Murder, She Wrote The Committee (1984–1996) watch online HD

At a New York City fund-raising event for WAFFA (Writers and Artists for the First Amendment), Jessica Fletcher (Angela Lansbury) volunteers, by signing copies of her latest Mystery book, at which old friend Winston Devermore (John McMartin) appears, inviting her to speak at Avernus Club, a local country club, which has hosted a long series of authors. Jessica readily accepts the challenge to appear as the organization's first female speaker.

The location of the club isn't identified other than being situated in close proximity to New York City, but not outside of New York State. This houses a tennis court, target shooting range, a large lecture parlor and a suite to house "The Committee," a secret society of six bankers, stockbrokers and other professionals who need each other to thrive financially.

In addition to Winston Devermore, this group consists of President Philip Arkham (Norman Lloyd), Lawrence Cayle (James Sutorius), Gerald Innsmouth (Robin Thomas), Edward Dunsany (Edward Winter) and Harcourt Fenton (George Wyner), with Lisa Sutton (Robin Dearden) serving as Philip's secretary and the group's assistant. Theo Cayle (Nicholas Pryor) resides with his elder brother, Lawrence Cayle, and, thereby, associates with members of this set.

After Jessica addresses the club and its many guests, she learns of dissension in the ranks and that the purpose for her invitation is twofold, when she is asked to investigate the source of mounting trouble. One member turns against a first member because for usurping a portion of his investments, while another fights with the first member over the attention another pays to Young Woman (Elizabeth Kent), who happens to be his wife.

A Messenger (Geoffrey Infeld) distributes hand-printed invitations bearing a golden seal upon the envelopes. Each invariably bears a card, reading, "Midnight," along with a golden skeleton key, to admit each member into the secret chamber. "The Committee" on the night of Jessica's lecture, hears grievances against the one who seems to be causing dissension among the group. And now, five members are asked to vote by secret ballot (a black marble for guilt, a white marble for innocence) to sanction the member in question.

When Lisa collects the the vote and reveals it as four black marbles to one white, the five are asked to reach into the pouch for another marble, red or gold, the lone gold one to select "the enforcer" to discipline the member deemed guilty.

After the messenger delivers an invitation to the guilty one, he takes it with a grain of salt, but appears in the chambers at midnight, to face the barrel of a shotgun rifle.

Now that "The Committee" has murder on its hands, Jessica is brought before them to estimate that they all face serious charges for conspiracy. When Lieutenant Howard Tartarus (John Kapelos) is brought in to investigate, Philip Arkham reminds him in no uncertain terms that his organization has an "in" with the police commissioner, with a clever way to demonstrate this.

But the plot thickens when the brake line is severed on the automobile of another secret society member, who is transporting yet another along a steep grade, causing the out-of-control vehicle to descend an embankment, thus leaving one severely injured and the other fatally injured.

Jessica assists Lieutenant Tartarus with the investigation, by tying the two murders together through the examination of the effects of the recently deceased, and discovering a black marble in his pocket, tying this to a remark made by the injured party, along with other clues which she has spotted along the way.

And now, remaining members must decide whether or not to disband "The Committee." Rounding out the cast are Doris, a Fan (Susan McWilliams) and Fund-raiser Organizer (Judy Jean Berns) at the WAFFA book-signing; Valet (Randall James Jeffries) and Waiter (John Brennan) at the restaurant that rainy evening; and Doctor (Darrell Zwerling) and Nurse (Marabina Jaimes) at the emergency room, tending to the injured "Committee" member.

The setting of this story is so unusual and atmospheric, one almost can't help thinking it should have been directed by David Lynch. Conspiracy fans could have a field day (much more so today than back in 1991) picking apart the goings-on at this gentlemen's club "not unlike the Bohemian Club out west": The code of secrecy, the brothers' - oops, members' blind loyalty to each other, the ominous hand signs, the silent ballots and ruthless punishments - we've sure come a long way from Loretta's beauty parlor in Cabot Cove! The quotes are priceless: "To expel someone is to lose influence." "Bankers, stockbrokers, developers - we all need each other." But this is still Jessica's tale, after all, so in the eleventh hour, order is restored and the secret society meets its comeuppance. Don't they all?...

Have always been quite fond of 'Murder She Wrote'. It is a fun and relaxing watch that makes you think as you try to unwind in the evening. If one wants more complex, twisty mysteries with lots of tension and suspense 'Murder She Wrote' may not be for you, but if you want something light-hearted and entertaining but still provide good mysteries 'Murder She Wrote' fits the bill just fine.

"The Committee" may not be one of the best episodes of Season 8 and there are better 'Murder She Wrote' episodes overall. It is a huge improvement over the disappointing "A Killing in Vegas", having a far more engaging mystery and not being hampered by awful younger cast actors. There are a couple of things that bring "The Committee" down from an outstanding episode to a very good one. It does stretch credulity in places and while the denouement is very clever and unexpected it is also on the convoluted side, it took me three viewings to fully understand it (no other 'Murder She Wrote' ending beats Season 2's "Menace Anyone" in confusion though).

On the other hand, "The Committee" is an unusually dark and very mysterious episode, the whole secret all-male club concept was done beautifully. The mystery mostly engages and intrigues, and benefits further from one of the season's better scripts with some fun quotes and delightful in-jokes (there are plenty of them).

Angela Lansbury is faultless and she is matched by a classy supporting cast with the standouts being Norman Lloyd, John McMartin, Robin Thomas and Nicholas Pryor.

Production values are slick and stylish as ever. The music has energy and has presence but also not making the mistake of over-scoring, while it is hard to forget or resist the theme tune.

In summary, very good and almost great, could have been better if credibility was more consistent and the ending did initially perplex as much. 8/10 Bethany Cox