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» » Pallid Hues in Clouded Skies (1911)

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A woman plans an elopement with a young man with whom she in infatuated, and gives him a diamond necklace to secure funds. Her husband, facing a financial crisis, returns home for the ... See full summary
A woman plans an elopement with a young man with whom she in infatuated, and gives him a diamond necklace to secure funds. Her husband, facing a financial crisis, returns home for the jewels, surprising his wife, who secretes her lover in a chest. The husband searches for the necklace, and hearing a noise in the chest, attempts to open it, but his wife furiously beats him off, and springs the snap lock. The husband has the key and tries to open the lock, but his wife, in desperation, grabs a pistol from the dresser and at its point forces him from the room. He departs, locking the door behind him. The woman is unable to secure assistance, and cannot unlock the chest. As she rushes about the room frantically looking for some instrument to pry open the lid, she accidentally knocks over a candle with which she has been sealing letters. It falls in a waste basket and soon the room is a mass of flames and smoke. The frantic struggles of the man in the chest, rocking it violently, and the ...

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    • Author: Ffleg
    The feeling as this picture closes is indescribable. A man locked in a trunk, a woman in a locked room, unable to open the trunk or herself to escape from the room and the room burning, that is the closing scene. The others show the woman hiding her lover in the trunk and struggling frantically with her husband to prevent his opening it, finally forcing him through the door at the muzzle of a revolver. The effect upon the audience is almost as great as though they saw an actual fire. Perhaps the horrors of the recent holocaust in New York were so fresh that the influence was deeply felt. Few scenes have ever appeared upon the motion picture screen more horrible than this as the trunk rocks with the imprisoned man's struggles to escape and the woman sinks, overcome with the heat and the increasing smoke. It would be difficult to imagine anything more horrible unless the auto de fe of the inquisition were reproduced in all its realism. Perhaps there are some who like this sort of thing, but seems like going backward. - The Moving Picture World, April 15, 1911
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