, like Dick, by Callum Keith Rennie and Joe Cobden.

If half of the success was on the decisions of the director, the other half it has to be on Ethan Hawke's performance. He incorporated completely the character of Chet. Everything, from the body language, the gestures, the expressions, the pantomime at the trumpet and the voice. The way of talking was pure Chet Baker, part smooth and romantic, part cynical and hopeless. The insistence with the fake teeth. All of that was pure Chet. Hawke is a hard actor to lose on the character, there's always something that identifies Hawke, that makes you remember "Training Day", the "Before Trilogy" and even "Sinister", that common thing to his performance in those otherwise completely different movies. But in "Born To Be Blue" Hawke vanishes inside the character, maybe for being as cool as the actor, but in no moment I could see other person but Chet Baker. For me, that will be his image, more than any other actual footage of the musician.

Talking performances, the co-star Carmem Ejogo was just delightful. And even both parts not being superficially much different, there was nuance. Elaine and Jane had different dynamics with Chet, and most of it pass under the radar, but to make it work as it did in the final cut, it was great. And there was Callum, the eternal Great Ashby, but here he delivers a solid performance as the producer Dick Bock, sometimes a worried friend, sometimes a guy that is tired to trying to save someone who don't want to be saved.

The story. Well, that's an unauthorized bio-pic, and its synopsis state already that this is "A re-imagining of jazz legend Chet Baker's musical comeback in the late '60s". How much of what we see in the movie is factual? How accurate is Budreau's script? Does it matters that much? Born to be blue is engaging, not 'cause its a bio- pic, but 'cause it's a good movie, with a good script, a good directing and good performances. What's true or not, we may let it to the next documentary on Chet Baker.

This is a must watch!!!

"Real talent always flourishes, but then there's the type that promises more than they can fulfill." Chet Baker (Hawke) is one of the best trumpet players in the world. He has played with Dizzy Gillespie and Miles Davis and can hold his own. After getting out of jail he attempts a comeback. Movies and music come back easy to him, until his drug habit takes over and everything he knows and has is threatened. This movie has two things going against it right off the bat. First, it comes out shortly after the Miles Davis movie with Don Cheadle. Second, this person is not nearly as well known as Miles Davis was. That said, I still like jazz and bio-pics so I was hoping this would be good. It is hard not to compare the two movies since I just saw the other one last week. I thought Miles Ahead was a little better, mainly because it seemed to move a little faster and there was more than just this happened to him, and then this happened. Neither of the movies however were amazing or classics along the lines of Ray or Walk the Line. What this movie had was terrific acting. I have never been a real big Ethan Hawke fan, but I really think he could get a nomination for this one. He is the reason to watch. Overall, a decent movie about a person I had never heard of but became interested as it went along. Hawke is the real reason to watch though. I give this a B-.

Ethan Hawke did a fantastic job, but aside from that not much going on for this movie, unfortunately!

Chet Baker was one of my dad's favorites and during my teenage in the seventies I felt why. So that's the reason why I wanted to see the movie. I wanted to learn more about Chet Baker and I wanted to listen to his performances. As soon as the trumpet was played I could even more appreciate Chet's style than I did during the seventies. BUT, after watching this movie I found out that actually the following applies to it: "Any resemblance to actual persons, living or dead, or actual events is purely coincidental in this movie". Still, it's great story telling which has been depicted in an excellent fashion for cinema. Ethan Hawk AGAIN gave a great performance! (he's one of my most favorite actors). I fell in love with the interpretation of "Jane Azuka" by Carmen Ejogo ... and this is where I got disappointed. At the end of the movie I watch the closing credits as well, especially when I loved the movie. I do that to feel my sincere appreciation for the makers and to possibly send that to them, through some medium that still has to be discovered. After the closing credits, I immediately started looking for the actual "Jane Azuka" on the internet. Then I found out it was a factitious character! I felt somewhat betrayed. Luckily I also found "Let's get lost" from 1988 (that was released a couple of months after Chet's death). That gave a far more intense and accurate display of who he was and how he lived and ... with whom he "shared" his life. I can recommend that documentary film! BUT, I can also still recommend "Born to be blue", but not as a biography. It's more like an impressionist's view of Chet Baker, which in combination with "Let's get lost" provides an interesting view on how true talent consumes.

Good bioflick on the tragic Jazz legend covering the years leading to his middle-age as he was about to embark into the last phase of his career. The drugs, trials, tribulations and music are well represented with able acting led by Ethan Hawke as the troubled icon and an exquisite soundtrack. There are one too many slow and unnecessary parts but overall this is a fine tribute to a one of a kind figure who was one of the myths in a field lit by many of them.

Born to Be Blue

The key to being a successful musician/drug addict is picking the most lucrative genre in which to perform.

Unfortunately, the strung-out artist in this drama chose Jazz.

Failing to pay his drug debts, jazz heartthrob Chet Baker (Ethan Hawke) has his front teeth kicked in in front of his new girlfriend (Carmen Ejogo). Unable to play his horn he must now answer to a parole officer who requires him to find a real job.

While he agrees to undergo drug treatment, Chet refuses to give-up performing, even though his new affliction leaves him sounding like an amateur.

While Hawke turns in a remarkable portrayal of the embattled Baker, the Baker he is depicting isn't the real Chet Baker, but a fictional account of the addict that uses his bumpy history and embellishes it with substantial poetic license.

Besides, junkies make the worst fans because they never leave after the concert.

Yellow Light

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I don't think this is a great film, not by a long shot. That may sound critical, but it's how I feel. I think it sidesteps many more interesting directions it could have gone in and instead chooses the safer, more predictable route a lot of the time. More than anything though, it serves as a vehicle for Ethan Hawke. He's always been a very solid, very reliable actor, but he doesn't really get many meaty dramatic roles like this. He does wonders with the role and really makes the lead character as likable as he could be, taking into account the circumstances. Definitely a solid watch and definitely a film for Ethan Hawke fans who wish he would get more parts like this. Some really great music as well.

It is really difficult to do something new about a jazz musician with a frenzied personal life be it women, alcohol, drugs or all three because it seems that all great jazz musicians had the same issues.

Born to be Blue is a lower scale film but thematically not too different from Bird directed by Clint Eastwood back in 1988.

Chet Baker was known for his west coast jazz sound. He also had problems with drug addiction and going in and out of prison. When he has his teeth smashed and has to wear dentures, Baker has to learn how to play the jazz trumpet again as well as stay clean when those around him are doubtful.

Ethan Hawke gives a gut wrenching performance as Baker trying to start all over again as a musician when previously it had been all so easy. Now no one wants to give him another chance as he has let down so many people down in the past. The film though is low wattage and offers little new though.