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» » Mad Men Babylon (2007–2015)

Short summary

The Agency is looking to land an advertising contract to promote tourism to Israel. Don and his team try to come up with a theme but know so little about the country that they're stumped. So Don calls Rachel Menken to see if she has any ideas. Roger Sterling is getting tired of sneaking around with Joan Holloway and suggests she should get her own apartment but she knows better. Peggy comes up with an advertising concept during a testing session for a new line of lipsticks and she's subsequently asked to write copy.

The colored comic strip on the front page of the Sunday newspaper that Don Draper picks up from the table is Peanuts by Charles M. Schulz. It was not uncommon during 1960 for the Sunday funnies to be printed in color and posted to the front page of the newspaper (to boost sales at newsstands). The most popular strip at that time was Peanuts.

The book Don reads in bed is "The Best of Everything" by Rona Jaffe.

The toy on the stairs that Don slips on is a Wheel-O, or Magnet Space Wheel, which first appeared in 1953 and has since remained popular. The wheel has a magnetic axle that keeps it rolling on a curved rail in an "endless loop".

At one point, Don Draper suggests Israel would be better off if they 'stopped blowing up hotels'. The hotel to which he is referring is the King David Hotel in Jerusalem, which was bombed by Israeli freedom fighters in 1946 killing dozens of people. At the time the hotel housed the British administrative headquarters in Palestine.

On the walls of Bert Cooper's Japanese themed office hangs a copy of "The Dream of the Fisherman's Wife", a piece by Hokusai from 1814. This picture is often erroneously believed to have inspired the quite grotesque Japanese tentacle erotica branch (it is in fact a result of Japan's policy of censoring genitalia in all forms of pornography).

The book that the Israeli tourism representatives show Don, and which various characters discuss throughout the episode, is the novel Exodus by Leon Uris, which was published in 1958.

After Don describes Israel as "utopia," Rachel tells Don that she learned at Barnard that "the Greeks" had two words for it (one meaning "a good place" and one meaning "the place that cannot be"). In fact, the word "utopia" was coined by Sir Thomas More in 1551, using Ancient Greek elements for a book written in Latin. The script is referring to possible homophones derived from Ancient Greek elements ("eu" + "topos" and "ou" + "topos," respectively) but not actual Ancient Greek words.

Actress Talia Balsam makes her second appearance in the series (her first was in the second episode, Ladies Room) as Roger Sterling's wife, Mona. She is the daughter of actors Martin Balsam and Joan Van Patten. She and John Slattery (who plays Roger Sterling) are married in real life. Talia was previously married to actor George Clooney.

David Carbonara: The composer for Mad Men plays with the band in the bohemian hangout that Midge takes Don to at the end of the episode. He can be seen back and to the right of the singer (from the viewer's perspective). Note: The song is entitled "Babylon", like the episode title.

User reviews


  • comment
    • Author: Lilegha
    As hinted by the title, the sixth episode of Mad Men is one of its richest in terms of hidden meanings and deeper truths, while still retaining its standard polished exterior and exquisite dialogue scenes, which provide further development for previously underused characters.

    The main storyline concerns the agency's task of coming up with an ad campaign to increase tourists' interest in Israel, but it quickly emerges no one, including Don, who even reads the book Exodus in search for advice, knows much about the country. As a last resort, Don resorts to Rachel's help, causing the woman to come to terms with her feelings for him. To further complicate things, he later spends some time with his occasional mistress Midge, and the experience turns out to be quite cathartic. Back at the office, Peggy shows unexpected skills that pave the way for a new career move, while Roger has to deal with his affair with Joan.

    One of Babylon's most important scenes is a discussion between Don and Rachel on the subject of utopia, a word whose current meaning of "ideal world" is most likely a misinterpretation of the original Greek, which means "non-place", i.e. a place that doesn't exist. In a way, that word is the perfect summation of life at Sterling Cooper, where executives come up with pitches for titillating but ultimately unfulfilling fantasies in the shape of commercial campaigns, and everyone else lives in a sort of "dream world" helping bring these fantasies to life. It is also a perfect picture for Don's life, from his mysterious past - which makes his Draper persona a utopia of his own - to his shallow womanizing, and the concept enables Hamm to shine in another great set of scenes, notably with Maggie Siff. Additionally, the episode deserves praise for the direction Peggy is taking as a character, not to mention the delightful interaction between Christina Hendricks (one of the show's unsung heroes) and John Slattery, which give Mad Men the right to be part of a very special utopia: that of outstanding television.
  • comment
    • Author: Usic
    This episode, early in the series, was a great help in setting up the tone of the show when it wasn't fully established. This episode had a few aspects of it. The first: Israel tourism, and the second: Peggy.

    Firstly, the Israel tourism plot was a very interesting one. It truly sunk in that not even one of the advertising agents was either Jewish or knew enough about Israel to help. When Draper finally finds an old Jewish friend, he finds she does not know much about Israel. Later, it is strange when they begin an affair. This is only strange to me because earlier in the episode it seemed like she hated him. Perhaps this is meant to say something about the persuasiveness of advertising.

    Secondly, Peggy comes up with a catchphrase, even though everyone thought she was just a secretary. While "basket full of kisses" isn't groundbreaking, it is very catchy and clever, if you ask me, and the agents recognize this, if they are quite surprised by her sudden ideas.

    A very under toned episode of "Mad Men," and one that truly helped with exposition of the show.
  • comment
    • Author: Hulore
    Mad Men

    Mad Men; one of the most acclaimed series by critics, loved by the fans and buzzed at the award shows, is a character driven series created by Matthew Weiner depicting the inner world of an ad agencies set in '60s in New York. The writing is sharp, elaborative, adaptive and exquisite that keeps the audience tangled in its not-so-likable and faulty world on the edge of their seat.

    It is rich on technical aspects like projecting the chemistry among the characters, stunning cinematography, beautiful camera work, references mentioned in the conversations and the classic tone of the series that makes it supremely watchable.

    The primary reason why the series stands alone is not only its nature to work in a metaphorical way but to weave out a poem from the sequence, is the genuine soul behind it that attains a certain closure in each episode. The performance objective is score majestically by the cast especially by the protagonist Jon Hamm who is supported convincingly by the cast like Elisabeth Moss, Vincent Kartheiser, January Jones and John Slattery.

    The practical conversations, the whistle-blowing dialogues, three-dimensional characters, excellent execution, finely detailed set-pieces, alluring costume design are the high points of the series that helps it enter the major league.

    Season 01

    The first act is aptly written and executed that flaunts its skills through various sequences whether it be then office politics, emotional drama, love track, business tactics or thought-provoking policies which depicts the wide range of the series that it not only attempts to reach but grasps it and holds it throughout the course of it.

    Babylon

    The take on the simplistic office political drama is executed brilliantly and is build-up with character's perspective that helps create an intriguing arc keeping the audience tangled into its spiraled webs by its multiple characters.
  • comment
    • Author: Narim
    The agency tries to come up with marketing for tourism to Israel. They also work with lipsticks and we see men with their mistresses.

    A pretty good episode. The whole Israel thing was pretty symbolic. I especially liked the conversation Don and Rachel had.

    It is also interesting where Peggy's story turns. Her clever sayings give her an opportunity to write. This can develop in a pretty good story for the character. The whole lipstick scene was actually very well done with all women trying the lipsticks.

    Don and Midge going with her friend to that art show made me think those weren't even 60's. Reminded me of today's left and their art which I feel pretty much like Don does about.
  • comment
    • Author: Brightcaster
    Peggy hasn't been taken all that seriously, and she has been viewed as just another secretary, full of "earnestness". However, that changes here as she offers a tag line ("basket full of kisses" referring to a waste basket with lipstick imprints on napkins during a "brainstorming" session) that impresses a couple of the ad execs (one played by Bill Murray's brother, Joel). She is told by Joan that there's a chance for her to do more than file documents in a cabinet and be at Don's every beck and call. Now Peggy has a chance to pitch! This is a big deal, and Joan seems a bit jealous (it is hard for her to contain it but Joan does everything, even mad, sexy; she's all presentation and quite a performance artist Joan is). We learn that Joan is having an affair with Sterling (no surprise, right? Another affair…), and the two meet at a hotel to assume their tawdry sexcapades. Don and his team is saddled with a job to encourage tourism in Israel, with a campaign that attracts Americans and others to the Jewish clients' country. Don tries to maintain a healthy marriage with his dutiful gorgeous (and vacuous) wife, an affair with a beatnik artist who seems less and less his type the longer they continue, and a relationship with a client he is thoroughly attracted to and affectionate for (he even asks for a lunch to scan her brain for ideas in his Jewish clients campaign because she is a Jew). The episode ends with Don hanging out at a beatnik club, sticking out like a sore thumb, encouraged to attend by his lover. Don and his client, Rachel (Maggie Siff), just have fireworks and can't seem to escape each other…their chemistry and attraction is hard to deny. Because Don has committed to the "American Dream" of the domestic ideal with the pretty wife, two kids, and perfectly kept house, he is walking the razor's edge with carrying on one affair while on the verge of starting another one. That balancing act will not exactly be easy! As seen here, the men in the office don't exactly have a flattering view of the women that work there, considering them the perfect guinea pigs who "speak moron." Watching behind the glass of the "test room" are the execs, gleefully commenting on the ladies as if an audience watching clowns, mockingly amused. Pop culture is all the rage in this series as Betty speaks to Don about how old Joan Crawford looks with her "caterpillar eyebrows". In a previous episode, some of the boys in the officer were listening to a Bob Newhart standup record. It is a fun little aside the show has in its favor considering when Mad Men takes place.
  • comment
    • Author: Skilkancar
    Don is preparing breakfast. He set up a nice tray to take up to his wife Betty. As he goes up, he trips and falls, lying on floor brings back memories of his childhood, as memories flood to him, reliving the birth of a baby, that is supposed to be his brother, something that is not sot so. Later he is seen in bed with his wife. They talk about Joan Crawford, whom Betty thinks has not aged well, when she compares the actress to her own mother.

    At the agency there is a meeting planned with the Israeli tourist board. They are thinking to model their campaign to attract visitors to their country, basing their motivation on the Sterling-Cooper work for Rio de Janeiro. The executives are excited to turn their famous spots to people that will feel they are in Europe.

    Roger is surprised by Mona and his daughter Margaret. They stopped by on their way to a beauty salon where the young woman is going to have a haircut. Joan and Roger are seen next in a hotel room where they have had sex; he is wearing his boxer shorts and Joan comes from the bathroom wearing a slip and bra. Joan feels he has been too hard on the girl, to which he replies that he feels the past year has been one of the happiest of his life because of Joan has made the difference.

    The junior executives are having a fun time making fun of the prospect of getting into the Israel account. After the meeting Don calls Rachel to discuss with her this new development, thinking she must have a valid point. They meet for lunch where she shows a bit of impatience with Don thinking he is asking her because she is Jewish, and wondering at the same time, if he does not know any other Jews.

    Fred Rumsen wants to have a feedback from the women in the office on the Belle Jollie lipstick. For that, Joan takes the girls into a room with a one way mirror. The women are to try their favorite colors. Peggy sits on a corner never smearing any color to her lips. After the women leave there is a basket full of tissues that served to dry their lips. Peggy presents it to Fred calling it 'a basket of kisses' as each tissue shows a different color. The catchy phrase gives him a marketing idea, as he brings it to Don's attention.

    Don arrives at Midge's place by surprise. He wants her at that moment, as it is clearly shown by the way he grabs her. While on an embrace, the doorbell rings. Midge goes to the door to find Roy. He came to take her to see a friend performing at the Gaslight. Roy proves to be an annoying thing for Don, who clearly had another idea for Midge and him.

    The episode was written by Andre and Maria Jaquemetton, producers of the series. One of the themes from the chapter shows Roger's hypocrisy with the double life he leads. The other main idea that runs through this installment is the way ad agencies treated their Jewish clients, which also was hypocritical, at best. The waspish junior executives making fun behind the closed door of the Israel's campaign. Andrew Bernstein directed.
  • Episode cast overview, first billed only:
    Jon Hamm Jon Hamm - Don Draper
    Elisabeth Moss Elisabeth Moss - Peggy Olson
    Vincent Kartheiser Vincent Kartheiser - Pete Campbell
    January Jones January Jones - Betty Draper
    Christina Hendricks Christina Hendricks - Joan Holloway
    Bryan Batt Bryan Batt - Salvatore Romano
    Michael Gladis Michael Gladis - Paul Kinsey
    Aaron Staton Aaron Staton - Ken Cosgrove
    Rich Sommer Rich Sommer - Harry Crane
    Maggie Siff Maggie Siff - Rachel Menken
    Rosemarie DeWitt Rosemarie DeWitt - Midge Daniels
    John Slattery John Slattery - Roger Sterling
    Talia Balsam Talia Balsam - Mona Sterling
    Ian Bohen Ian Bohen - Roy Hazelitt
    Rebecca Creskoff Rebecca Creskoff - Barbara Katz
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